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A recursive search for the centre of Barcelona’s Laberint d’Horta, where a statue of Eros waits. |
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While grieving the loss of her friend, a woman living alone in Paris begins an unusual correspondence with two filmmakers. |
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A stereoscopic aubade pondering the distance of the recent past, illusions of unity, and the comforts of companionship. |
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As a major storm strikes Texas in September 1900, a new and mysterious televisual device is built and tested. |
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Flashes of Victorian domestic surfaces and geometric shadows transform the physical world into a somber, impressionistic abstraction. |
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An anaglyphic found footage film about machines and landscape that interlaces motion with stasis, staccatos with glissandos, and reds with blues. |
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Clips of trains, space shuttles, beaches, and cyclopes butt against one another to present a melancholic impression of mutating technologies, gestures, and organisms caught between one state of being and another. |
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C-LR: Coorow-Latham Road For Those Who Don’t Have The Time (2013) Racing up and down the length of Coorow-Latham Road with Google Street View Hyperlapse. |
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A film about folding — folded paper, folded land, folded timelines, folded video planes — that daydreams about the Grand Canyon (seen here in various ads, music videos, and anonymous found footage), Hollywood’s “Golden Age of 3D,” and the art of origami. |
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A mini-essay on motion, image tracking, and mapping in an explicitly digital form. |
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A trek down the entire length of Coorow-Latham Road – a small, barely inhabited path in Western Australia, about 250km north of Perth. |
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Studio experiment with fluorescent lights, aperture settings, and a very smooth tilt. |
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A 16mm film projector (offscreen) pans its light across a studio, passing over a bouquet of yellow daisies. |
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I turn on a Digital Light Processing (DLP) projector without wiring it to any input channels, thus prompting the system’s ‘no signal’ message default. |
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contact: [email protected]