writing, etc.

 

Miscellaneous writing by me
 

 

Elizabeth Price: Sound of the Break (Mousse Publishing: March 2023): “Long Memories”
 
 

 

3D in the 21st Century (MUBI’s The Notebook: April 30, 2015): “Becoming 3D”
 
 
 
 
Cinema Scope magazine pieces by me
 

 

Issue 96 (Fall 2023): “Outside In: Eduardo Williams on The Human Surge 3”
 
 

 

Issue 91 (Summer 2022): “Gross Anatomy: Véréna Paravel & Lucien Castaing-Taylor on De Humani Corporis Fabrica”
 
 

 

Issue 87 (Summer 2021): “Depth Is Real: A Conversation with Jean-Claude Rousseau”
 
 

 

Issue 86 (Spring 2021): “The Primacy of Perception: Ramon & Silvan Zürcher on The Girl and the Spider”
 
 

 

Issue 82 (Spring 2020): “Ang Lee”
 
 

 

Issue 78 (Spring 2019): “Between Light and Nowhere: On the Video Art of Rainer Kohlberger”
 
 

 

Issue 76 (Fall 2018): “Mass Ornaments: Jodie Mack on The Grand Bizarre”
 
 

 

Issue 75 (Summer 2018): “Apt Pupil: Bi Gan on Long Day’s Journey Into Night”
 
 

 

Issue 71 (Summer 2017): “Abbas Kiarostami’s 24 Frames”
 
 

 

Issue 70 (Spring 2017): “Film/Art: Indeed, We Know – On the Video Art of Elizabeth Price”
 
 

 

Issue 69 (Winter 2017): “Something, Everything: Manuela De Laborde on AS WITHOUT SO WITHIN”
 
 

 

Issue 68 (Fall 2016): “Saying Something: The Films of Angela Schanelec”
 
 

 

Issue 68 (Fall 2016): “Bertrand Bonello’s Nocturama”
 
 

 

Issue 67 (Summer 2016): “Albert Serra’s La mort de Louis XIV”
 
 

 

Issue 64 (Fall 2015): “Archive Fever: The Films of Pietro Marcello”
 
 

 

Issue 63 (Summer 2015): “Gaspar Noé’s Love”
 
 

 

Issue 60 (Fall 2014): “Going for Baroque: The Films of Eugène Green”
 
 

 

Issue 59 (Summer 2014): “Jean-Luc Godard’s Adieu au langage”
 
 

 

Issue 56 (Fall 2013): “Master Shots: Tsai Ming-liang’s Late Digital Period”
 
 
 
 
Features on my work (essays, articles, reviews, etc.)
 

 

Max Hattler & Terrie Man-Chi Cheung, in Convergence: The International Journal of Research into New Media Technologies (Vol. 29[4], 2023): “Expanded Stereoscopy: Alternative Aesthetics for Artistic Expression in 3D Films”
 
 

 

Jordan Cronk, in Sight & Sound magazine (Vol. 30[1], Jan. 2020): “Artists’ Moving Image: Depth Wish”
 
 

 

Max Hattler, in Expanded Animation: Mapping an Unlimited Landscape (Hatje Cantz, 2019): “Rupturing Visions: Towards an Expanded Stereoscopy”
 
 

 

Bart Testa, in Process Cinema: Handmade Film in the Digital Age (McGill-Queen’s University Press, 2019): “Signs of the Three: Process and Composition in Works by Bruce Elder, Izabella Pruska-Oldenhof, and Blake Williams”
 
 
 
 
Features on my work (Interviews)
 

 

Michael Sicinski, in Cinema Scope Issue 73 (Winter 2018): “Sightsurf and Brainwave: Blake Williams’ PROTOTYPE”
 
 

 

Daniel Kasman, in MUBI’s The Notebook (March 22, 2018): “”Stereo Visions” at Big Ears Festival: A Three-Dimensional Interview with Blake Williams”
 
 

 

Phil Coldiron, in The Brooklyn Rail (May 2018): “In Conversation – Blake Williams with Phil Coldiron”