{"id":16943,"date":"2018-09-16T16:12:36","date_gmt":"2018-09-16T21:12:36","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=16943"},"modified":"2018-09-25T16:51:16","modified_gmt":"2018-09-25T21:51:16","slug":"tiff2018-recap","status":"publish","type":"post","link":"https:\/\/blakewilliams.net\/blog\/2018\/09\/tiff2018-recap\/","title":{"rendered":"TIFF2018 Recap"},"content":{"rendered":"

Key<\/span>
\n– Saw at TIFF (Sept. 6-16)<\/span>
\n– Saw at Cannes or Jeonju<\/strong>
\n– Saw a screener of some kind
\n
\n<\/br><\/p>\n

<\/div>\n

Tier 0 [A- \/ A \/ A+]<\/span>
\n[insert The House That Jack Built<\/strong> (8.7) here]
\n<\/br>
\nTier 1 [B+]<\/span>
\nClimax (Gaspar No\u00e9)<\/strong><\/span> \u2013 7.7
\nBurning\u00a0(Lee Chang-dong)<\/strong> \u2013 7.7
\nThe Image Book\u00a0(Jean-Luc Godard)<\/strong> \u2013 7.5
\nLong Day\u2019s Journey Into Night (Bi Gan)<\/strong><\/span> \u2013 7.3
\nL. COHEN (James Benning)<\/span> \u2013 7.1
\nHigh Life (Claire Denis)<\/span> \u2013 7.0
\n<\/br>
\nTier 2 [B]<\/span>
\nOur Time (Carlos Reygadas)<\/span> \u2013 6.9
\nDonbass\u00a0(Sergei Loznitsa)<\/strong> \u2013 6.8
\nAsako I & II\u00a0(Ry\u016bsuke Hamaguchi)<\/strong> \u2013 6.6
\nThe Grand Bizarre\u00a0(Jodie Mack)<\/span> \u2013 6.6
\nGreen Book (Peter Farrelly)<\/span> \u2013 6.6
\nIn My Room\u00a0(Ulrich K\u00f6hler)<\/strong> \u2013 6.5
\nLa Flor (Mariano Llin\u00e1s)<\/span> \u2013 6.4
\nHotel by the River (Hong Sang-soo)<\/span> \u2013 6.4
\nAn Elephant Sitting Still\u00a0(Hu Bo)<\/strong> \u2013 6.2
\nAsh is Purest White\u00a0(Jia Zhang-ke)<\/strong> \u2013 6.2
\nTransit\u00a0(Christian Petzold<\/strong>) \u2013 6.2
\nNon-Fiction (Olivier Assayas)<\/span> \u2013 6.2
\n<\/br>
\nTier 3 [B-]<\/span>
\nMonrovia, Indiana (Frederick Wiseman)<\/span> \u2013 6.0
\nJinpa (Pema Tseden)<\/span> \u2013 5.9
\nWidows (Steve McQueen)<\/span> \u2013 5.7
\nA Star is Born (Bradley Cooper)<\/span> \u2013 5.6
\nThe Load\u00a0(Ognjen Glavonic)<\/strong> \u2013 5.6
\nMid90s (Jonah Hill)<\/span> \u2013 5.6
\nShoplifters\u00a0(Hirokazu Kore-eda)<\/strong> \u2013 5.6
\nGreta (Neil Jordan)<\/span> \u2013 5.4
\nMaya (Mia Hansen-L\u00f8ve)<\/span> \u2013 5.4
\nWhat You Gonna Do When the World\u2019s on Fire? (Robert Minervini)<\/span> \u2013 5.4
\n<\/br>
\nTier 4 [C+]<\/span>
\nBelmonte (Federico Veiroj)<\/span> \u2013 5.3
\n3 Faces\u00a0(Jafar Panahi)<\/strong> \u2013 5.2
\nROMA (Alfonso Cuar\u00f3n)<\/span> \u2013 5.2
\nA Faithful Man (Louis Garrel)<\/span> \u2013 5.1
\nIf Beale Street Could Talk (Barry Jenkins)<\/span> \u2013 5.1
\nFirst Man (Damien Chazelle)<\/span> \u2013 5.0
\nThe Wild Pear Tree\u00a0(Nuri Bilge Ceylan)<\/strong> \u2013 5.0
\nIn Fabric (Peter Strickland)<\/span> \u2013 4.9
\nCold War\u00a0(Pawel Pawlikowski)<\/strong> \u2013 4.9
\nMeeting Gorbachev (Werner Herzog & Andr\u00e9 Singer)<\/span> \u2013 4.9
\nBorder\u00a0(Ali Abbasi)<\/strong> \u2013 4.9
\nDestroyer (Karyn Kusama)<\/span> \u2013 4.8
\nDiamantino\u00a0(Gabriel Abrantes & Daniel Schmidt)<\/strong> \u2013 4.7
\nHer Smell (Alex Ross Perry)<\/span> \u2013 4.7
\nVox Lux (Brady Corbet)<\/span> \u2013 4.7
\nDogman\u00a0(Matteo Garrone)<\/strong> \u2013 4.7
\nToo Late to Die Young\u00a0(Dominga Sotomayor) \u2013 4.6
\nThe River (Emir Baigazin)<\/span> \u2013 4.6
\n<\/br>
\nTier 5 [C]<\/span>
\nThe Trial (Sergei Loznitsa)<\/span> \u2013 4.5
\nCapernaum\u00a0(Nadine Labaki)<\/strong> \u2013 4.5
\nGirls of the Sun\u00a0(Eva Husson)<\/strong> \u2013 4.4
\nBirds of Passage\u00a0(Cristina Gallego & Ciro Guerra)<\/strong> \u2013 4.1
\nThe Mountain (Rick Alverson)<\/span> \u2013 4.0
\nEverybody Knows\u00a0(Asghar Farhadi)<\/strong> \u2013 4.0
\nThe Land of Steady Habits (Nicole Holofcener)<\/span> \u2013 3.8
\n<\/br>
\nTier 6 [C-]<\/span>
\nSunset (L\u00e1szl\u00f3 Nemes)<\/span> \u2013 3.7
\nThe Death and Life of John F. Donovan (Xavier Dolan)<\/span> \u2013 3.4
\nAniara (Pella Kagerman & Hugo Lilja)<\/span> \u2013 3.2
\nWildlife (Paul Dano)<\/span> \u2013 3.0<\/p>\n

\n
\n<\/br>\n<\/div>\n

Fausto\u00a0(Andrea Bussmann) \u2013 TK<\/p>\n

\n
\n<\/br>\n<\/div>\n

Shorts [Alphabetical]<\/span>
\n  – Ada Kaleh\u00a0(Helena Wittmann)<\/span>
\n  – The Air of the Earth in Your Lungs\u00a0(Ross Meckfessel)<\/span>
\n  – Alice\u00a0(1974, Maria Lassnig)<\/span>
\n  – ALTIPLANO\u00a0(Malena Szlam)<\/span>
\n  – ante mis ojos (Lina Rodriguez)<\/span>
\n  – Arena (Bj\u00f6rn K\u00e4mmerer)<\/span>
\n  – Blue\u00a0(Apichatpong Weerasethakul)<\/span>
\n  – Colophon (for the Arboretum Cycle)\u00a0(Nathaniel Dorsky)<\/span>
\n  – Fainting Spells\u00a0(Sky Hopinka)<\/span>
\n  – Fallen Arches\u00a0(Simon Liu)<\/span>
\n  – Girl Pack\u00a0(1981, Lisa Baumgardner)<\/span>
\n  – The Glass Note\u00a0(Mary Helena Clark)<\/span>
\n  – Hoarders Without Boarders\u00a0(Jodie Mack)<\/span>
\n  – I Hope I\u2019m Loud When I\u2019m Dead\u00a0(Beatrice Gibson)<\/span>
\n  – \u00cele d\u2019Ouessant\u00a0(David Dudouit)<\/span>
\n  – The Invisible Cinema 3\u00a0(Philipp Fleischmann)<\/span>
\n  – Julio Iglesias\u2019s House\u00a0(Natalia Mar\u00edn)<\/span>
\n  – The Labyrinth (Laura Huertas Mill\u00e1n)<\/span>
\n  – Man in the Well\u00a0(Hu Bo)<\/span>
\n  – mumok kino\u00a0(hilipp Fleischmann)<\/span>
\n  – 1986 Summer\u00a0(1986, Toshio Matsumoto)<\/span>
\n  – Please step out of the frame.\u00a0(Karissa Hahn)<\/span>
\n  – Polly One\u00a0(Kevin Jerome Everson)<\/span>
\n  – Prologue to the Tarot: Glenna\u00a0(Brittany Gravely & Ken Linehan)<\/span>
\n  – A Return\u00a0(James Edmonds)<\/span>
\n  – Slip\u00a0(Celia Perrin Sidarous)<\/span>
\n  – Sira\u00a0(Rolla Tahir)<\/span>
\n  – Those Who Desire\u00a0(Elena L\u00f3pez Riera)<\/span>
\n  – Trees Down Here\u00a0(Ben Rivers)<\/span>
\n  – Walled, Unwalled\u00a0(Lawrence Abu Hamdan)<\/span>
\n  – Words, Planets\u00a0(Laida Lertxundi)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Key – Saw at TIFF (Sept. 6-16) – Saw at Cannes or Jeonju – Saw a screener of some kind Tier 0 [A- \/ A \/ A+] [insert The House That Jack Built (8.7) here] Tier 1 [B+] Climax (Gaspar No\u00e9) \u2013 7.7 Burning\u00a0(Lee Chang-dong) \u2013 7.7 The Image Book\u00a0(Jean-Luc Godard) \u2013 7.5 Long Day\u2019s […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-16943","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/16943","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=16943"}],"version-history":[{"count":18,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/16943\/revisions"}],"predecessor-version":[{"id":17008,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/16943\/revisions\/17008"}],"wp:attachment":[{"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=16943"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=16943"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=16943"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}