{"id":25176,"date":"2025-06-05T09:49:56","date_gmt":"2025-06-05T14:49:56","guid":{"rendered":"https:\/\/blakewilliams.net\/blog\/?p=25176"},"modified":"2025-09-03T13:42:52","modified_gmt":"2025-09-03T18:42:52","slug":"tiff-2025-line-up","status":"publish","type":"post","link":"https:\/\/blakewilliams.net\/blog\/2025\/06\/tiff-2025-line-up\/","title":{"rendered":"TIFF 2025 Line-Up"},"content":{"rendered":"
Key:<\/span>\nFeatures (40min. and up) are in bold<\/strong>\nShorts are in italics<\/em>\n\u25cf - I have seen this film\n\u2605 - I have seen this film and am fond of it (6.0 and higher)\n\u2718 - I have seen this film and had a bad time watching it (4.0 and lower)\n\u25cb - I am seriously considering making an attempt to see this film\n☀ - I made this film\n16mm<\/strong><\/span>, 35mm<\/strong><\/span>, 70mm<\/strong><\/span> - This film will be screened from a celluloid print\n👓 - This film is stereoscopic\nL<\/strong><\/span> - Has TIFF's \"Luminaries\" label, i.e. it'd be in \"Masters\" if the section still existed\n\nColour coding:<\/span>\nNYFF<\/strong><\/span> - Slate and Main\nSUNDANCE<\/strong><\/span> - If they had taste they'd pan you\nBERLINALE<\/strong><\/span> - What the Nature Said\nCANNES<\/strong><\/span> - Blow it up!\nLOCARNO<\/strong><\/span> - Ericssonian therapy\nVENICE<\/strong><\/span> - Nala Sinephro Smash\nNOTABLE<\/strong><\/span> - New films by directors whose work I actively look forward to\n\n(Colours trump whatever is below them; e.g. if a film screens at Cannes and is then later\nannounced as part of NYFF's Main Slate, it will be purple)\n<\/pre>\n
 <\/p>\n
Special Presentations (58 | 2024: 57)<\/span>
\n& Sons<\/strong> (Pablo Trapero)
\nBad Apples<\/strong> (Jonatan Etzler)
\nBallad of a Small Player<\/strong> (Edward Berger)
\nCalifornia Schemin\u2019<\/strong> (James McAvoy)
\nCalle Malaga<\/strong> (Maryam Touzani)<\/span>
\nThe Captive<\/strong> (Alejandro Amen\u00e1bar)
\nCharlie Harper<\/strong> (Tom Dean & Mac Eldridge)
\nThe Christophers<\/strong> (Steven Soderbergh)<\/span> \u25cb
\nChristy<\/strong> (David Mich\u00f4d)
\nCouture<\/strong> (Alice Winocour) \u25cb
\nDead Man\u2019s Wire<\/strong> (Gus Van Sant)<\/span> \u25cb
\nDegrassi: Whatever It Takes<\/strong> (Lisa Rideout)
\nDog 51<\/strong> (C\u00e9dric Jimenez)<\/span>
\nEasy\u2019s Waltz<\/strong> (Nic Pizzolatto)
\nEPiC: Elvis Presley in Concert<\/strong> (Baz Luhrmann)
\nEternal Return<\/strong> (Yaniv Raz)
\nThe Fence<\/strong> (Claire Denis)<\/span> L<\/strong><\/span> \u25cb
\nFrankenstein<\/strong> (Guillermo del Toro)<\/span> \u25cb
\nFranz<\/strong> (Agnieszka Holland) L<\/strong><\/span>
\nGood News<\/strong> (Sung-hyun Byun)
\nHedda<\/strong> (Nia DaCosta)
\nIf I Had Legs I\u2019d Kick You<\/strong> (Mary Bronstein)<\/span> \u2718
\nIt Was Just an Accident<\/strong> (Jafar Panahi)<\/span> \u25cf
\nIt Would Be Night in Caracas<\/strong> (Mariana Rond\u00f3n & Marit\u00e9 Ug\u00e1s)<\/span>
\nKokuho<\/strong> (Lee Sang-il)<\/span>
\nKy Nam Inn<\/strong> (Leon Le)
\nThe Lost Bus<\/strong> (Paul Greengrass)
\nLovely Day<\/strong> (Philippe Falardeau)
\nMeadowlarks<\/strong> (Tasha Hubbard)
\nMile End Kicks<\/strong> (Chandler Levack)
\nMonkey in a Cage<\/strong> (Anurag Kashyap)
\nNouvelle Vague<\/strong> (Richard Linklater)<\/span> \u25cf
\nA Pale View of Hills<\/strong> (Kei Ishikawa)<\/span>
\nA Poet<\/strong> (Sim\u00f3n Mesa Soto)<\/span> \u25cb
\nPoetic License<\/strong> (Maude Apatow)
\nPrimavera<\/strong> (Damiano Michieletto)
\nProject Y<\/strong> (Lee Hwan)
\nRental Family<\/strong> (Hikari)
\nRose of Nevada<\/strong> (Mark Jenkin)<\/span> \u25cb
\nSacrifice<\/strong> (Romain Gavras)
\nScarlet<\/strong> (Mamoru Hosoda)<\/span>
\nThe Secret Agent<\/strong> (Kleber Mendon\u00e7a Filho)<\/span> \u25cf
\nSentimental Value<\/strong> (Joachim Trier)<\/span> \u2718
\nSilent Friend<\/strong> (Ildik\u00f3 Enyedi)<\/span> \u25cb
\nSir\u0101t<\/strong> (\u00d3liver Laxe)<\/span> \u2605
\nThe Smashing Machine<\/strong> (Benny Safdie)<\/span> \u25cb
\nSound of Falling<\/strong> (Mascha Schilinski)<\/span> \u25cf
\nSteal Away<\/strong> (Clement Virgo)
\nThe Testament of Ann Lee<\/strong> (Mona Fastvold)<\/span> 70mm<\/strong><\/span> \u25cb
\nThe Ugly<\/strong> (Yeon Sang-ho)
\nThree Goodbyes<\/strong> (Isabel Coixet)
\nTrain Dreams<\/strong> (Clint Bentley)<\/span> \u25cb
\nTuner<\/strong> (Daniel Roher)
\nUiksaringitara (Wrong Husband)<\/strong> (Zacharias Kunuk) L<\/strong><\/span>
\nThe Voice of Hind Rajab<\/strong> (Kaouther Ben Hania)<\/span> \u25cb
\nWake Up Dead Man: A Knives Out Mystery<\/strong> (Rian Johnson)<\/span> \u25cb
\nThe Wizard of the Kremlin<\/strong> (Olivier Assayas)<\/span> \u25cb
\nYou Had to Be There: How the Toronto Godspell Ignited the Comedy Revolution\u2026<\/strong> (Nick Davis)<\/p>\n
 <\/p>\n
Centrepiece (55 | 2024: 44)<\/span>
\nArco<\/strong> (Ugo Bienvenu)<\/span>
\nBarrio Triste<\/strong> (STILLZ)<\/span> \u25cb
\nBlood Lines<\/strong> (Gail Maurice)
\nBlue Heron<\/strong> (Sophy Romvari)<\/span> \u25cb
\nBlue Moon<\/strong> (Richard Linklater)<\/span> \u25cf
\nThe Blue Trail<\/strong> (Gabriel Mascaro)<\/span> \u25cf
\nCarolina Caroline<\/strong> (Adam Carter Rehmeier)
\nThe Condor Daughter<\/strong> (\u00c1lvaro Olmos Torrico)
\nThe Cost of Heaven<\/strong> (Mathieu Denis) \u25cb
\nDandelion’s Odyssey<\/strong> (Momoko Seto)<\/span>
\nDiya<\/strong> (Achille Ronaimou)
\nDuse<\/strong> (Pietro Marcello)<\/span> \u25cb
\nEagles of the Republic<\/strong> (Tarik Saleh)<\/span>
\nErupcja<\/strong> (Pete Ohs) \u25cb
\nExit 8<\/strong> (Genki Kawamura)<\/span> \u25cb
\nFollies<\/strong> (Eric K. Boulianne)<\/span> \u25cb
\nThe Fox King<\/strong> (Woo Ming Jin)
\nGirl<\/strong> (Shu Qi)<\/span> \u25cb
\nGood Boy<\/strong> (Jan Komasa)
\nHamlet<\/strong> (Aneil Karia)
\nHoney Bunch<\/strong> (Madeleine Sims-Fewer & Dusty Mancinelli)<\/span>
\nI Swear<\/strong> (Kirk Jones)
\nIn Search of the Sky<\/strong> (Jitank Singh Gurjar)
\nIrkalla: Gilgamesh’s Dream<\/strong> (Mohamed Jabarah Al-Daradji)<\/span>
\nThe Last One for the Road<\/strong> (Francesco Sossai)<\/span> \u25cf
\nThe Last Viking<\/strong> (Anders Thomas Jensen)<\/span>
\nLeft-Handed Girl<\/strong> (Shih-Ching Tsou)<\/span> \u25cf
\nLittle Am\u00e9lie or the Character of Rain<\/strong> (Ma\u00eflys Vallade & Liane-Cho Han)<\/span>
\nThe Little Sister<\/strong> (Hafsia Herzi)<\/span> \u25cf
\nThe Love That Remains<\/strong> (Hlynur P\u00e1lmason)<\/span> \u2605
\nLucky Lu<\/strong> (Lloyd Lee Choi)<\/span> \u25cf
\nMama<\/strong> (Or Sinai)<\/span>
\nMemory of Princess Mumbi<\/strong> (Damien Hauser)<\/span>
\nMilk Teeth<\/strong> (Mihai Mincan)<\/span>
\nMirrors No. 3<\/strong> (Christian Petzold)<\/span> \u25cf
\nMotor City<\/strong> (Potsy Ponciroli)<\/span>
\nMy Father’s Shadow<\/strong> (Akinola Davies Jr.)<\/span>
\nThe Mysterious Gaze of the Flamingo<\/strong> (Diego C\u00e9spedes)<\/span>
\nNew Years Rev<\/strong> (Lee Kirk)
\nNomad Shadow<\/strong> (Eimi Imanishi)
\nOlmo<\/strong> (Fernando Eimbcke)<\/span> \u25cf
\nOrphan<\/strong> (L\u00e1szl\u00f3 Nemes)<\/span> \u25cb
\nPalimpsest: the Story of a Name<\/strong> (Mary Stephen)
\nThe President’s Cake<\/strong> (Hasan Hadi)<\/span> \u25cb
\nRenoir<\/strong> (Chie Hayakawa)<\/span>
\nSaipan<\/strong> (Lisa Barros D’Sa & Glenn Leyburn)
\nSpace Cadet<\/strong> (Kid Koala)<\/span>
\nThe Sun Rises On Us All<\/strong> (Cai Shangjun Cai)<\/span> \u25cb
\nTwo Prosecutors<\/strong> (Sergei Loznitsa)<\/span> \u25cf
\nUnder the Same Sun<\/strong> (Ulises Porra)
\nUnidentified<\/strong> (Haifaa Al Mansour)
\nA Useful Ghost<\/strong> (Ratchapoom Boonbunchachoke)<\/span>
\nWasteman<\/strong> (Cal McMau)
\nWhitetail<\/strong> (Nanouk Leopold)
\nYoungblood<\/strong> (Hubert Davis)<\/p>\n
 <\/p>\n
TIFF Docs (24 | 2024: 21)<\/span>
\nAki<\/strong> (Darlene Naponse)
\nThe Balloonists<\/strong> (John Dower)
\nBelow the Clouds<\/strong> (Gianfranco Rosi)<\/span> L<\/strong><\/span> \u25cb
\nCanceled: The Paula Deen Story<\/strong> (Billy Corben)
\nCover-Up<\/strong> (Laura Poitras & Mark Obenhaus)<\/span> \u25cb
\nThe Eyes of Ghana<\/strong> (Ben Proudfoot)
\nFlana<\/strong> (Zahraa Ghandour)
\nLandmarks<\/strong> (Lucrecia Martel)<\/span> \u25cb
\nA Life Illuminated<\/strong> (Tasha Van Zandt)
\nLOVE+WAR<\/strong> (Chai Vasarhelyi & Jimmy Chin)
\nModern Whore<\/strong> (Nicole Bazuin)
\nNi-Naadamaadiz: Red Power Rising<\/strong> (Shane Belcourt)
\nNuns vs. The Vatican<\/strong> (Lorena Luciano)
\nOrwell: 2+2=5<\/strong> (Raoul Peck)<\/span>
\nPowwow People<\/strong> (Sky Hopinka)<\/span> \u25cb
\nPut Your Soul on Your Hand and Walk<\/strong> (Sepideh Farsi)<\/span> \u25cf
\nThe Road Between Us: The Ultimate Rescue<\/strong> (Barry Avrich)
\nA Simple Soldier<\/strong> (Juan Camilo Cruz & Artem Ryzhykov)
\nStill Single<\/strong> (Jamal Burger & Jukan Tateisi)
\nThe Tale of Silyan<\/strong> (Tamara Kotevska)<\/span>
\nThere Are No Words<\/strong> (Min Sook Lee)
\nTrue North<\/strong> (Mich\u00e8le Stephenson)
\nWhile the Green Grass Grows: A Diary in Seven Parts<\/strong> (Peter Mettler)
\nWhistle<\/strong> (Christopher Nelius)<\/p>\n
 <\/p>\n
Discovery (23 | 2024: 26)<\/span>
\nAmoeba<\/strong> (Siyou Tan)
\nAs We Breathe<\/strong> (\u015eeyhmus Altun)
\nBabystar<\/strong> (Joscha Bongard)
\nBayaan<\/strong> (Bikas Ranjan Mishra)
\nDinner with Friends<\/strong> (Sasha Leigh Henry)
\nEgghead Republic<\/strong> (Pella K\u00e5german & Hugo Lilja)
\nForastera<\/strong> (Luc\u00eda Ale\u00f1ar Iglesias)
\nGhost School<\/strong> (Seemab Gul)
\nJulian<\/strong> (Cato Kusters)
\nLaundry<\/strong> (Zamo Mkhwanazi)
\nLittle Lorraine<\/strong> (Andy Hines)
\nMaddie’s Secret<\/strong> (John Early)
\nThe Man in My Basement<\/strong> (Nadia Latif)
\nM\u0101rama<\/strong> (Taratoa Stappard)
\nNika & Madison<\/strong> (Eva Thomas)
\nNoviembre<\/strong> (Tom\u00e1s Corredor)
\nOca<\/strong> (Karla Badillo)
\n100 Sunset<\/strong> (Kunsang Kyirong)
\nOur Father<\/strong> (Goran Stankovic)
\nOut Standing<\/strong> (M\u00e9lanie Charbonneau)
\nRetreat<\/strong> (Ted Evans)
\nSink<\/strong> (Zain Duraie)
\nThe Son and the Sea<\/strong> (Stroma Cairns)<\/p>\n
 <\/p>\n
Gala Presentations (22 | 2024: 22)<\/span>
\nAdulthood<\/strong> (Alex Winter)
\nThe Choral<\/strong> (Nicholas Hytner)
\nDriver\u2019s Ed<\/strong> (Bobby Farrelly)
\nEleanor the Great<\/strong> (Scarlett Johansson)<\/span>
\nEternity<\/strong> (David Freyne)
\nFuze<\/strong> (David Mackenzie) \u25cb
\nGlenrothan<\/strong> (Brian Cox)
\nGood Fortune<\/strong> (Aziz Ansari)
\nHamnet<\/strong> (Chlo\u00e9 Zhao)<\/span> \u25cb
\nHomebound<\/strong> (Neeraj Ghaywan)<\/span>
\nJohn Candy: I Like Me<\/strong> (Colin Hanks)
\nLilith Fair: Building a Mystery<\/strong> (Ally Pankiw)
\nNo Other Choice<\/strong> (Park Chan-wook)<\/span> \u25cb
\nNuremberg<\/strong> (James Vanderbilt)
\nPalestine 36<\/strong> (Annemarie Jacir)
\nPeak Everything<\/strong> (Anne \u00c9mond)<\/span>
\nA Private Life<\/strong> (Rebecca Zlotowski)<\/span> \u25cf
\nRoofman<\/strong> (Derek Cianfrance)
\nShe Has No Name<\/strong> (2024, Peter Ho-Sun Chan)<\/span>
\nSholay<\/strong> (1975, Ramesh Sippy)
\nSwiped<\/strong> (Rachel Lee Goldenberg)
\nTwo Pianos<\/strong> (Arnaud Desplechin)<\/span> \u25cb<\/p>\n
 <\/p>\n
Wavelengths (11  [incl. 3 shorts programmes] | 2024: 15 [3])<\/span>
\nBLKNWS: Terms & Conditions<\/strong> (Kahlil Joseph)<\/span> \u25cf
\nCopper<\/strong> (Nicol\u00e1s Pereda)<\/span> \u25cf
\nDry Leaf<\/strong> (Alexandre Koberidze)<\/span> \u2605
\nLevers<\/strong> (Rhayne Vermette)<\/span> \u25cb
\nMagellan<\/strong> (Lav Diaz)<\/span> L<\/strong><\/span> \u25cf
\nMare’s Nest<\/strong> (Ben Rivers)<\/span> \u2718
\nThe Seasons<\/strong> (Maureen Fazendeiro)<\/span> \u25cf
\nWith Hasan in Gaza<\/strong> (Kamal Aljafari)<\/span> \u25cf
\n               – preceded by It’s So Beautiful Here<\/em> (Basma al-Sharif)
\n <\/p>\n
Wavelengths 1: Map of Traces<\/strong> \u25cb
\n+ Ten Mornings Ten Evenings and One Horizon<\/em> (2016, Tomonari Nishikawa) 16mm<\/strong><\/span>
\n– Rojo \u017dalia Blau<\/em> (Viktoria Schmid)
\n– Disappeared<\/em> (Sohrab Hura)
\n– 09\/05\/1982<\/em> (Jorge Caballero & Camilo Restrepo)
\n– Map of Traces<\/em> (Chan Hau Chun)
\n– In Transit<\/em> (Vadim Kostrov)<\/p>\n
Wavelengths 2: Into the Blue<\/strong> \u25cb
\n– I Saw the Face of God in the Jet Wash<\/em> (Mark Jenkin)
\n– From My Cloud<\/em> (Minjung Kim)
\n– Cairo Streets<\/em> (Abdellah Ta\u00efa)
\n– Daria’s Night Flowers<\/em> (Maryam Tafakory)
\n– Aftertide<\/em> (Kaiwen Ren)<\/p>\n
Wavelengths 3: Slightest Pretense<\/strong> \u25cb
\n– Land of Barbar<\/em> (Fredj Moussa)
\n– Conditio Humana<\/em> (Friedl vom Gr\u00f6ller) 16mm<\/strong><\/span>
\n– Slightest Pretense<\/em> (Eri Saito)
\n– CONFERENCE<\/em> (Bj\u00f6rn K\u00e4mmerer) 35mm<\/strong><\/span>
\n– Morgenkreis<\/em> (Basma al-Sharif)
\n+ FELT<\/em> (Blake Williams) 👓 ☀<\/p>\n
 <\/p>\n
Platform (10 | 2024: 10)<\/span>
\nBetween Dreams and Hope<\/strong> (Farnoosh Samadi)
\nBouchra<\/strong> (Orian Barki & Meriem Bennani) \u25cb
\nThe Currents<\/strong> (Milagros Mumenthaler)<\/span> \u25cb
\nHen<\/strong> (Gy\u00f6rgy P\u00e1lfi) \u25cb
\nNino<\/strong> (Pauline Loqu\u00e8s)<\/span>
\nSk+te’kmujue’katik (At the Place of Ghosts)<\/strong> (Bretten Hannam)
\nSteve<\/strong> (Tim Mielants)
\nTo The Victory!<\/strong> (Valentyn Vasyanovych) \u25cb
\nWinter of the Crow<\/strong> (Kasia Adamik)
\nThe World of Love<\/strong> (Yoon Ga-eun)<\/p>\n
 <\/p>\n
Midnight Madness (10 | 2024: 10)<\/span>
\nDead Lover<\/strong> (Grace Glowicki)<\/span>
\nDust Bunny<\/strong> (Bryan Fuller)
\nFuck My Son!<\/strong> (Todd Rohal) \u25cb
\nThe Furious<\/strong> (Kenji Tanigaki)
\nJunk World<\/strong> (Takahide Hori)
\nKarmadonna<\/strong> (Aleksandar Radivojevi\u0107)
\nThe Napa Boys<\/strong> (Nick Corirossi)
\nNirvanna the Band the Show the Movie<\/strong> (Matt Johnson) \u25cb
\nNormal<\/strong> (Ben Wheatley)
\nObsession<\/strong> (Curry Barker)<\/p>\n
 <\/p>\n
Primetime (10 | 2024: 8)<\/span>
\nBlack Rabbit<\/strong> (Zach Baylin & Kate Susman)
\nGandhi<\/strong> (Sameer Nair & Hansal Mehta)
\nThe Lowdown<\/strong> (Sterlin Harjo)
\nOrigin: The Story of the Basketball Africa League<\/strong> (Richard Brown & Tebogo Malope)
\nPortobello – The Fall of Enzo Tortora<\/strong> (Marco Bellocchio)<\/span> L<\/strong><\/span> \u25cb
\nReunion<\/strong> (William Mager & Luke Snellin)
\nRise of the Raven<\/strong> (Bal\u00e1zs Lengyel & Robert Dornhelm)
\nA S\u00e1mi Wedding<\/strong> (\u00c5se Kathrin Vuolab & P\u00e5l Jackman)
\nThe Savage<\/strong> (Houman Seyyedi)
\nWayward<\/strong> (Mae Martin, Ryan Scott)<\/p>\n
 <\/p>\n
TIFF Classics (6 | 2024: 6)<\/span>
\nAniki-B\u00f3b\u00f3<\/strong> (1942, Manoel de Oliveira) \u25cb
\nThe Arch<\/strong> (1968, T’ang Shushuen) \u25cb
\nBashu, the Little Stranger<\/strong> (1986, Bahram Beyzaie)
\nDays and Nights in the Forest<\/strong> (1970, Satyajit Ray) \u25cf
\nJaws<\/strong> (1975, Steven Spielberg) 35mm<\/strong><\/span> \u2605
\nNadja<\/strong> (1994, Michael Almereyda) \u2605<\/p>\n
 <\/p>\n","protected":false},"excerpt":{"rendered":"
Key: Features (40min. and up) are in bold Shorts are in italics \u25cf – I have seen this film \u2605 – I have seen this film and am fond of it (6.0 and higher) \u2718 – I have seen this film and had a bad time watching it (4.0 and lower) \u25cb – I am […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-25176","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/25176","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=25176"}],"version-history":[{"count":62,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/25176\/revisions"}],"predecessor-version":[{"id":25460,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/25176\/revisions\/25460"}],"wp:attachment":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=25176"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=25176"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=25176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}