September 30
8:30PM + Saint Laurent (Bertrand Bonello, France, 2014, DCP, 150m)
October 1
1PM – The Fugitive Kind (Sidney Lumet, USA, 1960, 35mm, 121m) [Film Forum]
6PM – The Man from Laramie (Anthony Mann, USA, 1955, DCP, 104m)
9:15PM – The Clock (Vincente Minnelli, USA, 1945, 35mm, 90m) [BAM]
October 2
10AM – Iris (Albert Maysles, USA, 2014, DCP, 83m)
1PM – People Will Talk (Joseph L. Mankiewicz, USA, 1951, 35mm, 110m)
4PM – Don’t Grieve (Giorgi Danelia, USSR, 1969, 35mm, 90m) [MoMA]
10:00PM – Gone Girl (David Fincher, USA, 2014, DCP, 149m)
October 3
3PM – Projections 1
– Old Growth (Ryan Marino, USA, 2014, 16mm, 8m)
– Babash (Lisa Truttmann & Behrouz Rae, USA/Austria/Iran, 2014, DCP, 9m)
– Wayward Fronds (Fern Silva, USA, 2014, 16mm, 15m)
– Theoretical Architectures (Josh Gibson, USA, 2014, HDCAM, 5m)
+ Canopy (Ken Jacobs, USA, 2014, DCP, 5m)
– Under the Heat Lamp an Opening (Zachary Epcar, USA, 2014, DCP, 10m)
+ Against Landscape (Joshua Gen Solondz, USA, 2013, HDCAM, 4m)
+ Night Noon (Shambhavi Kaul, Mexico/USA, 2014, HDCAM, 11m)
5PM – Projections 2
– Ming of Harlem: Twenty One Storeys in the Air (Phillip Warnell, UK/Belgium/USA, 2014, DCP, 71m)
7:15PM – Projections 3
– Berlin or a Dream with Cream (Marcel Broodthaers, Germany, 1974, 35mm, 10m)
– Mr. Teste et La Lune (Marcel Broodthaers, Belgium, 1970-1974, 35mm, 4m)
– Things (Ben Rivers, UK, 2014, 16mm, 21m)
– Depositions (Luke Fowler, UK, 2014, digital projection, 24m)
– a certain worry (Jonathan Schwartz, USA, 2014, 16mm, 3m)
+ The Dragon is the Frame (Mary Helena Clark, USA, 2014, 16mm, 15m)
9:15PM – Projections 4
– Fe26 (Kevin Jerome Everson, USA, 2014, HDCAM, 7m)
– Sound That (Kevin Jerome Everson, USA, 2014, digital projection, 12m)
– Second Sighted (Deborah Stratman, USA, 2014, HDCAM, 5m)
– The Measures (Jacqueline Goss & Jenny Perlin, USA/France, 2014, DCP w/live narration, 46m)
October 4
10AM – Inherent Vice (Paul Thomas Anderson, USA, 2014, DCP, 148m)
1PM – Projections 5
– Sauerbruch Hutton Architects (Harun Farocki, Germany, 2013, digital projection, 73m)
3PM – Projections 6
– Color Neutral (Jennifer Reeves, USA, 2014, 16mm, 3m)
– Hat Trick (Katherin McInnis, USA, 2014, DCP, 4m)
– Sleeping District (Tinne Zenner, Denmark/Russia, 2014, 16mm, 11m)
– Zinoviev’s Tube: Tape 2 of the Inner Trotsky Child series (Jim Finn, USA, 2014, digital projection, 22m)
– Off-White Tulips (Aykan Safoğlu, Turkey/Germany, 2013, DCP, 24m)
– End Reel (Julie Murray, USA, 2014, DCP, 7m)
– Picture Particles (Thorsten Fleisch, Germany, 2014, DCP, 6m)
5:15PM – Projections 7
+ Under the Atmosphere (Mike Stoltz, USA, 2014, 16mm, 15m)
– The Figures Carved into the Knife by the Sap of the Banana Trees (Joana Pimenta, USA/Portugal, 2014, DCP, 16m)
– Shwebonta (Meredith Lackey, USA, 2014, DCP, 13m)
– Atlantis (Ben Russell, Greece/USA, 2014, DCP, 24m)
9:45PM – Projections 9
+ Sea of Vapors (Sylvia Schedelbauer, Germany, 2014, DCP, 15m)
+ Red Capriccio (Blake Williams, Canada, 2014, HDCAM, 7m)
– Field Notes (Vashti Harrison, USA, 2014, 16mm, 18m)
– Darkroom (Billy Roisz, Austria, 2014, DCP, 13m)
+ Detour de Force (Rebecca Baron, USA/Austria, 2014, DCP, 29m)
October 5
1:30PM – Projections 10
– Blue Loop, July (Mike Gibisser, USA, 2014, 16mm, 5m)
– The Hummingbird Wars (Janie Geiser, USA, 2014, digital projection, 10m)
– Razzle Dazzle (Jodie Mack, USA, 2014, 16mm, 5m)
– Blanket Statement #2: It’s All or Nothing (Jodie Mack, USA, 2013, 16mm, 4m)
– Light Year (Paul Clipson, USA, 2013, 16mm, 10m)
– Sound of a Million Insects, Light of a Thousand Stars (Tomonari Nishikawa, Japan, 2014, digital projection, 2m)
+ Ginza Strip (Richard Tuohy, Australia/Japan, 2014, 16mm, 9m)
– Friday Mosque (Azadeh Navai, USA, 2013, 16mm, 8m)
– 2012 (Takashi Makino, Japan, 2012, HDCAM, 30m)
4PM – Projections 11
– The Occidental Hotel (Lewis Klahr, USA, 2014, HDCAM, 26m)
– El Futuro (Luis Lopez Carrasco, Spain, 2013, DCP, 67m)
6:30PM – Projections 12
– Broken Tongue (Mónica Savirón, USA, 2013, DCP, 3m)
+ Film (Ismaïl Bahri, France/Tunisia, 2012, digital projection, 10m)
+ The Innocents (Jean-Paul Kelly, Canada, 2014, HDCAM, 13m)
– Chapters 1, 2 & 3 ‘from the impossibility of one page being like the other’ (Oraib Toukan & Ala Younis, Jordan, 2014, DCP, 4m)
– Sugarcoated Arsenic (Claudrena Harold & Kevin Jerome Everson, USA, 2013, DCP, 20m)
+ Adorno’s Grey (Hito Steyerl, Germany, 2012, digital projection, 14m)
– O, Persecuted (Basma Alsharif, UK/Palestine, 2014, digital projection, 14m)
8:30PM – Projections 13
– How to Make Money Religiously (Laure Prouvost, UK, 2014, DCP, 18m)
– Renaissance Center/GM Tower (Nicky Hamlyn, Canada/UK, 2012, 16mm, 5m)
– Sound of My Soul (Wojciech Bąkowski, Poland, 2014, digital projection, 13m)
– Seven Signs that Mean Silence (Sara Magenheimer, USA, 2013, digital projection, 11m)
– Horizon (Stephanie Barber, USA, 2014, digital projection, 3m)
– SONE S/S 2014: Chase ATM emitting blue smoke, Bank of America ATM emitting red smoke, TD Bank ATM emitting green smoke /// Invisibility-cloaked hand gestures in offshore financial center jungle (Andrew Norman Wilson, USA, 2014, digital projection, 11m)
– Lorem ipsum 1 (Victoria Fu, USA, 2013, DigiBeta, 13m)
– Pan (Anton Ginzburg, USA, 2014, 16mm, 6m)