{"id":24418,"date":"2024-06-19T11:28:53","date_gmt":"2024-06-19T16:28:53","guid":{"rendered":"https:\/\/blakewilliams.net\/blog\/?p=24418"},"modified":"2024-09-14T09:51:34","modified_gmt":"2024-09-14T14:51:34","slug":"tiff-2024-line-up","status":"publish","type":"post","link":"https:\/\/blakewilliams.net\/blog\/2024\/06\/tiff-2024-line-up\/","title":{"rendered":"TIFF 2024 Line-Up"},"content":{"rendered":"
Key:<\/span>\nFeatures (40min. and up) are in bold<\/strong>\nShorts are in italics<\/em>\n\u25cf - I have seen this film\n\u2605 - I have seen this film and am fond of it (6.0 and higher)\n\u2718 - I have seen this film and had a bad time watching it (4.0 and lower)\n\u25cb - I am seriously considering making an attempt to see this film\n16mm<\/strong><\/span>, 35mm<\/strong><\/span>, 70mm<\/strong><\/span> - This film will be screened from a film print\n 🕶️ - This is a 3D film\nL<\/strong><\/span> - Has TIFF's \"Luminaries\" label, i.e. it'd be in \"Masters\" if the section still existed\n\nColour coding:<\/span>\nNYFF<\/strong><\/span> - Slate and Main\nSUNDANCE<\/strong><\/span> - Like if Michael Snow had decided to remake The Shining in a small suburban house\nBERLINALE<\/strong><\/span> - Rollin' with Dahomey\nCANNES<\/strong><\/span> - The Most Precious of Festivals\nLOCARNO<\/strong><\/span> - Hard Times\nVENICE<\/strong><\/span> - They planted that seed and I will see Harvest\nNOTABLE<\/strong><\/span> - New films by directors whose work I actively look forward to\n\n(Colours trump whatever is below them; e.g. if a film screens at Cannes and is then later\nannounced as part of NYFF's Main Slate, it will be purple)\n<\/pre>\n
 <\/p>\n
Special Presentations (57 | 2023: 52)<\/span>
\nAll of You<\/strong> (William Bridges)
\nAll We Imagine as Light<\/strong> (Payal Kapadia)<\/span> \u25cf
\nAnora<\/strong> (Sean Baker)<\/span> \u2605
\nThe Assessment<\/strong> (Fleur Fortune)
\nBabygirl<\/strong> (Halina Reijn)<\/span> \u25cb
\nBird<\/strong> (Andrea Arnold)<\/span> \u2718
\nBring Them Down<\/strong> (Chris Andrews)
\nThe Brutalist<\/strong> (Brady Corbet)<\/span> 70mm<\/strong><\/span> \u25cb
\nCan I Get a Witness?<\/strong> (Ann Marie Fleming)
\nCarnival Is Over<\/strong> (Fernando Coimbra)
\nCaught by the Tides<\/strong> (Jia Zhang-ke)<\/span> \u25cf
\nConclave<\/strong> (Edward Berger)
\nThe Cut<\/strong> (Sean Ellis)
\nDahomey<\/strong> (Mati Diop)<\/span> \u25cf
\nEmilia P\u00e9rez<\/strong> (Jacques Audiard)<\/span> \u25cf
\nThe End<\/strong> (Joshua Oppenheimer) \u25cb
\nThe Fire Inside<\/strong> (Rachel Morrison)
\n40 Acres<\/strong> (R.T. Thorne)
\nThe Girl with the Needle<\/strong> (Magnus von Horn)<\/span> \u25cf
\nHard Truths<\/strong> (Mike Leigh)<\/span> \u25cb
\nHarvest<\/strong> (Athina Rachel Tsangari)<\/span> \u25cb
\nHeretic<\/strong> (Scott Beck & Bryan Woods)
\nHold Your Breath<\/strong> (Karrie Crouse & Will Joines)
\nI\u2019m Still Here<\/strong> (Walter Salles)<\/span>
\nI, the Executioner<\/strong> (Ryoo Seung-wan)<\/span>
\nK-Pops<\/strong> (Anderson .Paak)
\nThe Last Showgirl<\/strong> (Gia Coppola)
\nThe Life of Chuck<\/strong> (Mike Flanagan) \u25cb
\nLove in the Big City<\/strong> (E.oni)
\nThe Luckiest Man in America<\/strong> (Samir Oliveros)
\nMillers in Marriage<\/strong> (Edward Burns)
\nMisericordia<\/strong> (Alain Guiraudie)<\/span> \u2605
\nNightbitch<\/strong> (Marielle Heller) \u25cb
\nOn Becoming a Guinea Fowl<\/strong> (Rungano Nyoni)<\/span> \u25cf
\nOn Swift Horses<\/strong> (Daniel Minahan)
\nThe Order<\/strong> (Justin Kurzel)<\/span>
\nPaul Anka: His Way<\/strong> (John Maggio)
\nThe Piano Lesson<\/strong> (Malcolm Washington)
\nPiece by Piece<\/strong> (Morgan Neville)
\nQueer<\/strong> (Luca Guadagnino)<\/span> \u25cb
\nQuisling – The Final Days<\/strong> (Erik Poppe)
\nRelay<\/strong> (David Mackenzie) \u25cb
\nRez Ball<\/strong> (Sydney Freeland)
\nRiff Raff<\/strong> (Dito Montiel)
\nThe Room Next Door<\/strong> (Pedro Almod\u00f3var)<\/span> \u25cb
\nRumours<\/strong> (Guy Maddin, Evan Johnson, & Galen Johnson)<\/span> \u25cf
\nThe Salt Path<\/strong> (Marianne Elliott)
\nSaturday Night<\/strong> (Jason Reitman)
\nSharp Corner<\/strong> (Jason Buxton)
\nShell<\/strong> (Max Minghella)
\nShepherds<\/strong> (Sophie Deraspe)
\nSketch<\/strong> (Seth Worley)
\nVermiglio<\/strong> (Maura Delpero)<\/span>
\nWe Live in Time<\/strong> (John Crowley)
\nWent Up the Hill<\/strong> (Samuel Van Grinsven)
\nWithout Blood<\/strong> (Angelina Jolie)
\nYoung Werther<\/strong> (Jos\u00e9 Avelino Gilles Corbett Louren\u00e7o)<\/p>\n
 <\/p>\n
Centrepiece (44 | 2023: 47)<\/span>
\nAddition<\/strong> (Marcelle Lunam)
\nAnywhere Anytime<\/strong> (Milad Tangshir)<\/span>
\nApril<\/strong> (Dea Kulumbegashvili)<\/span> \u25cb
\nBeloved Tropic<\/strong> (Ana Endara)
\nBliss (Hemda)<\/strong> (Shemi Zarhin)
\nBound in Heaven<\/strong> (Huo Xin)
\nBy the Stream<\/strong> (Hong Sang-soo) <\/span> L<\/strong><\/span> \u2605
\nCloud<\/strong> (Kiyoshia Kurosawa) <\/span> L<\/strong><\/span> \u25cb
\nCrocodile Tears<\/strong> (Tumpal Tampubolon)
\nDon\u2019t Cry, Butterfly<\/strong> (D\u01b0\u01a1ng Di\u1ec7u Linh)<\/span>
\nEdge of Night<\/strong> (T\u00fcrker S\u00fcer)<\/span>
\nFanatical: The Catfishing of Tegan and Sara<\/strong> (Erin Lee Carr)
\nFlow<\/strong> (Gints Zilbalodis)<\/span> \u25cf
\nFront Row<\/strong> (Merzak Allouache) L<\/strong><\/span>
\nHappyend<\/strong> (Neo Sora)<\/span> \u25cb
\nHappy Holidays<\/strong> (Scandar Copti)<\/span>
\nJane Austen Wrecked My Life<\/strong> (Laura Piani)
\nJulie Keeps Quiet<\/strong> (Leonardo van Dijl)<\/span>
\nKa Whawhai Tonu – Struggle Without End<\/strong> (Michael Jonathan)
\nKill the Jockey<\/strong> (Luis Ortega)<\/span>
\nThe Legend of the Vagabond Queen of Lagos<\/strong> (Agbajowo Collective)
\nLittle Jaffna<\/strong> (Lawrence Valin)<\/span>
\nLos Tortuga<\/strong> (Bel\u00e9n Funes)
\nMatt and Mara<\/strong> (Kazik Radwanski)<\/span> \u25cf
\nMeasures for a Funeral<\/strong> (Sofia Bohdanowicz)<\/span> \u25cb
\nA Missing Part<\/strong> (Guillaume Senez)
\nThe Mother and the Bear<\/strong> (Johnny Ma)
\nThe Mountain<\/strong> (Rachel House)
\nMy Sunshine<\/strong> (Hiroshi Okuyama)<\/span>
\nPimpinero: Blood and Oil<\/strong> (Andr\u00e9s Baiz)
\nPresence<\/strong> (Steven Soderbergh)<\/span> \u25cb
\nSantosh<\/strong> (Sandhya Suri)<\/span>
\nThe Seed of the Sacred Fig<\/strong> (Mohammad Rasoulof)<\/span> \u25cf
\nSeven Days<\/strong> (Ali Samadi Ahadi)
\nSouleymane\u2019s Story<\/strong> (Boris Lojkine)<\/span>
\nSunshine<\/strong> (Antoinette Jadaone)
\nThe Swedish Torpedo<\/strong> (Frida Kempff)
\nSweet Angel Baby<\/strong> (Melanie Oates)
\nTo a Land Unknown<\/strong> (Mahdi Fleifel)<\/span>
\nUnder the Volcano<\/strong> (Damian Kocur)
\nAn Unfinished Film<\/strong> (Lou Ye)<\/span> \u2718
\nUniversal Language<\/strong> (Matthew Rankin)<\/span> \u25cf
\nThe Village Next to Paradise<\/strong> (Mo Harawe)<\/span>
\nWhen the Light Breaks<\/strong> (R\u00fanar R\u00fanarsson)<\/span><\/p>\n
 <\/p>\n
Discovery (26 | 2023: 26)<\/span>
\nAberdeen<\/strong> (Ryan Cooper & Eva Thomas)
\nBonjour Tristesse<\/strong> (Durga Chew-Bose)
\nBoong<\/strong> (Lakshmipriya Devi)
\nThe Courageous<\/strong> (Jasmin Gordon)
\nDiciannove<\/strong> (Giovanni Tortorici)<\/span> \u25cb
\nDo I Know You From Somewhere?<\/strong> (Arianna Martinez)
\nFreedom Way<\/strong> (Afolabi Olalekan)
\nG\u00fclizar<\/strong> (Belk\u0131s Bayrak)
\nHorizonte<\/strong> (C\u00e9sar Augusto Acevedo)
\nInk Wash<\/strong> (Sarra Tsorakidis)
\nLinda<\/strong> (Mariana Wainstein)
\nMeat<\/strong> (Dimitris Nakos)
\nMother Mother<\/strong> (K\u2019naan Warsame)
\nMy Fathers\u2019 Daughter<\/strong> (Egil Pedersen)
\nOn Falling<\/strong> (Laura Carreira)
\nThe Paradise of Thorns<\/strong> (Boss Kuno)
\nThe Party\u2019s Over<\/strong> (Elena Manrique)
\nThe Quiet Ones<\/strong> (Frederik Louis Hviid)
\nReally Happy Someday<\/strong> (J Stevens)
\nSaba<\/strong> (Maksud Hossain)
\nSad Jokes<\/strong> (Fabian Stumm)
\nSeeds<\/strong> (Kaniehtiio Horn)
\nShook<\/strong> (Amar Wala)
\nU Are the Universe<\/strong> (Pavlo Ostrikov)
\nVillage Keeper<\/strong> (Karen Chapman)
\nYou Are Not Alone<\/strong> (Marie-H\u00e9l\u00e8ne Viens & Philippe Lupien)<\/p>\n
 <\/p>\n
Gala Presentations (22 | 2023: 21)<\/span>
\nAndrea Bocelli: Because I Believe<\/strong> (Cosima Spender)
\nBetter Man<\/strong> (Michael Gracey) \u25cb
\nDon\u2019t Let\u2019s Go to the Dogs Tonight<\/strong> (Embeth Davidtz)
\nThe Deb<\/strong> (Rebel Wilson)
\nEden<\/strong> (Ron Howard)
\nElton John: Never Too Late\u200b<\/strong> (R.J. Cutler & David Furnish)
\nThe Friend<\/strong> (Scott McGehee & David Siegel)
\nHarbin<\/strong> (Woo Min-ho)
\nMeet the Barbarians<\/strong> (Julie Delpy)
\nMegalopolis<\/strong> (Francis Ford Coppola)<\/span> \u2605
\nNutcrackers<\/strong> (David Gordon Green)
\nOh, Canada<\/strong> (Paul Schrader)<\/span> \u25cf
\nThe Penguin Lessons<\/strong> (Peter Cattaneo)
\nThe Return<\/strong> (Uberto Pasolini)
\nRoad Diary: Bruce Springsteen and The E Street Band<\/strong> (Thom Zimny)
\nThe Shrouds<\/strong> (David Cronenberg)<\/span> \u2605
\nSuperboys of Malegaon<\/strong> (Reema Kagti)
\nTakin’ Care of Business<\/strong> (Tyler Measom)
\nUnstoppable<\/strong> (William Goldenberg)
\nThe Wild Robot<\/strong> (Chris Sanders)
\nWill & Harper<\/strong> (Josh Greenbaum)<\/span>
\nWilliam Tell<\/strong> (Nick Hamm)<\/p>\n
 <\/p>\n
TIFF Docs (21 | 2023: 23)<\/span>
\nBlue Road – The Edna O\u2019Brien Story<\/strong> (Sin\u00e9ad O\u2019Shea)
\nErnest Cole: Lost and Found<\/strong> (Raoul Peck)<\/span>
\nThe Freedom of Fierro<\/strong> (Santiago Esteinou)
\nFrom Ground Zero<\/strong> (Various)
\nThe Last of the Sea Women<\/strong> (Sue Kim)
\nThe Last Republican<\/strong> (Steve Pink)
\nLiving Together<\/strong> (Halima Elkhatabi)
\nMen of War<\/strong> (Billy Corben & Jen Gatien)
\nMistress Dispeller<\/strong> (Elizabeth Lo)<\/span>
\nNo Other Land<\/strong> (Basel Adra, Hamdan Ballal, Yuval Abraham, & Rachel Szor)<\/span> \u25cb
\nPatrice: The Movie<\/strong> (Ted Passon)
\nRussians at War<\/strong> (Anastasia Trofimova)<\/span>
\nA Sisters\u2019 Tale<\/strong> (Leila Amini)<\/span>
\nSo Surreal: Behind the Masks<\/strong> (Neil Diamond & Joanne Robertson)
\nSpace Cowboy<\/strong> (Marah Strauch & Bryce Leavitt)
\nSudan, Remember Us<\/strong> (Hind Meddeb)<\/span>
\nTata<\/strong> (Lina Vdov\u00eei & Radu Ciorniciuc)
\nTemporary Shelter<\/strong> (Anastasiia Bortuali)
\nVice Is Broke<\/strong> (Eddie Huang)
\nWishing on a Star<\/strong> (P\u00e9ter Kerekes)<\/span>
\nYour Tomorrow<\/strong> (Ali Weinstein)<\/p>\n
 <\/p>\n
Wavelengths (15 [incl. 3 shorts programmes] | 2023: 15 [3])<\/span>
\nThe Ballad of Suzanne C\u00e9saire<\/strong> (Madeleine Hunt-Ehrlich) \u25cb
\nCollective Monologue<\/strong> (Jessica Sarah Rinland)<\/span> \u25cb
\nThe Damned<\/strong> (Roberto Minervini)<\/span> \u25cf
\nDrama 1882<\/strong> (Wael Shawky) \u25cb
\nexergue \u2014 on documenta 14<\/strong> (Dimitris Athiridis)<\/span> \u25cb
\nGrand Tour<\/strong> (Miguel Gomes)<\/span> \u25cf
\nLazaro at Night<\/strong> (Nicol\u00e1s Pereda)<\/span> \u25cb
\nPepe<\/strong> (Nelson Carlos De Los Santos Arias)<\/span> \u25cf
\nPerfumed with Mint<\/strong> (Muhammed Hamdy)<\/span> \u25cb
\nVi\u00eat and Nam<\/strong> (Minh Qu\u00fd Tr\u01b0\u01a1ng)<\/span> \u25cf
\nYouth (Hard Times)<\/strong> (Wang Bing)<\/span> L<\/strong><\/span> <\/span> \u25cf
\nYouth (Homecoming)<\/strong> (Wang Bing)<\/span> L<\/strong><\/span> <\/span> \u25cb<\/p>\n
Wavelengths 1: Eye & Ear Control<\/strong> \u25cb
\n– Revolving Rounds<\/em> (Johann Lurf & Christina Jauernik)<\/span> 🕶️
\n– The Diary of a Sky<\/strong> (Lawrence Abu Hamdan)
\n– October Noon<\/em> (Francisco Rodr\u00edguez Teare)
\n– A Black Screen Too<\/em> (Rhayne Vermette)
\n– Archipelago of Earthen Bones \u2014 To Bunya<\/em> (Malena Szlam)<\/p>\n
Wavelengths 2: Ride the Wave<\/strong> \u25cb
\n– Someplace in Your Mouth<\/em> (Beatrice Gibson & Nick Gordon)
\n– Notes of a Crocodile<\/em> (Daphne Xu)
\n– Adrift Potentials<\/em> (Leonardo Pirondi)
\n– Go Between<\/em> (Chris Kennedy)
\n– The Sojourn<\/em> (Tiffany Sia)<\/p>\n
Wavelengths 3: Expos\u00e9(s) – Jean-Luc Godard\/John Smith<\/strong> \u25cb
\n– Sc\u00e9narios<\/em> (Jean-Luc Godard)<\/span> \u2605
\n– Expos\u00e9 du film annonce du film \u201cSc\u00e9nario\u201d<\/em> (Jean-Luc Godard)<\/span> \u2605
\n– Being John Smith<\/em> (John Smith)<\/p>\n
 <\/p>\n
Midnight Madness (10 | 2023: 10)<\/span>
\nDead Mail<\/strong> (Joe DeBoer & Kyle McConaghy)
\nDead Talent Society<\/strong> (John Hsu)
\nElse<\/strong> (Thibault Emin)
\nEscape from the 21st Century<\/strong> (Li Yang)
\nFriendship<\/strong> (Andrew DeYoung) \u25cb
\nThe Gesuidouz<\/strong> (Kenichi Ugana)
\nIck<\/strong> (Joseph Kahn)
\nIt Doesn\u2019t Get Any Better Than This<\/strong> (Nick Toti & Rachel Kempf)
\nThe Substance<\/strong> (Coralie Fargeat)<\/span> \u25cf
\nThe Shadow Strays<\/strong> (Timo Tjahjanto)<\/p>\n
 <\/p>\n
Platform (10 | 2023: 10)<\/span>
\nDaniela Forever<\/strong> (Nacho Vigalondo)
\nDaughter’s Daughter<\/strong> (Huang Xi)
\nMr. K<\/strong> (Tallulah H. Schwab)
\nPaying for It<\/strong> (Sook-Yin Lee)
\nPedro P\u00e1ramo<\/strong> (Rodrigo Prieto)
\nThey Will Be Dust<\/strong> (Carlos Marques-Marcet)
\nTriumph<\/strong> (Petar Valchanov & Kristina Grozeva)
\nViktor<\/strong> (Olivier Sarbil)
\nWinter in Sokcho<\/strong> (Koya Kamura)
\nThe Wolves Always Come at Night<\/strong> (Gabrielle Brady)<\/p>\n
 <\/p>\n
Primetime (8 | 2023: 9)<\/span>
\nDisclaimer<\/strong> [Chapters 1-3] (Alfonso Cuar\u00f3n)<\/span>
\nFaithless<\/strong> [Episodes 1 & 2] (Tomas Alfredson & Sara Johnsen)
\nFamilies Like Ours<\/strong> [Entirety] (Thomas Vinterberg)<\/span>
\nM. Son of the Century<\/strong> [Episodes 1 & 2] (Joe Wright)<\/span>
\nThe Knowing<\/strong> [Select Episodes] (Courtney Montour & Tanya Talaga)
\nThe Listeners<\/strong> [Select Episodes] (Janicza Bravo & Jordan Tannahill)
\nThe Tragically Hip: No Dress Rehearsal<\/strong> [Entirety] (Mike Downie)
\nThou Shalt Not Steal<\/strong> [Episodes 1-3] (Dylan River)<\/p>\n
 <\/p>\n
TIFF Classics (6 | 2023: 5)<\/span>
\nAw\u0101ra<\/strong> (1951, Raj Kapoor) \u25cb
\nBona<\/strong> (1980, Lino Brocka) \u25cb
\nEssene<\/strong> (1972, Frederick Wiseman) \u25cb
\nMasala<\/strong> (1991, Srinivas Krishna) \u25cb
\nThe Sweet Hereafter<\/strong> (1997, Atom Egoyan) \u2605
\nTime of Maturity<\/strong> (1976, Sohrab Shahid Saless) \u2605<\/p>\n
 <\/p>\n
Special Events (2)<\/span>
\nDouble Happiness<\/strong> (1994, Mina Shum)
\nWhiplash<\/strong> (2014, Damien Chazelle) \u2605<\/p>\n
 <\/p>\n","protected":false},"excerpt":{"rendered":"
Key: Features (40min. and up) are in bold Shorts are in italics \u25cf – I have seen this film \u2605 – I have seen this film and am fond of it (6.0 and higher) \u2718 – I have seen this film and had a bad time watching it (4.0 and lower) \u25cb – I am […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-24418","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/24418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=24418"}],"version-history":[{"count":112,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/24418\/revisions"}],"predecessor-version":[{"id":24756,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/24418\/revisions\/24756"}],"wp:attachment":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=24418"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=24418"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=24418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}