writing / press

▶ Miscellaneous writing by me

Are You Experienced? (MUBI’s The Notebook Insert: Spring 2025): “Visions Without Images: Demonstrating Immersion”

Filmmaker Magazine (Volume 33 #1: Fall 2024): “Streaming 3D on the Apple Vision Pro”

Elizabeth Price: Sound of the Break (Mousse Publishing: March 2023): “Long Memories”

3D in the 21st Century (MUBI’s The Notebook: April 30, 2015): “Becoming 3D”

▶ Cinema Scope magazine pieces by me

Issue 96 (Fall 2023): “Outside In: Eduardo Williams on The Human Surge 3”

Issue 91 (Summer 2022): “Gross Anatomy: Véréna Paravel & Lucien Castaing-Taylor on De Humani Corporis Fabrica”

Issue 87 (Summer 2021): “Depth Is Real: A Conversation with Jean-Claude Rousseau”

Issue 86 (Spring 2021): “The Primacy of Perception: Ramon & Silvan Zürcher on The Girl and the Spider”

Issue 82 (Spring 2020): “Ang Lee”

Issue 78 (Spring 2019): “Between Light and Nowhere: On the Video Art of Rainer Kohlberger”

Issue 76 (Fall 2018): “Mass Ornaments: Jodie Mack on The Grand Bizarre”

Issue 75 (Summer 2018): “Apt Pupil: Bi Gan on Long Day’s Journey Into Night”

Issue 71 (Summer 2017): “Abbas Kiarostami’s 24 Frames”

Issue 70 (Spring 2017): “Film/Art: Indeed, We Know – On the Video Art of Elizabeth Price”

Issue 69 (Winter 2017): “Something, Everything: Manuela De Laborde on AS WITHOUT SO WITHIN”

Issue 68 (Fall 2016): “Saying Something: The Films of Angela Schanelec”

Issue 68 (Fall 2016): “Bertrand Bonello’s Nocturama”

Issue 67 (Summer 2016): “Albert Serra’s La mort de Louis XIV”

Issue 64 (Fall 2015): “Archive Fever: The Films of Pietro Marcello”

Issue 63 (Summer 2015): “Gaspar Noé’s Love”

Issue 60 (Fall 2014): “Going for Baroque: The Films of Eugène Green”

Issue 59 (Summer 2014): “Jean-Luc Godard’s Adieu au langage”

Issue 56 (Fall 2013): “Master Shots: Tsai Ming-liang’s Late Digital Period”

▶ Press about my work (essays, articles, reviews, etc.)

Kornelia Boczkowska, in Lost Highways, Embodied Travels: The Road Movie in American Experimental Film and Video (Brill, 2023): “Chapter 4: Lost Highways”

Max Hattler & Terrie Man-Chi Cheung, in Convergence: The International Journal of Research into New Media Technologies (Vol. 29[4], 2023): “Expanded Stereoscopy: Alternative Aesthetics for Artistic Expression in 3D Films”

Jordan Cronk, in Sight & Sound magazine (Vol. 30[1], Jan. 2020): “Artists’ Moving Image: Depth Wish”

Max Hattler, in Expanded Animation: Mapping an Unlimited Landscape (Hatje Cantz, 2019): “Rupturing Visions: Towards an Expanded Stereoscopy”

Bart Testa, in Process Cinema: Handmade Film in the Digital Age (McGill-Queen’s University Press, 2019): “Signs of the Three: Process and Composition in Works by Bruce Elder, Izabella Pruska-Oldenhof, and Blake Williams”

▶ Press about my work (Interviews)

Michael Sicinski, in Cinema Scope Issue 73 (Winter 2018): “Sightsurf and Brainwave: Blake Williams’ PROTOTYPE”

Daniel Kasman, in MUBI’s The Notebook (March 22, 2018): “”Stereo Visions” at Big Ears Festival: A Three-Dimensional Interview with Blake Williams”

Phil Coldiron, in The Brooklyn Rail (May 2018): “In Conversation – Blake Williams with Phil Coldiron”