{"id":18048,"date":"2019-09-15T19:02:07","date_gmt":"2019-09-16T00:02:07","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=18048"},"modified":"2019-09-15T19:37:12","modified_gmt":"2019-09-16T00:37:12","slug":"tiff2019-recap","status":"publish","type":"post","link":"https:\/\/blakewilliams.net\/blog\/2019\/09\/tiff2019-recap\/","title":{"rendered":"TIFF2019 Recap"},"content":{"rendered":"<p><span style=\"text-decoration: underline;\">Key<\/span><br \/>\n&#8211; <span style=\"color: #ff6600;\">Saw at TIFF (Sept. 5-15)<\/span><br \/>\n&#8211; <strong>Saw at Cannes<\/strong><br \/>\n&#8211; Saw a pre-festival advanced press screening<br \/>\n&#8211; <em>Saw a screener of some kind<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Tier 0 [A- \/ A \/ A+]<\/span><br \/>\n&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Tier 1 [B+]<\/span><br \/>\n<span style=\"color: #ff6600;\"><strong>Libert\u00e9 (Albert Serra)<\/strong><\/span> \u2013 7.7<br \/>\n<span style=\"color: #ff6600;\">I Was at Home, But&#8230; (Angela Schanelec)<\/span> \u2013 7.0<br \/>\n<span style=\"color: #ff6600;\">Uncut Gems (Josh &amp; Benny Safdie)<\/span> \u2013 7.0<br \/>\n&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Tier 2 [B]<\/span><br \/>\n<span style=\"color: #ff6600;\">About Endlessness (Roy Andersson)<\/span> \u2013 6.9<br \/>\n<span style=\"color: #ff6600;\">Knives Out (Rian Johnson)<\/span> \u2013 6.7<br \/>\n<strong>The Traitor (Marco Bellocchio)<\/strong> \u2013 6.6<br \/>\n<span style=\"color: #ff6600;\">Atlantis (Valentyn Vasyanovych)<\/span> \u2013 6.6<br \/>\n<span style=\"color: #ff6600;\">SaF05 (Charlotte Prodger)<\/span> ~ 6.5<br \/>\n<span style=\"color: #ff6600;\">State Funeral (Sergei Loznitsa)<\/span> \u2013 6.5<br \/>\n<span style=\"color: #ff6600;\">Marriage Story (Noah Baumbach)<\/span> \u2013 6.5<br \/>\n<strong>Bacurau (Kleber Mendon\u00e7a Filho &amp; Juliano Dornelles)<\/strong> \u2013 6.4<br \/>\n<span style=\"color: #ff6600;\">Those That, at a Distance, Resemble Another (Jessica Sarah Rinland)<\/span> \u2013 6.4<br \/>\n<strong>Parasite (Bong Joon-ho)<\/strong> \u2013 6.4<br \/>\n<span style=\"color: #ff6600;\">Vitalina Varela (Pedro Costa)<\/span> \u2013 6.3<br \/>\n<strong>A White, White Day (Hlynur P\u00e1lmason)<\/strong> \u2013 6.2<br \/>\n<strong>Sibyl (Justine Triet)<\/strong> \u2013 6.2<br \/>\n<span style=\"color: #ff6600;\">Collective (Alexander Nanau)<\/span> \u2013 6.2<br \/>\n<strong>Beanpole (Kantemir Balagov)<\/strong> \u2013 6.2<br \/>\n&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Tier 3 [B-]<\/span><br \/>\n<span style=\"color: #ff6600;\">Synonyms (Nadav Lapid)<\/span> \u2013 6.1<br \/>\n<span style=\"color: #ff6600;\">White Lie (Calvin Thomas &amp; Yonah Lewis)<\/span> \u2013 6.1<br \/>\n<strong>First Love (Takashi Miike)<\/strong> \u2013 6.0<br \/>\n<span style=\"color: #ff6600;\">Anne at 13,000 Feet. (Kazik Radwanski)<\/span> \u2013 6.0<br \/>\n<span style=\"color: #ff6600;\">Heimat is a Space in Time (Thomas Heise)<\/span> \u2013 5.9<br \/>\n<strong>A Hidden Life (Terrence Malick)<\/strong> \u2013 5.8<br \/>\n<strong>Fire Will Come (Oliver Laxe)<\/strong> \u2013 5.8<br \/>\n<span style=\"color: #ff6600;\">My Skin, Luminous (Gabino Rodr\u00edguez &amp; Nicolas Pereda)<\/span> \u2013 5.8<br \/>\n<span style=\"color: #ff6600;\">To the Ends of the Earth (Kiyoshi Kurosawa)<\/span> \u2013 5.7<br \/>\n<span style=\"color: #ff6600;\">The Laundromat (Steven Soderbergh)<\/span> \u2013 5.7<br \/>\n<em>Varda by Agn\u00e8s (Agn\u00e8s Varda)<\/em> \u2013 5.6<br \/>\n<strong>Zombi Child (Bertrand Bonello)<\/strong> \u2013 5.5<br \/>\n<span style=\"color: #ff6600;\">Rocks (Sarah Gavron)<\/span> \u2013 5.5<br \/>\n&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Tier 4 [C+]<\/span><br \/>\n<span style=\"color: #ff6600;\">Martin Eden (Pietro Marcello)<\/span> \u2013 5.4<br \/>\n<span style=\"color: #ff6600;\">The Vast of Night (Andrew Patterson)<\/span> \u2013 5.4<br \/>\n<strong>Atlantics (Mati Diop)<\/strong> \u2013 5.4<br \/>\n<strong>The Invisible Life of Eur\u00eddice Gusm\u00e3o (Karim A\u00efnouz)<\/strong> \u2013 5.4<br \/>\n<span style=\"color: #ff6600;\">Three Summers (Sandra Kogut)<\/span> \u2013 5.3<br \/>\n<strong>The Whistlers (Corneliu Porumboiu)<\/strong> \u2013 5.3<br \/>\n<span style=\"color: #ff6600;\">The Truth (Hirokazu Kore-eda)<\/span> \u2013 5.3<br \/>\n<span style=\"color: #ff6600;\">A Girl Missing (Koji Fukada)<\/span> \u2013 5.2<br \/>\n<em>143 Sahara Street (Hassen Ferhani)<\/em> \u2013 5.2<br \/>\n<em>Krabi, 2562 (Ben Rivers &amp; Anocha Suwichakornpong)<\/em> \u2013 5.2<br \/>\n<span style=\"color: #ff6600;\">My Zoe (Julie Delpy)<\/span> \u2013 5.1<br \/>\n<span style=\"color: #ff6600;\">Seven Years in May (Affonso Uchoa)<\/span> \u2013 5.1<br \/>\n<strong>Dogs Don\u2019t Wear Pants (Jukka-Pekka Valkeap\u00e4\u00e4)<\/strong> \u2013 5.1<br \/>\n<span style=\"color: #ff6600;\">Devil Between the Legs (Arturo Ripstein)<\/span> \u2013 5.1<br \/>\n<strong>Pain and Glory (Pedro Almod\u00f3var)<\/strong> \u2013 5.1<br \/>\n<span style=\"color: #ff6600;\">Cunningham (Alla Kovgan)<\/span> \u2013 5.0<br \/>\n<span style=\"color: #ff6600;\">Saturday Fiction (Lou Ye)<\/span> \u2013 5.0<br \/>\n<strong>Les Mis\u00e9rables (Ladj Ly)<\/strong> \u2013 4.9<br \/>\n<strong>It Must Be Heaven (Elia Suleiman)<\/strong> \u2013 4.8<br \/>\n<span style=\"color: #ff6600;\">Proxima (Alice Winocour)<\/span> \u2013 4.8<br \/>\n<span style=\"color: #ff6600;\">Ema (Pablo Larra\u00edn)<\/span> \u2013 4.7<br \/>\n<em>The Fever (Maya Da-Rin)<\/em> \u2013 4.6<br \/>\n&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Tier 5 [C]<\/span><br \/>\n<span style=\"color: #ff6600;\">The Moneychanger (Federico Veiroj)<\/span> \u2013 4.5<br \/>\n<strong>Deerskin (Quentin Dupieux)<\/strong> \u2013 4.5<br \/>\n<strong>The Lighthouse (Robert Eggers)<\/strong> \u2013 4.4<br \/>\n<strong>Portrait of a Lady on Fire (Celine Sciamma)<\/strong> \u2013 4.4<br \/>\n<strong>Frankie (Ira Sachs)<\/strong> \u2013 4.3<br \/>\n<strong>Sorry We Missed You (Ken Loach)<\/strong> \u2013 4.3<br \/>\n<strong>The Wild Goose Lake (Diao Yinan)<\/strong> \u2013 4.3<br \/>\n<span style=\"color: #ff6600;\">Wasp Network (Olivier Assayas)<\/span> \u2013 4.2<br \/>\n<em>The Twentieth Century (Matthew Rankin)<\/em> \u2013 4.1<br \/>\n<em>Un Film Dramatique (Eric Baudelaire)<\/em> \u2013 4.1<br \/>\n<span style=\"color: #ff6600;\">Endless Night (Eloy Enciso)<\/span> \u2013 4.0<br \/>\n<span style=\"color: #ff6600;\">Wet Season (Anthony Chen)<\/span> \u2013 3.9<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Tier 6 [C-]<\/span><br \/>\n<span style=\"color: #ff6600;\">Clemency (Chinonye Chukwu)<\/span> \u2013 3.7<br \/>\nThe Climb (Michael Angelo Covino) \u2013 3.0<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Tier 7 [D+]<\/span><br \/>\n<span style=\"color: #ff6600;\">Blood Quantum (Jeff Barnaby)<\/span> \u2013 2.9<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Shorts [Alphabetical]<\/span><br \/>\n\u2013 <span style=\"color: #ff6600;\">Amusement Ride (Tomonari Nishikawa)<\/span><br \/>\n\u2013 <span style=\"color: #ff6600;\">Austrian Pavillion (Philipp Fleischmann)<\/span><br \/>\n\u2013 <span style=\"color: #ff6600;\">Billy (Zachary Epcar)<\/span><br \/>\n\u2013 <span style=\"color: #ff6600;\">The Bite (Pedro Neves Marques)<\/span><br \/>\n\u2013 <span style=\"color: #ff6600;\">Black Sun (Maureen Fazendeiro)<\/span><br \/>\n\u2013 <span style=\"color: #ff6600;\">Book of Hours (Annie MacDonell)<\/span><br \/>\n\u2013 <span style=\"color: #ff6600;\">C\u00e9zanne (Luke Fowler)<\/span><br \/>\n\u2013 <span style=\"color: #ff6600;\">Circumplector (Gast\u00f3n Solnicki)<\/span><br \/>\n\u2013 <span style=\"color: #ff6600;\">Heavy Metal Detox (Josef Dabernig)<\/span><br \/>\n\u2013 <span style=\"color: #ff6600;\">Hrvoji, Look at You From the Tower (Ryan Ferko)<\/span><br \/>\n\u2013 <span style=\"color: #ff6600;\">Remembrance: A Portrait Study (Edward Owens)<\/span><br \/>\n\u2013 <span style=\"color: #ff6600;\">Second Generation (Miryam Charles)<\/span><br \/>\n\u2013 <span style=\"color: #ff6600;\">Slow Volumes (Mike Gibisser)<\/span><br \/>\n\u2013 <span style=\"color: #ff6600;\">Sun Rave (Roy Samaha)<\/span><br \/>\n\u2013 <span style=\"color: #ff6600;\">This Action Lies (James N. Kienitz Wilkins)<\/span><br \/>\n\u2013 <span style=\"color: #ff6600;\">A Topography of Memory (Burak \u00c7evik)<\/span><br \/>\n\u2013 <span style=\"color: #ff6600;\">(tourism studies) (Joshua Gen Solondz)<\/span><br \/>\n\u2013 <span style=\"color: #ff6600;\">Transcript (Erica Sheu)<\/span><br \/>\n\u2013 <span style=\"color: #ff6600;\">2minutes40seconds (Han Ok-hee)<\/span><br \/>\n\u2013 <span style=\"color: #ff6600;\">2008 (Blake Williams)<\/span><br \/>\n\u2013 <span style=\"color: #ff6600;\">Vever (for Barbara) (Deborah Stratman)<\/span><br \/>\n\u2013 <span style=\"color: #ff6600;\">We Still Have to Close Our Eyes (John Torres)<\/span><br \/>\n\u2013 <span style=\"color: #ff6600;\">Who is Afraid of Ideology? Part 2 (Marwa Arsanios)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Key &#8211; Saw at TIFF (Sept. 5-15) &#8211; Saw at Cannes &#8211; Saw a pre-festival advanced press screening &#8211; Saw a screener of some kind &nbsp; Tier 0 [A- \/ A \/ A+] &nbsp; Tier 1 [B+] Libert\u00e9 (Albert Serra) \u2013 7.7 I Was at Home, But&#8230; (Angela Schanelec) \u2013 7.0 Uncut Gems (Josh &amp; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-18048","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/18048","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=18048"}],"version-history":[{"count":40,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/18048\/revisions"}],"predecessor-version":[{"id":18374,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/18048\/revisions\/18374"}],"wp:attachment":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=18048"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=18048"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=18048"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}