{"id":9145,"date":"2013-12-31T13:54:26","date_gmt":"2013-12-31T18:54:26","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=9145"},"modified":"2025-01-11T21:47:25","modified_gmt":"2025-01-12T02:47:25","slug":"top-10-of-2013","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2013\/12\/top-10-of-2013\/","title":{"rendered":"Top 10 of 2013"},"content":{"rendered":"<p><strong>*Click on the &#8216;Lists &amp; Logs&#8217; tab to see lists from previous years.<\/strong><\/p>\n<p>This is a dynamic list, so it&#8217;ll be updated each time I see a film which had its world premiere in 2013 that is better than at least one of the films already on the list.<\/p>\n<ol>\n<li>The Strange Little Cat (Ramon Z\u00fcrcher)<\/li>\n<li>Dusty Stacks of Mom: The Poster Project (Jodie Mack)<\/li>\n<li>Computer Chess (Andrew Bujalski)<\/li>\n<li>MANAKAMANA (Stephanie Spray &amp; Pacho Velez)<\/li>\n<li>Norte, the End of History (Lav Diaz)<\/li>\n<li>Stranger by the Lake (Alain Guiraudie)<\/li>\n<li>Stray Dogs (Tsai Ming-liang)<\/li>\n<li>Bastards (Claire Denis)<\/li>\n<li>Nymphomaniac: Volume II (Lars von Trier)<\/li>\n<li>Sheep (Gilles Deroo &amp; Marianne Pistone)<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">Polls Top 10<\/span><\/strong> (eligible titles appear <a href=\"http:\/\/www.panix.com\/~dangelo\/nymaster13.html\">here<\/a>)<\/p>\n<ol>\n<li>Leviathan (2012, Lucien Castaing-Taylor &amp; Verena Paravel)<\/li>\n<li>Computer Chess (2013, Andrew Bujalski)<\/li>\n<li>Like Someone In Love (2012, Abbas Kiarostami)<\/li>\n<li>Bastards (2013, Claire Denis)<\/li>\n<li>Frances Ha (2012, Noah Baumbach)<\/li>\n<li>Beyond the Hills (2012, Cristian Mungiu)<\/li>\n<li>Viola (2012, Mat\u00edas Pi\u00f1eiro)<\/li>\n<li>You Ain\u2019t Seen Nothin\u2019 Yet! (2012, Alain Resnais)<\/li>\n<li>To the Wonder (2012, Terrence Malick)<\/li>\n<li>Nebraska (2013, Alexander Payne)<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">My Top 10 Discoveries During 2013<\/span><\/strong> (only first-time viewings of films made before 2000 are eligible)<\/p>\n<ol>\n<li>Boy Meets Girl (1984, Leos Carax)<\/li>\n<li>High and Low (1963, Akira Kurosawa)<\/li>\n<li>Brief Encounter (1945, David Lean)<\/li>\n<li>Zorns Lemma (1970, Hollis Frampton)<\/li>\n<li>U.S. Go Home (1994, Claire Denis)<\/li>\n<li>Yoyo (1965, Pierre \u00c9taix)<\/li>\n<li>L\u00e9on Morin, Priest (1961, Jean-Pierre Melville)<\/li>\n<li>Slacker (1991, Richard Linklater)<\/li>\n<li>Un Coeur en Hiver (1992, Claude Sautet)<\/li>\n<li>Z (1969, Costa-Gavras)<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">Other 2013 films I&#8217;ve seen<\/span><\/strong><\/p>\n<ul>\n<li>Nebraska (Alexander Payne) &#8211; 7.0<\/li>\n<li>Only Lovers Left Alive (Jim Jarmusch) &#8211; 7.0<\/li>\n<li>The Counselor [Unrated Extended Cut] (Ridley Scott) &#8211; 6.9<\/li>\n<li>Upstream Color (Shane Carruth) &#8211; 6.9<\/li>\n<li>Stop the Pounding Heart (Roberto Minervini) &#8211; 6.8<\/li>\n<li>Charlie Victor Romeo (Robert Berger, Patrick Daniels, &amp; Karlyn Michelson) &#8211; 6.8<\/li>\n<li>A Touch of Sin (Jia Zhang-ke) &#8211; 6.8<\/li>\n<li>The Manor (Shawney Cohen) &#8211; 6.8<\/li>\n<li>Sentimental Education (J\u00falio Bressane) &#8211; 6.7<\/li>\n<li>River (Bill Ross IV) &#8211; 6.7<\/li>\n<li>A Thousand Suns (Mati Diop) &#8211; 6.6<\/li>\n<li>Gravity (Alfonso Cuar\u00f3n) \u2013 6.6<\/li>\n<li>The Dirties (Matt Johnson) &#8211; 6.6<\/li>\n<li>Love is the Perfect Crime (Arnaud &amp; Jean-Marie Larrieu) \u2013 6.6<\/li>\n<li>Snowpiercer (Bong Joon-ho) &#8211; 6.6<\/li>\n<li>Jealousy (Philippe Garrel) &#8211; 6.6<\/li>\n<li>Inside Llewyn Davis (Joel &amp; Ethan Coen) &#8211; 6.5<\/li>\n<li>When Evening Falls on Bucharest or Metabolism (Corneliu Porumboiu) \u2013 6.5<\/li>\n<li>La \u00faltima pel\u00edcula (Raya Martin &amp; Mark Peranson) &#8211; 6.5<\/li>\n<li>Coherence (James Ward Byrkit) \u2013 6.4<\/li>\n<li>Moebius (Kim Ki-duk) \u2013 6.4<\/li>\n<li>Night Moves (Kelly Reichardt) \u2013 6.3<\/li>\n<li>Double Play: James Benning and Richard Linklater (Gabe Klinger) &#8211; 6.3<\/li>\n<li>Enough Said (Nicole Holofcener) \u2013 6.3<\/li>\n<li>Behind the Candelabra (Steven Soderbergh) &#8211; 6.3<\/li>\n<li>Blue Jasmine (Woody Allen) &#8211; 6.3<\/li>\n<li>Let the Fire Burn (Jason Osder) &#8211; 6.3<\/li>\n<li>Hard to Be a God (Alexei German) &#8211; 6.2<\/li>\n<li>Under the Skin (Jonathan Glazer) &#8211; 6.2<\/li>\n<li>These Birds Walk (Omar Mullick &amp; Bassam Tariq) &#8211; 6.2<\/li>\n<li>Blood (Alina Rudnitskaya) \u2013 6.2<\/li>\n<li>Club Sandwich (Fernando Eimbcke) \u2013 6.2<\/li>\n<li>Before Midnight (Richard Linklater) \u2013 6.1<\/li>\n<li>Three Interpretation Exercises (Cristi Puiu) \u2013 6.1<\/li>\n<li>3x3D (Peter Greenaway, Jean-Luc Godard, &amp; Edgar P\u00eara) &#8211; 6.1<\/li>\n<li>Captain Phillips (Paul Greengrass) &#8211; 6.1<\/li>\n<li>William and the Windmill (Ben Nabors) &#8211; 6.1<\/li>\n<li>Tip Top (Serge Bozon) &#8211; 6.0<\/li>\n<li>i hate myself :) (Joanna Arnow) &#8211; 6.0<\/li>\n<li>Camille Claudel 1915 (Bruno Dumont) &#8211; 6.0<\/li>\n<li>I Used to Be Darker (Matt Porterfield) &#8211; 6.0<\/li>\n<li>All is Lost (J.C. Chandor) \u2013 6.0<\/li>\n<li>Northern Light (Nick Bentgen) &#8211; 5.9<\/li>\n<li>Closed Curtain (Jafar Panahi &amp; Kambuzia Partovi) \u2013 5.9<\/li>\n<li>Our Sunhi (Hong Sang-soo) \u2013 5.9<\/li>\n<li>Blue is the Warmest Color (Abdellatif Kechiche) &#8211; 5.9<\/li>\n<li>Caucus (AJ Schnack) &#8211; 5.9<\/li>\n<li>The World&#8217;s End (Edgar Wright) &#8211; 5.9<\/li>\n<li>What Now? Remind Me (Joaquim Pinto) &#8211; 5.9<\/li>\n<li>Three Landscapes (Peter Hutton) \u2013 5.9<\/li>\n<li>Venus In Fur (Roman Polanski) &#8211; 5.9<\/li>\n<li>We Are the Best! (Lukas Moodysson) &#8211; 5.8<\/li>\n<li>Proxy (Zack Parker) &#8211; 5.8<\/li>\n<li>The Naked Room (Nuria Ib\u00e1\u00f1ez) &#8211; 5.8<\/li>\n<li>Starred Up (David Mackenzie) &#8211; 5.8<\/li>\n<li>The Great Beauty (Paolo Sorrentino) &#8211; 5.8<\/li>\n<li>This is the End (Evan Goldberg &amp; Seth Rogen) &#8211; 5.8<\/li>\n<li>The Selfish Giant (Clio Barnard) &#8211; 5.8<\/li>\n<li>Her (Spike Jonze) &#8211; 5.8<\/li>\n<li>12 O\u2019Clock Boys (Lotfy Nathan) &#8211; 5.8<\/li>\n<li>TPB AFK: The Pirate Bay Away from Keyboard (Simon Klose) &#8211; 5.8<\/li>\n<li>Abuse of Weakness (Catherine Breillat) &#8211; 5.7<\/li>\n<li>Lucky Them (Megan Griffiths) \u2013 5.7<\/li>\n<li>Alan Partridge: Alpha Papa (Declan Lowney) &#8211; 5.7<\/li>\n<li>Side Effects (Steven Soderbergh) &#8211; 5.7<\/li>\n<li>Joe (David Gordon Green) \u2013 5.7<\/li>\n<li>Nymphomaniac: Volume I (Lars von Trier)\u2013 5.6<\/li>\n<li>A Spell to Ward Off the Darkness (Ben Rivers &amp; Ben Russell) \u2013 5.6<\/li>\n<li>This is Martin Bonner (Chad Hartigan) &#8211; 5.6<\/li>\n<li>Like Father, Like Son (Hirokazu Kore-eda) &#8211; 5.6<\/li>\n<li>American Promise (Joe Brewster &amp; Mich\u00e8le Stephenson) &#8211; 5.6<\/li>\n<li>R100 (Hitoshi Matsumoto) \u2013 5.6<\/li>\n<li>Salvation Army (Abdellah Ta\u00efa) \u2013 5.6<\/li>\n<li>Pussy Riot \u2013 A Punk Prayer (Maxim Pozdorovkin) &#8211; 5.6<\/li>\n<li>Our Nixon (Penny Lane) &#8211; 5.6<\/li>\n<li>Story of My Death (Albert Serra) \u2013 5.5<\/li>\n<li>Paradise: Hope (Ulrich Seidl) \u2013 5.5<\/li>\n<li>Se\u00f1oritas (Lina Rodriguez) \u2013 5.5<\/li>\n<li>Age of Panic (Justine Triet) \u2013 5.5<\/li>\n<li>Love Battles (Jacques Doillon) \u2013 5.5<\/li>\n<li>Eastern Boys (Robin Campillo) \u2013 5.5<\/li>\n<li>Gerontophilia (Bruce LaBruce) &#8211; 5.5<\/li>\n<li>Anita (Freida Lee Mock) &#8211; 5.5<\/li>\n<li>After Hours (Basil Da Cunha) &#8211; 5.5<\/li>\n<li>Monsters University (Dan Scanlon) &#8211; 5.5<\/li>\n<li>The Immigrant (James Gray) &#8211; 5.4<\/li>\n<li>October November (G\u00f6tz Spielmann) \u2013 5.4<\/li>\n<li>The Spectacular Now (James Ponsoldt) \u2013 5.4<\/li>\n<li>Blind Detective (Johnnie To) &#8211; 5.3<\/li>\n<li>Exhibition (Joanna Hogg) &#8211; 5.3<\/li>\n<li>The Wolf of Wall Street (Martin Scorsese) &#8211; 5.3<\/li>\n<li>The Amazing Catfish (Claudia Sainte-Luce) \u2013 5.3<\/li>\n<li>Bright Days Ahead (Marion Vernoux) \u2013 5.3<\/li>\n<li>Lacrau (Jo\u00e3o Vladimiro) \u2013 5.3<\/li>\n<li>The Congress (Ari Folman) &#8211; 5.2<\/li>\n<li>How to Disappear Completely (Raya Martin) &#8211; 5.2<\/li>\n<li>Doomsdays (Eddie Mullins) &#8211; 5.2<\/li>\n<li>Ida (Pawel Pawlikowski) &#8211; 5.2<\/li>\n<li>Liahona (Talena Sanders) &#8211; 5.2<\/li>\n<li>The Lunchbox (Ritesh Batr) \u2013 5.2<\/li>\n<li>Stoker (Park Chan-wook) &#8211; 5.2<\/li>\n<li>Vic + Flo Saw a Bear (Denis C\u00f4t\u00e9) \u2013 5.2<\/li>\n<li>The Summer of Flying Fish (Marcela Said) &#8211; 5.2<\/li>\n<li>Lukas the Strange (John Torres) &#8211; 5.2<\/li>\n<li>Downloaded (Alex Winter) \u2013 5.2<\/li>\n<li>The Dallas Buyers Club (Jean-Marc Vall\u00e9e) &#8211; 5.2<\/li>\n<li>Blood Ties (Guillaume Canet) \u2013 5.1<\/li>\n<li>Valentine Road (Marta Cunningham) &#8211; 5.1<\/li>\n<li>We Always Lie To Strangers (AJ Schnack &amp; David Boone Wilson) &#8211; 5.1<\/li>\n<li>The Kill Team (Dan Krauss) &#8211; 5.1<\/li>\n<li>Shield of Straw (Takashi Miike) &#8211; 5.1<\/li>\n<li>Salvo (Fabio Grassadonia &amp; Antonio Piazza) &#8211; 5.1<\/li>\n<li>Bends (Flora Lau) &#8211; 5.1<\/li>\n<li>Young &amp; Beautiful (Fran\u00e7ois Ozon) &#8211; 5.0<\/li>\n<li>Oldboy (Spike Lee) &#8211; 5.0<\/li>\n<li>Blue Ruin (Jeremy Saulnier) &#8211; 5.0<\/li>\n<li>Jodorowsky\u2019s Dune (Frank Pavich) \u2013 5.0<\/li>\n<li>Tom at the Farm (Xavier Dolan) \u2013 5.0<\/li>\n<li>The Oxbow Cure (Yonah Lewis &amp; Calvin Thomas) \u2013 5.0<\/li>\n<li>Black Box (Stephen Cone) \u2013 5.0<\/li>\n<li>At Berkeley (Frederick Wiseman) \u2013 4.9<\/li>\n<li>The Great Gatsby (Baz Luhrmann) \u2013 4.9<\/li>\n<li>Miraculous Tales (Daniel Vernon) \u2013 4.9<\/li>\n<li>The Rendez-Vous of D\u00e9j\u00e0-Vu (Antonin Peretjatko) &#8211; 4.9<\/li>\n<li>A Field in England (Ben Wheatley) \u2013 4.9<\/li>\n<li>Nobody&#8217;s Daughter Haewon (Hong Sang-soo) &#8211; 4.9<\/li>\n<li>Chimeras (Mika Mattila) \u2013 4.9<\/li>\n<li>Borgman (Alex Van Warmerdam) &#8211; 4.9<\/li>\n<li>About Time (Richard Curtis) &#8211; 4.9<\/li>\n<li>Sacro GRA (Gianfranco Rosi) \u2013 4.9<\/li>\n<li>Michael Kohlhaas (Arnaud des Pallieres) &#8211; 4.9<\/li>\n<li>The Canyons (Paul Schrader) &#8211; 4.8<\/li>\n<li>American Hustle (David O. Russell) &#8211; 4.8<\/li>\n<li>Crystal Fairy (Sebasti\u00e1n Silva) &#8211; 4.8<\/li>\n<li>White Reindeer (Zach Clark) &#8211; 4.8<\/li>\n<li>It Felt Like Love (Eliza Hittman) &#8211; 4.8<\/li>\n<li>On My Way (Emmanuelle Bercot) &#8211; 4.8<\/li>\n<li>Ilo Ilo (Anthony Chen) \u2013 4.8<\/li>\n<li>The Strange Colour of Your Body\u2019s Tears (Helene Cattet &amp; Bruno Forzani) \u2013 4.8<\/li>\n<li>Gabrielle (Louise Archambault) &#8211; 4.8<\/li>\n<li>Which Way is the Front Line from Here? The Life and Time of Tim Hetherington (Sebastian Junger) &#8211; 4.8<\/li>\n<li>Gold (Thomas Arslan) &#8211; 4.7<\/li>\n<li>Enemy (Denis Villeneuve) &#8211; 4.7<\/li>\n<li>A Master Builder (Jonathan Demme) &#8211; 4.7<\/li>\n<li>The Square (Jehane Noujaim) \u2013 4.7<\/li>\n<li>White House Down (Roland Emmerich) &#8211; 4.7<\/li>\n<li>Heli (Amat Escalante) &#8211; 4.7<\/li>\n<li>Killing Strangers (Nicol\u00e1s Pereda &amp; Jacob Secher Schulsinger) &#8211; 4.7<\/li>\n<li>The Invisible Woman (Ralph Fiennes) &#8211; 4.7<\/li>\n<li>Blackfish (Gabriela Cowperthwaite) \u2013 4.7<\/li>\n<li>I&#8217;m So Excited (Pedro Almod\u00f3var) \u2013 4.6<\/li>\n<li>Gradual Speed (Els Van Riel) \u2013 4.6<\/li>\n<li>We Cause Scenes (Matt Adams) &#8211; 4.6<\/li>\n<li>The Last Black Sea Pirates (Svetoslav Stoyanov) &#8211; 4.6<\/li>\n<li>Me Myself and Mum (Guillaume Gallienne) &#8211; 4.6<\/li>\n<li>A Castle in Italy (Valeria Bruni-Tedeschi) &#8211; 4.6<\/li>\n<li>The Island of St. Matthews (Kevin Jerome Everson) &#8211; 4.6<\/li>\n<li>Sarah Prefers to Run (Chlo\u00e9 Robichaud) &#8211; 4.6<\/li>\n<li>Pacific Rim (Guillermo del Toro) &#8211; 4.6<\/li>\n<li>B\u00e0 N\u1ed9i (Khoa L\u00ea) &#8211; 4.6<\/li>\n<li>You and the Night (Yann Gonzalez) &#8211; 4.5<\/li>\n<li>Coast of Death (Lois Pati\u00f1o) &#8211; 4.5<\/li>\n<li>Ain&#8217;t Them Bodies Saints (David Lowery) &#8211; 4.5<\/li>\n<li>12 Years a Slave (Steve McQueen) \u2013 4.5<\/li>\n<li>Locke (Steven Knight) \u2013 4.5<\/li>\n<li>Short Term 12 (Destin Cretton) \u2013 4.5<\/li>\n<li>Siddharth (Richie Mehta) &#8211; 4.5<\/li>\n<li>Bambi (S\u00e9bastien Lifshitz) &#8211; 4.5<\/li>\n<li>The Bling Ring (Sofia Coppola) &#8211; 4.4<\/li>\n<li>Gloria (Sebasti\u00e1n Lelio) &#8211; 4.4<\/li>\n<li>The Unknown Known (Errol Morris) \u2013 4.4<\/li>\n<li>Mary Queen of Scots (Thomas Imbach) &#8211; 4.4<\/li>\n<li>Le Week-End (Roger Mitchell) \u2013 4.4<\/li>\n<li>Grand Central (Rebecca Zlotowski) &#8211; 4.4<\/li>\n<li>Teenage (Matt Wolf) \u2013 4.4<\/li>\n<li>The Missing Picture (Rithy Panh) &#8211; 4.3<\/li>\n<li>Apaches (Thierry de Peretti) &#8211; 4.3<\/li>\n<li>Only God Forgives (Nicolas Winding Refn) &#8211; 4.3<\/li>\n<li>The Grandmaster (Wong Kar-wai) \u2013 4.3<\/li>\n<li>The Last Days on Mars (Ruairi Robinson) &#8211; 4.3<\/li>\n<li>Furious 6 (Justin Lin) &#8211; 4.2<\/li>\n<li>Pain &amp; Gain (Michael Bay) &#8211; 4.2<\/li>\n<li>Pays Barbare (Yervant Gianikian &amp; Angela Ricci Lucchi) \u2013 4.2<\/li>\n<li>Touchy Feely (Lynn Shelton) &#8211; 4.2<\/li>\n<li>Burt\u2019s Buzz (Jody Shapiro) \u2013 4.2<\/li>\n<li>The Wind Rises (Hayao Miyazaki) \u2013 4.1<\/li>\n<li>Leaf in the Wind (Jean-Marie Teno) &#8211; 4.1<\/li>\n<li>Cold Eyes (Cho Ui-seok and Kim Byung-seo) &#8211; 4.1<\/li>\n<li>Manuscripts Don\u2019t Burn (Mohammad Rasoulof) &#8211; 4.0<\/li>\n<li>Burning Bush (Agnieszka Holland) \u2013 4.0<\/li>\n<li>The Conjuring (James Wan) &#8211; 4.0<\/li>\n<li>Fruitvale Station (Ryan Coogler) &#8211; 4.0<\/li>\n<li>Child&#8217;s Pose (Calin Peter Netzer) &#8211; 3.9<\/li>\n<li>Omar (Hany Abu-Assad) \u2013 3.9<\/li>\n<li>Stop-Over (Kaveh Bakhtiari) &#8211; 3.9<\/li>\n<li>My Sweet Pepper Land (Hiner Saleem) &#8211; 3.9<\/li>\n<li>Muscle Shoals (Greg &#8216;Freddy&#8217; Camalier) &#8211; 3.9<\/li>\n<li>The Past (Asghar Farhadi) &#8211; 3.8<\/li>\n<li>Grisgris (Mahamat Saleh Haroun) &#8211; 3.8<\/li>\n<li>The Rocket (Kim Mordaunt) &#8211; 3.8<\/li>\n<li>Star Trek Into Darkness (J.J. Abrams) &#8211; 3.8<\/li>\n<li>Expedition to the End of the World (Daniel Dencik) &#8211; 3.8<\/li>\n<li>The German Doctor (Luc\u00eda Puenzo) &#8211; 3.7<\/li>\n<li>World War Z (Marc Forster) &#8211; 3.6<\/li>\n<li>Thou Gild\u2019st the Even (Onur \u00dcnl\u00fc) \u2013 3.6<\/li>\n<li>The Last of the Unjust (Claude Lanzmann) &#8211; 3.5<\/li>\n<li>Daredevils (Stephanie Barber) &#8211; 3.5<\/li>\n<li>Felix Austria! (Christine Beebe) &#8211; 3.5<\/li>\n<li>Texas Chainsaw (John Luessenhop) &#8211; 3.5<\/li>\n<li>15 Reasons to Live (Alan Zweig) &#8211; 3.4<\/li>\n<li>The Dance of Reality (Alejandro Jodorowsky) &#8211; 3.4<\/li>\n<li>Suzanne (Katell Quill\u00e9v\u00e9r\u00e9) &#8211; 3.3<\/li>\n<li>My Name Is Hmmm&#8230; (Agn\u00e8s Troubl\u00e9) &#8211; 3.3<\/li>\n<li>The Auction (S\u00e9bastien Pilote) &#8211; 3.2<\/li>\n<li>The Lone Ranger (Gore Verbinski) &#8211; 3.2<\/li>\n<li>Oblivion (Joseph Kosinski) &#8211; 3.1<\/li>\n<li>Interior. Leather Bar. (James Franco &amp; Travis Mathews) &#8211; 3.1<\/li>\n<li>Blood Brother (Steve Hoover) &#8211; 3.0<\/li>\n<li>Jimmy P.: Psychotherapy of a Plains Indian (Arnaud Desplechin) &#8211; 3.0<\/li>\n<li>The Art of the Steal (Jonathan Sobol) &#8211; 3.0<\/li>\n<li>Real (Kiyoshi Kurosawa) \u2013 2.8<\/li>\n<li>Jellyfish Eyes (Takashi Murakami) \u2013 2.7<\/li>\n<li>The Battle of Tabat\u00f4 (Joao Viana) \u2013 2.2<\/li>\n<li>Child of God (James Franco) \u2013 1.8<\/li>\n<li>Nothing Bad Can Happen (Katrin Gebbe) &#8211; 0.6<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>*Click on the &#8216;Lists &amp; Logs&#8217; tab to see lists from previous years. This is a dynamic list, so it&#8217;ll be updated each time I see a film which had its world premiere in 2013 that is better than at least one of the films already on the list. The Strange Little Cat (Ramon Z\u00fcrcher) [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-9145","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/9145","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=9145"}],"version-history":[{"count":69,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/9145\/revisions"}],"predecessor-version":[{"id":24949,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/9145\/revisions\/24949"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=9145"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=9145"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=9145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}