NYFF53 / Projections / (maybe) NYC Rep schedule

September 28 

2:45PM – Luminous Intimacy: The Late Quartet
  – Summer (Nathaniel Dorsky, 2013, 16mm, 23m)
  – February (Nathaniel Dorsky, 2014, 16mm, 17m)
  – Avraham (Nathaniel Dorsky, 2014, 16mm, 20m)
  – December (Nathaniel Dorsky, 2014, 16mm, 15m)

5PM – Luminous Intimacy: Contemplations
  – Love’s Refrain (Nathaniel Dorsky, 2000-01, 16mm, 23m)
  – Intimations (Nathaniel Dorsky, 2015, 16mm, 18m)
  – Prelude (Nathaniel Dorsky, 2015, 16mm, 20m)

7PM – Luminous Intimacy: Early Sounds/Middle Silence
  + Ingreen (Nathaniel Dorsky, 1964, 16mm, 12m)
  + A Fall Trip Home (Nathaniel Dorsky, 1964, 16mm, 11m)
  + Summerwind (Nathaniel Dorsky, 1965, 16mm, 14m)
  – Kodachrome Dailies from the Time of Song and Solitude (Reel 1) (Nathaniel Dorsky, 2005-06, 16mm, 40m)



September 29 

2:15PM + Bring Me the Head of Tim Horton (Guy Maddin, Evan Johnson, & Galen Johnson, Canada, 2015, Digital, 31m)

3PM – Luminous Intimacy: Hours and More for Jerome
  – Two Personal Gifts aka Fool’s Spring (Jerome Hiler & Nathaniel Dorsky, 1966-67, 16mm, 7m)
  – Hours for Jerome Part 1 (Nathaniel Dorsky, 1966-82, 16mm, 21m)
  – Hours for Jerome Part 2 (Nathaniel Dorsky, 1966-82, 16mm, 24m)

5PM – Luminous Intimacy: Passing Glances
  + In the Stone House (Jerome Hiler, 1967-70/2012, 16mm, 35m)
  – New Shores (Jerome Hiler, 1970-90/2012, 16mm, 35m)

7PM – Luminous Intimacy: Inhabited Places
  – Marginalia (Jerome Hiler, 2015, 16mm, 23m)
  – Gladly Given (Jerome Hiler, 1997, 16mm, 10m)
  + Words of Mercury (Jerome Hiler, 2011, 16mm, 25m)



September 30 

10:30AM – The Walk (Robert Zemeckis, 2015, 3D-DCP, 124m)

3PM – Luminous Intimacy: Excavations
  – Pneuma (Nathaniel Dorsky, 1977-83, 16mm, 28m)
  – 17 Reasons Why (Nathaniel Dorsky, 1985-87, 16mm, 19m)
  – Alaya (Nathaniel Dorsky, 1976-87, 16mm, 28m)

5PM – Luminous Intimacy: Three Cinematic Songs
  – Triste (Nathaniel Dorsky, 1974-96, 16mm, 19m)
  – Variations (Nathaniel Dorsky, 1992-98, 16mm, 24m)
  – Arbor Vitae (Nathaniel Dorsky, 1999-2000, 16mm, 28m)

7PM – Luminous Intimacy: Three Devotional Songs
  + Song and Solitude (Nathaniel Dorsky, 2005-06, 16mm, 21m)
  – Threnody (Nathaniel Dorsky, 2004, 16mm, 25m)
  – The Visitation (Nathaniel Dorsky, 2002, 16mm, 18m)

9PM – +Blow Out (Brian De Palma, USA, 1981, DCP, 107m)



October 1 

3PM – Luminous Intimacy: The Quartet
  – Sarabande (Nathaniel Dorsky, 2008, 16mm, 15m) [got to theatre late]
  + Compline (Nathaniel Dorsky, 2009, 16mm, 19m)
  + Aubade (Nathaniel Dorsky, 2010, 16mm, 12m)
  – Winter (Nathaniel Dorsky, 2007, 16mm, 22m)

5PM – Luminous Intimacy: New Beginnings
  + The Return (Nathaniel Dorsky, 2011, 16mm, 27m)
  + Pastourelle (Nathaniel Dorsky, 2010, 16mm, 16m)
  + August and After (Nathaniel Dorsky, 2012, 16mm, 19m)

7PM – Luminous Intimacy: Worlds Emerging
  + April (Nathaniel Dorsky, 2012, 16mm, 26m)
  + Song (Nathaniel Dorsky, 2013, 16mm, 19m)
  + Spring (Nathaniel Dorsky, 2013, 16mm, 23m)



October 2 

2PM – Projections Program 1
  + Neither God nor Santa María
 (Samuel M. Delgado & Helena Girón, USA, 2014, 16mm, 8m)
  + Something Horizontal (Blake Williams, USA/Canada, 2015, HDCAM, 10m
)
  + Analysis of Emotions and Vexations (

Wojciech Bakowski, Poland, 2015, Digital, 13m
)
  + Traces/Legacy
 (Scott Stark, USA, 2015, 35mm, 9m)
  + 
Entangled (Riccardo Giacconi, Colombia/Italy, 2014, Digital, 37m)

4:15PM – Projections Program 2
  + Prima Materia (
Charlotte Pryce, USA, 2015, 16mm, 3m)
  – 
Intersection (
Vincent Grenier, USA, 2015, DCP, 7m)
  – 
Port Noir (
Laura Kraning, USA, 2014, Digital, 11m)
  – 
Centre of the Cyclone (
Heather Trawick, USA/Canada, 2015, 16mm, 18m
)
  – The Devastated Land
 (Emmanuel Lefrant, France, 2015, 35mm, 12m
)
  – Cathode Garden
 (Janie Geiser, USA, 2015, DCP, 8m)
  – 
Something Between Us
 (Jodie Mack, USA, 2015, 16mm, 10m)
  – 
brouillard – passage 15
 (Alexandre Larose, Canada, 2014, 35mm, 10m)

6:30PM – Projections Program 3
  + 
A Distant Episode (
Ben Rivers, UK/Morocco, 2015, Digital, 18m
)
  – 
In Girum Imus Nocte (
Giorgio Andreotta Calò, Italy, 2015, Digital, 13m)
  – 

Half Human, Half Vapor (
Mike Stoltz, USA, 2015, 16mm, 11m)
  + 

Occidente (
Ana Vaz, France/Portugal, 2014, 16mm/Digital, 15m)
  + 

YOLO
 (Ben Russell, USA/South Africa, 2015, DCP, 7m)
  – 

Ah humanity! (
Ernst Karel, Verena Paravel, & Lucien Castaing-Taylor, Japan/France/USA, 2015, DCP, 22m)

9PM – Projections Program 1
  + Neither God nor Santa María
 (Samuel M. Delgado & Helena Girón, USA, 2014, 16mm, 8m)
  + Something Horizontal (Blake Williams, USA/Canada, 2015, HDCAM, 10m
)
  + Analysis of Emotions and Vexations (

Wojciech Bakowski, Poland, 2015, Digital, 13m
)
  + Traces/Legacy
 (Scott Stark, USA, 2015, 35mm, 9m)
  + 
Entangled (Riccardo Giacconi, Colombia/Italy, 2014, Digital, 37m)



October 3 

12PM – Projections Program B
  + Terrestrial (Calum Michel Walter, USA, 2015, Digital, 11m
) [file kept glitching out]
  – 

Night Without Distance
 (Lois Patiño, Portugal/Spain, 2015, Digital, 23m)

1PM – Projections Program 4
  – 

Hard as Opal
 (Jared Buckhiester & Dani Leventhal, USA, 2015, Digital, 29m
)
  – 

Confessions
 (Curt McDowell, USA, 1971, 16mm, 11m)
  – 


Non-Stop Beautiful Ladies
 (Alee Peoples, USA, 2015, 16mm, 9m)
  – 


Mars Garden
 (Lewis Klahr, USA, 2014, DCP, 5m)
  + 


The Exquisite Corpus
 (Peter Tscherkassky, Austria, 2015, 35mm, 19m)

3:30PM – Projections Program 5
  – 


Lost Note
 (Saul Levine, USA, 1969/2015, 16mm, 10m)
  – 


Soft Fiction (
Chick Strand, USA, 1979, 16mm, 54m
)

5:30PM – Projections Program 6
  – 



Live to Live
 (
Laida Lertxundi, USA/Spain, 2015, 16mm, 10m)
  – Minotaur (
Nicolas Pereda, Mexico/Canada, 2015, DCP, 53m)

7:15PM – Projections Program 7
  – Hello
 (Simon Fujiwara, Germany, 2015, Digital, 10m)
  + 
F for Fibonacci
 (Beatrice Gibson, UK, 2014, DCP, 16m)
  – 
Black Code (
Louis Henderson, France, 2015, DCP, 21m
)
  – Lessons of War
 (Peggy Ahwesh, USA, 2014, Digital, 6m
)
  – Scales in the Spectrum of Space
 (Fern Silva, USA, 2015, DCP, 7m)
  + 
Many Thousands Gone (
Ephraim Asili, USA/Brazil, 2015, Digital, 9m) [left after the Silva]



October 4

12PM – Microbe and Gasoline (Michel Gondry, 2015, France, DCP, 103m)

2:15PM – Projections Program C
  – 
OM Rider
 (Takeshi Murata, USA, 2014, Digital, 12m)
  – Rabbit Season, Duck Season
 (Michael Bell-Smith, USA, 2014, Digital, 5m
)
  – All My Love All My Love
 (Hannah Black, UK, 2013-15, Digital, 7m
)
  – Velvet Peel 1
 (Victoria Fu, 2015, USA, Digital, 13m)

3PM – Don’t Blink: Robert Frank (Laura Israel, 2015, USA/Canada, DCP, 82m)

6PM – Projections Program 10
  + Bunte Kuh (Ryan Ferko, Faraz Anoushahpour & Parastoo Anoushahpour, Canada, 2015, DCP, 6m)
  – The Everyday Ritual of Solitude Hatching Monkeys (Basim Magdy, Egypt, 2014, Digital, 13m)
  + Santa Teresa & Other Stories (Nelson Carlo de Los Santos Arias, Dominican Republic/Mexico/USA, 2015, DCP, 65m) [left after the Magby]

7PM – Projections Program 9
  – Radio at Night (
James Richards, Germany/UK, 2015, Digital, 8m
)
  – All That Is Solid (
Louis Henderson, France/UK/Ghana, 2014, DCP, 15m
)
  – Mad Ladders (
Michael Robinson, USA, 2015, Digital, 9m)
  – 
Erysichthon (
Jon Rafman, Canada, 2015, Digital, 8m
)
  – Slow Zoom Long Pause (
Sara Magenheimer, USA, 2015, Digital, 13m
)
  – Hyperlinks or It Didn’t Happen
 (Cécile B. Evans, UK, 2014, Digital, 22m)