writing, etc.


Miscellaneous writing by me


Elizabeth Price: Sound of the Break (Mousse Publishing: March 2023): “Long Memories”


3D in the 21st Century (MUBI’s The Notebook: April 30, 2015): “Becoming 3D”
Cinema Scope magazine pieces by me


Issue 96 (Fall 2023): “Outside In: Eduardo Williams on The Human Surge 3


Issue 91 (Summer 2022): “Gross Anatomy: Véréna Paravel & Lucien Castaing-Taylor on De Humani Corporis Fabrica


Issue 87 (Summer 2021): “Depth Is Real: A Conversation with Jean-Claude Rousseau”


Issue 86 (Spring 2021): “The Primacy of Perception: Ramon & Silvan Zürcher on The Girl and the Spider


Issue 82 (Spring 2020): “Ang Lee”


Issue 78 (Spring 2019): “Between Light and Nowhere: On the Video Art of Rainer Kohlberger”


Issue 76 (Fall 2018): “Mass Ornaments: Jodie Mack on The Grand Bizarre


Issue 75 (Summer 2018): “Apt Pupil: Bi Gan on Long Day’s Journey Into Night


Issue 71 (Summer 2017): “Abbas Kiarostami’s 24 Frames


Issue 70 (Spring 2017): “Film/Art: Indeed, We Know – On the Video Art of Elizabeth Price”


Issue 69 (Winter 2017): “Something, Everything: Manuela De Laborde on AS WITHOUT SO WITHIN


Issue 68 (Fall 2016): “Saying Something: The Films of Angela Schanelec”


Issue 68 (Fall 2016): “Bertrand Bonello’s Nocturama


Issue 67 (Summer 2016): “Albert Serra’s La mort de Louis XIV


Issue 64 (Fall 2015): “Archive Fever: The Films of Pietro Marcello”


Issue 63 (Summer 2015): “Gaspar Noé’s Love


Issue 60 (Fall 2014): “Going for Baroque: The Films of Eugène Green”


Issue 59 (Summer 2014): “Jean-Luc Godard’s Adieu au langage


Issue 56 (Fall 2013): “Master Shots: Tsai Ming-liang’s Late Digital Period”
Features on my work (essays, articles, reviews, etc.)


Max Hattler & Terrie Man-Chi Cheung, in Convergence: The International Journal of Research into New Media Technologies (Vol. 29[4], 2023): “Expanded Stereoscopy: Alternative Aesthetics for Artistic Expression in 3D Films”


Jordan Cronk, in Sight & Sound magazine (Vol. 30[1], Jan. 2020): “Artists’ Moving Image: Depth Wish”


Max Hattler, in Expanded Animation: Mapping an Unlimited Landscape (Hatje Cantz, 2019): “Rupturing Visions: Towards an Expanded Stereoscopy”


Bart Testa, in Process Cinema: Handmade Film in the Digital Age (McGill-Queen’s University Press, 2019): “Signs of the Three: Process and Composition in Works by Bruce Elder, Izabella Pruska-Oldenhof, and Blake Williams”
Features on my work (Interviews)


Michael Sicinski, in Cinema Scope Issue 73 (Winter 2018): “Sightsurf and Brainwave: Blake Williams’ PROTOTYPE


Daniel Kasman, in MUBI’s The Notebook (March 22, 2018): “”Stereo Visions” at Big Ears Festival: A Three-Dimensional Interview with Blake Williams”


Phil Coldiron, in The Brooklyn Rail (May 2018): “In Conversation – Blake Williams with Phil Coldiron”

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