NYFF53 / Projections / (maybe) NYC Rep schedule
September 28
2:45PM – Luminous Intimacy: The Late Quartet
– Summer (Nathaniel Dorsky, 2013, 16mm, 23m)
– February (Nathaniel Dorsky, 2014, 16mm, 17m)
– Avraham (Nathaniel Dorsky, 2014, 16mm, 20m)
– December (Nathaniel Dorsky, 2014, 16mm, 15m)
5PM – Luminous Intimacy: Contemplations
– Love’s Refrain (Nathaniel Dorsky, 2000-01, 16mm, 23m)
– Intimations (Nathaniel Dorsky, 2015, 16mm, 18m)
– Prelude (Nathaniel Dorsky, 2015, 16mm, 20m)
7PM – Luminous Intimacy: Early Sounds/Middle Silence
+ Ingreen (Nathaniel Dorsky, 1964, 16mm, 12m)
+ A Fall Trip Home (Nathaniel Dorsky, 1964, 16mm, 11m)
+ Summerwind (Nathaniel Dorsky, 1965, 16mm, 14m)
– Kodachrome Dailies from the Time of Song and Solitude (Reel 1) (Nathaniel Dorsky, 2005-06, 16mm, 40m)
September 29
2:15PM + Bring Me the Head of Tim Horton (Guy Maddin, Evan Johnson, & Galen Johnson, Canada, 2015, Digital, 31m)
3PM – Luminous Intimacy: Hours and More for Jerome
– Two Personal Gifts aka Fool’s Spring (Jerome Hiler & Nathaniel Dorsky, 1966-67, 16mm, 7m)
– Hours for Jerome Part 1 (Nathaniel Dorsky, 1966-82, 16mm, 21m)
– Hours for Jerome Part 2 (Nathaniel Dorsky, 1966-82, 16mm, 24m)
5PM – Luminous Intimacy: Passing Glances
+ In the Stone House (Jerome Hiler, 1967-70/2012, 16mm, 35m)
– New Shores (Jerome Hiler, 1970-90/2012, 16mm, 35m)
7PM – Luminous Intimacy: Inhabited Places
– Marginalia (Jerome Hiler, 2015, 16mm, 23m)
– Gladly Given (Jerome Hiler, 1997, 16mm, 10m)
+ Words of Mercury (Jerome Hiler, 2011, 16mm, 25m)
September 30
10:30AM – The Walk (Robert Zemeckis, 2015, 3D-DCP, 124m)
3PM – Luminous Intimacy: Excavations
– Pneuma (Nathaniel Dorsky, 1977-83, 16mm, 28m)
– 17 Reasons Why (Nathaniel Dorsky, 1985-87, 16mm, 19m)
– Alaya (Nathaniel Dorsky, 1976-87, 16mm, 28m)
5PM – Luminous Intimacy: Three Cinematic Songs
– Triste (Nathaniel Dorsky, 1974-96, 16mm, 19m)
– Variations (Nathaniel Dorsky, 1992-98, 16mm, 24m)
– Arbor Vitae (Nathaniel Dorsky, 1999-2000, 16mm, 28m)
7PM – Luminous Intimacy: Three Devotional Songs
+ Song and Solitude (Nathaniel Dorsky, 2005-06, 16mm, 21m)
– Threnody (Nathaniel Dorsky, 2004, 16mm, 25m)
– The Visitation (Nathaniel Dorsky, 2002, 16mm, 18m)
9PM – +Blow Out (Brian De Palma, USA, 1981, DCP, 107m)
October 1
3PM – Luminous Intimacy: The Quartet
– Sarabande (Nathaniel Dorsky, 2008, 16mm, 15m) [got to theatre late]
+ Compline (Nathaniel Dorsky, 2009, 16mm, 19m)
+ Aubade (Nathaniel Dorsky, 2010, 16mm, 12m)
– Winter (Nathaniel Dorsky, 2007, 16mm, 22m)
5PM – Luminous Intimacy: New Beginnings
+ The Return (Nathaniel Dorsky, 2011, 16mm, 27m)
+ Pastourelle (Nathaniel Dorsky, 2010, 16mm, 16m)
+ August and After (Nathaniel Dorsky, 2012, 16mm, 19m)
7PM – Luminous Intimacy: Worlds Emerging
+ April (Nathaniel Dorsky, 2012, 16mm, 26m)
+ Song (Nathaniel Dorsky, 2013, 16mm, 19m)
+ Spring (Nathaniel Dorsky, 2013, 16mm, 23m)
October 2
2PM – Projections Program 1
+ Neither God nor Santa María
(Samuel M. Delgado & Helena Girón, USA, 2014, 16mm, 8m)
+ Something Horizontal (Blake Williams, USA/Canada, 2015, HDCAM, 10m
)
+ Analysis of Emotions and Vexations (
Wojciech Bakowski, Poland, 2015, Digital, 13m
)
+ Traces/Legacy
(Scott Stark, USA, 2015, 35mm, 9m)
+
Entangled (Riccardo Giacconi, Colombia/Italy, 2014, Digital, 37m)
4:15PM – Projections Program 2
+ Prima Materia (
Charlotte Pryce, USA, 2015, 16mm, 3m)
–
Intersection (
Vincent Grenier, USA, 2015, DCP, 7m)
–
Port Noir (
Laura Kraning, USA, 2014, Digital, 11m)
–
Centre of the Cyclone (
Heather Trawick, USA/Canada, 2015, 16mm, 18m
)
– The Devastated Land
(Emmanuel Lefrant, France, 2015, 35mm, 12m
)
– Cathode Garden
(Janie Geiser, USA, 2015, DCP, 8m)
–
Something Between Us
(Jodie Mack, USA, 2015, 16mm, 10m)
–
brouillard – passage 15
(Alexandre Larose, Canada, 2014, 35mm, 10m)
6:30PM – Projections Program 3
+
A Distant Episode (
Ben Rivers, UK/Morocco, 2015, Digital, 18m
)
–
In Girum Imus Nocte (
Giorgio Andreotta Calò, Italy, 2015, Digital, 13m)
–
Half Human, Half Vapor (
Mike Stoltz, USA, 2015, 16mm, 11m)
+
Occidente (
Ana Vaz, France/Portugal, 2014, 16mm/Digital, 15m)
+
YOLO
(Ben Russell, USA/South Africa, 2015, DCP, 7m)
–
Ah humanity! (
Ernst Karel, Verena Paravel, & Lucien Castaing-Taylor, Japan/France/USA, 2015, DCP, 22m)
9PM – Projections Program 1
+ Neither God nor Santa María
(Samuel M. Delgado & Helena Girón, USA, 2014, 16mm, 8m)
+ Something Horizontal (Blake Williams, USA/Canada, 2015, HDCAM, 10m
)
+ Analysis of Emotions and Vexations (
Wojciech Bakowski, Poland, 2015, Digital, 13m
)
+ Traces/Legacy
(Scott Stark, USA, 2015, 35mm, 9m)
+
Entangled (Riccardo Giacconi, Colombia/Italy, 2014, Digital, 37m)
October 3
12PM – Projections Program B
+ Terrestrial (Calum Michel Walter, USA, 2015, Digital, 11m
) [file kept glitching out]
–
Night Without Distance
(Lois Patiño, Portugal/Spain, 2015, Digital, 23m)
1PM – Projections Program 4
–
Hard as Opal
(Jared Buckhiester & Dani Leventhal, USA, 2015, Digital, 29m
)
–
Confessions
(Curt McDowell, USA, 1971, 16mm, 11m)
–
Non-Stop Beautiful Ladies
(Alee Peoples, USA, 2015, 16mm, 9m)
–
Mars Garden
(Lewis Klahr, USA, 2014, DCP, 5m)
+
The Exquisite Corpus
(Peter Tscherkassky, Austria, 2015, 35mm, 19m)
3:30PM – Projections Program 5
–
Lost Note
(Saul Levine, USA, 1969/2015, 16mm, 10m)
–
Soft Fiction (
Chick Strand, USA, 1979, 16mm, 54m
)
5:30PM – Projections Program 6
–
Live to Live
(
Laida Lertxundi, USA/Spain, 2015, 16mm, 10m)
– Minotaur (
Nicolas Pereda, Mexico/Canada, 2015, DCP, 53m)
7:15PM – Projections Program 7
– Hello
(Simon Fujiwara, Germany, 2015, Digital, 10m)
+
F for Fibonacci
(Beatrice Gibson, UK, 2014, DCP, 16m)
–
Black Code (
Louis Henderson, France, 2015, DCP, 21m
)
– Lessons of War
(Peggy Ahwesh, USA, 2014, Digital, 6m
)
– Scales in the Spectrum of Space
(Fern Silva, USA, 2015, DCP, 7m)
+
Many Thousands Gone (
Ephraim Asili, USA/Brazil, 2015, Digital, 9m) [left after the Silva]
October 4
12PM – Microbe and Gasoline (Michel Gondry, 2015, France, DCP, 103m)
2:15PM – Projections Program C
–
OM Rider
(Takeshi Murata, USA, 2014, Digital, 12m)
– Rabbit Season, Duck Season
(Michael Bell-Smith, USA, 2014, Digital, 5m
)
– All My Love All My Love
(Hannah Black, UK, 2013-15, Digital, 7m
)
– Velvet Peel 1
(Victoria Fu, 2015, USA, Digital, 13m)
3PM – Don’t Blink: Robert Frank (Laura Israel, 2015, USA/Canada, DCP, 82m)
6PM – Projections Program 10
+ Bunte Kuh (Ryan Ferko, Faraz Anoushahpour & Parastoo Anoushahpour, Canada, 2015, DCP, 6m)
– The Everyday Ritual of Solitude Hatching Monkeys (Basim Magdy, Egypt, 2014, Digital, 13m)
+ Santa Teresa & Other Stories (Nelson Carlo de Los Santos Arias, Dominican Republic/Mexico/USA, 2015, DCP, 65m) [left after the Magby]
7PM – Projections Program 9
– Radio at Night (
James Richards, Germany/UK, 2015, Digital, 8m
)
– All That Is Solid (
Louis Henderson, France/UK/Ghana, 2014, DCP, 15m
)
– Mad Ladders (
Michael Robinson, USA, 2015, Digital, 9m)
–
Erysichthon (
Jon Rafman, Canada, 2015, Digital, 8m
)
– Slow Zoom Long Pause (
Sara Magenheimer, USA, 2015, Digital, 13m
)
– Hyperlinks or It Didn’t Happen
(Cécile B. Evans, UK, 2014, Digital, 22m)
NYFF53 / Projections / (maybe) NYC Rep schedule Read More »
TIFF15 Hierarchy
Key
– Saw at TIFF Proper (between Sept. 10-20)
– Saw at Cannes or Sundance
– Saw at a TIFF pre-festival press screening
– Saw a screener of some kind
Tier 0
–
Tier 1
The Forbidden Room (Guy Maddin & Evan Johnson) – 8.2
Tier 2
Cemetery of Splendour (Apichatpong Weerasethakul) – 7.6
Blood of My Blood (Marco Bellocchio) – 7.5
Arabian Nights: Volume 2, The Desolate One (Miguel Gomes) – 7.5
Arabian Nights: Volume 1, The Restless One (Miguel Gomes) – 7.3
The Treasure (Corneliu Porumboiu) – 7.2
Anomalisa (Charlie Kaufman) – 7.2
Tier 3
Arabian Nights: Volume 3, The Enchanted One (Miguel Gomes) – 6.9
Office (Johnnie To) – 6.7
Right Now, Wrong Then (Hong Sang-soo) – 6.6
Love (Gaspar Noé) – 6.6
One Floor Below (Radu Muntean) – 6.5
Lost and Beautiful (Pietro Marcello) – 6.5
James White (Josh Mond) – 6.5
Neon Bull (Gabriel Mascaro) – 6.4
Disorder (Alice Winocour) – 6.4
The Assassin (Hou Hsiao-hsien) – 6.4
The Other Side (Roberto Minervini) – 6.3
Demolition (Jean-Marc Vallée) – 6.3
In Jackson Heights (Frederick Wiseman) – 6.3
Afternoon (Tsai Ming-liang) – 6.2
In the Shadow of Women (Philippe Garrel) – 6.2
Bleak Street (Arturo Ripstein) – 6.2
Tier 4
Louder than Bombs (Joachim Trier) – 6.1
The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers (Ben Rivers) – 6.1
The Apostate (Federico Veiroj) – 6.0
88:88 (Isiah Medina) – 6.0
High-Rise (Ben Wheatley) – 5.9
Invention (Mark Lewis) – 5.9
Story of Judas (Rabah Ameur-Zaïmeche) – 5.9
Son of Saul (László Nemes) – 5.8
Sector IX B (Mathieu Kleyebe Abonnenc) – 5.7
The Lobster (Yorgos Lanthimos) – 5.7
The Pearl Button (Patricio Guzmán) – 5.7
The Witch (Robert Eggers) – 5.7
Mountains May Depart (Jia Zhangke) – 5.6
45 Years (Andrew Haigh) – 5.6
How Heavy This Hammer (Kazik Radwanski) – 5.6
Yakuza Apocalypse (Takashi Miike) – 5.6
Chevalier (Athina Rachel Tsangari) – 5.5
Campo Grande (Sandra Kogut) – 5.5
The Event (Sergei Loznitsa) – 5.5
Green Room (Jeremy Saulnier) – 5.4
Sleeping Giant (Andrew Cividino) – 5.4
Maggie’s Plan (Rebecca Miller) – 5.4
Tier 5
No Home Movie (Chantal Akerman) – 5.3
Les Cowboys (Thomas Bidegain) – 5.3
Sunset Song (Terence Davies) – 5.3
The Wait (Piero Messina) – 5.2
Hong Kong Trilogy: Preschooled Preoccupied Preposterous (Christopher Doyle) – 5.1
Mustang (Deniz Gamze Ergüven) – 5.0
My Mother (Nanni Moretti) – 5.0
The Martian (Ridley Scott) – 4.9
Taxi (Jafar Panahi) – 4.9
Where to Invade Next (Michael Moore) – 4.9
Dheepan (Jacques Audiard) – 4.9
Evolution (Lucile Hadžihalilovic) – 4.8
Santa Teresa & Other Stories (Nelson De Los Santos Arias) – 4.7
Hitchcock/Truffaut (Kent Jones) – 4.6
Bang Gang (A Modern Love Story) (Eva Husson) – 4.6
Our Little Sister (Hirokazu Kore-eda) – 4.6
Francofonia (Alexander Sokurov) – 4.6
Tier 6
Sicario (Denis Villeneuve) – 4.5
The Club (Pablo Larraín) – 4.5
Heart of a Dog (Laurie Anderson) – 4.5
From Afar (Lorenzo Vigas) – 4.5
Youth (Paolo Sorrentino) – 4.4
Journey to the Shore (Kiyoshi Kurosawa) – 4.3
Incident Light (Ariel Rotter) – 4.1
Our Brand is Crisis (David Gordon Green) – 4.0
Embrace of the Serpent (Ciro Guerra) – 3.9
Brooklyn (John Crowley) – 3.8
Tier 7
11 Minutes (Jerzy Skolimowski) – 3.5
Shorts (these may or may not be ordered from favourite to least favourite [or vice versa])
3D Movie (1975, Paul Sharits)
Bring Me the Head of Tim Horton (Guy Maddin, Evan Johnson, & Galen Johnson)
Terrestrial (Calum Walter)
Palms (Mary Helena Clark)
Actua 1 (1968, Philippe Garrel)
Time for Outrage! (Friedl vom Gröller)
Neither God nor Santa Maria (Samuel M. Delgado & Helena Girón)
Engram of Returning (Daïchi Saïto)
The Reminder (Behrouz Rae)
Solo for Rich Man (Beatrice Gibson)
Fugue (Kerstin Schrödinger)
Bunte Kuh (Ryan Ferko, Parastoo Anoushahpour, & Faraz Anoushahpour)
Faux Départ (False Start) (Yto Barrada)
Tarlabaşı (Cynthia Madansky)
Analysis of Emotions and Vexations (Wojciech Bąkowski)
Occidente (Ana Vaz)
Navigator (Björn Kämmerer)
Prima Materia (Charlotte Pryce)
YOLO (Ben Russell)
Many Thousands Gone (Ephraim Asili)
Untitled (Behrouz Rae)
Théodolitique (David K. Ross)
The Exquisite Corpus (Peter Tscherkassky)
A Distant Episode (Ben Rivers)
UNcirCling (John Creson & Adam Rosen)
Bird Heart (Halfdan Olav Ullmann Tøndel)
Psychic Driving (William E. Jones)
The Fire in My Brain That Separates Us (Benjamin Ramírez Pérez)
Office Space Modulation (Terrarea [aka Janis Demkiw, Emily Hogg, & Olia Mishchenko])
An Old Dog’s Diary (Shai Heredia & Shumona Goel)
BAM (Howie Shia)
A Few Seconds (Nora El Hourch)
The Magnetic The Magnetic Nature (Mateo Bendesky)
4 Quarters (Ashley McKenzie)
Rate Me (Fyzal Boulifa)
The Man Who Shot Hollywood (Barry Avrich)
The Chickening (Davy Force & Nick DenBoer)
*Something Horizontal (Blake Williams)
Shit Year: My TIFF 2015 Schedule
September 10
9:45AM – Hitchcock/Truffaut (Kent Jones) – 4.6
11:30AM – Ixcanul (Jayro Bustamante) – W/O
12:30PM – +One Floor Below (Radu Muntean) – 6.5 [same]
2:45PM – In Jackson Heights (Frederick Wiseman) – 6.3
6:30PM – The Pearl Button (Patricio Guzmán) – 5.7
8:30PM – Fallen Objects opening reception
September 11
8:45AM – The Chickening (Davy Force & Nick DenBoer) + Green Room (Jeremy Saulnier) – 5.4
11:00AM – The Martian (Ridley Scott) – 4.9
4:45PM – Office (Johnnie To) – 6.9
7:00PM – Wavelengths 1: Fire in the Brain
+ 3D Movie (1975, Paul Sharits)
– Fugue (Kerstin Schrödinger)
– Prima Materia (Charlotte Pryce)
– The Fire in My Brain That Separates Us (Benjamin Ramírez Pérez)
+ Something Horizontal (Blake Williams)
– The Exquisite Corpus (Peter Tscherkassky)
September 12
8:45AM – 11 Minutes (Jerzy Skolimowski) – 3.5
11:30AM – Evolution (Lucile Hadžihalilovic) – 4.8
2:00PM – Apichatpong Weerasethakul in conversation with Dennis Lim
4:45PM – Bang Gang (A Modern Love Story) (Eva Husson) – 4.6
7:45PM – Wavelengths 2: YOLO
– A Distant Episode (Ben Rivers)
– An Old Dog’s Diary (Shai Heredia & Shumona Goel)
– The Reminder (Behrouz Rae)
– Solo for Rich Man (Beatrice Gibson)
– YOLO (Ben Russell)
– Analysis of Emotions and Vexations (Wojciech Bąkowski)
+ Bunte Kuh (Ryan Ferko, Parastoo Anoushahpour, & Faraz Anoushahpour)
September 13
10:00AM – Anomalisa (Charlie Kaufman) – 7.2
12:00PM – Sunset Song (Terence Davies) – 5.3
3:00PM – Maggie’s Plan (Rebecca Miller) – 5.4
5:00PM – From Afar (Desde Allá) (Lorenzo Vigas) – 4.5
7:30PM – Wavelengths 3: Light Space Modulator
– Navigator (Björn Kämmerer)
– Théodolitique (David K. Ross)
– Office Space Modulation (Terrarea [aka Janis Demkiw, Emily Hogg, & Olia Mishchenko])
– Palms (Mary Helena Clark)
– Occidente (Ana Vaz)
– Terrestrial (Calum Walter)
– Tarlabaşı (Cynthia Madansky)
9:45PM – Faux Départ (False Start) (Yto Barrada) + Sector IX B (Mathieu Kleyebe Abonnenc) – 5.7
September 14
11:30AM – High-Rise (Ben Wheatley) – 5.9
1:45PM – Bleak Street (Arturo Ripstein) – 6.2
4:15PM – Incident Light (Ariel Rotter) – 4.1
7:15PM – Wavelengths 4: Psychic Driving
+ Actua 1 (1968, Philippe Garrel)
– Time for Outrage! (Friedl vom Gröller)
– Untitled (Behrouz Rae)
– Many Thousands Gone (Ephraim Asili)
– Neither God nor Santa Maria (Samuel M. Delgado & Helena Girón)
– Psychic Driving (William E. Jones)
– UNcirCling (John Creson & Adam Rosen)
– Engram of Returning (Daïchi Saïto)
September 15
9:00AM – The Apostate (Federico Veiroj) – 6.0
11:15AM – +Office (Johnnie To) – 6.7 [down from 6.9]
2:00PM – Parisienne (Danielle Arbid) – W/O
3:45PM – Bring Me the Head of Tim Horton (Guy Maddin, Evan Johnson, & Galen Johnson)
7:00PM – Blood of My Blood (Marco Bellocchio) – 7.5
September 16
11:30AM – Demolition (Jean-Marc Vallée) – 6.3
2:15PM – Hong Kong Trilogy: Preschooled Preoccupied Preposterous (Christopher Doyle) – 5.1
4:45PM – The Event (Sergei Loznitsa) – 5.5
10:15PM – Francofonia (Alexander Sokurov) – 4.6
September 17
4:45PM – Afternoon (Tsai Ming-liang) – 6.2
9:30PM – Frenzy (Emin Alper) – W/O
September 18
9:00AM – Campo Grande (Sandra Kogut) – 5.5
3:15PM – Sky (Fabienne Berthau) – W/O
6:00PM – The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers (Ben Rivers) – 6.1
8:15PM – The Club (Pablo Larraín) – 4.5
September 19
9:45AM – Story of Judas (Rabah Ameur-Zaïmeche) – 5.9
12:00PM – Our Brand is Crisis (David Gordon Green) – 4.0
3:00PM – Yakuza Apocalypse (Takashi Miike) – 5.6
September 20
10:00AM – +The Treasure (Corneliu Porumboiu) – 7.2 [same]
12:30PM – The Wait (Piero Messina) – 5.2
2:45PM – Les Cowboys (Thomas Bidegain) – 5.3
6:00PM – Where to Invade Next (Michael Moore) – 4.9
10:00PM – Neon Bull (Gabriel Mascaro) – 6.4
Films that would be priorities for me if I hadn’t already seen them:
The Forbidden Room (Guy Maddin & Evan Johnson) – 8.2
Cemetery of Splendour (Apichatpong Weerasethakul) – 7.6
Arabian Nights: Volume 2, The Desolate One (Miguel Gomes) – 7.5
Arabian Nights: Volume 1, The Restless One (Miguel Gomes) – 7.3
The Treasure (Corneliu Porumboiu) – 7.2
Arabian Nights: Volume 3, The Enchanted One (Miguel Gomes) – 6.9
Right Now, Wrong Then (Hong Sang-soo) – 6.6
Love (Gaspar Noé) – 6.6
James White (Josh Mond) – 6.5
One Floor Below (Radu Muntean) – 6.5
Lost and Beautiful (Pietro Marcello) – 6.5
The Assassin (Hou Hsiao-hsien) – 6.4
Disorder (Alice Winocour) – 6.4
The Other Side (Roberto Minervini) – 6.3
In the Shadow of Women (Philippe Garrel) – 6.2
Louder than Bombs (Joachim Trier) – 6.1
88:88 (Isiah Medina) – 6.0
Invention (Mark Lewis) – 5.9
Son of Saul (László Nemes) – 5.8
The Lobster (Yorgos Lanthimos) – 5.7
The Witch (Robert Eggers) – 5.7
Mountains May Depart (Jia Zhangke) – 5.6
45 Years (Andrew Haigh) – 5.6
How Heavy This Hammer (Kazik Radwanski) – 5.6
Chevalier (Athina Rachel Tsangari) – 5.5
Sleeping Giant (Andrew Cividino) – 5.4
No Home Movie (Chantal Akerman) – 5.3
Mustang (Deniz Gamze Ergüven) – 5.0
My Mother (Nanni Moretti) – 5.0
Taxi (Jafar Panahi) – 4.9
Dheepan (Jacques Audiard) – 4.9
Santa Teresa & Other Stories (Nelson De Los Santos Arias) – 4.7
Our Little Sister (Hirokazu Kore-eda) – 4.6
Sicario (Denis Villeneuve) – 4.5
Heart of a Dog (Laurie Anderson) – 4.5
Youth (Paolo Sorrentino) – 4.4
Journey to the Shore (Kiyoshi Kurosawa) – 4.3
Embrace of the Serpent (Ciro Guerra) – 3.9
Brooklyn (John Crowley) – 3.8
Shit Year: My TIFF 2015 Schedule Read More »
TIFF 2015 Line-Up
Key: Features (40min. and up) are in bold. Shorts are in italics. ★ - I have seen this film and recommend it (6.0 and higher) ✖ - I have seen this film and recommend you don't (3.9 and lower). ● - I have seen this film. It's aight. ○ - I am seriously considering making an attempt to see this film. ☀︎ - I made this film. 🔥 - This film can go to hell. 📺 - This film is a TV show. ⌛️ - This film is over 150 minutes long. 🍁 - This film is predominantly Canadian in my opinion. FS - This film is available for me to watch on Festival Scope. ® - This film has a Canadian distributor. ® - This film has a US distributor. 16mm, 35mm, 70mm - It'll be screened from a film print.- Triple D. Colour coding: NYFF - Main Selection only, sans Opening, Closing, and Centerpiece films, i.e. biopics. SUNDANCE - Gather up the fragments that remain, that nothing be lost. BERLINALE - Sordid Realism. CANNES - Festival of Splendour. LOCARNO - Akermania. VENICE - Something Orizzonti. NOTABLES - Films by filmmakers whose new work I actively anticipate, perhaps ill-advisedly. Also, films with good notices from the other major festivals (Rotterdam, BAFICI, SxSW, Tribeca, etc.). (Colours trump each other hierarchically, so e.g. a film that played both Berlin and Cannes will be red, unless e.g. it ends up in the NYFF Main Slate in which case it will become purple.)
Contemporary World Cinema (60; last year: 58)
An (Naomi Kawase)
The Apostate (Federico Veiroj) ○
As I Open My Eyes (Leyla Bouzid)
Baba Joon (Yuval Delshad)
Box (Florin Șerban)
Campo Grande (Sandra Kogut)
Chevalier (Athina Rachel Tsangari) ® ●
A Copy of My Mind (Joko Anwar)
Cuckold (Charlie Vundla)
Embrace of the Serpent (Ciro Guerra) ® ✖
The Endless River (Oliver Hermanus)
The Fear (La Peur) Damien Odoul)
Frenzy (Emin Alper) ○
Girls Lost (Alexandra-Therese Keining)
Granny’s Dancing on the Table (Hanna Sköld)
A Heavy Heart ((Herbert) Thomas Stuber)
How Heavy This Hammer (Kazik Radwanski) 🍁 ●
Homesick (Anne Sewitsky)
Hong Kong Trilogy: Preschooled Preoccupied Preposterous (Christopher Doyle) ○
Honor Thy Father (Erik Matti)
I Promise You Anarchy (Julio Hernández Cordón)
In the Room (Eric Khoo)
Invisible (Lawrence Fajardo)
Incident Light (Ariel Rotter) ○
Ivy (Tolga Karaçelik) FS
Jack (Elisabeth Scharang)
Journey to the Shore (Kiyoshi Kurosawa) ●
The Kind Words (Shemi Zarhin)
Koza (Ivan Ostrochovský) FS
Lamb (Yared Zeleke) ○
Last Cab to Darwin (Jeremy Sims)
Let Them Come (Salem Brahimi)
Magallanes (Salvador del Solar)
Mekko (Sterlin Harjo)
A Month of Sundays (Matthew Saville)
Much Loved (Nabil Ayouch) ○
Murmur of the Hearts (Sylvia Chang)
My Internship in Canada (Philippe Falardeau) ® 🍁
One Breath (Christian Zübert)
One Floor Below (Radu Muntean) ® ★
Our Loved Ones (Anne Émond) ® 🍁 ○
Parisienne (Danielle Arbid) ○
Paths of the Soul (Zhang Yang)
The People vs. Fritz Bauer (Lars Kraume)
Price of Love (Hermon Hailay)
Rams (Grímur Hákonarson) ® ® ○
Schneider vs. Bax (Alex van Warmerdam) ○
Song of Songs (Eva Neymann)
Sparrows (Rúnar Rúnarsson)
Starve Your Dog (Hicham Lasri)
The Steps (Andrew Currie) ®
Story of Judas (Rabah Ameur-Zaïmeche) ○
Stranger (Yermek Tursunov)
Thank You for Bombing (Barbara Eder)
The Treasure (Corneliu Porumboiu) ★
3000 Nights (Mai Masri)
Truman (Cesc Gay)
25 April (Leanne Pooley)
The Waiting Room (Igor Drljaca) 🍁
The Whispering Star (Sion Sono) ○
Special Presentations (56; last year: 71)
About Ray (Gaby Dellal) ® ®
Angry Indian Goddesses (Pan Nalin)
Anomalisa (Charlie Kaufman & Duke Johnson) ○
Beasts of No Nation (Cary Fukunaga) ® ®
Being Charlie (Rob Reiner)
Black Mass (Scott Cooper) ® ®
Born to be Blue (Robert Budreau) ® 🍁
Body (Małgorzata Szumowska)
Brooklyn (John Crowley) ® ® ✖
The Club (Pablo Larraín) ® ○
Colonia (Florian Gallenberger)
The Danish Girl (Tom Hooper) ® ®
The Daughter (Simon Stone) ®
Desierto (Jonás Cuarón) ○
Dheepan (Jacques Audiard) ® ® ●
Equals (Drake Doremus)
Families (Jean-Paul Rappeneau) ○
The Family Fang (Jason Bateman)
45 Years (Andrew Haigh) ® ® ●
Guilty (Meghna Gulzar)
I Saw the Light (Marc Abraham) ® ®
I Smile Back (Adam Salky) ® ®
The Idol (Hany Abu-Assad)
Into the Forest (Patricia Rozema) ® 🍁
The Lady in the Van (Nicholas Hytner) ® ®
Len and Company (Tim Godsall)
The Lobster (Yorgos Lanthimos) ® ® ●
London Fields (Matthew Cullen) ®
Louder than Bombs (Joachim Trier) ® ® ★
ma ma (Julio Medem) ®
Maggie’s Plan (Rebecca Miller) ○
The Meddler (Lorene Scafaria) ®
Mountains May Depart (Jia Zhangke) ® ® ●
Mr. Six (Guan Hu)
Mustang (Deniz Gamze Ergüven) ® ® ●
My Mother (Nanni Moretti) ® ® ●
Office (Johnnie To)
○
Our Brand Is Crisis (David Gordon Green) ® ® ○
Parched (Leena Yadav)
Room (Lenny Abrahamson) ® ®
Sicario (Denis Villeneuve) ® ® 🍁 ●
Son of Saul (László Nemes) ® ® 35mm ●
Spotlight (Tom McCarthy) ® ®
Summertime (Catherine Corsini)
Sunset Song (Terence Davies) ○
A Tale of Love and Darkness (Natalie Portman)
A Tale of Three Cities (Mabel Cheung)
Trumbo (Jay Roach) ® ®
Truth (James Vanderbilt) ® ®
Un plus une (Claude Lelouch)
Victoria (Sebastian Schipper) ® ® ○
Ville-Marie (Guy Édoin) ® 🍁
The Wave (Roar Uthaug) ®
Where to Invade Next (Michael Moore) ○
The Witch (Robert Eggers) ® ® ●
Youth (Paolo Sorrentino) ® ●
TIFF Docs (31 30; last year: 21)
Al Purdy Was Here (Brian D. Johnson) ® 🍁
Amazing Grace (Sydney Pollack)
Being AP (Anthony Wonke)
Bolshoi Babylon (Nick Read) ®
Dark Horse (Louise Osmond) ® ®
A Flickering Truth (Pietra Brettkelly)
Guantanamo’s Child: Omar Khadr (Patrick Reed & Michelle Shephard) ® 🍁
He Named Me Malala (Davis Guggenheim) ®
Heart of a Dog (Laurie Anderson) ●
Hitchcock/Truffaut (Kent Jones) ®
Horizon (Bergur Bernburg & Fridrik Thor Fridriksson)
In Jackson Heights (Frederick Wiseman) ® ⌛️ ○
It All Started At The End (Luis Ospina) ⌛️ ○
Janis: Little Girl Blue (Amy Berg)
Je Suis Charlie (Emmanuel & Daniel Leconte)
A Journey of a Thousand Miles: Peacekeepers (Geeta Gandbhir & Sharmeen Obaid-Chinoy)
Miss Sharon Jones! (Barbara Kopple)
The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble (Morgan Neville)
Nasser (Jihan El-Tahri)
Ninth Floor (Mina Shum) ® ® 🍁
Our Last Tango (German Kral)
P.S. Jerusalem (Danae Elon) ®
The Reflektor Tapes (Kahlil Joseph) ® ®
Return of the Atom (Mika Taanila & Jussi Eerola)
Sherpa (Jennifer Peedom) ® ®
This Changes Everything (Avi Lewis) ® 🍁
Thru You Princess (Ido Haar)
Welcome to F.L. (Geneviève Dulude-De Celles) ® 🍁
Winter on Fire: Ukraine’s Fight for Freedom (Evgeny Afineevsky) ® ®
Women He’s Undressed (Gillian Armstrong)
A Young Patriot (Du Haibin) FS
Discovery (30; last year: 39)
The Ardennes (Robin Pront)
Beast (Tom & Sam McKeith)
Black (Adil El Arbi & Bilall Fallah)
Born to Dance (Tammy Davis)
Closet Monster (Stephen Dunn) ® 🍁
Dégradé (Arab & Tarzan Nasser) ®
Downriver (Grant Scicluna)
Eva Nová (Marko Škop)
Fire Song (Adam Garnet Jones) 🍁
Five Nights in Maine (Maris Curran)
From Afar (Lorenzo Vigas) ○
The Here After (Magnus von Horn) ○
Ixcanul (Jayro Bustamante) ® ® ○
James White (Josh Mond) ® ® ★
Keeper (Guillaume Senez)
Les Cowboys (Thomas Bidegain) ® ○
Meghmallar (Zahidur Rahim Anjan)
Mountain (Yaelle Kayam)
My Name is Emily (Simon Fitzmaurice)
The Paradise Suite (Joost van Ginkel)
A Patch of Fog (Michael Lennox)
The Rainbow Kid (Kire Paputts) 🍁
River (Jamie M. Dagg) ® 🍁
Semana Santa (Alejandra Márquez Abella)
Sleeping Giant (Andrew Cividino) 🍁 ●
Spear (Stephen Page)
Very Big Shot (Mir-Jean Bou Chaaya)
The Wait (Piero Messina) ○
We Monsters (Sebastian Ko)
Wedding Doll (Nitzan Gilady))
Wavelengths (26; last year: 24, including shorts programs and installations)
Afternoon (Tsai Ming-liang) ○
Arabian Nights: Volume 1, The Restless One (Miguel Gomes) ® ® ★
Arabian Nights: Volume 2, The Desolate One (Miguel Gomes) ® ® ★
Arabian Nights: Volume 3, The Enchanted One (Miguel Gomes) ® ® ★
88:88 (Isiah Medina) 🍁 ★
– preceded by May We Sleep Soundly (Denis Côté) 🍁 ○
Eva Doesn’t Sleep (Pablo Agüero) ○
The Event (Sergei Loznitsa) ○
The Forbidden Room (Guy Maddin & Evan Johnson) ® ® 🍁 ★
Invention (Mark Lewis) ® ® 🍁 ●
Lost and Beautiful (Pietro Marcello) ★
Minotaur (Nicolás Pereda) ○
– preceded by Night Without Distance (Lois Patiño) ○
No Home Movie (Chantal Akerman) ●
The Other Side (Roberto Minervini) ★
Santa Teresa & Other Stories (Nelson De Los Santos Arias) ●
– preceded by Paradox of Praxis 5 (Francis Alÿs) ○
Sector IX B (Mathieu Kleyebe Abonnenc) ○
– preceded by False Start (Yto Barrada) ○
The Sky Trembles and the Earth Is Afraid and the Two Eyes Are Not Brothers (Ben Rivers) FS 35mm ○
Wavelengths 1: Fire in the Brain
– 3D Movie (1975, Paul Sharits)
16mm ★
– Fugue (Kerstin Schrödinger) 🍁 16mm ○
– Prima Materia (Charlotte Pryce) 16mm ○
– The Fire in My Brain That Separates Us (Benjamin Ramírez Pérez) ○
– Something Horizontal (Blake Williams)
☀︎
– The Exquisite Corpus (Peter Tscherkassky) 35mm ○
Wavelengths 2: YOLO
– A Distant Episode (Ben Rivers) 16mm ○
– An Old Dog’s Diary (Shai Heredia & Shumona Goel) ○
– The Reminder (Behrouz Rae) ○
– Solo for Rich Man (Beatrice Gibson) ○
– YOLO (Ben Russell) ○
– Analysis of Emotions and Vexations (Wojciech Bąkowski) ○
– Bunte Kuh (Ryan Ferko, Parastoo Anoushahpour, & Faraz Anoushahpour) 🍁 ★
Wavelengths 3: Light Space Modulator
– Navigator (Björn Kämmerer) 35mm ○
– Théodolitique (David K. Ross) 🍁 ○
– Office Space Modulation (Terrarea [aka Janis Demkiw, Emily Hogg, & Olia Mishchenko]) 🍁 ○
– Palms (Mary Helena Clark) ○
– Occidente (Ana Vaz) ○
– Terrestrial (Calum Walter) ○
– Tarlabaşı (Cynthia Madansky) ○
Wavelengths 4: Psychic Driving
– Actua 1 (1968, Philippe Garrel) 35mm ★
– Time for Outrage! (Friedl vom Gröller) 16mm ○
– Untitled (Behrouz Rae) ○
– Many Thousands Gone (Ephraim Asili) ○
– Neither God nor Santa Maria (Samuel M. Delgado & Helena Girón) ○
– Psychic Driving (William E. Jones) ○
– UNcirCling (John Creson & Adam Rosen) 🍁 ○
– Engram of Returning (Daïchi Saïto) 🍁 35mm ○
Wavelengths Installations [Formerly “Future Projections”]
– Bring Me the Head of Tim Horton (Guy Maddin, Evan Johnson, & Galen Johnson) 🍁 – TIFF Bell Lightbox, September 10 to 20
– Fallen Objects (Shambhavi Kaul) – Scrap Metal Gallery, September 10 to 20
– Fireworks (Archives) (Apichatpong Weerasethakul) – AGO, September 10 to 27
– The Forbidden Room – A Living Poster (Galen Johnson) 🍁 – TIFF Bell Lightbox, September 10 to 20
– La Giubba (Tony Romano & Corin Sworn) 🍁 – Clint Roenisch Gallery, September 10 to 20
– Stories are Meaning-Making Machines (Annie MacDonell & Maïder Fortuné) 🍁 – TIFF Bell Lightbox, live performance
Gala Presentations (20; last year: 20)
Beeba Boys (Deepa Mehta) ® 🍁
Demolition (Jean-Marc Vallée) ® ® 🍁 ○
Disorder (Alice Winocour) ® ® ★
The Dressmaker (Jocelyn Moorhouse)
Eye in the Sky (Gavin Hood) ®
Forsaken (Jon Cassar) ® 🍁
Freeheld (Peter Sollett) ® ®
Hyena Road (Paul Gross) ® 🍁
Legend (Brian Helgeland) ® ®
Lolo (Julie Delpy)
Man Down (Dito Montiel)
The Man Who Knew Infinity (Matthew Brown)
The Martian (Ridley Scott) ®
○
Miss You Already (Catherine Hardwicke) ® ®
Mississippi Grind (Ryan Fleck) ® ® ○
Mr. Right (Paco Cabezas) ®
The Program (Stephen Frears)
Remember (Atom Egoyan) ® ® 🍁 ○
Septembers of Shiraz (Wayne Blair)
Stonewall (Roland Emmerich) ®
Vanguard (15; last year: 12)
Collective Invention (Kwon Oh-kwang)
Demon (Marcin Wrona)
Der Nachtmahr (AKIZ)
Endorphine (André Turpin) ® 🍁
Evolution (Lucile Hadžihalilović) ® ○
February (Osgood Perkins)
Hellions (Bruce McDonald) ® ® 🍁
Lace Crater (Harrison Atkins)
Love (Gaspar Noé) ® ®
★
Men & Chicken (Anders Thomas Jensen)
The Missing Girl (A.D. Calvo)
My Big Night (Álex de la Iglesia)
No Men Beyond This Point (Mark Sawers) 🍁
Veteran (Ryoo Seung-wan)
Zoom (Pedro Morelli) 🍁
Masters (13; last year: 14)
The Assassin (Hou Hsiao-hsien) ® ® ★
Bleak Street (Arturo Ripstein) ○
Blood of My Blood (Marco Bellocchio) ○
Cemetery of Splendour (Apichatpong Weerasethakul) ® ® ★
11 Minutes (Jerzy Skolimowski) ○
Every Thing Will Be Fine (Wim Wenders) ® ® ![]()
Francofonia (Alexander Sokurov) ® ○
In the Shadow of Women (Philippe Garrel) ® ® ★
Our Little Sister (Hirokazu Kore-eda) ® ® ●
The Pearl Button (Patricio Guzmán) ® ® ○
Rabin, The Last Day (Amos Gitaï) ⌛️ ○
Right Now, Wrong Then (Hong Sang-soo) ★
Taxi (Jafar Panahi) ® ® ●
Platform (12; last year: N/A)
Bang Gang (A Modern Love Story) (Eva Husson) ○
The Clan (Pablo Trapero) ® ®
French Blood (Diastème)
Full Contact (David Verbeek)
High-Rise (Ben Wheatley) ○
Hurt (Alan Zweig) 🍁
Land of Mine (Martin Zandvliet)
Looking for Grace (Sue Brooks)
Neon Bull (Gabriel Mascaro) ○
The Promised Land (He Ping)
Sky (Fabienne Berthaud) ○
The White Knights (Joachim Lafosse) ○
Midnight Madness (10; last year: 10)
Baskin (Can Evrenol)
The Devil’s Candy (Sean Byrne)
The Final Girls (Todd Strauss-Schulson) ® ®
The Girl in the Photographs (Nick Simon)
Green Room (Jeremy Saulnier) ® ○
– preceded by The Chickening (Davy Force & Nick denBoer) 🍁
Hardcore (Ilya Naishuller)
The Mind’s Eye (Joe Begos)
Southbound (Roxanne Benjamin, David Bruckner, Patrick Horvath, & Radio Silence)
SPL 2: A Time for Consequences (Soi Cheang) ® ®
Yakuza Apocalypse (Takashi Miike) ○
TIFF Cinematheque (9; last year: 8)
Adieu Philippine (1962, Jacques Rozier) 35mm ●
Harlan County, U.S.A. (1976, Barbara Kopple) ○
Heat (1995, Michael Mann) ○
The Mask (1961, Julian Roffman)
🍁 ○
The Memory of Justice (1976, Marcel Ophüls) ⌛️ ○
River of Grass (1994, Kelly Reichardt) ●
Rocco and His Brothers (1960, Luchino Visconti) ⌛️ ○
The Round-Up (1966, Miklós Jancsó) ●
Titicut Follies (1967, Frederick Wiseman) 35mm ★
City to City: London (8; last year: 8)
Couple in a Hole (Tom Geens)
The Hard Stop (George Amponsah)
Kill Your Friends (Owen Harris) ® ®
Kilo Two Bravo (Paul Katis) ® ®
London Road (Rufus Norris) ®
Northern Soul (Elaine Constantine) ®
The Ones Below (David Farr)
Urban Hymn (Michael Caton-Jones)
Primetime (6; last year: N/A)
Casual (Zander Lehmann & Jason Reitman) 🍁 📺
CROMO (Lucía & Nicolás Puenzo) 📺
Heroes Reborn (Tim Kring) 📺
Keith Richards: Under the Influence (Morgan Neville)
The Returned (Fabrice Gobert) 📺
Trapped (Baltasar Kormákur) 📺
TIFF Kids (4; last year: 4)
The Boy and the Beast (Mamoru Hosoda) ○
My Skinny Sister (Sanna Lenken)
Phantom Boy (Alain Gagnol & Jean-Loup Felicioli)
The Iron Giant: Signature Edition (1999, Brad Bird) ★
In Conversation With… [Formerly known as “Mavericks”] (4; last year: 9)
In Conversation With… Julianne Moore
In Conversation With… Salma Hayek
In Conversation With… Sarah Silverman
In Conversation With… Matthew Weiner
Short Cuts [Both “Canada” and “International”]
Go to the festival website if you want to know what’s playing in this section.
Cannes 2015 Hierarchy
Tier 0 (A / A+)
–
Tier 1 (A-)
–
Tier 2 (B+)
Cemetery of Splendour (Apichatpong Weerasethakul) – 7.6
Arabian Nights: Volume 2, The Desolate One (Miguel Gomes) – 7.5
Arabian Nights: Volume 1, The Restless One (Miguel Gomes) – 7.3
The Treasure (Corneliu Porumboiu) – 7.2
Tier 3 (B)
Arabian Nights: Volume 3, The Enchanted One (Miguel Gomes) – 6.9
Valley of Love (Guillaume Nicloux) – 6.6
Love (Gaspar Noé) – 6.6
One Floor Below (Radu Muntean) – 6.5
The Assassin (Hou Hsiao-hsien) – 6.4
Disorder (Alice Winocour) – 6.4
The Other Side (Roberto Minervini) – 6.3
In the Shadow of Women (Philippe Garrel) – 6.2
Inside Out (Pete Docter) – 6.2
Tier 4 (B-)
Visit, or Memories and Confessions (1982, Manoel de Oliveira) – 6.1
The Fourth Direction (Gurvinder Singh) – 6.1
Louder than Bombs (Joachim Trier) – 6.1
Afterthought (Elad Keidan) – 6.1
My Golden Days (Arnaud Desplechin) – 6.0
Mad Max: Fury Road (George Miller) – 6.0
Cosmos (Andrzej Zulawski) – 5.9
Marguerite & Julien (Valérie Donzelli) – 5.9
Son of Saul (László Nemes) – 5.8
The Lobster (Yorgos Lanthimos) – 5.7
Mountains May Depart (Jia Zhangke) – 5.6
I Am the People (Anna Roussillon) – 5.6
(Be)Longing (João Pedro Plácido) – 5.5
Songs My Brothers Taught Me (Chloé Zhao) – 5.5
Tier 5 (C+)
Sleeping Giant (Andrew Cividino) – 5.4
Tale of Tales (Matteo Garrone) – 5.3
The Measure of a Man (Stéphane Brizé) – 5.3
Carol (Todd Haynes) – 5.2
Macbeth (Justin Kurzel) – 5.2
The Grief of Others (Patrick Wang) – 5.1
Mustang (Deniz Gamze Ergüven) – 5.0
My Mother (Nanni Moretti) – 5.0
Taxi (Jafar Panahi) – 4.9
Paulina (Santiago Mitre) – 4.9
Dheepan (Jacques Audiard) – 4.9
Standing Tall (Emmanuelle Bercot) – 4.7
Cosmodrama (Philippe Fernandez) – 4.6
Our Little Sister (Hirokazu Kore-eda) – 4.6
Tier 6 (C)
Sicario (Denis Villeneuve) – 4.5
Youth (Paolo Sorrentino) – 4.4
Journey to the Shore (Kiyoshi Kurosawa) – 4.3
The Shameless (Oh Seung-Uk) – 4.2
Peace to Us in Our Dreams (Sharunas Bartas) – 4.1
Two Friends (Louis Garrel) – 4.0
Dope (Rick Famuyiwa) – 3.9
Embrace of the Serpent (Ciro Guerra) – 3.9
The Anarchists (Elie Wajeman) – 3.8
Tier 7 (C-)
The High Sun (Dalibor Matanic) – 3.7
Mon roi (Maïwenn) – 3.4
Tier 8 (D+)
–
Tier 9 (D)
Chronic (Michel Franco) – 2.0
Cannes 2015 Hierarchy Read More »
Cannes 2015 Schedule
May 13
10:00 AM – Standing Tall (Emmanuelle Bercot), Debussy
7:00 PM – Tale of Tales (Matteo Garrone), Debussy
May 14
9:00 AM – In the Shadow of Women + Actua 1 (Philippe Garrel), Theatre Croisette
11:30 AM – Sleeping Giant (Andrew Cividino), Miramar
2:30 PM – One Floor Below (Radu Muntean), Debussy
4:45 PM – Son of Saul (László Nemes), Debussy
8:00 PM – The Anarchists (Elie Wajeman), Miramar
May 15
8:30 AM – The Lobster (Yorgos Lanthimos), Lumiere
12:15 PM – My Golden Days (Arnaud Desplechin), Theatre Croisette
5:30 PM – Taxi (Jafar Panahi) [Market], Olympia 9
7:45 PM – Afterthought (Elad Keidan), Soixantième
10:00 PM – The Shameless (Oh Seung-Uk), Debussy
May 16
8:30 AM – My Mother (Nanni Moretti), Lumiere
11:45 AM – Arabian Nights: Volume 1, The Restless One (Miguel Gomes), Theatre Croisette
7:00 PM – Carol (Todd Haynes), Debussy
9:30 PM – Disorder (Alice Winocour), Debussy
May 17
8:30 AM – Mon roi (Maïwenn), Lumiere
11:00 AM – The High Sun (Dalibor Matanic), Debussy
2:00 PM – Journey to the Shore (Kiyoshi Kurosawa), Debussy
7:15 PM – Louder than Bombs (Joachim Trier), Debussy
May 18
8:30 AM – The Measure of a Man (Stéphane Brizé), Lumiere
11:00 AM – Cemetery of Splendour (Apichatpong Weerasethakul), Debussy
3:00 PM – Two Friends (Louis Garrel), Miramar
5:30 PM – Arabian Nights: Volume 2, The Desolate One (Miguel Gomes), Theatre Croisette
10:00 PM – Marguerite & Julien (Valérie Donzelli), Bazin
May 19
8:30 AM – Sicario (Denis Villeneuve), Lumiere
11:45 AM – Songs My Brothers Taught Me (Chloé Zhao), Theatre Croisette
4:00 PM – Inside Out (Pete Docter), Soixantiéme
7:30 PM – Mountains May Depart (Jia Zhang-ke), Debussy
May 20
9:00 AM – Arabian Nights: Volume 3, The Enchanted One (Miguel Gomes), Theatre Croisette
2:30 PM – Peace to Us in Our Dreams (Sharunas Bartas), Theatre Croisette
7:00 PM – The Assassin (Hou Hsiao-hsien), Debussy
12:15 AM – Love (Gaspar Noé), Lumiere
May 21
11:00 AM – The Treasure (Corneliu Porumboiu), Debussy
2:00 PM – The Other Side (Roberto Minervini), Debussy
5:30 PM – Cosmos (Andrzej Zulawski), Riviera 1
9:00 PM – Visit, or Memories and Confessions (1982, Manoel de Oliveira), Buñuel
May 22
8:30 AM – Chronic (Michel Franco), Lumiere
11:30 AM – Dheepan (Jacques Audiard), Soixantième
2:00 PM – The Grief of Others (Patrick Wang), Théâtre Alexandre III
5:00 PM – Paulina (Santiago Mitre), Miramar
10:00 PM – The Fourth Direction (Gurvinder Singh), Debussy
May 23
8:30 AM – Macbeth (Justin Kurzel), Lumiere
2:00 PM – Mustang (Deniz Gamze Ergüven), Theatre Croisette
5:00 PM – Embrace of the Serpent (Ciro Guerra), Theatre Croisette
May 24
9:00 AM – Our Little Sister (Hirokazu Kore-eda), Bazin
2:00 PM – Youth (Paolo Sorrentino), Debussy
8:30 PM – Valley of Love (Guillaume Nicloux), Soixantième
Cannes 2015 Schedule Read More »
Sundance 2015 Schedule
January 23
6:00PM – Best of Enemies (Morgan Neville & Robert Gordon)
9:30PM – The Witch (Robert Eggers)
January 24
9:00AM – The Overnight (Patrick Brice)
12:00PM – I Am Michael (Justin Kelly)
3:30PM – Tangerine (Sean Baker)
6:30PM – James White (Josh Mond)
9:00PM – Fresh Dressed (Sacha Jenkins)
January 25
8:30AM – Mistress America (Noah Baumbach) [Public]
12:00PM – Western (Bill & Turner Ross) [Public]
4:00PM – Nasty Baby (Sebastian Silva)
6:30PM – Last Days in the Desert (Rodrigo Garcia) [Public]
9:30PM – Ten Thousand Saints (Robert Pulcini & Shari Springer Berman)
January 26
9:00AM – Unexpected (Kris Swanberg)
12:00PM – Cronies (Michael J. Larnell)
2:30PM – The Forbidden Room (Guy Maddin & Evan Johnson) [Public]
6:00PM – Things of the Aimless Wanderer (Kivu Ruhorahoza) [Public]
9:00PM – Entertainment (Rick Alverson) [Public]
January 27
8:300AM – Take Me to the River (Matt Sobel) [Public]
11:20AM – The Trouble with Dot and Harry (Gary Walkow) [Slamdance]
3:00PM – Digging for Fire (Joe Swanberg)
6:30PM – Results (Andrew Bujalski)
January 28
9:30AM – The Nightmare (Rodney Ascher)
12:15PM – Dope (Rick Famuyiwa) [Public]
3:30PM – Zipper (Mora Stephens)
6:00PM – Station to Station (Doug Aitken) [Public]
8:50PM – Diamond Tongues (Pavan Moondi & Brian Robertson) [Slamdance]
January 29
9:00AM – Experimenter (Michael Almereyda)
11:30AM – The Wolfpack (Crystal Moselle) [Public]
2:30PM – Kurt Cobain: Montage of Heck (Brett Morgen)
5:30PM – Slow West (John Maclean) [Public]
8:15PM – +The Forbidden Room (Guy Maddin & Evan Johnson) [Public]
January 30
9:00AM – +Results (Andrew Bujalski) [Public]
Sundance 2015 Schedule Read More »
2015 Film Log
Past Logs
2014 Film Log
2013 Film Log
2012 Film Log
2011 Film Log
2010 Film Log
2009 Film Log
2007 Film Log
– 8mm/16mm/35mm/70mm denotes that what I saw was a film print.
– DP denotes that what I saw was a Digital Projection in a theatre.
– 3D denotes that I saw a theatrical projection for which I was provided some sort of special spectacles—including but not limited to Polarized, Anaglyph, ChromaDepth, Pulfrich, and Prismatic technologies—to wear during part or all of the film. If I saw a feature-length film in 3D at home, the title of the film will be succeeded by “[3D]”.
– All others were from Blu-Rays, downloads, television, etc.
– A plus sign (+) at the beginning of a line denotes that I had seen this film before.
– Only films that are at least 40 minutes long (the Academy’s minimum for a feature film) are logged.
– A grade of “Inc.” denotes that I don’t think that this screening was an accurate enough presentation of the film for me to make a value judgment, either because their weren’t English subtitles for a foreign language film, or the projector broke/sound cut out/the print burned, or an ass in the theatre distracted me with too much talking/popcorn eating, etc.
– I don’t log W/Os.
***NEW for 2015***
I’m now logging short films (≤ 39min.), sans ratings, but only those viewed either from a film print or in an official theatrical context (i.e., where there is published documentation that the screening of this particular film took place). Why these conditions? The main reason I’ve never logged shorts is that my OCD has prevented me from distinguishing between short films, television commercials, music videos, random viral clips, etc.; I didn’t want to log everything, and I didn’t want to be arbitrarily discriminating what I logged and what I didn’t. This (admittedly still arbitrary) fix allows me to narrow it down to only the short films proper, which will almost exclusively consist of avant-garde works. These films will appear below in italics.
**********************

And that translates to:
A+ 9.4 - 10.0 [Top 10 of All Time contender] A 8.6 - 9.3 [Masterpiece] A- 7.8 - 8.5 [Pretty great; Near-masterpiece] B+ 7.0 - 7.7 [Kinda great; Contender for Top 10 of its year] B 6.2 - 6.9 [Has a special something] B- 5.4 - 6.1 [Solid] C+ 4.6 - 5.3 [Doesn't arouse any particularly strong emotions either way] C 3.8 - 4.5 [Useless; Mediocre; Significantly flawed] C- 3.0 - 3.7 [What a failure] D+ 2.2 - 2.9 [What-a-failure with cheese] D 1.4 - 2.1 [Grating] D- 0.6 - 1.3 [Offensively horrific; Horrifically offensive] F 0.0 - 0.5 [Worst of All Time consideration]
January
+Safe (1995, Todd Haynes) – 8.8 [~same]
+Whiplash (2014, Damien Chazelle) – 5.9 [up from 5.5]
A Most Violent Year (2014, J.C. Chandor) – 5.6
A Master Builder (2013, Jonathan Demme) – 4.7
Selma (2014, Ava DuVernay) – 4.4
+Inherent Vice (2014, Paul Thomas Anderson) DP – 6.2 [same]
A Most Wanted Man (2014, Anton Corbijn) – 4.1
Beloved Sisters (2014, Dominik Graf) – 6.6
The Naked Room (2013, Nuria Ibáñez) – 5.8
John Wick (2014, Chad Stahelski) – 5.3
Da Sweet Blood of Jesus (2014, Spike Lee) – 3.8
Blackhat (2015, Michael Mann) DP – 6.4
Stop the Pounding Heart (2013, Roberto Minervini) – 6.8
+Oh, Woe is Me (1993, Jean-Luc Godard) 35mm – 6.2 [down from 6.9]
Last Days in Vietnam (2014, Rory Kennedy) – 5.1
Dear White People (2014, Justin Simien) – 5.3
The Imitation Game (2014, Morten Tyldum) – 4.6
The Trouble with Dick (1987, Gary Walkow) – 5.9
Best of Enemies (2015, Morgan Neville & Robert Gordon) Sundance, DP – 4.8
The Witch (2015, Robert Eggers) Sundance, DP – 5.7
The Overnight (2015, Patrick Brice) Sundance, DP – 4.9
I Am Michael (2015, Justin Kelly) Sundance, DP – 4.0
Tangerine (2015, Sean Baker) Sundance, DP – 7.2
James White (2015, Josh Mond) Sundance, DP – 6.5
Fresh Dressed (2015, Sacha Jenkins) Sundance, DP – 5.1
Mistress America (2015, Noah Baumbach) Sundance, DP – 5.9
Western (2015, Bill Ross IV & Turner Ross) Sundance, DP – 6.1
Nasty Baby (2015, Sebastian Silva) Sundance, DP – 2.8
Last Days in the Desert (2015, Rodrigo Garcia) Sundance, DP – 2.2
Ten Thousand Saints (2015, Robert Pulcini & Shari Springer Berman) Sundance, DP – 5.2
Unexpected (2015, Kris Swanberg) Sundance, DP – 3.8
Cronies (2015, Michael J. Larnell) Sundance, DP – 5.3
The Forbidden Room (2015, Guy Maddin & Evan Johnson) Sundance, DP – 6.7
Things of the Aimless Wanderer (2015, Kivu Ruhorahoza) Sundance, DP – 5.9
Entertainment (2015, Rick Alverson) Sundance, DP – 6.6
Take Me to the River (2015, Matt Sobel) Sundance, DP – 2.6
The Trouble with Dot and Harry (2015, Gary Walkow) Slamdance, DP – 6.0
Digging for Fire (2015, Joe Swanberg) Sundance, DP – 4.4
Results (2015, Andrew Bujalski) Sundance, DP – 5.8
The Nightmare (2015, Rodney Ascher) Sundance, DP – 6.5
Dope (2015, Rick Famuyiwa) Sundance, DP – 3.9
Zipper (2015, Mora Stephens) Sundance, DP – 2.5
Station to Station (2015, Doug Aitken) Sundance, DP – 4.7
Diamond Tongues (2015, Pavan Moondi & Brian Robertson) Slamdance, DP – 5.1
Experimenter (2015, Michael Almereyda) Sundance, DP – 6.3
The Wolfpack (2015, Crystal Moselle) Sundance, DP – 7.1
Kurt Cobain: Montage of Heck (2015, Brett Morgen) Sundance, DP – 4.8
Slow West (2015, John Maclean) Sundance, DP – 5.7
+The Forbidden Room (2015, Guy Maddin & Evan Johnson) Sundance, DP – 8.2 [up from 6.7]
+Results (2015, Andrew Bujalski) Sundance, DP – 6.6 [up from 5.8]
Get on Up (2014, Tate Taylor) – 4.3
February
Christmas, Again (2014, Charles Poekel) – 5.5
Something, Anything (2014, Paul Harrill) – 5.6
The Chinese Mayor (2015, Hao Zhou) – 5.5
The Comedy (2012, Rick Alverson) – 6.0
Appropriate Behavior (2014, Desiree Akhavan) – 6.4
One, Two, Three (1961, Billy Wilder) 35mm – 5.8
Five Graves to Cairo (1943, Billy Wilder) 35mm – 5.1
Kiss Me, Stupid (1964, Billy Wilder) 35mm – 6.6
Accidental Love (2015, Stephen Greene [aka David O. Russell]) – 3.6
What We Do in the Shadows (2014, Jemaine Clement & Taika Waititi) – 6.0
Tatum’s Ghost (2011, Stephanie Barber) DP
Degas (2011, Stephanie Barber) DP
At the Baths (2011, Stephanie Barber) DP
Miniatures (2011, Stephanie Barber) DP
At the Shore (2011, Stephanie Barber) DP
Some Animals (2011, Stephanie Barber) DP
Have You Seen Diane (2011, Stephanie Barber) DP
Little Kitten (2011, Stephanie Barber) DP
For W.G. Sebald (Travel Without Travel) (2011, Stephanie Barber) DP
To Be Old (2011, Stephanie Barber) DP
The Phone Call (2011, Stephanie Barber) DP
Bruce Nauman (2011, Stephanie Barber) DP
The White Caravan (1964, Tamaz Meliava & Eldar Shengelaia) 35mm – 4.2
The Money Complex (2015, Juan Rodrigáñez) – 5.6
Prison System 4614 (2015, Jan Soldat) – 5.4
The Mend (2014, John Magary) – 6.5
Altair (1995, Lewis Klahr) 16mm
Engram Sepals (2000, Lewis Klahr) 16mm
Daylight Moon (2002, Lewis Klahr) 16mm
Helen of T (2013, Lewis Klahr) DP
+False Aging (2008, Lewis Klahr) DP
Green ’62 (1996, Lewis Klahr) 16mm
City Film (1993, Lewis Klahr) DP
Shop Windows (Lewis Klahr) 16mm
“Home Movie of Middle Aged Couple” (Lewis Klahr) 16mm
Whirligigs in the Late Afternoon (1996, Lewis Klahr) 16mm
+Occidental Hotel (2014, Lewis Klahr) DP
Over the Years (2015, Nikolaus Geyrhalter) – 5.6
Approaching the Elephant (2014, Amanda Rose Wilder) – 7.5
Androids Dream (2014, Ion De Sosa) – 4.6
Mar (2014, Dominga Sotomayor) – 5.5
Tired Moonlight (2015, Britni West) – 5.5
+Images of the World and the Inscription of War (1989, Harun Farocki) 16mm – 7.1 [up from 4.7]
+(nostalgia) (1971, Hollis Frampton) 16mm
Poetic Justice (1972, Hollis Frampton) 16mm
Critical Mass (1971, Hollis Frampton) 16mm
Travelling Matte (1971, Hollis Frampton) 16mm
Ordinary Matter (1972, Hollis Frampton) 16mm
Remote Control (1972, Hollis Frampton) 16mm
Special Effects (1972, Hollis Frampton) 16mm
The Chinatown Mystery (1928, J.P. McGowan) 35mm – 4.8
The Private Life of Sherlock Holmes (1970, Billy Wilder) 35mm – 5.9
March
+Vertigo (1958, Alfred Hitchcock) 70mm – 8.8 [same]
Ray Gun Virus (1966, Paul Sharits) 16mm
+69 (1968, Robert Breer) 16mm
Rubber Cement (1976, Robert Breer) 16mm
+S:TREAM:S:S:ECTION:S:ECTION:S:S:ECTIONED (1971, Paul Sharits) 16mm – 8.1 [down from 8.6]
Big Deal on Madonna Street (1958, Mario Monicelli) 35mm – 4.1
The Fall of the House of Usher (1928, Jean Epstein) – 6.5
Game (1965, Karpo Godina & Jure Pervanje) 35mm
Dog (1965, Karpo Godina & Mario Uršić) 35mm
A.P. (Anno Passato) (1965, Karpo Godina) 35mm
The Gratinated Brains of Pupilija Ferkeverk (1970, Karpo Godina) 35mm
About the Art of Love or a Film with 14441 Frames (1972, Karpo Godina) 35mm
Bite Me. Once Already (1980, Davorin Marc) 8mm
Slaughter Ahoy (1981, Davorin Marc) 8mm
Fear in the City (1181 Days Later or Smell of Rats) (1984, Davorin Marc) 35mm
Buzzard (2014, Joel Potrykus) DP – 3.6
King Kong (1933, Merian C. Cooper & Ernest B. Schoedsack) 35mm – 6.3
Storm Children: Book One (2014, Lav Diaz) CAAMFest, DP – 4.7
Spartacus & Cassandra (2014, Ioanis Nuguet) – 5.4
Beginning (1967, Artavazd [aka Arthur] Peleshian) 35mm
Crossroads (1976, Bruce Conner) 35mm
Our Lady of the Sphere (1969, Lawrence Jordan) 35mm
Quasi at the Quackadero (1976, Sally Cruikshank) 35mm
The Forenoon of a Faun (1963, Tomislav Gotovac) 16mm
Straight Line (Stevens-Duke) (1964, Tomislav Gotovac) 16mm
Circle (Jutkevich-Count) (1964, Tomislav Gotovac) 16mm
I’m Mad (1967, Ivan Martinac) 16mm
Encounter (1963, Vladimir Petek, Yugoslavia) 35mm
Focus (1967, Ivan Martinac) 35mm
People (in Passing) II (1967, Lordan Zafranović) 35mm
Afternoon (The Gun) (1968, Lordan Zafranović) 35mm
+Tangerine (2015, Sean Baker) – 6.7 [down from 7.2]
Antonio’s Broken Mirror (1957, Dušan Makavejev) DP
Triptych on Matter and Death (1960, Živojin Pavlović) DP
The Wall (1960, Vojislav Kokan Rakonjac) DP
Smoke and Water (1962, Dragoslav Lazić) DP
Arms in the Purple Distance (1962, Sava Trifković) DP
Ecstasy (1963, Petar Arandjelović) DP
Blue Rider (Godard-Art) (1964, Tomislav Gotovac) DP
Violet (2014, Bas Devos) – 4.3
+Inherent Vice (2014, Paul Thomas Anderson) 70mm – 6.2 [same]
Rules of the Game (2014, Claudine Bories & Patrice Chagnard) – 6.5
+John Wick (2014, Chad Stahelski) – 5.3 [same]
+A Cold Compress (2010, Blake Williams) DP
+Depart (2012, Blake Williams) DP
+Coorow-Latham Road (2011, Blake Williams) DP
+C-LR: Coorow-Latham Road For Those Who Don’t Have the Time (2013, Blake Williams) DP
+Many a Swan (2012, Blake Williams) 3D
+Baby Blue (2013, Blake Williams) 3D
+Red Capriccio (2014, Blake Williams) 3D
+Something Horizontal (2015, Blake Williams) 3D
District 9 (2009, Neill Blomkamp) – 5.6
Sweaty Betty (2015, Joe Frank & Zack Reed) – 6.4
Funny Games (2007, Michael Haneke) – 6.8
The Corral and the Wind (2014, Miguel Hilari) – 4.0
+Phoenix (2014, Christian Petzold) – 7.6 [same]
April
+Ali: Fear Eats the Soul (1974, Rainer Werner Fassbinder) 35mm – 7.0 [up from ~6.0]
+Sorrows (1969, Gregory J. Markopoulos) 16mm
The Mysteries (1968, Gregory J. Markopoulos) 16mm – 5.1
Political Portraits (1969, Gregory J. Markopoulos) 16mm
Innocence (2004, Lucile Hadzihalilovic) – 5.8
+In the Mood for Love (2000, Wong Kar-wai) 35mm – 6.0 [up from 5.8]
layover (2014, Vanessa Renwick) CROSSROADS, DP
+Figure-Ground (2013, Jean-Paul Kelly) CROSSROADS, DP
A Field Guide to the Ferns (2015, Basma Alsharif) CROSSROADS, DP
Song for Awe and Dread (2015, Tommy Becker) CROSSROADS, DP
The Quilpo Dreams Waterfalls (2012, Pablo Mazzolo) CROSSROADS, DP
a Beginning a Middle and an End (2013, Jon Behrens) CROSSROADS, DP
Greetings to the Ancestors (2015, Ben Russell) CROSSROADS, DP
Hypnosis Display [live score by Grouper] (2014, Paul Clipson) CROSSROADS, 16mm – 6.3
The HandEye (Bone Ghosts) (2012, OJOBOCA) CROSSROADS, 16mm
+Sea of Vapors (2014, Sylvia Schedelbauer) CROSSROADS, DP
Emulsion Electrons Imbued (2014, Karissa Hahn) CROSSROADS, DP
The Somber Vault (2014, John Powers) CROSSROADS, DP
+Things (2014, Ben Rivers) CROSSROADS, DP
Apocalypse for You [double projection] (2014, OJOBOCA) CROSSROADS, 16mm
Cicatrix (2014, Jeremy Moss) CROSSROADS, DP
Soon (2014, Jeanne Liotta) CROSSROADS, DP
Dancing Glitch (2013, Michael Betancourt) CROSSROADS, DP
L’entre Deux (2014, Karl Lemieux) CROSSROADS, 16mm
Sayre’s Vapor (2013, Karissa Hahn) CROSSROADS, DP
Conjectures (2013, Pablo Mazzolo) CROSSROADS, DP
As Near as Light (2014, Susan DeLeo) CROSSROADS, DP
+Second Sighted (2014, Deborah Stratman) CROSSROADS, DP
The Golden Hour (2014, Ross Meckfessel) CROSSROADS, DP
Laborat (2014, Guillaume Cailleau) CROSSROADS, DP
+Jenny Haniver (2014, Stephen Broomer) CROSSROADS, 16mm
Chestnut Street (2014, Karissa Hahn) CROSSROADS, DP
7285 (2015, Sarah J. Christman) CROSSROADS, 16mm
Photooxidation (2013, Pablo Mazzolo) CROSSROADS, DP
Sunspots and Solar Flares (2013, Maria Magnusson) CROSSROADS, DP
Demolished Every Second (2014, John Davis) CROSSROADS, DP
vindmøller (2014, Margaret Rorison) CROSSROADS, 16mm
Traces/Legacy (2015, Scott Stark) CROSSROADS, 35mm
Bunte Kuh (2015, Faraz Anoushahpour, Parastoo Anoushahpour, & Ryan Ferko) CROSSROADS, DP
+Under the Heat Lamp an Opening (2014, Zachary Epcar) CROSSROADS, DP
Travelling with Maxim Gorkiy (2014, Kolja Kunt & Bernd Lützeler) CROSSROADS, DP
Meanwhile at the Moon Hotel (2014, Jesse Stead) CROSSROADS, DP
Frozen Giants (2013, Christine Negus) CROSSROADS, DP
Simmer (2014, Karissa Hahn) CROSSROADS, DP
A Home Inside [triple projection] (2013, OJOBOCA) CROSSROADS, 16mm
+vis à vis (2013, Abigail Child) CROSSROADS, DP
+Lunar Almanac (2013, Malena Szlam) CROSSROADS, 16mm
Prisoner’s Cinema (2012, Joshua Gen Solondz) CROSSROADS, DP
Wake (2015, Eric Stewart) CROSSROADS, 16mm
The Kiss (2014, Luis Maciás) CROSSROADS, 35mm
+The Sound of Running in My Voice (2014, Mary Helena Clark) CROSSROADS, DP
a kind of quiet (2014, Jonathan Schwartz) CROSSROADS, 16mm
an aging process (2014, Jonathan Schwartz) CROSSROADS, 16mm
+a certain worry (2014, Jonathan Schwartz) CROSSROADS, 16mm
+Sugarcoated Arsenic (2014, Claudrena Harold & Kevin Jerome Everson) CROSSROADS, DP
+O, Persecuted (2014, Basma Alsharif) CROSSROADS, DP
+Sunset Blvd. (1950, Billy Wilder) 35mm – 6.2 [down from ~7.7]
I Am the People (2014, Anna Roussillon) – 5.6
A New Leaf (1971, Elaine May) 35mm – 6.8
+Entertainment (2015, Rick Alverson) SFIFF, DP – 7.3 [up from 6.6]
Wanda (1970, Barbara Loden) SFIFF, 35mm – 6.5
+The Forbidden Room (2015, Guy Maddin & Evan Johnson) SFIFF, DP – 8.2 [same]
The Searchers (1956, John Ford) 35mm – 5.7
+The Look of Silence (2014, Joshua Oppenheimer) SFIFF, DP – 5.1 [same]
Listen to Me Marlon (2015, Stevan Riley) SFIFF, DP – 5.3
Me and Earl and the Dying Girl (2015, Alfonso Gomez-Rejon) SFIFF, DP – 3.2
+Results (2015, Andrew Bujalski) SFIFF, DP – 6.6 [same]
Cosmodrama (2015, Philippe Fernandez) – 4.6
May
Noh (1977, Takashi Ito) Oberhausen, DP
Movement 2 (1979, Takashi Ito) Oberhausen, DP
Movement 3 (1980, Takashi Ito) Oberhausen, DP
+ Spacy (1981, Takashi Ito) Oberhausen, 16mm
+Box (1982, Takashi Ito) Oberhausen, 16mm
Thunder (1982, Takashi Ito) Oberhausen, 16mm
Drill (1983, Takashi Ito) Oberhausen, 16mm
Ghost (1984, Takashi Ito) Oberhausen, 16mm
Grim (1985, Takashi Ito) Oberhausen, 16mm
Zone (1995, Takashi Ito) Oberhausen, 16mm
L’Arrivée d’un train en gare de La Ciotat (1935, Auguste & Louis Lumière) Oberhausen, 3D
Come Coco (2008, Santiago Caicedo) Oberhausen, 3D
Lapse of Time (2013, Céline Tricart) Oberhausen, 3D
The Chimera of M. (2013, Sebastian Buerkner) Oberhausen, 3D
Cochemare (2013, Chris Lavis & Maciek Szczerbowski) Oberhausen, 3D
Spell (2011, ZAPRUDERfilmmakersgroup [David Zamagni & Nadia Ranocchi]) Oberhausen, 3D
An Improvisation (2015, Nishizaki Keisuke & Okamura Tomomi) Oberhausen, DP
Unfinished Film (2014, Evgeny Granilshchikov) Oberhausen, DP
+Sound of My Soul (2014, Wojciech Bąkowski) Oberhausen, DP
Last Angel (2014, Takashi Ito) Oberhausen, DP
We Know We Are Just Pixels (2014, Laure Prouvost) Oberhausen, DP
Shashin Ki (Takashi Ito) Oberhausen, DP
Wall (1987, Takashi Ito) Oberhausen, 16mm
Shashin Ki 87 (1987, Takashi Ito) Oberhausen, DP
Akuma No Kairozu (1988, Takashi Ito) Oberhausen, 16mm
Miira No Yume (1989, Takashi Ito) Oberhausen, 16mm
Venus (1990, Takashi Ito) Oberhausen, 16mm
Ju-Ni-Gatsu No Kakurenbo (1993, Takashi Ito) Oberhausen, DP
The Moon (1994, Takashi Ito) Oberhausen, 16mm
Gi Sochi M (1996, Takashi Ito) Oberhausen, 16mm
Die Urszene (1981, Christine Noll Brinckmann) Oberhausen, 16mm
The Whitewashing of 5 Pointz (2014, Ben Schwartz) Oberhausen, 3D
_grau (2015, Robert Seidel) Oberhausen, 3D
Ora (2011, Philippe Baylaucq) Oberhausen, 3D
+Box (1982, Takashi Ito) Oberhausen, 16mm
Skizm (2014, Andristyák Marcell) Oberhausen, DP
+Red Capriccio (2014, Blake Williams) Oberhausen, 3D
Aurora Borealis (2015, Nakamura Ikuo) Oberhausen, 3D
Something Might Happen (2014, Timothy Geraghty) Oberhausen, 3D
Declaration of War (2011, Valérie Donzelli) – 4.9
Monochrome Head (1997, Takashi Ito) Oberhausen, 16mm
A Silent Day (2002, Takashi Ito) Oberhausen, DP
Dizziness (2001, Takashi Ito) Oberhausen, 16mm
Sweet Life (2010, Takashi Ito) Oberhausen, DP
The Last Mango Before the Monsoon (2014, Payal Kapadia) Oberhausen, DP
Zlaté Piesky Rocket Launch (2015, Josef Dabernig) Oberhausen, 35mm
+Color Neutral (2014, Jennifer Reeves) Oberhausen, 16mm
Two Clothespins in an Envelope (2015, Susanna Wallin) Oberhausen, DP
+7285 (2015, Sarah Christman) Oberhausen, DP
Blow-Up (2014, Zhu Changquan) Oberhausen, DP
From Another Movie (2014, Sarah Ibrahim) Oberhausen, DP
moon blink (2015, Rainer Kohlberger) Oberhausen, DP
Max Thurnheim (2014, Friedl vom Gröller) Oberhausen, 16mm
carte noire (2014, Michaela Grill) Oberhausen, DP
Tiniest Dreams (2014, Randy Sterling Hunter) Oberhausen, DP
Odessa Crash Test (Notes on Film 09) (2014, Norbert Pfaffenbichler) Oberhausen, DP
Of Stains, Scraps and Tires (2014, Sebastian Bramshuber) Oberhausen, DP
Tarang (2013, Jonny Greenwald & Shyam Kannapurakaran) Oberhausen, 3D
+Capitalism: Child Labor (2006, Ken Jacobs) Oberhausen, DP
3D-Movie (1975, Paul Sharits) Oberhausen, 3D-16mm
All Sides of the Road (2012, OpenEndedGroup [Marc Downie & Paul Kaiser]) Oberhausen, 3D
Galaxy (2008, Santiago Caicedo) Oberhausen, 3D
To the Sea (Mint Julep) (2013, A Nice Idea Every Day [Vivien Weyrauch & Fabian Röttger]) Oberhausen, DP
Hate (2012, Sami van Ingen) Oberhausen, 35mm
Terra Incognita (2011, Kerry Laitala) Oberhausen, 3D
Arheo29 (2010, Vladislav Knežević) Oberhausen, 3D
Back Track (2015, Virgil Widrich) Oberhausen, 3D
All Is Not Lost (OK Go) (2011, Trish Sie & Eric Kurland) Oberhausen, 3D
+Twelve Tales Told (2014, Johann Lurf) Oberhausen, 3D
5 m 80 (2012, Nicolas Deveaux) Oberhausen, 3D
Speechless (2008, Scott Stark) Oberhausen, 16mm
Ztring Theory (2009, Karl Bryhn & Jo Eldøen) Oberhausen, 3D
Impression en Haute Atmosphère (1989, Jose Antonioni Sistiaga) Oberhausen, 3D-35mm
+Around Is Around (1951, Norman McLaren) Oberhausen, 3D
Plasticity (2010, Ryan Suits) Oberhausen, 3D
Color Rhapsody (1948, Mary Ellen Bute) Oberhausen, 3D-16mm
Virtuos Virtuell (2013, Thomas Stellmach & Maja Oschmann) Oberhausen, 3D
Our World Is a Crazy Fractal (2014, San Base) Oberhausen, 3D
Stare (1991, Karl Kels) Oberhausen, 3D-16mm
Invocation (1982, Amy Halpern) Oberhausen, 16mm
Quick Billy Roll 47 (1970, Bruce Baillie) Oberhausen, 16mm
Penny Bright and Jimmy Witherspoon (1967, Robert Nelson) Oberhausen, 16mm
Money (1970, Mike Henderson) Oberhausen, 16mm
The Gypsy Cried (1973, Chris Langdon) Oberhausen, 16mm
Toxic Shock (1983, Vanessa Renwick) Oberhausen, 16mm
Primary Stimulus (1980, Robert Russett) Oberhausen, 16mm
Coreopsis (1998, Pat O’Neill) Oberhausen, 35mm
Madame Mao’s Lost Love Letters (1983, Tom Leeser & Diana Wilson) Oberhausen, 35mm
A Soft Warrior (1981, Nina Menkes) Oberhausen, DP
Endtrip (2013, Koen de Mol, Olivier Ballast, & Rick Franssen) Oberhausen, 3D
Arrive (2002, Ed Holdsworth) Oberhausen, 3D
Wanderlust (Björk) (2008, Encyclopedia Pictura) Oberhausen, 3D
Transmutation (2012, Volker Kuchelmeister) Oberhausen, 3D
Opening the 19th Century: 1896 (1990 Ken Jacobs) Oberhausen, 3D-16mm
When I Paint! (2014, Dirk-Martin Heinzelmann) Oberhausen, 3D
Embargo (2014, Johann Lurf) Oberhausen, 3D
Plant (2011, OpenEndedGroup [Mark Downie, Shelley Eshkar, & Paul Kaiser]) Oberhausen, 3D
+brouillard – passage 14 (2013, Alexandre Larose) Oberhausen, 35mm
(Be)Longing (2014, João Pedro Plácido) – 5.5
The Kidnapping of Michel Houellebecq (2014, Guillaume Nicloux) – 5.3
Alms for a Blind Horse (2011, Gurvinder Singh) – 5.9
Aliyah (2012, Elie Wajeman) – 6.0
On My Way (2013, Emmanuelle Bercot) – 4.8
My Sex Life… or How I Got Into an Argument (1996, Arnaud Desplechin) – 7.2
Standing Tall (2015, Emmanuelle Bercot) Cannes, DP – 4.7
Tale of Tales (2015, Matteo Garrone) Cannes, DP – 5.3
Actua 1 (1968, Philippe Garrel) Cannes, 35mm
In the Shadow of Women (2015, Philippe Garrel) Cannes, DP – 6.2
Sleeping Giant (2015, Andrew Cividino) Cannes, DP – 5.4
One Floor Below (2015, Radu Muntean) Cannes, DP – 6.5
Son of Saul (2015, László Nemes) Cannes, 35mm – 5.8
The Anarchists (2015, Elie Wajeman) Cannes, DP – 3.8
The Lobster (2015, Yorgos Lanthimos) Cannes, DP – 5.7
My Golden Days (2015, Arnaud Desplechin) Cannes, DP – 6.0
Taxi (2015, Jafar Panahi) Cannes Marché du Film, DP – 4.9
Afterthought (2015, Elad Keidan) Cannes, DP – 6.1
The Shameless (2015, Oh Seung-Uk) Cannes, DP – 4.2
My Mother (2015, Nanni Moretti) Cannes, DP – 5.0
Arabian Nights: Volume 1, The Restless One (2015, Miguel Gomes) Cannes, DP – 7.3
Carol (2015, Todd Haynes) Cannes, DP – 5.2
Disorder (2015, Alice Winocour) Cannes, DP – 6.4
Mon roi (2015, Maïwenn) Cannes, DP – 3.4
The High Sun (2015, Dalibor Matanic) Cannes, DP – 3.7
Journey to the Shore (2015, Kiyoshi Kurosawa) Cannes, DP – 4.3
Louder than Bombs (2015, Joachim Trier) Cannes, DP – 6.1
The Measure of a Man (2015, Stéphane Brizé) Cannes, DP – 5.3
Cemetery of Splendour (2015, Apichatpong Weerasethakul) Cannes, DP – 7.6
Two Friends (2015, Louis Garrel) Cannes, DP – 4.0
Arabian Nights: Volume 2, The Desolate One (2015, Miguel Gomes) Cannes, DP – 7.5
Marguerite & Julien (2015, Valérie Donzelli) Cannes, DP – 5.9
Sicario (2015, Denis Villeneuve) Cannes, DP – 4.5
Songs My Brothers Taught Me (2015, Chloé Zhao) Cannes, DP – 5.5
Inside Out (2015, Pete Docter) Cannes, DP – 6.2
Mountains May Depart (2015, Jia Zhangke) Cannes, DP – 5.6
Arabian Nights: Volume 3, The Enchanted One (2015, Miguel Gomes) Cannes, DP – 6.9
Peace to Us in Our Dreams (2015, Sharunas Bartas) Cannes, DP – 4.1
The Assassin (2015, Hou Hsiao-hsien) Cannes, DP – 6.4
Love (2015, Gaspar Noé) Cannes, 3D – 6.6
The Treasure (2015, Corneliu Porumboiu) Cannes, DP – 7.2
The Other Side (2015, Roberto Minervini) Cannes, DP – 6.3
Cosmos (2015, Andrzej Zulawski) Cannes Marché du Film, DP – 5.9
Visit, or Memories and Confessions (1982, Manoel de Oliveira) Cannes, 35mm – 6.1
Chronic (2015, Michel Franco) Cannes, DP – 2.0
Dheepan (2015, Jacques Audiard) Cannes, DP – 4.9
The Grief of Others (2015, Patrick Wang) Cannes, DP – 5.1
Paulina (2015, Santiago Mitre) Cannes, DP – 4.9
The Fourth Direction (2015, Gurvinder Singh) Cannes, DP – 6.1
Macbeth (2015, Justin Kurzel) Cannes, DP – 5.2
Papé (2015, Nicolas Polixène) Cannes, DP
Mustang (2015, Deniz Gamze Ergüven) Cannes, DP – 5.0
Embrace of the Serpent (2015, Ciro Guerra) Cannes, DP – 3.9
Our Little Sister (2015, Hirokazu Kore-eda) Cannes, DP – 4.6
Youth (2015, Paolo Sorrentino) Cannes, DP – 4.4
Valley of Love (2015, Guillaume Nicloux) Cannes, DP – 6.6
Mad Max: Fury Road (2015, George Miller) DP – 6.0
+A Midsummer’s Fantasia (2014, Jang Kun-jae) DP – 7.2 [same]
June
She’s Funny That Way (2014, Peter Bogdanovich) – 5.4
(T)ERROR (2015, Lyric R. Cabral & David Felix Sutcliffe) – 6.3
Babobilicons (1982, Daina Krumins) 35mm
Water and Power (1989, Pat O’Neill) 35mm – 5.8
7 Chinese Brothers (2015, Bob Byington) – 4.3
Field Niggas (2015, Khalik Allah) – 6.2
+Margaret [Theatrical Cut] (2011, Kenneth Lonergan) – 7.5 [same; Extended Cut: 8.8]
Kumiko, the Treasure Hunter (2014, David Zellner) – 5.4
Island of Lost Souls (1932, Erle C. Kenton) – 4.5
Nahid (2015, Ida Panahandeh) – 5.0
natural history (2014, James Benning) – 7.3
+Singin’ in the Rain (1952, Stanley Donen & Gene Kelly) – 6.1 [down from 6.7]
Hole (2014, Martin Edralin) DP
+What Now? Remind Me (2013, Joaquim Pinto) DP – 5.9 [up from 5.2]
What’s Out Tonight Is Lost (1983, Phil Solomon) 16mm
Crossroad (2005, Phil Solomon & Mark LaPore) DP
The Exquisite Hour (1994, Phil Solomon) 16mm
The Secret Garden (1988, Phil Solomon) 16mm
Seasons… (2002, Phil Solomon & Stan Brakhage) 16mm
The Snowman (1995, Phil Solomon) 16mm
Heaven Can Wait (1943, Ernst Lubitsch) 35mm – 5.7
Love Battles (2013, Jacques Doillon) – 5.5
When Marnie Was There (2014, Hiromasa Yonebayashi) – 5.8
Félix & Meira (2014, Maxime Giroux) – 6.3
July
A Poem Is a Naked Person (1974, Les Blank) – 5.2
Stinking Heaven (2015, Nathan Silver) – 5.7
In the Basement (2014, Ulrich Seidl) – 4.4
+Sherlock Jr. (1924, Buster Keaton) 16mm – 8.4 [up from 8.1]
Le Million (1931, René Clair) 16mm – 6.9
The Royal Road (2015, Jenni Olson) – 5.6
A Walk (2008, Ute Aurand) 16mm
In the Park (2008, Ute Aurand) 16mm
ZUOZ (2008, Ute Aurand) 16mm
Hanging Upside Down in the Branches (2009, Ute Aurand) 16mm
+To Be Here (2013, Ute Aurand) 16mm
At Home (1998, Ute Aurand) 16mm
Toponymy (2015, Jonathan Perel) – 5.0
The Children Are Watching Us (1944, Vittorio De Sica) 35mm – 4.9
+Prelude (2000, Michael Snow) 35mm
+Presents (1981, Michael Snow) 16mm – 8.0 [up from 7.4]
+Landform 1 (2015, Stephen Broomer) 16mm
Toccata for Toy Trains (1957, Charles & Ray Eames) 16mm
Island of Death (1976, Nico Mastorakis) – 4.2
The Tales of Hoffmann (1951, Michael Powell & Emeric Pressburger) DP – 4.7
88:88 (2015, Isiah Medina) – Inc. [Rough cut]
My Name Is Hmmm… (2013, Agnès Troublé) – 3.3
+O Canada (1951, Evelyn Lambart) 3D
Twirligig (1952, Gretta Ekman) 3D
+Around is Around (1951, Norman McLaren) 3D
Now Is the Time (1951, Norman McLaren) 3D
Begone Dull Care (1947, Norman McLaren & Evelyn Lambart) DP
Fiddle-De-Dee (1947, Norman McLaren) DP
Dots (1940, Norman McLaren) DP
Blinkity Blank (1955, Norman McLaren) DP
Norman McLaren: Animated Musician (2014, Donald McWilliams) DP
Pas de deux (1968, Norman McLaren) DP
Magnificent Obsession (1954, Douglas Sirk) DP – 6.4
Santa Teresa & Other Stories (2015, Nelson De Los Santos Arias) – 4.7
How Heavy This Hammer (2015, Kazik Radwanski) – Inc. [Rough cut]
+Red Desert (1964, Michelangelo Antonioni) 35mm – 6.2 [down from ~7.7]
Queen of Earth (2015, Alex Ross Perry) – 3.9
Veils (2013, Madison Brookshire) 16mm
Color Series (2010, Madison Brookshire) 16mm – 4.5
Lost and Beautiful (2015, Pietro Marcello) – 5.2
August Winds (2014, Gabriel Mascaro) – 5.7
+88:88 (2015, Isiah Medina) – 6.9 [up from ~6.0]
+Championship (2013, Stephen Broomer) 16mm
+Sentimental Education (2013, Júlio Bressane) DP – 6.7 [same]
Seduced and Abandoned (1964, Pietro Germi) 35mm – 5.4
Crossing the Line (2007, Pietro Marcello) – 4.2
Amy (2015, Asif Kapadia) DP – 4.5
August
The Silence of Pelešjan (2011, Pietro Marcello) – 5.7
+The Mouth of the Wolf (2009, Pietro Marcello) – 5.8 [down from 6.1]
+Lost and Beautiful (2015, Pietro Marcello) – 6.5 [up from 5.2]
The Movement (2015, Benjamin Naishtat) – 5.9
+So Is This (1983, Michael Snow) 16mm – 7.5 [same]
+SSHTOORRTY (2000, Michael Snow) 35mm
+Lucy (2014, Luc Besson) – 6.8 [same]
No Home Movie (2015, Chantal Akerman) – 5.3
Mission: Impossible — Rogue Nation (2015, Christopher McQuarrie) DP – 4.1
Right Now, Wrong Then (2015, Hong Sang-soo) – 6.6
Invention (2015, Mark Lewis) – 5.9
+88:88 (2015, Isiah Medina) – 6.0 [down from 6.9]
Brooklyn (2015, John Crowley) DP – 3.8
+Cemetery of Splendour (2015, Apichatpong Weerasethakul) DP – 7.6 [same]
Magic Mike XXL (2015, Gregory Jacobs) – 7.1
45 Years (2015, Andrew Haigh) DP – 5.6
September
BAM (2015, Howie Shia) DP
Bird Heart (2015, Halfdan Olav Ullmann Tøndel) DP
A Few Seconds (2015, Nora El Hourch) DP
The Magnetic The Magnetic Nature (2015, Mateo Bendesky) DP
4 Quarters (2015, Ashley McKenzie) DP
Rate Me (2015, Fyzal Boulifa) DP
The Man Who Shot Hollywood (2015, Barry Avrich) DP
Court (2014, Chaitanya Tamhane) DP – 6.3
Heart of a Dog (2015, Laurie Anderson) DP – 4.5
Chevalier (Athina Rachel Tsangari) DP – 5.5
Under Capricorn (1949, Alfred Hitchcock) 35mm – 4.3
+Court (2014, Chaitanya Tamhane) DP – 6.3 [same]
+How Heavy This Hammer (2015, Kazik Radwanski) – 5.6 [~same]
Tharlo (2015, Pema Tseden) – 5.9
Hitchcock/Truffaut (2015, Kent Jones) TIFF, DP – 4.6
+One Floor Below (2015, Radu Muntean) TIFF, DP – 6.5 [same]
In Jackson Heights (2015, Frederick Wiseman) TIFF, DP – 6.3
The Pearl Button (2015, Patricio Guzmán) TIFF, DP – 5.7
The Chickening (2015, Davy Force & Nick DenBoer) TIFF, DP
Green Room (2015, Jeremy Saulnier) TIFF, DP – 5.4
The Martian (2015, Ridley Scott) TIFF, 3D – 4.9
Office (2015, Johnnie To) TIFF, 3D – 6.9
+3D Movie (1975, Paul Sharits) TIFF, 3D-16mm
Fugue (2015, Kerstin Schrödinger) TIFF, 16mm
Prima Materia (2015, Charlotte Pryce) TIFF, 16mm
The Fire in My Brain That Separates Us (2015, Benjamin Ramírez Pérez) TIFF, DP
+Something Horizontal (2015, Blake Williams) TIFF, 3D
The Exquisite Corpus (2015, Peter Tscherkassky) TIFF, 35mm
11 Minutes (2015, Jerzy Skolimowski) TIFF, DP – 3.5
Evolution (2015, Lucile Hadžihalilovic) TIFF, DP – 4.8
Bang Gang (A Modern Love Story) (2015, Eva Husson) TIFF, DP – 4.6
A Distant Episode (2015, Ben Rivers) TIFF, 16mm
An Old Dog’s Diary (2015, Shai Heredia & Shumona Goel) TIFF, DP
The Reminder (2015, Behrouz Rae) TIFF, DP
Solo for Rich Man (2015, Beatrice Gibson) TIFF, DP
YOLO (2015, Ben Russell) TIFF, DP
Analysis of Emotions and Vexations (2015, Wojciech Bąkowski) TIFF, DP
+Bunte Kuh (2015, Ryan Ferko, Parastoo Anoushahpour, & Faraz Anoushahpour) TIFF, DP
Anomalisa (2015, Charlie Kaufman) TIFF, DP – 7.2
Sunset Song (2015, Terence Davies) TIFF, DP – 5.3
Maggie’s Plan (2015, Rebecca Miller) TIFF, DP – 5.4
From Afar (2015, Lorenzo Vigas) TIFF, DP – 4.5
Navigator (2015, Björn Kämmerer) TIFF, 35mm
Théodolitique (2015, David K. Ross) TIFF, DP
Office Space Modulation (2015, Terrarea [aka Janis Demkiw, Emily Hogg, & Olia Mishchenko]) TIFF, DP
Palms (2015, Mary Helena Clark) TIFF, DP
Occidente (2014, Ana Vaz) TIFF, DP
Terrestrial (2015, Calum Walter) TIFF, DP
Tarlabaşı (2015, Cynthia Madansky) TIFF, DP
Faux Départ (False Start) (2015, Yto Barrada) TIFF, DP
Sector IX B (2015, Mathieu Kleyebe Abonnenc) TIFF, DP – 5.7
High-Rise (2015, Ben Wheatley) TIFF, DP – 5.9
Bleak Street (2015, Arturo Ripstein) TIFF, DP – 6.2
Incident Light (2015, Ariel Rotter) TIFF, DP – 4.1
+Actua 1 (1968, Philippe Garrel) TIFF, 35mm
Time for Outrage! (2015, Friedl vom Gröller) TIFF, 16mm
Untitled (2015, Behrouz Rae) TIFF, DP
Many Thousands Gone (2015, Ephraim Asili) TIFF, DP
Neither God nor Santa Maria (2015, Samuel M. Delgado & Helena Girón) TIFF, DP
Psychic Driving (2015, William E. Jones) TIFF, DP
UNcirCling (2015, John Creson & Adam Rosen) TIFF, DP
Engram of Returning (2015, Daïchi Saïto) TIFF, 35mm
The Apostate (2015, Federico Veiroj) TIFF, DP – 6.0
+Office (2015, Johnnie To) TIFF, 3D – 6.7 [down from 6.9]
Bring Me the Head of Tim Horton (2015, Guy Maddin, Evan Johnson, & Galen Johnson) TIFF, DP
Blood of My Blood (2015, Marco Bellocchio) TIFF, DP – 7.5
Demolition (2015, Jean-Marc Vallée) TIFF, DP – 6.3
Hong Kong Trilogy: Preschooled Preoccupied Preposterous (2015, Christopher Doyle) TIFF, DP – 5.1
The Event (2015, Sergei Loznitsa) TIFF, DP – 5.5
Francofonia (2015, Alexander Sokurov) TIFF, DP – 4.6
The War of the Worlds (1953, Byron Haskin) – 2.9
Afternoon (2015, Tsai Ming-liang) TIFF, DP – 6.2
Campo Grande (2015, Sandra Kogut) TIFF, DP – 5.5
The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers (2015, Ben Rivers) TIFF, 35mm – 6.1
The Club (2015, Pablo Larraín) TIFF, DP – 4.5
Story of Judas (2015, Rabah Ameur-Zaïmeche) TIFF, DP – 5.9
Our Brand is Crisis (2015, David Gordon Green) TIFF, DP – 4.0
Yakuza Apocalypse (2015, Takashi Miike) TIFF, DP – 5.6
+The Treasure (2015, Corneliu Porumboiu) TIFF, DP – 7.2 [same]
The Wait (2015, Piero Messina) TIFF, DP – 5.2
Les Cowboys (2015, Thomas Bidegain) TIFF, DP – 5.3
Where to Invade Next (2015, Michael Moore) TIFF, DP – 4.9
Neon Bull (2015, Gabriel Mascaro) TIFF, DP – 6.4
Forbidden Planet (1956, Fred M. Wilcox) – 5.5
Standard Time (1967, Michael Snow) 16mm
Seated Figures (1990, Michael Snow) 16mm – 5.1
+Puccini Conservato (2008, Michael Snow) DP
+Blood of My Blood (2015, Marco Bellocchio) – 7.5 [same]
Summer (2013, Nathaniel Dorsky) NYFF, 16mm
February (2014, Nathaniel Dorsky) NYFF, 16mm
Avraham (2014, Nathaniel Dorsky) NYFF, 16mm
December (2014, Nathaniel Dorsky) NYFF, 16mm
Love’s Refrain (2001, Nathaniel Dorsky) NYFF, 16mm
Intimations (2015, Nathaniel Dorsky) NYFF, 16mm
Prelude (2015, Nathaniel Dorsky) NYFF, 16mm
+Ingreen (1964, Nathaniel Dorsky) NYFF, 16mm
+A Fall Trip Home (1964, Nathaniel Dorsky) NYFF, 16mm
+Summerwind (1965, Nathaniel Dorsky) NYFF, 16mm
Kodachrome Dailies from the Time of Song and Solitude (Reel 1) (2006, Nathaniel Dorsky) NYFF, 16mm – 6.0
+Bring Me the Head of Tim Horton (2015, Guy Maddin, Evan Johnson, & Galen Johnson) NYFF, DP
Two Personal Gifts aka Fool’s Spring (1967, Jerome Hiler & Nathaniel Dorsky) NYFF, 16mm
Hours for Jerome Part 1 (1982, Nathaniel Dorsky) NYFF, 16mm
Hours for Jerome Part 2 (1982, Nathaniel Dorsky) NYFF, 16mm
+In the Stone House (2012, Jerome Hiler) NYFF, 16mm
New Shores (2012, Jerome Hiler) NYFF, 16mm
Marginalia (2015, Jerome Hiler) NYFF, 16mm
Gladly Given (1997, Jerome Hiler) NYFF, 16mm
+Words of Mercury (2011, Jerome Hiler) NYFF, 16mm
The Walk (2015, Robert Zemeckis) 3D – 5.3
Pneuma (1983, Nathaniel Dorsky) NYFF, 16mm
17 Reasons Why (1987, Nathaniel Dorsky) NYFF, 16mm
Alaya (1987, Nathaniel Dorsky) NYFF, 16mm
Triste (1996, Nathaniel Dorsky) NYFF, 16mm
Variations (1998, Nathaniel Dorsky) NYFF, 16mm
Arbor Vitae (2000, Nathaniel Dorsky) NYFF, 16mm
+Song and Solitude (2006, Nathaniel Dorsky) NYFF, 16mm
Threnody (2004, Nathaniel Dorsky) NYFF, 16mm
The Visitation (2002, Nathaniel Dorsky) NYFF, 16mm
+Blow Out (1981, Brian De Palma) NYFF, DP – 4.9 [down from 5.9]
October
+Compline (2009, Nathaniel Dorsky) NYFF, 16mm
+Aubade (2010, Nathaniel Dorsky) NYFF, 16mm
Winter (2007, Nathaniel Dorsky) NYFF, 16mm
+The Return (2011, Nathaniel Dorsky) NYFF, 16mm
+Pastourelle (2010, Nathaniel Dorsky) NYFF, 16mm
+August and After (2012, Nathaniel Dorsky) NYFF, 16mm
+April (2012, Nathaniel Dorsky) NYFF, 16mm
+Song (2013, Nathaniel Dorsky) NYFF, 16mm
+Spring (2013, Nathaniel Dorsky) NYFF, 16mm
+Neither God nor Santa María (2014, Samuel M. Delgado & Helena Girón) NYFF, DP
+Something Horizontal (2015, Blake Williams) NYFF, 3D
+Analysis of Emotions and Vexations (2015, Wojciech Bakowski) NYFF, DP
+Traces/Legacy (2015, Scott Stark) NYFF, 35mm
+ Entangled (2014, Riccardo Giacconi) NYFF, DP
+Prima Materia ( 2015, Charlotte Pryce) NYFF, 16mm
Intersection (2015, Vincent Grenier) NYFF, DP
Port Noir (2014, Laura Kraning) NYFF, DP
Centre of the Cyclone ( 2015, Heather Trawick) NYFF, 16mm
The Devastated Land (2015, Emmanuel Lefrant) NYFF, 35mm
Cathode Garden (2015, Janie Geiser) NYFF, DP
Something Between Us (2015, Jodie Mack) NYFF, 16mm
brouillard – passage 15 (2014, Alexandre Larose) NYFF, 35mm
+ A Distant Episode ( 2015, Ben Rivers) NYFF, DP
In Girum Imus Nocte (2015, Giorgio Andreotta Calò) NYFF, DP
Half Human, Half Vapor ( 2015, Mike Stoltz) NYFF, 16mm
+ Occidente (2014, Ana Vaz) NYFF, DP
+ YOLO (2015, Ben Russell) NYFF, DP
Ah humanity! ( 2015, Ernst Karel, Verena Paravel, & Lucien Castaing-Taylor) NYFF, DP
+Neither God nor Santa María (2014, Samuel M. Delgado & Helena Girón) NYFF, DP
+Something Horizontal (2015, Blake Williams) NYFF, 3D
+Analysis of Emotions and Vexations (2015, Wojciech Bakowski) NYFF, DP
+Traces/Legacy (2015, Scott Stark) NYFF, 35mm
+ Entangled (2014, Riccardo Giacconi) NYFF, DP
Night Without Distance (2015, Lois Patiño) NYFF, DP
Hard as Opal (2015, Jared Buckhiester & Dani Leventhal) NYFF, DP
Confessions (1971, Curt McDowell) NYFF, 16mm
Non-Stop Beautiful Ladies (2015, Alee Peoples) NYFF, 16mm
Mars Garden (2014, Lewis Klahr) NYFF, DP
+ The Exquisite Corpus (2015, Peter Tscherkassky) NYFF, 35mm
Lost Note (2015, Saul Levine) NYFF, 16mm
Soft Fiction (1979, Chick Strand) NYFF, 16mm – 6.6
Live to Live (2015, Laida Lertxundi) NYFF, 16mm
Minotaur ( 2015, Nicolas Pereda) NYFF, DP – 5.7
Hello (2015, Simon Fujiwara) NYFF, DP
+ F for Fibonacci (2014, Beatrice Gibson) NYFF, DP
Black Code (2015, Louis Henderson) NYFF, DP
Lessons of War (2014, Peggy Ahwesh) NYFF, DP
Scales in the Spectrum of Space (2015, Fern Silva) NYFF, DP
Microbe and Gasoline (2015, Michel Gondry) NYFF, DP – 5.6
OM Rider (2014, Takeshi Murata) NYFF, DP
Rabbit Season, Duck Season (2014, Michael Bell-Smith) NYFF, DP
All My Love All My Love (2015, Hannah Black) NYFF, DP
Velvet Peel 1 (2015, Victoria Fu) NYFF, DP
Don’t Blink: Robert Frank (2015, Laura Israel) NYFF, DP – 4.4
+Bunte Kuh (2015, Ryan Ferko, Faraz Anoushahpour & Parastoo Anoushahpour) NYFF, DP
The Everyday Ritual of Solitude Hatching Monkeys (2015, Basim Magdy) NYFF, DP
Radio at Night (2015, James Richards) NYFF, DP
All That Is Solid ( 2014, Louis Henderson) NYFF, DP
Mad Ladders (2015, Michael Robinson) NYFF, DP
Erysichthon (2015, Jon Rafman) NYFF, DP
Slow Zoom Long Pause ( 2015, Sara Magenheimer) NYFF, DP
Hyperlinks or It Didn’t Happen (2014, Cécile B. Evans) NYFF, DP
Neither Heaven Nor Earth (2015, Clément Cogitore) – 5.2
+2001: A Space Odyssey (1968, Stanley Kubrick) – 9.6 [same]
Junun (2015, Paul Thomas Anderson) – 5.1
+Queen of Earth (2015, Alex Ross Perry) DP – 3.9 [same]
+Twelve Monkeys (1995, Terry Gilliam) – 6.5 [down from 6.9]
Baby Doll (1982, Tessa Hughes-Freeland) 16mm
Mutiny (1982, Abigail Child) 16mm
Noyes (1976, Bette Gordon) 16mm
Abstraction (1971, Rosalind Schneider) 16mm
All Women Are Equal (1972, Marguerite Paris) 16mm
The Scary Movie (1996, Peggy Ahwesh) 16mm
What Is a Man? (1958, Sara-Kathryn Arledge) 16mm
Bridge of Spies (2015, Steven Spielberg) DP – 6.1
+Mulholland Dr. (2001, David Lynch) 35mm – 8.9 [up from 8.4]
+The Day the Earth Stood Still (1951, Robert Wise) – 6.1 [up from ~5.0]
Love Exists (1960, Maurice Pialat) 35mm
+Naked Childhood (1968, Maurice Pialat) 35mm – 7.3 [~same]
Doomsdays (2013, Eddie Mullins) – 5.2
Loulou (1980, Maurice Pialat) 35mm – 5.7
+Valley of Love (2015, Guillaume Nicloux) DP – 6.6 [same]
We Won’t Grow Old Together (1972, Maurice Pialat) 35mm – 5.8
Unfriended (2014, Levan Gabriadze) – 5.0
In Absentia (2000, Stephen & Timothy Quay) 35mm
Quay (2015, Christopher Nolan) 35mm
The Comb (From the Museums of Sleep) (1999, Stephen & Timothy Quay) 35mm
+Street of Crocodiles (1986, Stephen Quay) 35mm
Mark of the Vampire (1935, Tod Browning) 16mm – 5.9
Edgar Allan Poe (1909, D.W. Griffith) 16mm
+The Fall of the House of Usher (1928, Jean Epstein) 16mm – 6.5 [same]
Invasion of the Body Snatchers (1956, Don Siegel) – 6.3
+À nos amours (1983, Maurice Pialat) 35mm – 7.6 [same]
Chelsea Girls (1966, Andy Warhol & Paul Morrissey) 16mm – 7.9
November
The Mouth Agape (1974, Maurice Pialat) DP – 6.0
Shaun the Sheep Movie (2015, Mark Burton & Richard Starzack) – 5.4
Kid (2015, Júlio Bressane) – 6.0
Here’s to the Future! (2014, Gina Telaroli) DP – 5.2
+Hit 2 Pass (2014, Kurt Walker) DP – 5.6 [same]
+Close Encounters of the Third Kind (1977, Steven Spielberg) – 7.1 [up from 5.7]
Harlot (1965, Andy Warhol) 16mm – 5.6
Fists in the Pocket (1965, Marco Bellocchio) – 5.9
The Witches’ Sabbath (1988, Marco Bellocchio) – 5.8
Vincere (2009, Marco Bellocchio) – 4.7
+Alphaville (1965, Jean-Luc Godard) – 6.7 [same]
My Mother’s Smile (2002, Marco Bellocchio) – 5.9
Police (1985, Maurice Pialat) 35mm – 5.3
Good Morning, Night (2003, Marco Bellocchio) – 6.0
+Dormant Beauty (2012, Marco Bellocchio) – 5.6 [up from 4.8]
+Blood of My Blood (2015, Marco Bellocchio) – 7.5 [same]
The Wedding Director (2006, Marco Bellocchio) – 5.0
+Metropolis [2010 restored version] (1927, Fritz Lang) – 6.9 [down from 7.8]
Le Garçu (1995, Maurice Pialat) 35mm – 6.7
+Where is the Friend’s Home? (1987, Abbas Kiarostami) DP – 9.0 [same]
Short Shave (1965, Michael Snow) 16mm
TO LAVOISIER, Who Died in The Reign of Terror (1991, Michael Snow) 16mm – 6.9
Aloha (2015, Cameron Crowe) – 5.9
The Plague Dogs (1982, Martin Rosen) – 4.1
+Mad Max: Fury Road (2015, George Miller) – 6.0 [same]
Creed (2015, Ryan Coogler) DP – 5.7
December
+Semi-auto colours (2010, Isiah Medina) DP
(∃u) [u ≤ f and u ≤ m] (2013, Isiah Medina) DP
For May and December (2015, Isiah Medina) DP
+Field Niggas (2015, Khalik Allah) DP – 6.2 [same]
Oblivion (2013, Joseph Kosinski) – 3.1
John’s T-Shirts (2014, John Porter) 8mm
Amusement Park (1978, John Porter) 8mm
Firefly (1980, John Porter) 8mm
Funnel Benefit (1982, John Porter) 8mm
Urban Underground (1985, John Porter) 8mm
More Milk, Yvette (1966, Andy Warhol) 16mm – 2.3
+Carol (2015, Todd Haynes) DP – 5.2 [same]
Spotlight (2015, Tom McCarthy) – 4.9
A to Z (1956, Michael Snow) 16mm
+*Corpus Callosum (2002, Michael Snow) 16mm – 7.9 [~same]
Room (2015, Lenny Abrahamson) – 4.7
Of Men and War (2014, Laurent Bécue-Renard) – 5.0
Ex Machina (2015, Alex Garland) – 5.3
Star Wars: Episode VII – The Force Awakens (2015, J.J. Abrams) 3D – 5.6
The Diary of a Teenage Girl (2015, Marielle Heller) – 6.1
+Christmas, Again (2014, Charles Poekel) DP – 5.8 [up from 5.5]
The Hateful Eight (2015, Quentin Tarantino) 70mm – 7.4
Steve Jobs (2015, Danny Boyle) – 4.2
Chi-Raq (2015, Spike Lee) – 5.1
The Intestine (2016, Lev Lewis) – Inc. [rough cut]
Gabriel (2014, Lou Howe) – 6.4
+All That Heaven Allows (1955, Douglas Sirk) – 7.3 [same]
+The Hateful Eight (2015, Quentin Tarantino) 70mm – 7.4 [same]
Joy (2015, David O. Russell) – 6.0
Jellyfish Eyes (2013, Takashi Murakami) – 2.7
Knight of Cups (2015, Terrence Malick) – 7.7
Top 10 of 2014
*Click on the ‘Lists & Logs’ tab to see lists from previous years.
This list will be updated each time I see a film which had its world premiere in 2014 that is better than at least one of the films already on the list.
- Goodbye to Language (Jean-Luc Godard)
- Interstellar (Christopher Nolan)
- Boyhood (Richard Linklater)
- Journey to the West (Tsai Ming-liang)
- Horse Money (Pedro Costa)
- Phoenix (Christian Petzold)
- Approaching the Elephant (Amanda Rose Wilder)
- National Gallery (Frederick Wiseman)
- Li’l Quinquin (Bruno Dumont)
- natural history (James Benning)
Polls Top 10 (eligible titles appear/will appear here)
- Goodbye to Language (2014, Jean-Luc Godard)
- The Strange Little Cat (2013, Ramon Zürcher)
- Boyhood (2014, Richard Linklater)
- MANAKAMANA (2013, Stephanie Spray & Pacho Velez)
- Norte, the End of History (2013, Lav Diaz)
- Stranger by the Lake (2013, Alain Guiraudie)
- Stray Dogs (2013, Tsai Ming-liang)
- National Gallery (2014, Frederick Wiseman)
- Nymphomaniac: Volume II (2013, Lars von Trier)
- Gone Girl (2014, David Fincher)
My Top 10 Discoveries During 2014 (only first-time viewings of films made before 2000 are eligible)
- The Marquise of O (1976, Eric Rohmer)
- The Magnificent Ambersons (1942, Orson Welles)
- Sorcerer (1977, William Friedkin)
- Je t’aime je t’aime (1968, Alain Resnais)
- The Big Sleep (1946, Howard Hawks)
- King Lear (1987, Jean-Luc Godard)
- My Darling Clementine (1946, John Ford)
- The Clock (1945, Vincente Minnelli)
- Far from Vietnam (1967, Alain Resnais, William Klein, Joris Ivens, Agnès Varda, Claude Lelouch, Jean-Luc Godard, & Chris Marker)
- The Bride of Frankenstein (1935, James Whale)
Other 2014 films I’ve seen
- A Midsummer’s Fantasia (Jang Kun-jae) – 7.2
- Amour fou (Jessica Hausner) – 7.1
- Not My Type (Lucas Belvaux) – 7.1
- Welcome to New York (Abel Ferrara) – 7.0
- Gone Girl (David Fincher) – 7.0
- Hill of Freedom (Hong Sang-soo) – 6.9
- Lucy (Luc Besson) – 6.8
- A Pigeon Sat on a Branch Reflecting on Existence (Roy Andersson) – 6.8
- Two Days, One Night (Jean-Pierre & Luc Dardenne) – 6.8
- Maps to the Stars (David Cronenberg) – 6.7
- Bird People (Pascale Ferran) – 6.7
- Jauja (Lisandro Alonso) – 6.6
- Heaven Knows What (Joshua & Benny Safdie) – 6.6
- Beloved Sisters (Dominik Graf) – 6.6
- Eden (Mia Hansen-Løve) – 6.6
- The Mend (John Magary) – 6.5
- Rules of the Game (Claudine Bories & Patrice Chagnard) – 6.5
- The Kindergarten Teacher (Nadav Lapid) – 6.5
- Saint Laurent (Bertrand Bonello) – 6.4
- Gabriel (Lou Howe) – 6.4
- Appropriate Behavior (Desiree Akhavan) – 6.4
- Winter Sleep (Nuri Bilge Ceylan) – 6.4
- Edge of Tomorrow (Doug Liman) – 6.4
- Court (Chaitanya Tamhane) – 6.3
- Tu dors Nicole (Stéphane Lafleur) – 6.3
- The Grand Budapest Hotel (Wes Anderson) – 6.3
- Hypnosis Display (Paul Clipson) – 6.3
- About 12 (Martín Shanly) – 6.3
- Obvious Child (Gillian Robespierre) – 6.3
- Noah (Darren Aronofsky) – 6.3
- Félix & Meira (Maxime Giroux) – 6.3
- Inherent Vice (Paul Thomas Anderson) – 6.2
- Clouds of Sils Maria (Olivier Assayas) – 6.2
- The Wonders (Alice Rohrwacher) – 6.2
- Love is Strange (Ira Sachs) – 6.2
- Life of Riley (Alain Resnais) – 6.2
- This Afternoon (Stephen Cone) – 6.2
- In the Name of My Daughter (André Téchiné) – 6.2
- Alleluia (Fabrice Du Welz) – 6.1
- La Sapienza (Eugène Green) – 6.1
- Silvered Water, Syria Self-Portrait (Ossama Mohammed) – 6.1
- Tales of the Grim Sleeper (Nick Broomfield) – 6.1
- Eat Your Bones (Jean-Charles Hue) – 6.1
- Force Majeure (Ruben Östlund) – 6.0
- Gett, the Trial of Viviane Amsalem (Ronit Elkabetz & Shlomi Elkabetz) – 6.0
- Actress (Robert Greene) – 6.0
- What We Do in the Shadows (Jemaine Clement & Taika Waititi) – 6.0
- CITIZENFOUR (Laura Poitras) – 6.0
- Timbuktu (Abderrahmane Sissako) – 6.0
- Happy Christmas (Joe Swanberg) – 6.0
- Maïdan (Sergei Loznitsa) – 5.9
- It Follows (David Robert Mitchell) – 5.9
- Whiplash (Damien Chazelle) – 5.9
- Ellie Lumme (Ignatiy Vishnevetsky) – 5.9
- The Lies of the Victors (Christoph Hochhäusler) – 5.9
- See No Evil (Jos de Putter) – 5.9
- The Possibilities Are Endless (James Hall & Edward Lovelace) – 5.9
- Episode of the Sea (Lonnie van Brummelen, Siebren de Haan, & the inhabitants of Urk) – 5.8
- Ned Rifle (Hal Hartley) – 5.8
- Christmas, Again (Charles Poekel) – 5.8
- Listen Up Philip (Alex Ross Perry) – 5.8
- The Iron Ministry (J.P. Sniadecki) – 5.8
- When Marnie Was There (Hiromasa Yonebayashi) – 5.8
- The Homesman (Tommy Lee Jones) – 5.8
- Ming of Harlem: Twenty One Storeys in the Air (Phillip Warnell) – 5.8
- Rich Hill (Andrew Droz Palermo & Tracy Droz Tragos) – 5.8
- August Winds (Gabriel Mascaro) – 5.7
- The Overnighters (Jesse Moss) – 5.7
- Manglehorn (David Gordon Green) – 5.7
- Hit 2 Pass (Kurt Walker) – 5.6
- I Am the People (Anna Roussillon) – 5.6
- Something, Anything (Paul Harrill) – 5.6
- A Most Violent Year (J.C. Chandor) – 5.6
- Joy of Man’s Desiring (Denis Côté) – 5.6
- The Mystery of Life (Stephen Cone) – 5.6
- The Vanquishing of the Witch Baba Yaga (Jessica Oreck) – 5.6
- Happy Valley (Amir Bar-Lev) – 5.6
- Mr. Turner (Mike Leigh) – 5.5
- Detroit Transect: Spine (Marc Downie & Paul Kaiser) – 5.5
- While We’re Young (Noah Baumbach) – 5.5
- L for Leisure (Lev Kalman & Whitney Horn) – 5.5
- Mar (Dominga Sotomayor) – 5.5
- Sand Dollars (Laura Amelia Guzmán & Israel Cárdenas) – 5.5
- Don’t Go Breaking My Heart 2 (Johnnie To) – 5.5
- Angels of Revolution (Aleksei Fedorchenko) – 5.5
- (Be)Longing (João Pedro Plácido) – 5.5
- Queen and Country (John Boorman) – 5.5
- She’s Funny That Way (Peter Bogdanovich) – 5.4
- The Lego Movie (Phil Lord & Christopher Miller) – 5.4
- Spartacus & Cassandra (Ioanis Nuguet) – 5.4
- Wild (Jean- Marc Vallée) – 5.4
- Art and Craft (Jennifer Grausman & Sam Cullman) – 5.4
- Kumiko, the Treasure Hunter (David Zellner) – 5.4
- The Tribe (Myroslav Slaboshpytskiy) – 5.4
- Guardians of the Galaxy (James Gunn) – 5.4
- Pasolini (Abel Ferrara) – 5.3
- The Second Game (Corneliu Porumboiu) – 5.3
- The Blue Room (Mathieu Amalric) – 5.3
- The Guests (Ken Jacobs) – 5.3
- The Kidnapping of Michel Houellebecq (Guillaume Nicloux) – 5.3
- Breathe (Mélanie Laurent) – 5.3
- Black Coal, Thin Ice (Diao Yinan) – 5.3
- The Interview (Evan Goldberg & Seth Rogen) – 5.3
- Dear White People (Justin Simien) – 5.3
- Wild Tales (Damián Szifron) – 5.3
- Misunderstood (Asia Argento) – 5.3
- The Songs of Rice (Uruphong Raksasad) – 5.3
- Futuro Beach (Karim Aïnouz) – 5.2
- The Tale of Princess Kaguya (Isao Takahata) – 5.2
- Still Alice (Richard Glatzer & Wash Westmoreland) – 5.2
- Here’s to the Future! (Gina Telaroli) – 5.2
- 1001 Grams (Bent Hamer) – 5.2
- The Salvation (Kristian Levring) – 5.2
- Jimmy’s Hall (Ken Loach) – 5.1
- The Look of Silence (Joshua Oppenheimer) – 5.1
- Nightcrawler (Dan Gilroy) – 5.1
- Last Days in Vietnam (Rory Kennedy) – 5.1
- Birdman or (The Unexpected Virtue of Ignorance) (Alejandro G. Iñárritu) – 5.1
- Party Girl (Marie Amachoukeli, Claire Burger, & Samuel Theis) – 5.1
- Unfriended (Levan Gabriadze) – 5.0
- White Nights on the Pier (Paul Vecchiali) – 5.0
- Letters to Max (Eric Baudelaire) – 5.0
- Tokyo Tribe (Sion Sono) – 5.0
- Mercuriales (Virgil Vernier) – 5.0
- Non-Stop (Jaume Collet-Serra) – 5.0
- Dumb and Dumber To (Bobby & Peter Farrelly) – 5.0
- Two Shots Fired (Martín Rejtman) – 5.0
- Guidelines (Jean-François Caissy) – 5.0
- Of Men and War (Laurent Bécue-Renard) – 5.0
- The Princess of France (Matías Piñeiro) – 4.9
- Foxcatcher (Bennett Miller) – 4.9
- From What is Before (Lav Diaz) – 4.9
- ’71 (Yann Demange) – 4.9
- A Hard Day (Kim Seong-hun) – 4.9
- Run (Philippe Lacôte) – 4.9
- Mommy (Xavier Dolan) – 4.8
- Beautiful Youth (Jaime Rosales) – 4.8
- Cathedrals of Culture (Wim Wenders, Michael Glawogger, Michael Madsen, Robert Redford, Margreth Olin, & Karim Aïnouz) – 4.8
- Iris (Albert Maysles) – 4.8
- Love & Mercy (Bill Pohlad) – 4.8
- Los Hongos (Oscar Ruiz Navia) – 4.8
- Storm Children: Book One (Lav Diaz) – 4.7
- The Captive (Atom Egoyan) – 4.7
- Flapping in the Middle of Nowhere (Diep Hoang Nguyen) – 4.7
- The Theory of Everything (James Marsh) – 4.7
- The Immortalists (David Alvarado & Jason Sussberg) – 4.7
- Androids Dream (Ion De Sosa) – 4.6
- A Girl at My Door (July Jung) – 4.6
- Far from Men (David Oelhoffen) – 4.6
- The Imitation Game (Morten Tyldum) – 4.6
- 22 Jump Street (Phil Lord & Christopher Miller) – 4.5
- Girlhood (Celine Sciamma) – 4.5
- Fort Buchanan (Benjamin Crotty) – 4.5
- Selma (Ava DuVernay) – 4.4
- In the Basement (Ulrich Seidl) – 4.4
- Elephant Song (Charles Binamé) – 4.4
- Snow in Paradise (Andrew Hulme) – 4.4
- Darker Than Midnight (Sebastiano Riso) – 4.3
- Violet (Bas Devos) – 4.3
- Get on Up (Tate Taylor) – 4.3
- The Salt of the Earth (Wim Wenders & Juliano Ribeiro Salgado) – 4.3
- Time Out of Mind (Oren Moverman) – 4.2
- The Search (Michel Hazanavicius) – 4.2
- Red Army (Polsky Gabe) – 4.2
- When Animals Dream (Jonas Alexander Arnby) – 4.1
- The Babadook (Jennifer Kent) – 4.1
- Living Stars (Mariano Cohn & Gastón Duprat) – 4.1
- A Most Wanted Man (Anton Corbijn) – 4.1
- Leviathan (Andrei Zvyagintsev) – 4.0
- The Corral and the Wind (Miguel Hilari) – 4.0
- Concerning Violence (Göran Olsson) – 3.9
- Lost River (Ryan Gosling) – 3.9
- Da Sweet Blood of Jesus (Spike Lee) – 3.8
- An Eye for Beauty (Denys Arcand) – 3.8
- Still the Water (Naomi Kawase) – 3.6
- Hippocrates (Thomas Lilti) – 3.6
- The Duke of Burgundy (Peter Strickland) – 3.5
- Coming Home (Zhang Yimou) – 3.5
- A Girl Walks Home Alone (Ana Lily Amirpour) – 3.4
- Sin City: A Dame to Kill For (Robert Rodriguez & Frank Miller) – 3.3
- Calvary (John Michael McDonagh) – 3.3
- White God (Kornél Mundruczó) – 3.2
- The New Girlfriend (François Ozon) – 3.2
- Fires on the Plain (Shinya Tsukamoto) – 3.1
- Return to Ithaca (Laurent Cantet) – 3.0
- The Girl and the River (Aurélia Georges) – 3.0
- Le beau danger (René Frölke) – 2.9
- Grace of Monaco (Olivier Dahan) – 2.9
- The Cobbler (Thomas McCarthy) – 2.7
NYFF / Projections / NYC Rep schedule
September 30
8:30PM + Saint Laurent (Bertrand Bonello, France, 2014, DCP, 150m)
October 1
1PM – The Fugitive Kind (Sidney Lumet, USA, 1960, 35mm, 121m) [Film Forum]
6PM – The Man from Laramie (Anthony Mann, USA, 1955, DCP, 104m)
9:15PM – The Clock (Vincente Minnelli, USA, 1945, 35mm, 90m) [BAM]
October 2
10AM – Iris (Albert Maysles, USA, 2014, DCP, 83m)
1PM – People Will Talk (Joseph L. Mankiewicz, USA, 1951, 35mm, 110m)
4PM – Don’t Grieve (Giorgi Danelia, USSR, 1969, 35mm, 90m) [MoMA]
10:00PM – Gone Girl (David Fincher, USA, 2014, DCP, 149m)
October 3
3PM – Projections 1
– Old Growth (Ryan Marino, USA, 2014, 16mm, 8m)
– Babash (Lisa Truttmann & Behrouz Rae, USA/Austria/Iran, 2014, DCP, 9m)
– Wayward Fronds (Fern Silva, USA, 2014, 16mm, 15m)
– Theoretical Architectures (Josh Gibson, USA, 2014, HDCAM, 5m)
+ Canopy (Ken Jacobs, USA, 2014, DCP, 5m)
– Under the Heat Lamp an Opening (Zachary Epcar, USA, 2014, DCP, 10m)
+ Against Landscape (Joshua Gen Solondz, USA, 2013, HDCAM, 4m)
+ Night Noon (Shambhavi Kaul, Mexico/USA, 2014, HDCAM, 11m)
5PM – Projections 2
– Ming of Harlem: Twenty One Storeys in the Air (Phillip Warnell, UK/Belgium/USA, 2014, DCP, 71m)
7:15PM – Projections 3
– Berlin or a Dream with Cream (Marcel Broodthaers, Germany, 1974, 35mm, 10m)
– Mr. Teste et La Lune (Marcel Broodthaers, Belgium, 1970-1974, 35mm, 4m)
– Things (Ben Rivers, UK, 2014, 16mm, 21m)
– Depositions (Luke Fowler, UK, 2014, digital projection, 24m)
– a certain worry (Jonathan Schwartz, USA, 2014, 16mm, 3m)
+ The Dragon is the Frame (Mary Helena Clark, USA, 2014, 16mm, 15m)
9:15PM – Projections 4
– Fe26 (Kevin Jerome Everson, USA, 2014, HDCAM, 7m)
– Sound That (Kevin Jerome Everson, USA, 2014, digital projection, 12m)
– Second Sighted (Deborah Stratman, USA, 2014, HDCAM, 5m)
– The Measures (Jacqueline Goss & Jenny Perlin, USA/France, 2014, DCP w/live narration, 46m)
October 4
10AM – Inherent Vice (Paul Thomas Anderson, USA, 2014, DCP, 148m)
1PM – Projections 5
– Sauerbruch Hutton Architects (Harun Farocki, Germany, 2013, digital projection, 73m)
3PM – Projections 6
– Color Neutral (Jennifer Reeves, USA, 2014, 16mm, 3m)
– Hat Trick (Katherin McInnis, USA, 2014, DCP, 4m)
– Sleeping District (Tinne Zenner, Denmark/Russia, 2014, 16mm, 11m)
– Zinoviev’s Tube: Tape 2 of the Inner Trotsky Child series (Jim Finn, USA, 2014, digital projection, 22m)
– Off-White Tulips (Aykan Safoğlu, Turkey/Germany, 2013, DCP, 24m)
– End Reel (Julie Murray, USA, 2014, DCP, 7m)
– Picture Particles (Thorsten Fleisch, Germany, 2014, DCP, 6m)
5:15PM – Projections 7
+ Under the Atmosphere (Mike Stoltz, USA, 2014, 16mm, 15m)
– The Figures Carved into the Knife by the Sap of the Banana Trees (Joana Pimenta, USA/Portugal, 2014, DCP, 16m)
– Shwebonta (Meredith Lackey, USA, 2014, DCP, 13m)
– Atlantis (Ben Russell, Greece/USA, 2014, DCP, 24m)
9:45PM – Projections 9
+ Sea of Vapors (Sylvia Schedelbauer, Germany, 2014, DCP, 15m)
+ Red Capriccio (Blake Williams, Canada, 2014, HDCAM, 7m)
– Field Notes (Vashti Harrison, USA, 2014, 16mm, 18m)
– Darkroom (Billy Roisz, Austria, 2014, DCP, 13m)
+ Detour de Force (Rebecca Baron, USA/Austria, 2014, DCP, 29m)
October 5
1:30PM – Projections 10
– Blue Loop, July (Mike Gibisser, USA, 2014, 16mm, 5m)
– The Hummingbird Wars (Janie Geiser, USA, 2014, digital projection, 10m)
– Razzle Dazzle (Jodie Mack, USA, 2014, 16mm, 5m)
– Blanket Statement #2: It’s All or Nothing (Jodie Mack, USA, 2013, 16mm, 4m)
– Light Year (Paul Clipson, USA, 2013, 16mm, 10m)
– Sound of a Million Insects, Light of a Thousand Stars (Tomonari Nishikawa, Japan, 2014, digital projection, 2m)
+ Ginza Strip (Richard Tuohy, Australia/Japan, 2014, 16mm, 9m)
– Friday Mosque (Azadeh Navai, USA, 2013, 16mm, 8m)
– 2012 (Takashi Makino, Japan, 2012, HDCAM, 30m)
4PM – Projections 11
– The Occidental Hotel (Lewis Klahr, USA, 2014, HDCAM, 26m)
– El Futuro (Luis Lopez Carrasco, Spain, 2013, DCP, 67m)
6:30PM – Projections 12
– Broken Tongue (Mónica Savirón, USA, 2013, DCP, 3m)
+ Film (Ismaïl Bahri, France/Tunisia, 2012, digital projection, 10m)
+ The Innocents (Jean-Paul Kelly, Canada, 2014, HDCAM, 13m)
– Chapters 1, 2 & 3 ‘from the impossibility of one page being like the other’ (Oraib Toukan & Ala Younis, Jordan, 2014, DCP, 4m)
– Sugarcoated Arsenic (Claudrena Harold & Kevin Jerome Everson, USA, 2013, DCP, 20m)
+ Adorno’s Grey (Hito Steyerl, Germany, 2012, digital projection, 14m)
– O, Persecuted (Basma Alsharif, UK/Palestine, 2014, digital projection, 14m)
8:30PM – Projections 13
– How to Make Money Religiously (Laure Prouvost, UK, 2014, DCP, 18m)
– Renaissance Center/GM Tower (Nicky Hamlyn, Canada/UK, 2012, 16mm, 5m)
– Sound of My Soul (Wojciech Bąkowski, Poland, 2014, digital projection, 13m)
– Seven Signs that Mean Silence (Sara Magenheimer, USA, 2013, digital projection, 11m)
– Horizon (Stephanie Barber, USA, 2014, digital projection, 3m)
– SONE S/S 2014: Chase ATM emitting blue smoke, Bank of America ATM emitting red smoke, TD Bank ATM emitting green smoke /// Invisibility-cloaked hand gestures in offshore financial center jungle (Andrew Norman Wilson, USA, 2014, digital projection, 11m)
– Lorem ipsum 1 (Victoria Fu, USA, 2013, DigiBeta, 13m)
– Pan (Anton Ginzburg, USA, 2014, 16mm, 6m)
NYFF / Projections / NYC Rep schedule Read More »
