{"id":23243,"date":"2023-06-28T11:40:12","date_gmt":"2023-06-28T16:40:12","guid":{"rendered":"https:\/\/blakewilliams.net\/blog\/?p=23243"},"modified":"2024-06-19T11:44:23","modified_gmt":"2024-06-19T16:44:23","slug":"tiff-2023-line-up","status":"publish","type":"post","link":"https:\/\/blakewilliams.net\/blog\/2023\/06\/tiff-2023-line-up\/","title":{"rendered":"TIFF 2023 Line-Up"},"content":{"rendered":"
Key:<\/span>\nFeatures (40min. and up) are in bold<\/strong>\nShorts are in italics<\/em>\n\u25cf - I have seen this film\n\u2605 - I have seen this film and am fond of it (6.0 and higher)\n\u2718 - I have seen this film and had a bad time watching it (4.4 and lower)\n\u25cb - I am seriously considering making an attempt to see this film\n☀ - I made this film\n16mm<\/strong><\/span>, 35mm<\/strong><\/span>, 70mm<\/strong><\/span> - This film with be screened from a film print\n👓 - This film is stereoscopic\nL<\/strong><\/span> - Has TIFF's \"Luminaries\" label, i.e. it'd be in \"Masters\" if the section still existed\n\nColour coding:<\/span>\nNYFF<\/strong><\/span> - Slate and Main\nSUNDANCE<\/strong><\/span> - Who recalls Past Lives\nBERLINALE<\/strong><\/span> - Music \/ makes the people \/ come together \/ yeah\nCANNES<\/strong><\/span> - Cretonism\nLOCARNO<\/strong><\/span> - Do not expect too much\nVENICE<\/strong><\/span> - Here comes Larra\u00edn again\nNOTABLE<\/strong><\/span> - New films by directors whose work I actively look forward to\n\n(Colours trump whatever is below them; e.g. Anatomy of a Fall<\/em> screened at both Cannes and\nLocarno so was gold until it was later announced as part of NYFF's Main Slate, at which\npoint it changed to purple)\n<\/pre>\n
 <\/p>\n
Special Presentations (52; 2022: 47; 2021: 30; 2019: 55)<\/span>
\nAmerican Fiction<\/strong> (Cord Jefferson) \u25cb
\nAnatomy of a Fall<\/strong> (Justine Triet)<\/span> \u25cf
\nThe Beast<\/strong> (Bertrand Bonello)<\/span> \u25cb
\nThe Burial<\/strong> (Maggie Betts)
\nClose to You<\/strong> (Dominic Savage)
\nThe Convert<\/strong> (Lee Tamahori)
\nThe Critic<\/strong> (Anand Tucker)
\nDaddio<\/strong> (Christy Hall)
\nDays of Happiness<\/strong> (Chlo\u00e9 Robichaud)
\nThe Dead Don\u2019t Hurt<\/strong> (Viggo Mortensen)
\nA Difficult Year<\/strong> (\u00c9ric Toledano & Olivier Nakache)
\nEl Rapto<\/strong> (Daniela Goggi)<\/span>
\nEl Sabor de la Navidad<\/strong> (Alejandro Lozano)
\nEvil Does Not Exist<\/strong> (Ryusuke Hamaguchi)<\/span> \u25cb
\nEzra<\/strong> (Tony Goldwyn)
\nFingernails<\/strong> (Christos Nikou)
\nFour Daughters<\/strong> (Kaouther Ben Hania)<\/span> \u25cf
\nHis Three Daughters<\/strong> (Azazel Jacobs) \u25cb
\nHit Man<\/strong> (Richard Linklater)<\/span> \u25cb
\nThe Holdovers<\/strong> (Alexander Payne)<\/span> \u25cb
\nIn Restless Dreams: The Music of Paul Simon<\/strong> (Alex Gibney)
\nKidnapped<\/strong> (Marco Bellocchio)<\/span> \u25cf
\nKnox Goes Away<\/strong> (Michael Keaton)
\nLa Chimera<\/strong> (Alice Rohrwacher)<\/span> \u2605
\nLast Summer<\/strong> (Catherine Breillat)<\/span> \u2605
\nLes Ind\u00e9sirables<\/strong> (Ladj Ly)
\nMemory<\/strong> (Michel Franco)<\/span> \u25cb
\nMonster<\/strong> (Hirokazu Kore-eda)<\/span> \u2718
\nMother Couch<\/strong> (Niclas Larsson)
\nThe Movie Teller<\/strong> (Lone Scherfig)
\nNext Goal Wins<\/strong> (Taika Waititi) \u25cb
\nNorth Star<\/strong> (Kristin Scott Thomas)
\nOne Life<\/strong> (James Hawes)
\nPain Hustlers<\/strong> (David Yates)
\nThe Peasants<\/strong> (DK & Hugh Welchman)
\nPoolman<\/strong> (Chris Pine) 35mm<\/strong><\/span>
\nThe Promised Land<\/strong> (Nikolaj Arcel)<\/span>
\nQuiz Lady<\/strong> (Jessica Yu)
\nReptile<\/strong> (Grant Singer) \u25cb
\nRu<\/strong> (Charles-Olivier Michaud)
\nRustin<\/strong> (George C. Wolfe)
\nSeven Veils<\/strong> (Atom Egoyan) \u25cb
\nShoshana<\/strong> (Michael Winterbottom)
\nSing Sing<\/strong> (Greg Kwedar)
\nStop Making Sense<\/strong> (1984, Jonathan Demme) \u25cf
\nTogether 99<\/strong> (Lukas Moodysson) \u25cb
\nUnicorns<\/strong> (Sally El Hosaini & James Krishna Floyd)
\nUproar<\/strong> (Paul Middleditch & Hamish Bennett)
\nWicked Little Letters<\/strong> (Thea Sharrock)
\nWildcat<\/strong> (Ethan Hawke)
\nWoman of the Hour<\/strong> (Anna Kendrick)
\nThe Zone of Interest<\/strong> (Jonathan Glazer)<\/span> \u25cf<\/p>\n
 <\/p>\n
Centrepiece [formerly Contemporary World Cinema] (47; 2022: 50; 2021: 25; 2019: 55)<\/span>
\nAbout Dry Grasses<\/strong> (Nuri Bilge Ceylan)<\/span> L<\/strong><\/span> \u25cf
\nBanel & Adama<\/strong> (Ramata-Toulaye Sy)<\/span> \u25cf
\nThe Breaking Ice<\/strong> (Anthony Chen)<\/span>
\nChuck Chuck Baby<\/strong> (Janis Pugh)
\nCity of Wind<\/strong> (Lkhagvadulam Purev-Ochir)<\/span>
\nClose Your Eyes<\/strong> (V\u00edctor Erice)<\/span> L<\/strong><\/span> \u25cf
\nDeath of a Whistleblower<\/strong> (Ian Gabriel)
\nThe Delinquents<\/strong> (Rodrigo Moreno)<\/span> \u2605
\nFallen Leaves<\/strong> (Aki Kaurism\u00e4ki)<\/span> L<\/strong><\/span> \u25cf
\nThe Feeling That the Time for Doing Something Has Passed<\/strong> (Joanna Arnow)<\/span> \u2605
\nFitting In<\/strong> (Mally McGlynn)
\nGreen Border<\/strong> (Agnieszka Holland)<\/span> L<\/strong><\/span> \u25cb
\nA Happy Day<\/strong> (Hisham Zaman)
\nHey, Viktor!<\/strong> (Cody Lightning)
\nHoliday<\/strong> (Edoardo Gabbriellini)
\nHumanist Vampire Seeking Consenting Suicidal Person<\/strong> (Ariane Louis-Seize) <\/span>
\nI Do Not Come to You By Chance<\/strong> (Ishaya Bako)
\nIn Flames<\/strong> (Zarrar Kahn)<\/span>
\nInshallah a Boy<\/strong> (Amjad Al Rasheed)<\/span>
\nIrena’s Vow<\/strong> (Louise Archambault)
\nJe’vida<\/strong> (Katja Gauriloff)
\nKanaval<\/strong> (Henri Pardo)
\nLimbo<\/strong> (Ivan Sen)<\/span>
\nLost Ladies<\/strong> (Kiran Rao)
\nThe Monk and the Gun<\/strong> (Pawo Choyning Dorji)
\nMountains<\/strong> (Monica Sorelle)
\nNational Anthem<\/strong> (Luke Gilford)
\nThe Nature of Love<\/strong> (Monia Chokri)<\/span>
\n100 Yards<\/strong> (Xu Haofeng & Xu Junfeng)
\nPerfect Days<\/strong> (Wim Wenders)<\/span> \u25cf
\nA Ravaging Wind<\/strong> (Paula Hern\u00e1ndez)
\nThe Reeds<\/strong> (Cemil Agacikoglu)
\nA Road to a Village<\/strong> (Nabin Subba)
\nRobot Dreams<\/strong> (Pablo Berger)<\/span>
\nThe Settlers<\/strong> (Felipe G\u00e1lvez)<\/span> \u25cb
\nShadow of Fire<\/strong> (Shinya Tsukamoto)<\/span> \u25cb
\nShayda<\/strong> (Noora Niasari)<\/span>
\nSira<\/strong> (Apolline Traor\u00e9)<\/span>
\nSnow Leopard<\/strong> (Pema Tseden)<\/span> \u25cb
\nSweet Dreams<\/strong> (Ena Sendijarevi\u0107)<\/span> \u25cb
\nThe Teachers\u2019 Lounge<\/strong> (\u0130lker \u00c7atak)<\/span> \u25cb
\nThey Shot the Piano Player<\/strong> (Fernando Trueba & Javier Mariscal)
\nToll<\/strong> (Carolina Markowicz)
\nUpon Open Sky<\/strong> (Mariana & Santiago Arriaga)<\/span>
\nWe Grown Now<\/strong> (Minhal Baig)
\nWoodland<\/strong> (Elisabeth Scharang)
\nYour Mother’s Son<\/strong> (Jun Robles Lana)<\/p>\n
 <\/p>\n
Discovery (26; 2022: 23; 2021: 16; 2019: 37)<\/span>
\nAchilles<\/strong> (Farhad Delaram)
\nAfter the fire<\/strong> (Mehdi Fikri)
\nAndragogy<\/strong> (Wregas Bhanuteja)
\nAn Endless Sunday<\/strong> (Alain Parroni)<\/span>
\nArthur&Diana<\/strong> (Sara Summa)
\nBackspot<\/strong> (D.W. Waterson)
\nFrybread Face and Me<\/strong> (Billy Luther)
\nGonzo Girl<\/strong> (Patricia Arquette)
\nHajjan<\/strong> (Abu Bakr Shawky)
\nHow to Have Sex<\/strong> (Molly Manning Walker)<\/span>
\nI Don\u2019t Know Who You Are<\/strong> (M. H. Murray)
\nLa Suprema<\/strong> (Felipe Holgu\u00edn Caro)
\nMandoob<\/strong> (Ali Kalthami)
\nA Match<\/strong> (Jayant Digambar Somalkar)
\nMimang<\/strong> (Kim Taeyang)
\nThe Queen of My Dreams<\/strong> (Fawzia Mirza)
\nSeagrass<\/strong> (Meredith Hama-Brown)
\nSolitude<\/strong> (Ninna P\u00e1lmad\u00f3ttir)
\nTautuktavuk (What We See)<\/strong> (Carol Kunnuk & Lucy Tulugarjuk)
\nThe Teacher<\/strong> (Farah Nabulsi)
\nThe Tundra Within Me<\/strong> (Sara Margrethe Oskal)
\nValentina or the Serenity<\/strong> (\u00c1ngeles Cruz)
\nWidow Clicquot<\/strong> (Thomas Napper)
\nWild Woman<\/strong> (Al\u00e1n Gonz\u00e1lez)
\nWithout Air<\/strong> (Katalin Moldovai)
\nYellow Bus<\/strong> (Wendy Bednarz)<\/p>\n
 <\/p>\n
TIFF Docs (23; 2022: 22; 2021: 14; 2019: 25)<\/span>
\nBoil Alert<\/strong> (Stevie Salas & James Burns)
\nBye Bye Tiberias<\/strong> (Lina Soualem)<\/span>
\nThe Contestant<\/strong> (Clair Titley) \u25cb
\nCopa 71<\/strong> (Rachel Ramsay & James Erskine)
\nDefiant<\/strong> (Karim Amer)
\nFlipside<\/strong> (Chris Wilcha)
\nGod Is a Woman<\/strong> (Andr\u00e9s Peyrot)<\/span>
\nHomecoming<\/strong> (Suvi West & Anssi K\u00f6mi)
\nI Am Sirat<\/strong> (Deepa Mehta & Sirat Taneja)
\nIn the Rearview<\/strong> (Maciek Hamela)<\/span>
\nMenus-Plaisirs Les Troisgros<\/strong> (Frederick Wiseman)<\/span> L<\/strong><\/span> \u25cb
\nThe Mother of All Lies<\/strong> (Asmae El Moudir)<\/span>
\nMountain Queen: The Summits of Lhakpa Sherpa<\/strong> (Lucy Walker)
\nMr. Dressup: The Magic of Make-Believe<\/strong> (Robert McCallum)
\nThe Pigeon Tunnel<\/strong> (Errol Morris) L<\/strong><\/span>
\nSilver Dollar Road<\/strong> (Raoul Peck) L<\/strong><\/span>
\nSongs of Earth<\/strong> (Margreth Olin)
\nSorry\/Not Sorry<\/strong> (Caroline Suh & Cara Mones)
\nStamped From the Beginning<\/strong> (Roger Ross Williams)
\nSummer Qamp<\/strong> (Jen Markowitz)
\nViva Varda!<\/strong> (Pierre-Henri Gibert)<\/span>
\nWalls<\/strong> (Kasia Smutniak)
\nThe World is Family<\/strong> (Anand Patwardhan) L<\/strong><\/span><\/p>\n
 <\/p>\n
Gala Presentations (21; 2022: 19; 2021: 15; 2019: 20)<\/span>
\nThe Boy and the Heron<\/strong> (Hayao Miyazaki)<\/span> \u25cb
\nConcrete Utopia<\/strong> (Um Tae-Hwa)
\nDumb Money<\/strong> (Craig Gillespie)
\nThe End We Start From<\/strong> (Mahalia Belo)
\nFair Play<\/strong> (Chloe Domont)<\/span> \u25cb
\nFinestkind<\/strong> (Brian Helgeland)
\nFlora and Son<\/strong> (John Carney)<\/span>
\nHate to Love: Nickelback<\/strong> (Leigh Brooks)
\nLee<\/strong> (Ellen Kuras)
\nLil Nas X: Long Live Montero<\/strong> (Carlos L\u00f3pez Estrada & Zac Manuel)
\nThe Movie Emperor<\/strong> (Ning Hao)
\nThe New Boy<\/strong> (Warwick Thornton)<\/span>
\nA Normal Family<\/strong> (Hur Jin-ho)
\nNYAD<\/strong> (Elizabeth Chai Vasarhelyi & Jimmy Chin)
\nOrigin<\/strong> (Ava DuVernay)<\/span>
\nThe Royal Hotel<\/strong> (Kitty Green) \u25cb
\nSly<\/strong> (Thom Zimny)
\nSmugglers<\/strong> (Ryoo Seung-wan)<\/span>
\nSolo<\/strong> (Sophie Dupuis)
\nSwan Song<\/strong> (Chelsea McMullan)
\nThank You for Coming<\/strong> (Karan Boolani)<\/p>\n
 <\/p>\n
Wavelengths (15 [incl. 3 shorts programmes]; 2022: 11 [2]; 2021: 7 [1]; 2019: 16 [4])<\/span>
\nDo Not Expect Too Much from the End of the World<\/strong> (Radu Jude)<\/span> \u25cb
\nHe Thought He Died<\/strong> (Isiah Medina) \u25cb
\n               – preceded by Laberint Sequences<\/em> (Blake Williams) 👓 ☀
\nHere<\/strong> (Bas Devos)<\/span> \u2605
\nThe Human Surge 3<\/strong> (Eduardo Williams)<\/span> \u25cf
\nInside the Yellow Cocoon Shell<\/strong> (Thien An Pham)<\/span> \u2605
\nMademoiselle Kenopsia<\/strong> (Denis C\u00f4t\u00e9)<\/span> \u25cb
\nMambar Pierrette<\/strong> (Rosine Mbakam)<\/span> \u25cb
\nMusic<\/strong> (Angela Schanelec)<\/span> L<\/strong><\/span> \u2605
\nNowhere Near<\/strong> (Miko Revereza) \u25cb
\nOrlando, My Political Biography<\/strong> (Paul B. Preciado)<\/span> \u25cf
\nPictures of Ghosts<\/strong> (Kleber Mendon\u00e7a Filho)<\/span> \u25cf
\nYouth (Spring)<\/strong> (Wang Bing)<\/span> L<\/strong><\/span> \u25cf<\/p>\n
Wavelengths 1: Quiet as It’s Kept<\/strong> \u25cb
\n– Bouquets 31-40<\/em> (Rose Lowder) 16mm<\/strong><\/span>
\n– Film Sculpture (1-4)<\/em> (Philipp Fleischmann) 16mm<\/strong><\/span>
\n– It follows It passes on<\/em> (Erica Sheu)
\n– Mast-del<\/em> (Maryam Tafakory)
\n– Shrooms<\/em> (Jorge J\u00e1come)
\n– Quiet as It\u2019s Kept<\/em> (Ja\u2019Tovia Gary)<\/p>\n
Wavelengths 2: Sundown<\/strong> \u25cb
\n– Let\u2019s Talk<\/em> (Simon Liu)
\n– Light, Noise, Smoke, and Light, Noise, Smoke<\/em> (Tomonari Nishikawa) (Philipp Fleischmann) 16mm<\/strong><\/span>
\n– NYC RGB<\/em> (Viktoria Schmid)
\n– Slow Shift<\/em> (Shambhavi Kaul)
\n– Sundown<\/em> (Steve Reinke)
\n– We Don\u2019t Talk Like We Used To<\/em> (Joshua Gen Solondz) 35mm<\/strong><\/span><\/p>\n
Wavelengths 3: Outlines \u2013 Akerman\/Costa\/Godard<\/strong> \u25cb
\n– Chantal Akerman: Her First Look Behind the Camera<\/em> (Chantal Akerman)
\n+ The Daughters of Fire<\/em> (Pedro Costa)
\n+ Trailer of the Film That Will Never Exist: Phony Wars<\/em> (Jean-Luc Godard)<\/p>\n
 <\/p>\n
Midnight Madness (10; 2022: 10; 2021: 6; 2019: 10)<\/span>
\nAggro Dr1ft<\/strong> (Harmony Korine)<\/span> \u25cb
\nBoy Kills World<\/strong> (Moritz Mohr)
\nDicks: The Musical<\/strong> (Larry Charles)
\nHell of a Summer<\/strong> (Finn Wolfhard & Billy Bryk)
\nKILL<\/strong> (Nikhil Nagesh Bhat)
\nNAGA<\/strong> (Meshal Aljaser)
\nRiddle of Fire<\/strong> (Weston Razooli)<\/span> \u2605
\nSleep<\/strong> (Jason Yu)<\/span>
\nWhen Evil Lurks<\/strong> (Demi\u00e1n Rugna)
\nWorking Class Goes to Hell<\/strong> (Mladen \u0110or\u0111evi\u0107)<\/p>\n
 <\/p>\n
Platform (10; 2022: 10; 2021: 8; 2019: 10)<\/span>
\nDear Jassi<\/strong> (Tarsem Singh Dhandwar)
\nDream Scenario<\/strong> (Kristoffer Borgli) \u25cb
\nGreat Absence<\/strong> (Kei Chika-ura)
\nI Told You So<\/strong> (Ginevra Elkann)
\nThe King Tide<\/strong> (Christian Sparkes)
\nNot a Word<\/strong> (Hanna Slak)
\nThe Rye Horn<\/strong> (Jaione Camborda)
\nShame on Dry Land<\/strong> (Axel Peters\u00e9n)
\nSisterhood<\/strong> (Nora El Hourch)
\nSpirit of Ecstasy<\/strong> (H\u00e9l\u00e9na Klotz) \u25cb<\/p>\n
 <\/p>\n
Primetime (9; 2022: 7; 2021: 4; 2019: 6)<\/span>
\nAlice & Jack<\/strong> (Juho Kuosmanen) \u25cb
\nAll the Light We Cannot See<\/strong> (Shawn Levy & Steven Knight)
\nBad Boy <\/strong> (Hagar Ben-Asher)
\nBargain<\/strong> (Jeon Woo-sung)
\nBlack Life: Untold Stories<\/strong> (Duane Crichton & Will Prosper)
\nBria Mack Gets a Life<\/strong> (Sasha Leigh Henry & Kelly Fyffe-Marshall)
\nEstonia<\/strong> (M\u00e5ns M\u00e5nsson & Juuso Syrj\u00e4)
\nExpats<\/strong> (Lulu Wang)
\nTelling Our Story<\/strong> [English Language Version] (Kim O\u2019Bomsawin)<\/p>\n
 <\/p>\n
TIFF Classics [formerly TIFF Cinematheque] (5; 2022: 5; 2021: 7; 2019: 5)<\/span>
\nArtie Shaw: Time Is All You\u2019ve Got<\/strong> (1985, Brigitte Berman) \u25cb
\nFarewell My Concubine<\/strong> (1993, Chen Kaige) \u25cf
\nL\u2019amour fou<\/strong> (1969, Jacques Rivette) \u2605
\nTouki Bouki<\/strong> (1973, Djibril Diop Mamb\u00e9ty) \u2605
\nXala<\/strong> (1975, Ousmane Semb\u00e8ne) \u25cf<\/p>\n
 <\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Key: Features (40min. and up) are in bold Shorts are in italics \u25cf – I have seen this film \u2605 – I have seen this film and am fond of it (6.0 and higher) \u2718 – I have seen this film and had a bad time watching it (4.4 and lower) \u25cb – I am […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-23243","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/23243","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=23243"}],"version-history":[{"count":121,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/23243\/revisions"}],"predecessor-version":[{"id":24428,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/23243\/revisions\/24428"}],"wp:attachment":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=23243"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=23243"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=23243"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}