{"id":587,"date":"2008-10-27T17:40:00","date_gmt":"2008-10-27T22:40:00","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=587"},"modified":"2011-04-23T15:56:40","modified_gmt":"2011-04-23T20:56:40","slug":"dvd-still-life-jia-2006","status":"publish","type":"post","link":"https:\/\/blakewilliams.net\/blog\/2008\/10\/dvd-still-life-jia-2006\/","title":{"rendered":"DVD: Still Life (Jia, 2006)"},"content":{"rendered":"<p><a onblur=\"try {parent.deselectBloggerImageGracefully();} catch(e) {}\" href=\"http:\/\/shanghaiist.com\/attachments\/shang_chi\/stilllifereview.jpg\"><img decoding=\"async\" style=\"margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 191px; height: 270px;\" src=\"http:\/\/shanghaiist.com\/attachments\/shang_chi\/stilllifereview.jpg\" alt=\"\" border=\"0\" \/><\/a>This is my third Jia Zhang-ke film, and probably my favorite.  The characters have a perfect level of melancholy throughout the film to be believable without ever even approaching melodrama.  The film follows two characters.  A male character searches for his daughter and the mother of his daughter whom he hasn&#8217;t   seen in 16 years, and a nurse who is searching for her husband, whom she has not seen in 2 years.  To make matter worse (and to give this film its plot), the town that both of them are searching in has recently been submerged under water.  Jia &#8216;s usual themes of modernization, nostalgia, and artificiality are present, with occasional, jarring moments of otherworldy sci-fi.  The views of the newer buildings in <span style=\"font-style: italic;\">Still Life<\/span> evoke Antonioni&#8217;s <span style=\"font-style: italic;\">L&#8217;Eclisse.<\/span>  This is a very relaxing film, I saw it on a flight, and it eased, or numbed, my fears of my plane crashing.  The cinematography is among the more beautiful that I have seen this year, and I prefer it to the lensing in <span style=\"font-style: italic;\">24 City<\/span> and <span style=\"font-style: italic;\">The World.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is my third Jia Zhang-ke film, and probably my favorite. The characters have a perfect level of melancholy throughout the film to be believable without ever even approaching melodrama. The film follows two characters. A male character searches for his daughter and the mother of his daughter whom he hasn&#8217;t seen in 16 years, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-587","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/587","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=587"}],"version-history":[{"count":2,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/587\/revisions"}],"predecessor-version":[{"id":3414,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/587\/revisions\/3414"}],"wp:attachment":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=587"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=587"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=587"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}