{"id":22087,"date":"2022-08-11T16:43:35","date_gmt":"2022-08-11T21:43:35","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=22087"},"modified":"2022-09-18T18:40:48","modified_gmt":"2022-09-18T23:40:48","slug":"tiff-2022-schedule","status":"publish","type":"post","link":"https:\/\/blakewilliams.net\/blog\/2022\/08\/tiff-2022-schedule\/","title":{"rendered":"Joy Land: It’s my TIFF 2022 schedule"},"content":{"rendered":"

\u24c5<\/strong><\/span> is for Public
\n\u24bb<\/strong><\/span> is for Free
\nⓂ<\/strong><\/span> is for Market
\n <\/p>\n

September 8<\/span><\/strong>
\n9:45am – Valeria Is Getting Married<\/strong> (Michal Vinik), Scotiabank 9
\n1pm – Joyland<\/strong> (Saim Sadiq), Scotiabank 1
\n4:30pm – Women Talking<\/strong> (Sarah Polley), Scotiabank 12
\n9pm – Return to Seoul<\/strong> (Davy Chou), Lightbox 2 \u24c5<\/strong><\/span>
\n <\/p>\n

September 9<\/span><\/strong>
\n9am – The Inspection<\/strong> (Elegance Bratton), Scotiabank 1
\n12:50pm – So Much Tenderness<\/strong> (Lina Rodriguez), Scotiabank 7
\n3:30-5pm – Meriem Bennani: Life on the CAPS<\/strong> (Meriem Bennani), The Power Plant
\n9:15pm – Horse Opera<\/strong> (Moyra Davey), Lightbox 4 \u24c5<\/strong><\/span>
\n               – preceded by EVENTIDE<\/em> (Sharon Lockhart)
\n <\/p>\n

September 10<\/span><\/strong>
\n12:10pm – No Bears<\/strong> (Jafar Panahi), Scotiabank 11
\n3pm – Tales from the Gimli Hospital Redux<\/strong> (Guy Maddin), Lightbox 4 \u24bb<\/strong><\/span>
\n6:45pm – Wavelengths 1: Fata Morgana<\/strong>, Lightbox 4 \u24c5<\/strong><\/span>
\n               – Fata Morgana<\/em> (Tacita Dean)
\n               + After Work<\/em> (C\u00e9line Condorelli & Ben Rivers)
\n               – F1ghting Looks Different 2 Me Now<\/em> (Fox Maxy)
\n               – Moonrise<\/em> (Vincent Grenier)
\n               – The Time That Separates Us<\/em> (Parastoo Anoushahpour)
\n <\/p>\n

September 11<\/span><\/strong>
\n8am – The Fabelmans<\/strong> (Steven Spielberg), Lightbox 1 & 2
\n1pm – Dal\u00edland<\/strong> (Mary Harron), Scotiabank 12
\n3:40pm – Other People\u2019s Children<\/strong> (Rebecca Zlotowski), Scotiabank 7
\n6pm – Wavelengths 2: Crisis of Contact<\/strong>, Lightbox 4 \u24c5<\/strong><\/span>
\n               – What Rules the Invisible<\/em> (Tiffany Sia)
\n               + Hors-titre<\/em> (Wiame Haddad)
\n               – Puerta a Puerta<\/em> (Luis Arn\u00edas & Jessica Sarah Rinland)
\n               – Bigger on the Inside<\/em> (Angelo Madsen Minax)
\n               – I Thought the World of You<\/em> (Kurt Walker)
\n               + The Newest Olds<\/em> (Pablo Mazzolo)
\n <\/p>\n

September 12<\/span><\/strong>
\n9am – The Whale<\/strong> (Darren Aronofsky), Scotiabank 1
\n12:30pm – Glass Onion: A Knives Out Mystery<\/strong> (Rian Johnson), Royal Alexandra Theatre
\n3:40pm – Riceboy Sleeps<\/strong> (Anthony Shim), Scotiabank 5
\n6pm – All the Beauty and the Bloodshed<\/strong> (Laura Poitras), Lightbox 1 \u24c5<\/strong><\/span>
\n <\/p>\n

September 13<\/span><\/strong>
\n8:45am – The Banshees of Inisherin<\/strong> (Martin McDonagh), Scotiabank 3
\n12:15pm – Saint Omer<\/strong> (Alice Diop), Scotiabank 13
\n3pm – Empire of Light<\/strong> (Sam Mendes), Princess of Wales \u24c5<\/strong><\/span>
\n6:30pm – Falcon Lake<\/strong> (Charlotte Le Bon), Scotiabank 4 \u24c5<\/strong><\/span>
\n <\/p>\n

September 14<\/span><\/strong>
\n9:05am – The Greatest Beer Run Ever<\/strong> (Peter Farrelly), Lightbox 1
\n11:35am – Viking<\/strong> (St\u00e9phane Lafleur), Scotiabank 11
\n2:45pm – Stonewalling<\/strong> (Huang Ji & Otsuka Ryuji), Scotiabank 9 \u24c5<\/strong><\/span>
\n8:30pm + EO<\/strong> (Jerzy Skolimowski), Scotiabank 12 \u24c5<\/strong><\/span>
\n <\/p>\n

September 15<\/span><\/strong>
\n9:30am – Subtraction<\/strong> (Mani Haghighi), Scotiabank 13<\/strike> W\/O
\n12:10pm – Life<\/strong> (Emir Baigazin), Scotiabank 5<\/strike> W\/O
\n <\/p>\n

September 16<\/span><\/strong>
\n8:30am – How to Blow Up a Pipeline<\/strong> (Daniel Goldhaber), Scotiabank 2
\n12:45pm – Walk Up<\/strong> (Hong Sang-soo), Scotiabank 9
\n3:30pm – I Shot Andy Warhol<\/strong> (Mary Harron), Lightbox 3 \u24bb<\/strong><\/span>
\n8pm – Theater of Thought<\/strong> (Werner Herzog), Scotiabank 12 \u24c5<\/strong><\/span>
\n <\/p>\n

September 17<\/span><\/strong>
\n9:15am – The Worst Ones<\/strong> (Romane Gueret & Lise Akoka), Scotiabank 10 \u24c5<\/strong><\/span>
\n9:30pm – The Maiden<\/strong> (Graham Foy), Lightbox 3 \u24c5<\/strong><\/span>
\n <\/p>\n

September 18<\/span><\/strong>
\n1pm – The Eternal Daughter<\/strong> (Joanna Hogg), Scotiabank 1 \u24c5<\/strong><\/span><\/p>\n

 <\/p>\n

Films I have already seen:<\/span>
\nAftersun<\/strong> (Charlotte Wells)
\nBroker<\/strong> (Hirokazu Kore-eda)
\nConcrete Valley<\/strong> (Antoine Bourges)
\nCorsage<\/strong> (Marie Kreutzer)
\nDe Humani Corporis Fabrica<\/strong> (Lucien Castaing-Taylor & V\u00e9r\u00e9na Paravel)
\nDecision to Leave<\/strong> (Park Chan-wook)
\nDry Ground Burning<\/strong> (Joana Pimenta & Adirley Queir\u00f3s)
\nEO<\/strong> (Jerzy Skolimowski)
\nGodland<\/strong> (Hlynur P\u00e1lmason)
\nHoly Spider<\/strong> (Ali Abbasi)
\nLa Jaur\u00eda<\/strong> (Andr\u00e9s Ram\u00edrez Pulido)
\nOne Fine Morning<\/strong> (Mia Hansen-L\u00f8ve)
\nPacifiction<\/strong> (Albert Serra)
\nQueens of the Qing Dynasty<\/strong> (Ashley McKenzie)
\nR.M.N.<\/strong> (Cristian Mungiu)
\nTriangle of Sadness<\/strong> (Ruben \u00d6stlund)
\nUnrest<\/strong> (Cyril Sch\u00e4ublin)
\nWill-o\u2019-the-Wisp<\/strong> (Jo\u00e3o Pedro Rodrigues)<\/p>\n","protected":false},"excerpt":{"rendered":"

\u24c5 is for Public \u24bb is for Free Ⓜ is for Market   September 8 9:45am – Valeria Is Getting Married (Michal Vinik), Scotiabank 9 1pm – Joyland (Saim Sadiq), Scotiabank 1 4:30pm – Women Talking (Sarah Polley), Scotiabank 12 9pm – Return to Seoul (Davy Chou), Lightbox 2 \u24c5   September 9 9am – […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-22087","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/22087","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=22087"}],"version-history":[{"count":56,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/22087\/revisions"}],"predecessor-version":[{"id":22370,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/22087\/revisions\/22370"}],"wp:attachment":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=22087"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=22087"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=22087"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}