FYI:
– 8mm/16mm/35mm/70mm indicates that what I saw was a film print.
– DP indicates that what I saw was a Digital Projection in a theatre.
– 3D indicates that I saw a theatrical presentation and was encouraged to watch the picture while wearing some sort of special lens(es) (Polarized, Anaglyph, ChromaDepth, Pulfrich, Prismatic, et al). If I saw a feature-length film in 3D at home, the title of the film will be succeeded by “[3D]”.
– All others were from Blu-Rays, downloads, television, etc.
– A plus sign (+) at the beginning of a line indicates that I had seen this film before.
Furthermore:
– I only assign numerical ratings to films that are at least 40 minutes long.
– “Inc.” in lieu of a rating indicates that I don’t think that this screening was an accurate enough presentation of the film for me to make a quality judgment, either because it was a work-in-progress cut, or there weren’t English subtitles for a foreign language film, or the projector broke/sound cut out/the print burned, or an ass in the theatre distracted me with too much talking/popcorn eating, or whatever.
– I don’t log W/Os.
– I do log short films (≤ 39min.), sans ratings, but only those viewed either from a film print or in an official theatrical context (i.e., where there is published documentation that the screening of this particular film took place). In 2020, I started also including home viewings of 3D shorts (regardless of format, as long as glasses are involved). Why these conditions? The main reason I never logged shorts before 2015 is that my OCD had prevented me from distinguishing between short films, television commercials, Youtube videos, random viral TikToks, etc.; I didn’t want to log everything, and I didn’t want to be arbitrarily discriminating what I logged and what I didn’t. This (admittedly still arbitrary) fix allows me to narrow it down to only short films proper (whatever that means, etc.), which will almost exclusively consist of avant-garde works. These films will appear below in italics.
And that translates to:
A+ 9.4 - 10.0 [Top 10 of All Time contender] A 8.6 - 9.3 [Masterpiece] A- 7.8 - 8.5 [Pretty great; Near-masterpiece] B+ 7.0 - 7.7 [Kinda great; Contender for Top 10 of its year] B 6.2 - 6.9 [Has a special something] B- 5.4 - 6.1 [Solid] C+ 4.6 - 5.3 [Doesn't arouse any particularly strong emotions either way] C 3.8 - 4.5 [Useless; Mediocre; Significantly flawed] C- 3.0 - 3.7 [What a failure] D+ 2.2 - 2.9 [What-a-failure with cheese] D 1.4 - 2.1 [Grating] D- 0.6 - 1.3 [Offensively horrific; Horrifically offensive] F 0.0 - 0.5 [Worst of All Time consideration]
January
The King of Comedy (1982, Martin Scorsese) DP – 7.0
+Parasite (2019, Bong Joon-ho) – 6.4 [same]
vulture (2019, Philip Hoffman) DP – 5.4
The Body Remembers When the World Broke Open (2019, Elle-Máijá Tailfeathers & Kathleen Hepburn) – 5.4
The Mortal Storm (1940, Frank Borzage) 35mm – 6.9
Midsommar (2019, Ari Aster) – 4.7
+Billy Lynn’s Long Halftime Walk [24fps 3D] (2016, Ang Lee) – 5.3 [120fps 3D version: 5.9]
+Holy Motors (2012, Leos Carax) 35mm – 6.6 [down from 8.5]
Lovely Yellow Colour (1991, Angela Schanelec) 16mm
Prague, March 92 (1992, Angela Schanelec) 16mm
Princip, Text (2014, Angela Schanelec) DP
Far Away (1992, Angela Schanelec) 16mm
+I Stayed in Berlin Over the Summer (1994, Angela Schanelec) 35mm – 6.7 [up from 5.1]
I Walked with a Zombie (1943, Jacques Tourneur) 35mm – 5.6
February
Light of My Life (2019, Casey Affleck) – 6.4
+Passing Summer (2001, Angela Schanelec) 35mm – 5.8 [up from 5.2]
Private Imaginings and Narrative Facts (1970, Edward Owens) DP
+Remembrance: A Portrait Study (1967, Edward Owens) DP
Tomorrow’s Promise (1967, Edward Owens) DP – 6.8
+Marseille (2004, Angela Schanelec) 35mm – 7.4 [up from 6.8]
+Places in Cities (1998, Angela Schanelec) 35mm – 5.5 [down from 6.2]
Swimming Out Till the Sea Turns Blue (2020, Jia Zhang-ke) Berlinale, DP – 5.2
The Tango of the Widower and Its Distorting Mirror (2020, Raúl Ruiz & Valeria Sarmiento) Berlinale, DP – 5.7
The Calming (2020, Song Fang) Berlinale, DP – 4.9
Malmkrog (2020, Cristi Puiu) Berlinale, DP – 6.8
Most of What Follows Is..True (2020, Maged Nader) Berlinale, DP
Her Name Was Europa (2020, Anja Dornieden & Juan David González Monroy) Berlinale, 16mm – 5.3
The Viewing Booth (2020, Ra’anan Alexandrowicz) Berlinale, DP – 3.4
Death of Nintendo (2020, Raya Martin) Berlinale, DP – 5.3
Maggie’s Farm (2020, James Benning) Berlinale, DP – 6.1
Red Moon Tide (2020, Lois Patiño) Berlinale, DP – 4.1
Los Conductos (2020, Camilo Restrepo) Berlinale, DP – 4.6
Uppercase Print (2020, Radu Jude) Berlinale, DP – 5.0
La Bohème (1926, King Vidor) Berlinale, 35mm – 6.3
The Salt of Tears (2020, Philippe Garrel) Berlinale, DP – 7.6
The Murder of Fred Hampton (1971, Howard Alk) Berlinale, 35mm – 6.0
First Cow (2019, Kelly Reichardt) Berlinale, DP – 6.1
The Two Sights (2019, Joshua Bonnetta) Berlinale, DP – 5.4
Undine (2020, Christian Petzold) Berlinale, DP – 5.6
All the Dead Ones (2020, Marco Dutra & Caetano Gotardo) Berlinale, DP – 3.1
Eldridge Cleaver, Black Panther (1970, William Klein) Berlinale, 35mm – 6.4
Zero (2020, Kazuhiro Soda) Berlinale, DP – 5.0
It Wasn’t the Right Mountain, Mohammad (2020, Mili Pecherer) Berlinale, DP
Playback (2019, Agustina Comedi) Berlinale, DP
+2008 (2019, Blake Williams) Berlinale, 3D
Écume (2020, Omar Elhamy) Berlinale, DP
Siberia (2020, Abel Ferrara) Berlinale, DP – 6.6
The Woman Who Ran (2020, Hong Sang-soo) Berlinale, DP – 6.4
Orphea (2020, Alexander Kluge & Khavn) Berlinale, DP – 4.7
Recovery (2020, Kevin Jerome Everson) Berlinale, DP
Equinox (2020, Margaret Honda) Berlinale, 70mm
The Phantom Menace (2020, Graeme Arnfield) Berlinale, DP
+2008 (2019, Blake Williams) Berlinale, 3D
Isabella (2020, Matías Piñeiro) Berlinale, DP – 5.9
The Last City (2020, Heinz Emigholz) Berlinale, DP – 6.9
Bloody Nose, Empty Pockets (2020, Bill Ross IV & Turner Ross) Berlinale, DP – 6.7
+2008 (2019, Blake Williams) Berlinale, 3D
Days (2020, Tsai Ming-liang) Berlinale, DP – 7.1
The Wedding Night (1935, King Vidor) Berlinale, 35mm – 7.2
+2008 (2019, Blake Williams) Berlinale, 3D
The Citadel (1938, King Vidor) Berlinale, 35mm – 6.5
Irradiated (2020, Rithy Panh) Berlinale, DP – 2.6
Mare’s Tail (1968, David Larcher) Berlinale, 16mm – 4.9
Ruby Gentry (1952, King Vidor) Berlinale, 35mm – 5.6
A l’abordage (2020, Guillaume Brac) Berlinale, DP – 4.7
There Is No Evil (2020, Mohammad Rasoulof) Berlinale, DP – 4.4
March
+Wavelength (1967, Michael Snow) – 9.7 [same]
Epicentro (2020, Hubert Sauper) First Look, DP – 4.3
Blue Eyes and Colorful My Dress (2020, Polina Gumiela) – 5.3
+2008 (2019, Blake Williams) First Look, 3D
Ridge (2019, John Skoog) First Look, DP – 5.4
Purple Sea (2020, Amel Alzakout & Khaled Abdulwahed) – 4.6
Young and Innocent (1937, Alfred Hitchcock) – 6.0
Segunda Vez (2018, Dora García) – 6.4
+Aykan [3D] (2018, Sebastian Buerkner)
+Cavalcade [3D] (2019, Johann Lurf)
+Marking Time [3D] (2015, Malcolm Le Grice)
IWOW: I Walk on Water (2020, Khalik Allah) – 5.1
Mosco Street 2 [3D] (2016, Ken Jacobs)
So Late So Soon (2020, Daniel Hymanson) – 6.3
Last and First Men (2020, Jóhann Jóhannsson) – 4.8
Circumstantial Pleasures (2020, Lewis Klahr) – 5.8
Brian May’s Brief History of 3D [3D] (2011, Julian Kemp) – 5.0
measuring change (2016, James Benning) – 6.5
Expedition Content (2020, Ernst Karel & Veronika Kusumaryati) – 6.0
Bickels [Socialism] (2017, Heinz Emigholz) – 4.5
A Shape of Things to Come (2020, J.P. Sniadecki & Lisa Malloy) – 5.2
Treasure Island (2018, Guillaume Brac) – 5.6
Inventing the Future (2020, Isiah Medina) – 6.6
The Anchorage (2009, Anders Edström & C.W. Winter) – 5.9
April
Koyaanisqatsi (1982, Godfrey Reggio) – 7.0
Powaqqatsi (1988, Godfrey Reggio) – 5.3
Naqoyqatsi (2002, Godfrey Reggio) – 6.9
Never Rarely Sometimes Always (2020, Eliza Hittman) – 4.9
+*Corpus Callosum (2002, Michael Snow) – 8.5 [up from 7.9]
A Day in the Country [3D] (1953, Jack Rieger)
The Black Swan [3D] (1952, Leonard Reeve)
Hillary Hess Presents Mid-Century Memories in Kodachrome Stereo [3D] (2020, uncredited)
Games in Depth [3D] (1966, uncredited)
The Sword of Granada [3D] (1953, Edward Dein & Carlos Véjar hijo) – 3.7
The American Sector (2020, Courtney Stephens & Pacho Velez) – 6.0
That Cloud Never Left (2019, Yashaswini Raghunandan) – 5.1
Quick Billy (1971, Bruce Baillie) – 6.9
Where the Chocolate Mountains (2015, Pat O’Neill) – 4.4
+Come Closer [Pulfrich 3D] (1953, Hy Hirsh)
maɬni – towards the ocean, towards the shore (2020, Sky Hopinka) – 4.8
Street Scene (1931, King Vidor) – 7.1
DAU. Natasha (2020, Ilya Khrzhanovskiy & Jekaterina Oertel) – 6.7
Our Daily Bread (1934, King Vidor) – 6.4
Hallelujah (1929, King Vidor) – 6.5
The Champ (1931, King Vidor) – 5.9
The Works and Days (of Tayoko Shiojiri in the Shiotani Basin) (2020, Anders Edström & C.W. Winter) – 6.5
DAU. Degeneration (2020, Ilya Khrzhanovskiy & Ilya Permyakov) – 7.3
Intimate Distances (2020, Phillip Warnell) – 5.7
Corporate Accountability (2020, Jonathan Perel) – 3.9
Zeus Machine. The Invincible (2019, Nadia Ranocchi & David Zamagni) – 5.6
White Epilepsy (2012, Philippe Grandrieux) – 4.7
Sedução da Carne (2018, Júlio Bressane) – 5.8
Show People (1928, King Vidor) – 5.7
DAU. Nora Mother (2020, Ilya Khrzhanovskiy & Jekaterina Oertel) – 5.2
Bird of Paradise (1932, King Vidor) – 5.6
The Patsy (1928, King Vidor) – 5.4
The Decay of Fiction (2002, Pat O’Neill) – 5.8
Window Boy Would Also Like to Have a Submarine (2020, Alex Piperno) – 4.8
The Incredible Shrinking Man (1957, Jack Arnold) – 6.8
The Assistant (2019, Kitty Green) – 5.5
May
DAU. Three Days (2020, Ilya Khrzhanovskiy & Jekaterina Oertel) – 7.0
The Invisible Man (2020, Leigh Whannell) – 6.3
Ghosts of the Pastures [3D] (2019, Christian A. Zschammer)
Little Planet in 3D [3D] (2019, Takashi Sekitani)
The Invisible Man (1933, James Whale) – 6.2
s01e03 (2020, Kurt Walker) – 6.5
+DAU. Natasha (2020, Ilya Khrzhanovskiy & Jekaterina Oertel) – 6.7 [same]
Hollow Man (2000, Paul Verhoeven) – 6.8
The Plastic House (2019, Allison Chhorn) – 6.0
Second Star to the Right and Straight On ’Til Morning (2020, Bill Ross IV & Turner Ross) – 6.2
The Stereo Photography of Harold Lloyd [3D] (2020, uncredited)
DAU. Brave People (2020, Ilya Khrzhanovskiy & Aleksey Slusarchuk) – 6.9
Man Without a Star (1955, King Vidor) – 5.1
Panic in the Streets (1950, Elia Kazan) – 5.9
The Sky Socialist [2019 edition] (1968, Ken Jacobs) – 3.8
Not So Dumb (1930, King Vidor) – 6.0
The Stranger’s Return (1933, King Vidor) – 6.5
Death on the Diamond (1934, Edward Sedgwick) – 4.3
DAU. Katya Tanya (2020, Ilya Khrzhanovskiy & Jekaterina Oertel) – 5.7
It Happens Every Spring (1949, Lloyd Bacon) – 4.8
Miss Sadie Thompson [3D] (1953, Curtis Bernhardt) – 5.6
Gun Fury [3D] (1953, Raoul Walsh) – 5.4
Tricked (2012, Paul Verhoeven) – 6.1
The Guests [3D] (2014, Ken Jacobs) – 5.3
Man in the Dark [3D] (1953, Lew Landers) – 6.4
DAU. New Man (2020, Ilya Khrzhanovskiy & Ilya Permyakov) – 5.8
The History of the Seattle Mariners (2020, Jon Bois) – 6.8
Inferno [3D] (1953, Roy Ward Baker) – 6.2
Rhubarb (1951, Arthur Lubin) – 4.0
Adam and 6 Eves [3D] (1962, John Wallis) – 4.5
Taza, Son of Cochise [3D] (1954, Douglas Sirk) – 5.5
The Fountainhead (1949, King Vidor) – 7.8
The Bellboy and the Playgirls [3D] (1962, Francis Ford Coppola & Fritz Umgelter) – 3.9
Dragonfly Squadron [3D] (1954, Lesley Selander) – 5.1
Kiss Me Kate [3D] (1953, George Sidney) – 5.3
+Circumstantial Pleasures (2020, Lewis Klahr) – 6.4 [up from 5.8]
June
Bardelys the Magnificent (1926, King Vidor) – 4.8
Bamboozled (2000, Spike Lee) – 6.6
Cristaux (1978, Teo Hernández) – 4.8
Cease Fire [3D] (1953, Owen Crump) – 5.0
DAU. String Theory (2020, Ilya Khrzhanovskiy & Aleksey Slusarchuk) – 5.9
Shirley (2020, Josephine Decker) – 4.5
Tea and Sympathy (1956, Vincente Minnelli) – 6.5
Commute (1995, Bruce & Lorie Baillie) – 4.1
DAU. Nikita Tanya (2020, Ilya Khrzhanovskiy & Jekaterina Oertel) – 5.3
The Big Parade (1925, King Vidor) – 6.8
Those Redheads from Seattle [3D] (1953, Lewis R. Foster) – 5.5
Da 5 Bloods (2020, Spike Lee) – 6.7
So Red the Rose (1935, King Vidor) – 5.8
Long Gone Summer (2020, AJ Schnack) – 3.7
To Sleep with Anger (1990, Charles Burnett) – 6.9
New Orleans, Mon Amour (2008, Michael Almereyda) – 5.7
Cynara (1932, King Vidor) – 6.0
Sangaree [3D] (1953, Edward Ludwig) – 4.2
The Glass Shield (1994, Charles Burnett) – 5.5
+S:TREAM:S:S:ECTION:S:ECTION:S:S:ECTIONED (1971, Paul Sharits) – 8.1 [same]
Twister (1989, Michael Almereyda) – 5.7
Billy the Kid (1930, King Vidor) – 5.8
Another Girl Another Planet (1992, Michael Almereyda) – 5.7
Things We Say, Things We Do: Love Affair(s) (2020, Emmanuel Mouret) – 5.4
Itinerary of Jean Bricard (2008, Danièle Huillet & Jean-Marie Straub) – 5.9
Spring Blossom (2020, Suzanne Lindon) – 4.9
The Boss of It All (2006, Lars von Trier) – 4.6
House of Wax [3D] (1953, André de Toth) – 6.4
The Texas Rangers (1936, King Vidor) – 5.7
Losing Ground (1982, Kathleen Collins) – 6.2
Viena and the Fantomes (2020, Gerardo Naranjo) – 4.7
July
September Storm [3D] (1960, Byron Haskin) – 4.9
Nadja (1994, Michael Almereyda) – 6.1
Imitation of Life (1934, John M. Stahl) – 6.9
The Wind Is Driving Him Toward the Open Sea (1968, David Brooks) – 3.5
Stella Dallas (1937, King Vidor) – 7.3
At Sundance (1995, Michael Almereyda & Amy Hobby) – 6.6
Labyrinth of Cinema (2019, Nobuhiko Ōbayashi) – 6.2
Within Our Gates (1920, Oscar Micheaux) – 4.8
Variety (1983, Bette Gordon) – 7.3
Palm Springs (2020, Max Barbakow) – 5.5
Bay of Angels (1963, Jacques Demy) – 6.5
‘‘Northwest Passage’’ (Book I – – Rogers’ Rangers) (1940, King Vidor) – 6.6
My Brother’s Wedding (1983, Charles Burnett) – 5.1
Cathedrals of Culture [3D] (2014, Wim Wenders, Michael Glawogger, Michael Madsen, Robert Redford, Margreth Olin, & Karim Aïnouz) — 4.8
Empty Suitcases (1980, Bette Gordon) – 5.2
The Eternal (1998, Michael Almereyda) – 6.0
Comrade X (1940, King Vidor) – 5.5
Punishment Park (1971, Peter Watkins) – 6.3
Hamlet (2000, Michael Almereyda) – 6.4
Happy Here and Now (2002, Michael Almereyda) – 7.2
William Eggleston in the Real World (2005, Michael Almereyda) – 6.8
+Wild Grass (2009, Alain Resnais) – 8.5 [same]
Liminal (2020, Philippe Grandrieux, Manuela de Laborde, Lav Diaz, & Óscar Enríquez) – 5.0
August
She Dies Tomorrow (2020, Amy Seimetz) – 3.7
Microphones in 2020 (2020, Phil Elverum) – 6.6
Tesla (2020, Michael Almereyda) – 6.0
Boys State (2020, Amanda McBaine & Jesse Moss) – 6.3
+Tesla (2020, Michael Almereyda) – 6.6 [up from 6.0]
+First Cow (2019, Kelly Reichardt) – 6.1 [same]
Tenet (2020, Christopher Nolan) 70mm – 5.9
Slow Machine (2020, Paul Felten & Joe DeNardo) – 6.5
My Mexican Bretzel (2019, Nuria Giménez) – 6.3
Ouvertures (2019, Louis Henderson & Olivier Marboeuf) – 5.0
September
The Year of the Discovery (2020, Luis López Carrasco) – 4.3
I’m Thinking of Ending Things (2020, Charlie Kaufman) – 5.8
Tragic Jungle (2020, Yulene Olaizola) – 3.8
Night of the Kings (2020, Philippe Lacôte) – 4.7
Shiva Baby (2020, Emma Seligman) – 5.4
One Night in Miami (2020, Regina King) – 5.7
Saint-Narcisse (2020, Bruce LaBruce) – 5.6
The Disciple (2020, Chaitanya Tamhane) – 6.8
Fireball: Visitors from Darker Worlds (2020, Werner Herzog & Clive Oppenheimer) – 5.6
Nomadland (2020, Chloé Zhao) – 4.2
Pieces of a Woman (2020, Kornél Mundruczó) – 4.8
Summer of 85 (2020, François Ozon) – 4.9
MLK/FBI (2020, Sam Pollard) – 4.8
New Order (2020, Michel Franco) – 3.4
The Inheritance (2020, Ephraim Asili) – 5.5
Beginning (2020, Dea Kulumbegashvili) – 7.0
Notturno (2020, Gianfranco Rosi) – 5.7
City Hall (2020, Frederick Wiseman) – 6.5
Fauna (2020, Nicolás Pereda) – 7.2
The Devil All the Time (2020, Antonio Campos) – 2.5
Preparations to Be Together For an Unknown Period of Time (2020, Lili Horváth) – 4.8
The Truffle Hunters (2020, Michael Dweck & Gregory Kershaw) – 5.3
Gunda (2020, Viktor Kossakovsky) – 5.4
All In: The Fight for Democracy (2020, Liz Garbus & Lisa Cortés) – 4.9
Time (2020, Garrett Bradley) – 6.4
The Monopoly of Violence (2020, David Dufresne) – 6.5
Her Socialist Smile (2020, John Gianvito) – 7.0
On the Rocks (2020, Sofia Coppola) – 3.5
There Are Not Thirty-Six Ways of Showing a Man Getting on a Horse (2020, Nicolás Zukerfeld) – 5.6
Identifying Features (2020, Fernanda Valadez) – 5.0
Kokoloko (2020, Gerardo Naranjo) – 5.8
Hopper/Welles (2020, Orson Welles) – 6.6
October
+The Salt of Tears (2020, Philippe Garrel) – 6.9 [down from 7.6]
I Carry You with Me (2020, Heidi Ewing) – 4.1
The Lobby (2020, Heinz Emigholz) – 6.7
Lovers Rock (2020, Steve McQueen) – 5.3
Red, White and Blue (2020, Steve McQueen) – 5.1
Mangrove (2020, Steve McQueen) – 4.0
Atarrabi and Mikelats (2020, Eugène Green) – 6.2
Dick Johnson is Dead (2020, Kirsten Johnson) – 5.5
+Beginning (2020, Dea Kulumbegashvili) – 6.3 [down from 7.0]
The Wolf of Snow Hollow (2020, Jim Cummings) – 5.3
French Exit (2020, Azazel Jacobs) – 5.6
Sand (2018, Tsai Ming-liang) – 6.6
Kajillionaire (2020, Miranda July) – 5.6
David Byrne’s American Utopia (2020, Spike Lee) – 5.2
The Trial of the Chicago 7 (2020, Aaron Sorkin) – 3.7
Borat Subsequent Moviefilm (2020, Jason Woliner) – 3.6
Rebecca (2020, Ben Wheatley) – 3.9
Dragged Across Concrete (2018, S. Craig Zahler) – 6.9
+Election (1999, Alexander Payne) – 6.5 [~same]
Bone Tomahawk (2015, S. Craig Zahler) – 6.3
November
We Are Who We Are (2020, Luca Guadagnino) – 5.7
Jivaro [3D] (1954, Edward Ludwig) – 5.0
The Cameraman (1928, Edward Sedgwick) – 5.1
Sportin’ Life (2020, Abel Ferrara) – 5.4
A Rainy Day in New York (2019, Woody Allen) – 5.7
The Nest (2020, Sean Durkin) – 5.9
Woman on the Beach (2006, Hong Sang-soo) – 7.2
Red Post on Escher Street (2020, Sion Sono) – 6.4
Home Front (2020, Lucas Belvaux) – 3.5
December
Ammonite (2020, Francis Lee) – 4.1
Mank (2020, David Fincher) – 5.5
The Day a Pig Fell Into the Well (1996, Hong Sang-soo) – 6.3
Alex Wheatle (2020, Steve McQueen) – 3.7
Let Them All Talk a.k.a. The Fall of 2019 (2020, Steven Soderbergh) – 6.9
The Power of Kangwon Province (1998, Hong Sang-soo) – 7.0
Nasir (2020, Arun Karthick) – 4.7
Minari (2020, Lee Isaac Chung) – 4.0
Education (2020, Steve McQueen) – 5.4
+The Woman Who Ran (2020, Hong Sang-soo) – 6.4 [same]
Build the Wall (2020, Joe Swanberg) – 6.2
+Her Socialist Smile (2020, John Gianvito) – 7.3 [up from 7.0]
Virgin Stripped Bare by Her Bachelors (2000, Hong Sang-soo) – 5.5
Tale of Cinema (2005, Hong Sang-soo) – 5.9
A Christmas Carol [3D] (2009, Robert Zemeckis) – 5.6
+Days (2020, Tsai Ming-liang) – 7.1 [same]
Claire’s Knee (1970, Eric Rohmer) – 7.0
Night and Day (2008, Hong Sang-soo) – 7.1
Shithouse (2020, Cooper Raiff) – 5.7
Night of the Living Dead (1968, George A. Romero) – 6.7