A #Cannes2017 ranking

Tier 0 (9.0+)
Twin Peaks [Parts 1 & 2] (David Lynch)

Tier 1 (8.0 – 8.9)
Jeannette: The Childhood of Joan of Arc (Bruno Dumont)

Tier 2 (7.0 – 7.9)
Faces Places (Agnès Varda & JR)
24 Frames (Abbas Kiarostami)

Tier 3 (6.0 – 6.9)
BPM (Beats Per Minute) (Robin Campillo)
Wonderstruck (Todd Haynes)
Good Time (Josh & Benny Safdie)
The Nothing Factory (Pedro Pinho)
Claire’s Camera (Hong Sang-soo)
Let the Sun Shine In (Claire Denis)
Before We Vanish (Kiyoshi Kurosawa)
Lover for a Day (Philippe Garrel)
The Meyerowitz Stories (Noah Baumbach)
The Florida Project (Sean Baker)
The Rider (Chloé Zhao)
The Day After (Hong Sang-soo)
Western (Valeska Grisebach)
Gabriel and the Mountain (Fellipe Barbosa)
The Beguiled (Sofia Coppola)
The Killing of a Sacred Deer (Yorgos Lanthimos)

Tier 4 (5.0 – 5.9)
12 Days (Raymond Depardon)
Napalm (Claude Lanzmann)
I Am Not a Witch (Rungano Nyoniand)
Happy End (Michael Haneke)
Redoubtable (Michel Hazanavicius)
Makala (Emmanuel Gras)
Closeness (Kantemir Balagov)
You Were Never Really Here (Lynne Ramsay)
Ismaël’s Ghosts (Arnaud Desplechin)
Alive in France (Abel Ferrara)

Tier 5 (4.0 – 4.9)
Frost (Sharunas Bartas)
A Ciambra (Jonas Carpignano)
Barbara (Mathieu Amalric)
Radiance (Naomi Kawase)
Based On a True Story (Roman Polanski)
A Gentle Creature (Sergei Loznitsa)
The Square (Ruben Östlund)
Golden Years (André Téchiné)

Tier 6 (3.0 – 3.9)
Rodin (Jacques Doillon)
Loveless (Andrey Zvyagintsev)
In the Fade (Fatih Akin)

Tier 7 (2.0 – 2.9)
Jupiter’s Moon (Kornél Mundruczó)
L’Amant Double (François Ozon)