{"id":21977,"date":"2022-07-23T07:32:25","date_gmt":"2022-07-23T12:32:25","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=21977"},"modified":"2022-09-06T11:14:33","modified_gmt":"2022-09-06T16:14:33","slug":"tiff-2022-line-up","status":"publish","type":"post","link":"https:\/\/blakewilliams.net\/blog\/2022\/07\/tiff-2022-line-up\/","title":{"rendered":"TIFF 2022 Line-Up"},"content":{"rendered":"
Key:<\/span>\nFeatures (40min. and up) are in bold<\/strong>\nShorts are in italics<\/em>\n\u2605 - I have seen this film and feel that it is worth seeing (5.5 and higher)\n\u2718 - I have seen this film and wish I hadn't (3.9 and lower)\n\u25cf - I have seen this film and am more or less okay with that\n\u25cb - I am seriously considering making an attempt to see this film during the festival\n16mm<\/strong><\/span>, 35mm<\/strong><\/span>, 70mm<\/strong><\/span> - It'll be screened from a film print\n\nColour coding:<\/span>\nNYFF<\/strong><\/span> - Slate and Main (galas included, this year)\nSUNDANCE<\/strong><\/span> - Good luck to you, Nikyatu Jusu\nBERLINALE<\/strong><\/span> - Brief encounters\nCANNES<\/strong><\/span> - The worst ones\nLOCARNO<\/strong><\/span> - 🧐\nVENICE<\/strong><\/span> - Other people's movies\nNOTABLE<\/strong><\/span> - New features by filmmakers whose work I actively look forward to\n\n(Colours trump whatever is below them, so e.g. a film that played both Cannes and Locarno will be gold, unless e.g. it ends up in the NYFF Main Slate in which case it will become purple)\n<\/pre>\n
 <\/p>\n
Contemporary World Cinema (50; Last year: 25)<\/span>
\nAftersun<\/strong> (Charlotte Wells)<\/span> \u2605
\nAlam<\/strong> (Firas Khoury)
\nAmanda<\/strong> (Carolina Cavalli)<\/span>
\nAshkal<\/strong> (Youssef Chebbi)<\/span>
\nAutobiography<\/strong> (Makbul Mubarak)<\/span> \u25cb
\nBeyond the Wall<\/strong> (Vahid Jalilvand)<\/span>
\nBlind Willows, Sleeping Women<\/strong> (Pierre F\u00f6ldes)
\nBones of Crows<\/strong> (Marie Clements)
\nCoyote<\/strong> (Katherine Jerkovic)
\nDomingo and the Mist<\/strong> (Ariel Escalante Meza)<\/span>
\nThe End of Sex<\/strong> (Sean Garrity)
\nEO<\/strong> (Jerzy Skolimowski)<\/span> \u2605
\nFalcon Lake<\/strong> (Charlotte Le Bon)<\/span> \u25cb
\nFixation<\/strong>  (Mercedes Bryce Morgan)
\nGodland<\/strong> (Hlynur P\u00e1lmason)<\/span> \u25cf
\nThe Happiest Man in the World<\/strong> (Teona Strugar Mitevska)<\/span>
\nThe Hotel<\/strong> (Wang Xiaoshuai)
\nLa Jaur\u00eda<\/strong> (Andr\u00e9s Ram\u00edrez Pulido)<\/span> \u25cf
\nLife<\/strong> (Emir Baigazin) \u25cb
\nLiving<\/strong> (Oliver Hermanus)<\/span> \u25cb
\nLove and Mathematics<\/strong> (Claudia Sainte-Luce)
\nLove Life<\/strong> (K\u00f4ji Fukada)<\/span> \u25cb
\nLuxembourg, Luxembourg<\/strong> (Antonio Lukich)<\/span>
\nThe Maiden<\/strong> (Graham Foy)<\/span> \u25cb
\nManticore<\/strong> (Carlos Vermut) \u25cb
\nMuru<\/strong> (Tearepa Kahi)
\nMy Sailor, My Love<\/strong> (Klaus H\u00e4r\u00f6)
\nNighttalk<\/strong> (Donald Shebib)
\nNorth of Normal<\/strong> (Carly Stone)
\nThe Origin of Evil<\/strong> (S\u00e9bastien Marnier)<\/span>
\nPlan 75<\/strong> (Chie Hayakawa)<\/span>
\nReturn to Dust<\/strong> (Li Ruijun)<\/span>
\nR.M.N.<\/strong> (Cristian Mungiu)<\/span> \u2605
\nSo Much Tenderness<\/strong> (Lina Rodriguez) \u25cb
\nSparta<\/strong> (Ulrich Seidl)<\/span> \u25cb
\nStellar<\/strong> (Darlene Naponse)
\nStonewalling<\/strong> (Huang Ji & Otsuka Ryuji)<\/span> \u25cb
\nThe Swearing Jar<\/strong> (Lindsay MacKay)
\nThe Umbrella Men<\/strong> (John Barker)
\nUnder the Fig Trees<\/strong> (Erige Sehiri)<\/span>
\nValeria Is Getting Married<\/strong> (Michal Vinik)<\/span> \u25cb
\nVicenta B.<\/strong> (Carlos Lechuga)
\nVictim<\/strong> (Michal Blasko)<\/span>
\nWar Sailor<\/strong> (Gunnar Vikene)
\nThe Water<\/strong> (Elena L\u00f3pez Riera)<\/span> \u25cb
\nWe Are Still Here<\/strong> (Beck Cole, Dena Curtis, Tracey Rigney, Danielle MacLean, Tim Worrall, Renae Maihi, Miki Magasiva, Mario Gaoa, Richard Curtis, & Chantelle Burgoyne)
\nWildflower<\/strong> (Matt Smukler)
\nWinter Boy<\/strong> (Christophe Honor\u00e9) \u25cb
\nThe Worst Ones<\/strong> (Romane Gueret & Lise Akoka)<\/span> \u25cb
\nZwigato<\/strong> (Nandita Das)<\/p>\n
 <\/p>\n
Special Presentations (47; Last year: 30)<\/span>
\nAllelujah<\/strong> (Sir Richard Eyre)
\nAll Quiet on the Western Front<\/strong> (Edward Berger)
\nThe Banshees of Inisherin<\/strong> (Martin McDonagh)<\/span>
\nBiosphere<\/strong> (Mel Eslyn)
\nBlueback<\/strong> (Robert Connolly)
\nThe Blue Caftan<\/strong> (Maryam Touzani)<\/span>
\nBroker<\/strong> (Hirokazu Kore-eda)<\/span> \u2718
\nBros<\/strong> (Nicholas Stoller)
\nBrother<\/strong> (Clement Virgo)
\nCatherine Called Birdy<\/strong> (Lena Dunham)<\/span> \u25cb
\nCauseway<\/strong> (Lila Neugebauer)
\nChevalier<\/strong> (Stephen Williams)
\nCorsage<\/strong> (Marie Kreutzer)<\/span> \u25cf
\nDecision to Leave<\/strong> (Park Chan-wook)<\/span> \u25cf
\nDevotion<\/strong> (JD Dillard)
\nDriving Madeleine<\/strong> (Christian Carion)
\nEl Suplente<\/strong> (Diego Lerman)
\nEmpire of Light<\/strong> (Sam Mendes) \u25cb
\nThe Eternal Daughter<\/strong> (Joanna Hogg)<\/span> \u25cb
\nThe Fabelmans<\/strong> (Steven Spielberg)<\/span> \u25cb
\nGlass Onion: A Knives Out Mystery<\/strong> (Rian Johnson)<\/span> \u25cb
\nGood Night Oppy<\/strong> (Ryan White) \u25cb
\nThe Good Nurse<\/strong> (Tobias Lindholm)
\nHoly Spider<\/strong> (Ali Abbasi)<\/span> \u25cf
\nJoyland<\/strong> (Saim Sadiq)<\/span> \u25cb
\nThe King\u2019s Horseman<\/strong> (Biyi Bandele)
\nThe Lost King<\/strong> (Stephen Frears)
\nA Man of Reason<\/strong> (Jung Woo-sung)
\nThe Menu<\/strong> (Mark Mylod)
\nMoonage Daydream<\/strong> (Brett Morgan)<\/span> \u25cb
\nMy Policeman<\/strong> (Michael Grandage)
\nNanny<\/strong> (Nikyatu Jusu)<\/span> \u25cb
\nNo Bears<\/strong> (Jafar Panahi)<\/span> \u25cb
\nNope<\/strong> (Jordan Peele)<\/span> \u25cf
\nOn the Come Up<\/strong> (Sanaa Lathan)
\nOne Fine Morning<\/strong> (Mia Hansen-L\u00f8ve)<\/span> \u2605
\nOther People\u2019s Children<\/strong> (Rebecca Zlotowski)<\/span> \u25cb
\nThe Return of Tanya Tucker: Featuring Brandi Carlile<\/strong> (Kathlyn Horan)
\nSaint Omer<\/strong> (Alice Diop)<\/span> \u25cb
\nSanctuary<\/strong> (Zachary Wigon)
\nStories Not to Be Told<\/strong> (Cesc Gay)
\nTriangle of Sadness<\/strong> (Ruben \u00d6stlund)<\/span> \u2605
\nWalk Up<\/strong> (Hong Sang-soo)<\/span> \u25cb
\nWendell & Wild<\/strong> (Henry Selick)
\nWomen Talking<\/strong> (Sarah Polley)<\/span> \u25cb
\nThe Whale<\/strong> (Darren Aronofsky)<\/span> \u25cb
\nThe Wonder<\/strong> (Sebasti\u00e1n Lelio)<\/p>\n
 <\/p>\n
Discovery (23; Last year: 16)<\/span>
\nAristotle and Dante Discover the Secrets of the Universe<\/strong> (Aitch Alberto) \u25cb
\nBaby Ruby<\/strong> (Bess Wohl)
\nCarmen<\/strong> (Benjamin Millepied)
\nDaughter of Rage<\/strong> (Laura Baumeister)
\nA Gaza Weekend<\/strong> (Basil Khalil)
\nI Like Movies<\/strong> (Chandler Levack) \u25cb
\nThe Inspection<\/strong> (Elegance Bratton)<\/span> \u25cb
\nA Long Break<\/strong> (Davit Pirtskhalava)
\nRosie<\/strong> (Gail Maurice)
\nReturn to Seoul<\/strong> (Davy Chou)<\/span> \u25cb
\nRunner<\/strong> (Marian Mathias)
\nShimoni<\/strong> (Angela Wanjiku Wamai)
\nSnow and the Bear<\/strong> (Selcen Ergun)
\nSoft<\/strong> (Joseph Amenta)
\nSomething You Said Last Night<\/strong> (Luis De Filippis)
\nSusie Searches<\/strong> (Sophie Kargman)
\nSweet As<\/strong> (Jub Clerc)
\nThe Taste of Apples Is Red<\/strong> (Ehab Tarabieh)
\nThis Place<\/strong> (V. T. Nayani)
\nUnruly<\/strong> (Malou Reymann)
\nUntil Branches Bend<\/strong> (Sophie Jarvis) \u25cb
\nWhen Morning Comes<\/strong> (Kelly Fyffe-Marshall)
\nThe Young Arsonists<\/strong> (Sheila Pye)<\/p>\n
 <\/p>\n
TIFF Docs (22; Last year: 14)<\/span>
\nAll the Beauty and the Bloodshed<\/strong> (Laura Poitras)<\/span> \u25cb
\nBuffy Sainte-Marie: Carry It On<\/strong> (Madison Thomas)
\nCasa Susanna<\/strong> (S\u00e9bastien Lifshitz)<\/span>
\nCin\u00e9-Guerrillas: Scenes from the Labudovic Reels<\/strong> (Mila Turajlic)
\nThe Colour of Ink<\/strong> (Brian Johnson)
\nDocumentary Now!<\/strong> (Alex Buono, Rhys Thomas, & Micah Gardner)
\nEver Deadly<\/strong> (Chelsea McMullan & Tanya Tagaq)
\nFree Money<\/strong> (Sam Soko & Lauren DeFilippo)
\nThe Grab<\/strong> (Gabriela Cowperthwaite)
\nIn Her Hands<\/strong> (Tamana Ayazi & Marcel Mettelsiefen)
\nLouis Armstrong’s Black & Blues<\/strong> (Sacha Jenkins)
\nMariupolis 2<\/strong> (Mantas Kvedaravi\u010dius)<\/span> \u25cb
\nMaya and the Wave<\/strong> (Stephanie Johnes)
\nMi\u00facha, the Voice of Bossa Nova<\/strong> (Daniel Zarvos & Liliane Mutti)
\nMy Imaginary Country<\/strong> (Patricio Guzm\u00e1n)<\/span>
\nPatrick and the Whale<\/strong> (Mark Fletcher)
\nPray for Our Sinners<\/strong> (Sin\u00e9ad O’Shea)
\nSelf-Portrait as a Coffee Pot<\/strong> (William Kentridge) \u25cb
\n752 Is Not a Number<\/strong> (Babak Payami)
\nTheatre of Thought<\/strong> (Werner Herzog)<\/span> \u25cb
\nTo Kill a Tiger<\/strong> (Nisha Pahuja)
\nWhile We Watched<\/strong> (Vinay Shukla)<\/p>\n
 <\/p>\n
Gala Presentations (19; Last year: 15)<\/span>
\nAlice, Darling<\/strong> (Mary Nighy)
\nBlack Ice<\/strong> (Hubert Davis)
\nThe Greatest Beer Run Ever<\/strong> (Peter Farrelly) \u25cb
\nButcher\u2019s Crossing<\/strong> (Gabe Polsky)
\nDal\u00edland<\/strong> (Mary Harron) \u25cb
\nThe Hummingbird<\/strong> (Francesca Archibugi)
\nHunt<\/strong> (Lee Jung-jae)<\/span>
\nA Jazzman\u2019s Blues<\/strong> (Tyler Perry)
\nKacchey Limbu<\/strong> (Shubham Yogi)
\nMoving On<\/strong> (Paul Weitz)
\nParis Memories<\/strong> (Alice Winocour)<\/span> \u25cb
\nPrisoner\u2019s Daughter<\/strong> (Catherine Hardwicke)
\nRaymond & Ray<\/strong> (Rodrigo Garc\u00eda)
\nRoost<\/strong> (Amy Redford)
\nSidney<\/strong> (Reginald Hudlin)
\nThe Son<\/strong> (Florian Zeller)<\/span>
\nThe Swimmers<\/strong> (Sally El Hosaini)
\nWhat\u2019s Love Got to Do With It?<\/strong> (Shekhar Kapur)
\nThe Woman King<\/strong> (Gina Prince-Bythewood)<\/p>\n
 <\/p>\n
Wavelengths (11; Last year: 7, including shorts programmes & exhibitions)<\/span>
\nConcrete Valley<\/strong> (Antoine Bourges)<\/span> \u25cf
\nDe Humani Corporis Fabrica<\/strong> (Lucien Castaing-Taylor & V\u00e9r\u00e9na Paravel)<\/span> \u2605
\nDry Ground Burning<\/strong> (Joana Pimenta & Adirley Queir\u00f3s)<\/span> \u2605
\nHorse Opera<\/strong> (Moyra Davey) \u25cb
\n               – preceded by EVENTIDE<\/em> (Sharon Lockhart)
\nPacifiction<\/strong> (Albert Serra)<\/span> \u2605
\nQueens of the Qing Dynasty<\/strong> (Ashley McKenzie)<\/span> \u2605
\nUnrest<\/strong> (Cyril Sch\u00e4ublin)<\/span> \u2605
\nWill-o’-the-Wisp<\/strong> (Jo\u00e3o Pedro Rodrigues)<\/span> \u25cf<\/p>\n
Wavelengths 1: Fata Morgana<\/strong> \u25cb
\n– Fata Morgana<\/em> (Tacita Dean) 16mm<\/strong><\/span>
\n+ After Work<\/em> (C\u00e9line Condorelli & Ben Rivers)
\n– F1ghting Looks Different 2 Me Now<\/em> (Fox Maxy)
\n– Moonrise<\/em> (Vincent Grenier)
\n– The Time That Separates Us<\/em> (Parastoo Anoushahpour)<\/p>\n
Wavelengths 2: Crisis of Contact<\/strong> \u25cb
\n– What Rules the Invisible<\/em> (Tiffany Sia)
\n+ Hors-titre<\/em> (Wiame Haddad)
\n– Puerta a Puerta<\/em> (Luis Arn\u00edas & Jessica Sarah Rinland)
\n– Bigger on the Inside<\/em> (Angelo Madsen Minax)
\n– I Thought the World of You<\/em> (Kurt Walker)
\n+ The Newest Olds<\/em> (Pablo Mazzolo) 35mm<\/strong><\/span><\/p>\n
Meriem Bennani: Life on the CAPS<\/strong> (Meriem Bennani @ The Power Plant) \u25cb
\n– Life on the CAPS<\/strong> (2018-22, Meriem Bennani)
\n– 2 Lizards<\/em> (2020, Meriem Bennani & Orian Barki)<\/p>\n
 <\/p>\n
Platform (10; Last year: 8)<\/span>
\nCharcoal<\/strong> (Carolina Markowicz)
\nEmily<\/strong> (Frances O’Connor)
\nThe Gravity<\/strong> (C\u00e9dric Ido)
\nHawa<\/strong> (Ma\u00efmouna Doucour\u00e9)
\nHow to Blow Up a Pipeline<\/strong> (Daniel Goldhaber) \u25cb
\nRiceboy Sleeps<\/strong> (Anthony Shim) \u25cb
\nSubtraction<\/strong> (Mani Haghighi) \u25cb
\nThunder<\/strong> (Carmen Jaquier)
\nTora’s Husband<\/strong> (Rima Das)
\nViking<\/strong> (St\u00e9phane Lafleur)<\/span> \u25cb<\/p>\n
 <\/p>\n
Midnight Madness (10; Last year: 6)<\/span>
\nThe Blackening<\/strong> (Tim Story)
\nLeonor Will Never Die<\/strong> (Martika Ramirez Escobar)<\/span>
\nPearl<\/strong> (Ti West)<\/span>
\nThe People’s Joker<\/strong> (Vera Drew) \u25cb
\nProject Wolf Hunting<\/strong> (Kim Hongsun)
\nSick<\/strong> (John Hyams) \u25cb
\nSisu<\/strong> (Jalmari Helander)
\nVenus<\/strong> (Jaume Balaguer\u00f3)
\nV\/H\/S\/ 99<\/strong> (Maggie Levin, Johannes Roberts, Tyler MacIntyre, Flying Lotus, Joseph Winter, & Vanessa Winter)
\nWeird: The Al Yankovic Story<\/strong> (Eric Appel)<\/p>\n
 <\/p>\n
Primetime (7; Last year: 4)<\/span>
\nDear Mama<\/strong> [Pilot Episode (?)] (Allen Hughes)
\n1899<\/strong> [Three (?) Episodes] (Baran bo Odar & Jantje Friese)
\nThe Handmaid’s Tale<\/strong> [Two Episodes] (Bruce Miller)
\nHigh School<\/strong> [Three (?) Episodes] (Clea DuVall)
\nThe Kingdom Exodus<\/strong> [Two (?) Episodes] (Lars von Trier)<\/span> \u25cb
\nLIDO TV<\/strong> [Pilot Episode (?)] (Maya Annik Bedward & Alicia K. Harris)
\nMystery Road: Origin<\/strong> [Two (?) Episodes] (Dylan River)<\/p>\n
 <\/p>\n
TIFF Cinematheque (5; Last year: 7)<\/span>
\nAgantuk<\/strong> (1991, Satyajit Ray) \u25cb
\nI Shot Andy Warhol<\/strong> (1996, Mary Harron) 35mm<\/strong><\/span> \u25cb
\nStrictly Ballroom<\/strong> (1992, Baz Luhrmann)
\nTales from the Gimli Hospital Redux<\/strong> (1988, Guy Maddin) \u25cb
\nWerckmeister Harmonies<\/strong> (2000, B\u00e9la Tarr & \u00c1gnes Hranitzky) \u2605<\/p>\n
 <\/p>\n
Special Events (Last year: 8)<\/span>
\nR.I.P.<\/p>\n
 <\/p>\n
Short Cuts \/ In Conversation With…<\/span>
\nCheck the festival website for info about films & events in these sections.<\/p>\n","protected":false},"excerpt":{"rendered":"
Key: Features (40min. and up) are in bold Shorts are in italics \u2605 – I have seen this film and feel that it is worth seeing (5.5 and higher) \u2718 – I have seen this film and wish I hadn’t (3.9 and lower) \u25cf – I have seen this film and am more or less […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-21977","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/21977","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=21977"}],"version-history":[{"count":111,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/21977\/revisions"}],"predecessor-version":[{"id":23244,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/21977\/revisions\/23244"}],"wp:attachment":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=21977"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=21977"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=21977"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}