{"id":9141,"date":"2013-01-01T13:45:44","date_gmt":"2013-01-01T18:45:44","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=9141"},"modified":"2017-01-21T22:25:49","modified_gmt":"2017-01-22T03:25:49","slug":"2013-film-log","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2013\/01\/2013-film-log\/","title":{"rendered":"2013 Film Log"},"content":{"rendered":"

Past Logs<\/span><\/span><\/p>\n

2012 Film Log<\/a>
\n2011 Film Log<\/a>
\n2010 Film Log<\/a>
\n2009 Film Log<\/span><\/a>
\n2007 Film Log<\/a>
\n<\/span><\/p>\n

\n
\n<\/br>\n<\/div>\n

*8mm<\/span>\/16mm<\/span>\/35mm<\/span>\/70mm<\/span> denotes that what I saw was a film print.
\n*DP<\/span> denotes that what I saw was a Digital Projection in a theatre, either because the film doesn’t exist on celluloid, or the theatre where I saw it is run by incompetent penny pinchers [or – more likely now – that’s the only “print” the studio was willing to send out].
\n*3D<\/span> denotes that I saw it in 3D, obvi.
\n*All others were either from DVDs, downloads, or television.
\n*Only films that are at least 40 minutes long (the Academy’s minimum for a feature film) are logged.
\n*A grade of “Inc.” denotes that I don’t think that this screening was an accurate enough presentation of the film for me to make a value judgment, either because their weren’t English subtitles for a foreign language film, or the projector broke\/sound cut out\/the print burned, or an ass in the theatre distracted me with too much talking\/popcorn eating, or, like the incident with 2001: A Space Odyssey at the Coolidge Corner Theatre in Brookline, MA, the reels are shown out of order.
\n*Regarding W\/Os, I almost always finish what I start, and what I don’t, I don’t log.
\n*A ‘+’ at the beginning of a line means that I had seen this film before. <\/p>\n

\n
\n<\/br>\n<\/div>\n

\"\"
\n
\n<\/br><\/a>And that translates to:<\/span><\/strong><\/p>\n

A+\t9.4 - 10.0\t[Top 10 of All Time contender]\r\nA\t8.6 - 9.3\t[Masterpiece]\r\nA-\t7.8 - 8.5\t[Great; Near-masterpiece]\r\nB+\t7.0 - 7.7\t[Near-great; Contender for Top 10 of its year]\r\nB\t6.2 - 6.9\t[Has a special something]\r\nB-\t5.4 - 6.1\t[Solid]\r\nC+\t4.6 - 5.3\t[Decent, but flawed]\r\nC\t3.8 - 4.5\t[Forgettable; Mediocre]\r\nC-\t3.0 - 3.7\t[What a failure]\r\nD+\t2.2 - 2.9\t[What-a-failure with cheese]\r\nD\t1.4 - 2.1\t[Grating]\r\nD-\t0.6 - 1.3\t[Offensively horrific; Horrifically offensive]\r\nF\t0.0 - 0.5\t[Worst of All Time consideration]<\/pre>\n
\n<\/br>\n<\/div>\n
<\/a>January<\/span><\/strong><\/p>\n
Oliver Twist (1948, David Lean) DP<\/span> – 4.6<\/p>\n
Keep the Lights On (2012, Ira Sachs) – 6.1<\/p>\n
Oliver! (1968, Carol Reed) DP<\/span> – 5.3<\/p>\n
Starlet (2012, Sean Baker) – 5.8<\/p>\n
Girl Walk \/\/ All Day (2011, Jacob Krupnick) – 5.4<\/p>\n
The Ambassador (2011, Mads Br\u00fcgger) – 3.9<\/p>\n
Stories We Tell (2012, Sarah Polley) DP<\/span> – 5.7<\/p>\n
This is 40 (2012, Judd Apatow) – 6.0<\/p>\n
+Tchoupitoulas (2012, Bill Ross IV & Turner Ross) – 7.2 [up from 7.0]<\/span><\/p>\n
Skyfall (2012, Sam Mendes) DP<\/span> – 5.9<\/p>\n
Five Broken Cameras (2011, Emad Burnat & Guy Davidi) – 4.4<\/p>\n
Not Fade Away (2012, David Chase) – 5.7<\/p>\n
Beyond the Black Rainbow (2010, Panos Cosmatos) – 4.2<\/p>\n
+Cosmopolis (2012, David Cronenberg) DP<\/span> – 7.4 [up from 7.2]<\/span><\/p>\n
+Hiroshima mon amour (1959, Alain Resnais) 35mm<\/span> – 6.9 [~same]<\/span><\/p>\n
A Man and a Woman (1966, Claude Lelouch) 35mm<\/span> – 5.6<\/p>\n
Sleepless Night (2012, Jang Kun-Jae) – 6.4<\/p>\n
Abendland (2011, Nikolaus Geyrhalter) – 6.1<\/p>\n
Las Acacias (2011, Pablo Giorgelli) – 3.5<\/p>\n
Jiro Dreams of Sushi (2011, David Gelb) – 5.5<\/p>\n
Z (1969, Costa-Gavras) 35mm<\/span> – 7.1<\/p>\n
+My Night at Maud’s (1969, Eric Rohmer) 35mm<\/span> – 6.9 [~same]<\/span><\/p>\n
My Friend Ivan Lapshin (1986, Alexei German) 35mm<\/span> – 4.6<\/p>\n
The Easy Life (1962, Dino Risi) 35mm<\/span> – 6.2<\/p>\n
Argo (2012, Ben Affleck) – 6.0<\/p>\n
Hara-Kiri: Death of a Samurai (2011, Takashi Miike) – 6.8<\/p>\n
How to Survive a Plague (2012, David France) – 6.3<\/p>\n
The Secret World of Arrietty (2010, Hiromasa Yonebayashi) – 6.4<\/p>\n
Trial of the Road (1971, Alexei German) 35mm<\/span> – 4.1<\/p>\n
21 Jump Street (2012, Phil Lord & Chris Miller) – 5.9<\/p>\n
Farewell, My Queen (2012, Beno\u00eet Jacquot) – 5.1<\/p>\n
+Ugetsu (1953, Kenji Mizoguchi) 35mm<\/span> – 7.8 [same]<\/span><\/p>\n
Twenty Days Without War (1977, Alexei German) 35mm<\/span> – 4.0<\/p>\n
Sleepless Night (2011, Fr\u00e9d\u00e9ric Jardin) – 4.9<\/p>\n
Khrustalyov, My Car! (1998, Alexei German) 35mm<\/span> – 5.3<\/p>\n
The Fall of Otrar (1991, Ardak Amirkulov) 35mm<\/span> – 3.5<\/p>\n
Rashomon (1950, Akira Kurosawa) 35mm<\/span> – 6.3<\/p>\n
…And God Created Woman (1956, Roger Vadim) 35mm<\/span> – 5.4<\/p>\n
The Life of Oharu (1952, Kenji Mizoguchi) 35mm<\/span> – 5.0<\/p>\n
L\u00e9on Morin, Priest (1961, Jean-Pierre Melville) 35mm<\/span> – 7.5<\/p>\n
Side Effects (2013, Steven Soderbergh) DP<\/span> – 5.7<\/p>\n
Repo Man (1984, Alex Cox) – 6.1<\/p>\n
The Seventh Companion (1968, Alexei German & Grigori Aronov) 35mm<\/span> – 4.3<\/p>\n
Brief Encounter (1945, David Lean) – 7.9<\/p>\n
Perret in France and Algeria (2012, Heinz Emigholz) – 5.3
\n
\n<\/br><\/p>\n
<\/div>\n
<\/a>February<\/span><\/strong><\/p>\n
+Three Colors: Blue (1993, Krzysztof Kieslowski) 35mm<\/span> – 6.6 [~same]<\/span><\/p>\n
The Gold Rush (1925, Charles Chaplin) – 4.4<\/p>\n
Bush Mama (1979, Haile Gerima) 35mm<\/span> – 6.1<\/p>\n
+Tokyo Story (1953, Yasujiro Ozu) 35mm<\/span> – 5.9 [~same]<\/span><\/p>\n
Retaliation (1968, Yasuharu Hasebe) 35mm<\/span> – 2.6<\/p>\n
Floating Clouds (1955, Mikio Naruse) 35mm<\/span> – 5.5<\/p>\n
Confidentially Yours (1983, Fran\u00e7ois Truffaut) 35mm<\/span> – 5.6<\/p>\n
Godzilla (1954, Ishir\u00f4 Honda) – 6.5<\/p>\n
Les Biches (1968, Claude Chabrol) 35mm<\/span> – 5.3<\/p>\n
Bless Their Little Hearts (1984, Billy Woodberry) 35mm<\/span> – 5.5<\/p>\n
+Woman in the Dunes (1964, Hiroshi Teshigahara) 35mm<\/span> – 9.2 [up from 8.9]<\/span><\/p>\n
Violent Summer (1959, Valerio Zurlini) 35mm<\/span> – 3.9<\/p>\n
+You Ain’t Seen Nothin’ Yet! (2012, Alain Resnais) – 7.1 [same]<\/span><\/p>\n
Camp 14: Total Control Zone (2012, Marc Wiese) DP<\/span> – 5.6<\/p>\n
Upstream Color (2013, Shane Carruth) – 6.3<\/p>\n
+Upstream Color (2013, Shane Carruth) – 6.6 [up from 6.3]<\/span><\/p>\n
Passing Through (1977, Larry Clark) 16mm<\/span> – 4.9<\/p>\n
+Twin Peaks: Fire Walk with Me (1992, David Lynch) 35mm<\/span> – 7.4 [~same]<\/span><\/p>\n
The Sun in the Last Days of the Shogunate (1957, Yuzo Kawashima) 35mm<\/span> – 4.1<\/p>\n
Kitchen (1965, Andy Warhol & Ronald Tavel) 16mm<\/span> – 5.7<\/p>\n
Pursued (1947, Raoul Walsh) 35mm<\/span> – 5.2<\/p>\n
I Used to Be Darker (2013, Matt Porterfield) – 6.0<\/p>\n
Trans-Europ-Express (1967, Alain Robbe-Grillet) 35mm<\/span> – 5.8<\/p>\n
+My Own Private Idaho (1991, Gus Van Sant) 35mm<\/span> – 6.2 [up from ~5.5]<\/span><\/p>\n
The Wife of Seishu Hanaoka (1967, Yasuzo Masumura) 35mm<\/span> – 6.3<\/p>\n
Le combat dans l’\u00eele (1962, Alain Cavalier) 35mm<\/span> – 4.8<\/p>\n
Yearning (1964, Mikio Naruse) 35mm<\/span> – 4.6<\/p>\n
Camille Rewinds (2012, No\u00e9mie Lvovsky) – 4.8<\/p>\n
The Driver (1978, Walter Hill) – 7.0<\/p>\n
Killing Strangers (2013, Nicol\u00e1s Pereda & Jacob Secher Schulsinger) – 4.7<\/p>\n
Sansho the Bailiff (1954, Kenji Mizoguchi) – 6.4<\/p>\n
Rapture (1965, John Guillermin) – 6.5<\/p>\n
+Tower (2012, Kazik Radwanski) DP<\/span> – 6.8 [same]<\/span>
\n
\n<\/br><\/p>\n
<\/div>\n
<\/a>March<\/span><\/strong><\/p>\n
The Strange Little Cat (2013, Ramon Z\u00fcrcher) – 7.3<\/p>\n
High and Low (1963, Akira Kurosawa) – 8.0<\/p>\n
Dragnet Girl (1933, Yasujiro Ozu) 35mm<\/span> – 5.3<\/p>\n
+The Act of Killing (2012, Joshua Oppenheimer, Christine Cynn, & Anonymous) DP<\/span> – 5.0 [same]<\/span><\/p>\n
Yoyo (1965, Pierre \u00c9taix) 16mm<\/span> – 7.7<\/p>\n
The Unspeakable Act (2012, Dan Sallitt) – 6.5<\/p>\n
A Wife Confesses (1961, Yasuzo Masumura) 35mm<\/span> – 5.1<\/p>\n
Early Summer (1951, Yasujiro Ozu) 35mm<\/span> – 5.9<\/p>\n
Late Spring (1949, Yasujiro Ozu) 35mm<\/span> – 5.6<\/p>\n
Leones (2012, Jazm\u00edn L\u00f3pez) – 5.7<\/p>\n
Bambi (2013, S\u00e9bastien Lifshitz) – 4.5<\/p>\n
Sisters of the Gion (1936, Kenji Mizoguchi) 35mm<\/span> – 5.6<\/p>\n
+Leviathan (2012, Lucien Castaing-Taylor & V\u00e9r\u00e9na Paravel) DP<\/span> – 8.1 [same]<\/span><\/p>\n
Carmen Comes Home (1951, Keisuke Kinoshita) DP<\/span> – 4.0<\/p>\n
The Face of Another (1966, Hiroshi Teshigahara) 35mm<\/span> – 6.8<\/p>\n
Seisaku’s Wife (1965, Yasuzo Masumura) 35mm<\/span> – 4.3<\/p>\n
Another Night on Earth (2012, David Mu\u00f1oz) – 5.7<\/p>\n
Patience (After Sebald) (2012, Grant Gee) DP<\/span> – 4.1<\/p>\n
Street of Shame (1956, Kenji Mizoguchi) 35mm<\/span> – 4.7<\/p>\n
Repast (1951, Mikio Naruse) – 6.0<\/p>\n
Equinox Flower (1958, Yasujiro Ozu) 35mm<\/span> – 6.2<\/p>\n
When a Woman Ascends the Stairs (1960, Mikio Naruse) 35mm<\/span> – 4.8<\/p>\n
Safety Last! (1923, Fred C. Newmeyer & Sam Taylor) – 6.7<\/p>\n
Winter, Go Away! (2012, Elena Khoreva, Denis Klebeev, Askold Kurov, Dmitry Kusabov, Nadezhda Leonteva, Anna Moiseenko, Madina Mustafina, Sofia Rodkevich, Anton Seregin, & Alexey Zhiriakov) – 5.3<\/p>\n
31st Haul (2012, Denis Klebleev) – 4.4<\/p>\n
Things to Come (1936, William Cameron Menzies) – 5.8<\/p>\n
Street Angel (1928, Frank Borzage) – 5.5<\/p>\n
Flowing (1956, Mikio Naruse) 35mm<\/span> – 3.7<\/p>\n
The Man Who Stole the Sun (1979, Kazuhiko Hasegawa) 35mm<\/span> – 6.4<\/p>\n
Late Autumn (1960, Yasujiro Ozu) 35mm<\/span> – 6.8<\/p>\n
+Meet Me in St. Louis (1944, Vincente Minnelli) – 8.5 [same]<\/span>
\n
\n<\/br><\/p>\n
<\/div>\n
<\/a>April<\/span><\/strong><\/p>\n
Interior. Leather Bar. (2013, James Franco & Travis Mathews) – 3.1<\/p>\n
Blood Brother (2013, Steve Hoover) – 3.0<\/p>\n
B\u00e0 N\u1ed9i (2013, Khoa L\u00ea) – 4.6<\/p>\n
Preparation for the Festival (1975, Kazuo Kuroki) 35mm<\/span> – 1.4<\/p>\n
Wake in Fright (1971, Ted Kotcheff) DP<\/span> – 6.1<\/p>\n
We Always Lie To Strangers (2013, AJ Schnack & David Boone Wilson) – 5.1<\/p>\n
Rikyu (1989, Hiroshi Teshigahara) 35mm<\/span> – 4.7<\/p>\n
The Last Station (2012, Catalina Vergara & Cristian Soto) – 5.0<\/p>\n
The Crowd (1928, King Vidor) Toronto Silent<\/strong>, DP<\/span> – 6.5<\/p>\n
Nitrate Kisses (1992, Barbara Hammer) 16mm<\/span> – 5.4<\/p>\n
The Warped Ones (1960, Koreyoshi Kurahara) 35mm<\/span> – 6.9<\/p>\n
15 Reasons to Live (2013, Alan Zweig) – 3.4<\/p>\n
The Great North Korean Picture Show (2012, James Leong & Lynn Lee) – 6.6<\/p>\n
Who Is Dayani Cristal? (2012, Marc Silver) DP<\/span> – 4.4<\/p>\n
Anita (2013, Freida Lee Mock) DP<\/span> – 5.5<\/p>\n
Downloaded (2013, Alex Winter) DP<\/span> – 5.2<\/p>\n
TPB AFK: The Pirate Bay Away from Keyboard (2013, Simon Klose) – 5.8<\/p>\n
These Birds Walk (2013, Omar Mullick & Bassam Tariq) – 6.2<\/p>\n
Intolerance: Love’s Struggle Throughout the Ages (1916, D.W. Griffith) 35mm<\/span> – 5.4<\/p>\n
The Manor (2013, Shawney Cohen) DP<\/span> – 6.8<\/p>\n
The Kill Team (2013, Dan Krauss) DP<\/span> – 5.1<\/p>\n
Muscle Shoals (2013, Greg ‘Freddy’ Camalier) DP<\/span> – 3.9<\/p>\n
Suitcase of Love and Shame (2012, Jane Gillooly) Images<\/span>, DP<\/span> – 6.5<\/p>\n
Leaf in the Wind (2013, Jean-Marie Teno) Images<\/span>, DP<\/span> – 4.1<\/p>\n
Lukas the Strange (2013, John Torres) Images<\/span>, DP<\/span> – 5.2<\/p>\n
Pussy Riot – A Punk Prayer (2013, Maxim Pozdorovkin) DP<\/span> – 5.6<\/p>\n
The Garden of Eden (2012, Ran Tal) DP<\/span> – 5.4<\/p>\n
The Last Black Sea Pirates (2013, Svetoslav Stoyanov) DP<\/span> – 4.6<\/p>\n
Oded the Wanderer (1933, Chaim Halachmi) Toronto Jewish<\/span>, DP<\/span> – 3.6<\/p>\n
Maintenance (2012, Adele Horne) Images<\/span>, DP<\/span> – 5.4<\/p>\n
Northern Light (2013, Nick Bentgen) – 5.9<\/p>\n
+Taxi Driver (1976, Martin Scorsese) DP<\/span> – 7.3 [~same]<\/span><\/p>\n
Elena (2012, Petra Costa) – 5.3<\/p>\n
+The King of Escape (2009, Alain Guiraudie) \u2013 5.5 [up from 4.8]<\/span><\/p>\n
Simon Killer (2012, Antonio Campos) – 5.0<\/p>\n
Expedition to the End of the World (2013, Daniel Dencik) Hot Docs<\/span>, DP<\/span> – 3.8<\/p>\n
William and the Windmill (2013, Ben Nabors) Hot Docs<\/span>, DP<\/span> – 6.1<\/p>\n
Future My Love (2012, Maja Borg) Hot Docs<\/span>, DP<\/span> – 4.9<\/p>\n
Valentine Road (2013, Marta Cunningham) Hot Docs<\/span>, DP<\/span> – 5.1<\/p>\n
Which Way is the Front Line from Here? The Life and Time of Tim Hetherington (2013, Sebastian Junger) Hot Docs<\/span>, DP<\/span> – 4.8<\/p>\n
We Cause Scenes (2013, Matt Adams) Hot Docs<\/span>, DP<\/span> – 4.6<\/p>\n
Man at War (2012, Jacek B\u0142awut) Hot Docs<\/span>, DP<\/span> – 6.3<\/p>\n
Our Nixon (2013, Penny Lane) Hot Docs<\/span>, DP<\/span> – 5.6<\/p>\n
Felix Austria! (2013, Christine Beebe) Hot Docs<\/span>, DP<\/span> – 3.5<\/p>\n
12 O’Clock Boys (2013, Lotfy Nathan) Hot Docs<\/span>, DP<\/span> – 5.8<\/p>\n
Let the Fire Burn (2013, Jason Osder) Hot Docs<\/span>, DP<\/span> – 6.3<\/p>\n
Fuck for Forest (2012, Micha\u0142 Marczak) Hot Docs<\/span>, DP<\/span> – 5.5<\/p>\n
The Maestro: King of the Cowboy Artists (1995, Les Blank) Hot Docs<\/span>, DP<\/span> – 6.5
\n
\n<\/br><\/p>\n
<\/div>\n
<\/a>May<\/span><\/strong><\/p>\n
River (2013, Bill Ross IV) Hot Docs<\/span>, DP<\/span> – 6.7<\/p>\n
Caucus (2013, AJ Schnack) Hot Docs<\/span>, DP<\/span> – 5.9<\/p>\n
Blackfish (2013, Gabriela Cowperthwaite) Hot Docs<\/span>, DP<\/span> – 4.7<\/p>\n
Chimeras (2013, Mika Mattila) Hot Docs<\/span>, DP<\/span> – 4.9<\/p>\n
Teenage (2013, Matt Wolf) Hot Docs<\/span>, DP<\/span> – 4.4<\/p>\n
Maidentrip (2013, Jillian Schlesinger) Hot Docs<\/span>, DP<\/span> – 4.5<\/p>\n
+Room 237 (2012, Rodney Ascher) DP<\/span> – 6.7 [same]<\/span><\/p>\n
Crystal Fairy (2013, Sebasti\u00e1n Silva) Cannes March\u00e9 du Film<\/span>, DP<\/span> – 4.8<\/p>\n
Touchy Feely (2013, Lynn Shelton) Cannes March\u00e9 du Film<\/span>, DP<\/span> – 4.2<\/p>\n
Heli (2013, Amat Escalante) Cannes<\/span>, DP<\/span> – 4.7<\/p>\n
Young & Beautiful (2013, Fran\u00e7ois Ozon) Cannes<\/span>, DP<\/span> – 5.0<\/p>\n
Child’s Pose (2013, Calin Peter Netzer) Cannes March\u00e9 du Film<\/span>, DP<\/span> – 3.9<\/p>\n
A Touch of Sin (2013, Jia Zhangke) Cannes<\/span>, DP<\/span> – 6.8<\/p>\n
The Bling Ring (2013, Sofia Coppola) Cannes<\/span>, DP<\/span> – 4.4<\/p>\n
Fruitvale Station (2013, Ryan Coogler) Cannes<\/span>, DP<\/span> – 4.0<\/p>\n
The Past (2013, Asghar Farhadi) Cannes<\/span>, DP<\/span> – 3.8 <\/p>\n
Stranger by the Lake (2013, Alain Guiraudie) Cannes<\/span>, DP<\/span> – 7.2<\/p>\n
Suzanne (2013, Katell Quill\u00e9v\u00e9r\u00e9) Cannes<\/span>, DP<\/span> – 3.3<\/p>\n
The Selfish Giant (2013, Clio Barnard) Cannes<\/span>, DP<\/span> – 5.8<\/p>\n
Like Father, Like Son (2013, Hirokazu Kore-eda) Cannes<\/span>, DP<\/span> – 5.6<\/p>\n
Jimmy P.: Psychotherapy of a Plains Indian (2013, Arnaud Desplechin) Cannes<\/span>, DP<\/span> – 3.0<\/p>\n
Grand Central (2013, Rebecca Zlotowski) Cannes<\/span>, DP<\/span> – 4.4<\/p>\n
Bends (2013, Flora Lau) Cannes<\/span>, DP<\/span> – 5.1<\/p>\n
3x3D (2013, Peter Greenaway, Jean-Luc Godard, & Edgar P\u00eara) Cannes<\/span>, 3D<\/span> – 7.0<\/p>\n
Inside Llewyn Davis (2013, Joel & Ethan Coen) Cannes<\/span>, DP<\/span> – 6.5<\/p>\n
The Congress (2013, Ari Folman) Cannes<\/span>, DP<\/span> – 5.2<\/p>\n
Borgman (2013, Alex Van Warmerdam) Cannes<\/span>, DP<\/span> – 4.9<\/p>\n
Tip Top (2013, Serge Bozon) Cannes<\/span>, DP<\/span> – 6.0<\/p>\n
Stop-Over (2013, Kaveh Bakhtiari) Cannes<\/span>, DP<\/span> – 3.9<\/p>\n
The Missing Picture (2013, Rithy Panh) Cannes<\/span>, DP<\/span> – 4.3<\/p>\n
The Last of the Unjust (2013, Claude Lanzmann) Cannes<\/span>, DP<\/span> – 3.5<\/p>\n
Shield of Straw (2013, Takashi Miike) Cannes<\/span>, DP<\/span> – 5.1<\/p>\n
Blue Ruin (2013, Jeremy Saulnier) Cannes<\/span>, DP<\/span> – 5.0<\/p>\n
Gloria (2013, Sebasti\u00e1n Lelio) Cannes March\u00e9 du Film<\/span>, DP<\/span> – 4.4<\/p>\n
Blind Detective (2013, Johnnie To) Cannes<\/span>, DP<\/span> – 5.3<\/p>\n
You and the Night (2013, Yann Gonzalez) Cannes<\/span>, DP<\/span> – 4.5<\/p>\n
The Great Beauty (2013, Paolo Sorrentino) Cannes<\/span>, DP<\/span> – 5.8<\/p>\n
Behind the Candelabra (2013, Steven Soderbergh) Cannes<\/span>, DP<\/span> – 6.3<\/p>\n
Gold (2013, Thomas Arslan) Cannes March\u00e9 du Film<\/span>, DP<\/span> – 4.7<\/p>\n
Bastards (2013, Claire Denis) Cannes<\/span>, DP<\/span> – 7.5<\/p>\n
A Castle in Italy (2013, Valeria Bruni-Tedeschi) Cannes<\/span>, DP<\/span> – 4.6<\/p>\n
Grigris (2013, Mahamat Saleh Haroun) Cannes<\/span>, DP<\/span> – 3.8<\/p>\n
+Bastards (2013, Claire Denis) Cannes<\/span>, DP<\/span> – 7.5 [same]<\/span><\/p>\n
After Hours (2013, Basil Da Cunha) Cannes<\/span>, DP<\/span> – 5.5<\/p>\n
Apaches (2013, Thierry de Peretti) Cannes<\/span>, DP<\/span> – 4.3<\/p>\n
The German Doctor (2013, Luc\u00eda Puenzo) Cannes<\/span>, DP<\/span> – 3.7<\/p>\n
Blue is the Warmest Color (2013, Abdellatif Kechiche) Cannes<\/span>, DP<\/span> – 5.7<\/p>\n
My Sweet Pepper Land (2013, Hiner Saleem) Cannes<\/span>, DP<\/span> – 3.9<\/p>\n
Nebraska (2013, Alexander Payne) Cannes<\/span>, DP<\/span> – 7.0<\/p>\n
Norte, the End of History (2013, Lav Diaz) Cannes<\/span>, DP<\/span> – 7.8<\/p>\n
Nothing Bad Can Happen (2013, Katrin Gebbe) Cannes<\/span>, DP<\/span> – 0.6<\/p>\n
+The Strange Little Cat (2013, Ramon Z\u00fcrcher) Cannes<\/span>, DP<\/span> – 8.1 [up from 7.3]<\/span><\/p>\n
Michael Kohlhaas (2013, Arnaud des Pallieres) Cannes<\/span>, DP<\/span> – 4.9<\/p>\n
The Immigrant (2013, James Gray) Cannes<\/span>, DP<\/span> – 5.4<\/p>\n
The Auction (2013, S\u00e9bastien Pilote) Cannes<\/span>, DP<\/span> – 3.2<\/p>\n
Manuscripts Don\u2019t Burn (2013, Mohammad Rasoulof) Cannes<\/span>, DP<\/span> – 4.0<\/p>\n
Salvo (2013, Fabio Grassadonia & Antonio Piazza) Cannes<\/span>, DP<\/span> – 5.1<\/p>\n
The Last Days on Mars (2013, Ruairi Robinson) Cannes<\/span>, DP<\/span> – 4.3<\/p>\n
Venus In Fur (2013, Roman Polanski) Cannes<\/span>, DP<\/span> – 5.9<\/p>\n
The Dance of Reality (2013, Alejandro Jodorowsky) Cannes<\/span>, DP<\/span> – 3.4<\/p>\n
+Tip Top (2013, Serge Bozon) Cannes<\/span>, DP<\/span> – 6.0 [same]<\/span><\/p>\n
Me Myself and Mum (2013, Guillaume Gallienne) Cannes<\/span>, DP<\/span> – 4.6<\/p>\n
+Blue is the Warmest Color (2013, Abdellatif Kechiche) Cannes<\/span>, DP<\/span> – 5.9 [up from 5.7]<\/span><\/p>\n
Only Lovers Left Alive (2013, Jim Jarmusch) Cannes<\/span>, DP<\/span> – 6.4<\/p>\n
Only God Forgives (2013, Nicolas Winding Refn) Cannes<\/span>, DP<\/span> – Inc. [slept through a lot of it]<\/span><\/p>\n
Yellow Earth (1985, Chen Kaige) 35mm<\/span> – 4.6
\n
\n<\/br><\/p>\n
<\/div>\n
<\/a>June<\/span><\/strong><\/p>\n
Jodorowsky’s Dune (2013, Frank Pavich) – 5.0<\/p>\n
The Summer of Flying Fish (2013, Marcela Said) – 5.2<\/p>\n
The Secret of the Grain (2007, Abdellatif Kechiche) – 6.9<\/p>\n
The Rendez-Vous of D\u00e9j\u00e0-Vu (2013, Antonin Peretjatko) – 4.9<\/p>\n
Naked (1993, Mike Leigh) – 7.1<\/p>\n
Le Grand Amour (1969, Pierre \u00c9taix) – 5.8<\/p>\n
An Estranged Paradise (2004, Yang Fudong) DP<\/span> – 2.8<\/p>\n
Comrades: Almost a Love Story (1996, Peter Chan) 35mm<\/span> – 4.8<\/p>\n
Farewell My Concubine (1993, Chen Kaige) 35mm<\/span> – 4.5<\/p>\n
Before Midnight (2013, Richard Linklater) DP<\/span> – 6.1<\/p>\n
A Chinese Ghost Story (1987, Ching Siu-tung) 35mm<\/span> – 4.1<\/p>\n
Closed Curtain (2013, Jafar Panahi & Kambuzia Partovi) – 5.9<\/p>\n
Dust in the Wind (1987, Hou Hsiao-hsien) 35mm<\/span> – 5.3<\/p>\n
Zorns Lemma (1970, Hollis Frampton) – 7.7<\/p>\n
Boat People (1982, Ann Hui) 35mm<\/span> – 4.9<\/p>\n
Stoker (2013, Park Chan-wook) – 5.2<\/p>\n
A Casing Shelved (1970, Michael Snow) 35mm<\/span> – 6.8<\/p>\n
+It’s Such a Beautiful Day (2012, Don Hertzfeldt) – 6.6 [same]<\/span><\/p>\n
Hanezu (2011, Naomi Kawase) – 4.7<\/p>\n
A Touch of Zen (1971, King Hu) 35mm<\/span> – 6.7<\/p>\n
+In the Mood for Love (2000, Wong Kar-wai) 35mm<\/span> – 5.8 [~same]<\/span><\/p>\n
Rebels of the Neon God (1992, Tsai Ming-liang) – 6.3<\/p>\n
College (1927, James W. Horne) – 6.5<\/p>\n
Bloody Morning (1993, Li Shaohong) 35mm<\/span> – 5.0<\/p>\n
This is Martin Bonner (2013, Chad Hartigan) DP<\/span> – 5.6<\/p>\n
+Punch-Drunk Love (2002, Paul Thomas Anderson) – 8.9 [~same]<\/span><\/p>\n
A Room in Town (1982, Jacques Demy) DP<\/span> – 6.2<\/p>\n
Slacker (1991, Richard Linklater) – 7.3<\/p>\n
Autumn Sonata (1978, Ingmar Bergman) – 6.4<\/p>\n
Sun Don’t Shine (2012, Amy Seimetz) – 6.4<\/p>\n
Street Angel (1937, Yuan Muzhi) 35mm<\/span> – 5.5<\/p>\n
Vive L’Amour (1994, Tsai Ming-liang) DP<\/span> – 6.5<\/p>\n
The Black Cannon Incident (1986, Huang Jianxin) 35mm<\/span> – 4.7<\/p>\n
Model Shop (1969, Jacques Demy) – 6.0<\/p>\n
The Goddess (1934, Wu Yonggang) 35mm<\/span> – 5.7<\/p>\n
Center Stage (1992, Stanley Kwan) 35mm<\/span> – 5.4<\/p>\n
Spring in a Small Town (1948, Fei Mu) 35mm<\/span> – 5.2<\/p>\n
+3 Women (1977, Robert Altman) – 8.3 [up from 7.1]<\/span><\/p>\n
White House Down (2013, Roland Emmerich) DP<\/span> – 4.7
\n
\n<\/br><\/p>\n
<\/div>\n
<\/a>July<\/span><\/strong><\/p>\n
World War Z (2013, Marc Forster) DP<\/span> – 3.6<\/p>\n
Montenegro (1981, Du\u0161an Makavejev) – 5.1<\/p>\n
Furious 6 (2013, Justin Lin) DP<\/span> – 4.2<\/p>\n
Monsters University (2013, Dan Scanlon) 3D<\/span> – 5.5<\/p>\n
The Lone Ranger (2013, Gore Verbinski) DP<\/span> – 3.2<\/p>\n
Only God Forgives (2013, Nicolas Winding Refn) DP<\/span> – 4.3<\/p>\n
I’m So Excited (2013, Pedro Almod\u00f3var) DP<\/span> – 4.6<\/p>\n
Jacquot de Nantes (1991, Agn\u00e8s Varda) DP<\/span> – 5.9<\/p>\n
A Slightly Pregnant Man (1973, Jacques Demy) DP<\/span> – 6.2<\/p>\n
+Alphaville (1965, Jean-Luc Godard) 35mm<\/span> – 6.7 [up from ~6.0]<\/span><\/p>\n
Lady Oscar (1979, Jacques Demy) 35mm<\/span> – 4.5<\/p>\n
Election (2005, Johnnie To) 35mm<\/span> – 4.0<\/p>\n
Election 2 (2006, Johnnie To) 35mm<\/span> – 3.9<\/p>\n
Break of Day (1980, Jacques Demy) 16mm<\/span> – 4.6<\/p>\n
Lacrau (2013, Jo\u00e3o Vladimiro) – 5.3<\/p>\n
+Zero for Conduct (1933, Jean Vigo) 35mm<\/span> – 7.3 [same]<\/span><\/p>\n
+L’Atalante (1934, Jean Vigo) 35mm<\/span> – 5.8 [up from 4.9]<\/span><\/p>\n
Blue Jasmine (2013, Woody Allen) DP<\/span> – 6.3<\/p>\n
At Long Last Love (1975, Peter Bogdanovich) – 3.5<\/p>\n
This is the End (2013, Evan Goldberg & Seth Rogen) DP<\/span> – 5.8<\/p>\n
Byzantium (2012, Neil Jordan) DP<\/span> – 5.0<\/p>\n
National Lampoon’s Animal House (1978, John Landis) DP<\/span> – 2.9<\/p>\n
Broken (2012, Rufus Norris) – 5.4<\/p>\n
Meatballs (1979, Ivan Reitman) 35mm<\/span> – 5.1<\/p>\n
Stripes (1981, Ivan Reitman) DP<\/span> – 4.9<\/p>\n
Three Seats for the 26th (1988, Jacques Demy) DP<\/span> – 5.5<\/p>\n
Drug War (2012, Johnnie To) – 6.9<\/p>\n
The Suitor (1962, Pierre \u00c9taix) – 5.7<\/p>\n
From Up on Poppy Hill (2011, Goro Miyazaki) – 3.4<\/p>\n
Caddyshack (1980, Harold Ramis) 35mm<\/span> – 5.1<\/p>\n
The Adventures of Prince Achmed (1926, Lotte Reiniger) 16mm<\/span> – 6.6<\/p>\n
A Field in England (2013, Ben Wheatley) – 4.9<\/p>\n
Target (2011, Alexander Zeldovich) – 5.0<\/p>\n
Bullet to the Head (2012, Walter Hill) – 4.7<\/p>\n
The Navigator (1924, Buster Keaton & Donald Crisp) – 6.4<\/p>\n
Un Coeur en Hiver (1992, Claude Sautet) DP<\/span> – 7.2<\/p>\n
+Devils on the Doorstep (2000, Jiang Wen) DP<\/span> – 6.1 [up from 4.6]<\/span><\/p>\n
Seconds (1966, John Frankenheimer) – 6.6<\/p>\n
Nobody’s Daughter Haewon (2013, Hong Sang-soo) – 4.9<\/p>\n
+Still Life (2006, Jia Zhangke) DP<\/span> – 7.0 [~same]<\/span><\/p>\n
New Year’s Sacrifice (1956, Sang Hu) 35mm<\/span> – 4.5<\/p>\n
Computer Chess (2013, Andrew Bujalski) DP<\/span> – 7.6<\/p>\n
Battling Butler (1926, Buster Keaton) – 5.7<\/p>\n
The River (1997, Tsai Ming-liang) – 6.8<\/p>\n
The Hole (1998, Tsai Ming-liang) – 7.1<\/p>\n
The Saphead (1920, Herbert Blach\u00e9 & Winchell Smith) – 5.2<\/p>\n
What Time Is It There? (2001, Tsai Ming-liang) – 6.9<\/p>\n
I Don’t Want to Sleep Alone (2006, Tsai Ming-liang) – 6.5<\/p>\n
+Face (2009, Tsai Ming-liang) – 6.6 [down from 7.7]<\/span><\/p>\n
+Good Bye, Dragon Inn (2003, Tsai Ming-liang) – 4.8 [~same]<\/span><\/p>\n
+The Wayward Cloud (2005, Tsai Ming-liang) – 6.8 [~same]<\/span><\/p>\n
White Nights (1957, Luchino Visconti) 35mm<\/span> – 6.7<\/p>\n
Celestial Wives of the Meadow Mari (2012, Aleksei Fedorchenko) – 5.4
\n
\n<\/br><\/p>\n
<\/div>\n
<\/a>August<\/span><\/strong><\/p>\n
The World’s End (2013, Edgar Wright) DP<\/span> – 5.9<\/p>\n
The Canyons (2013, Paul Schrader) DP<\/span> – 4.8<\/p>\n
A Brighter Summer Day (1991, Edward Yang) 35mm<\/span> – 5.1<\/p>\n
An American in Paris (1951, Vincente Minnelli) DP<\/span> – 6.3<\/p>\n
+Computer Chess (2013, Andrew Bujalski) DP<\/span> – 7.9 [up from 7.6]<\/span><\/p>\n
Sarah Prefers to Run (2013, Chlo\u00e9 Robichaud) – 4.6<\/p>\n
Boy Meets Girl (1984, Leos Carax) 35mm<\/span> – 8.8<\/p>\n
Airplane! (1980, Jim Abrahams & David and Jerry Zucker) DP<\/span> – 6.9<\/p>\n
+The Earrings of Madame de… (1953, Max Oph\u00fcls) 35mm<\/span> – 6.2 [~same]<\/span><\/p>\n
Mauvais sang (1986, Leos Carax) 35mm<\/span> – 7.2<\/p>\n
Stray Dogs (2013, Tsai Ming-liang) – 7.5<\/p>\n
+The Lovers on the Bridge (1991, Leos Carax) 35mm<\/span> – 5.8 [up from 5.2]<\/span><\/p>\n
+Stray Dogs (2013, Tsai Ming-liang) – 7.5 [same]<\/span><\/p>\n
+Even Dwarfs Started Small (1970, Werner Herzog) – 7.3 [same]<\/span><\/p>\n
Orpheus (1950, Jean Cocteau) 35mm<\/span> – 5.7<\/p>\n
Pola X (1999, Leos Carax) 35mm<\/span> – 4.5<\/p>\n
Pays Barbare (2013, Yervant Gianikian & Angela Ricci Lucchi) – 4.2<\/p>\n
The Battle of Tabat\u00f4 (2013, Joao Viana) – 2.2<\/p>\n
+The Past (2013, Asghar Farhadi) DP<\/span> – 3.8 [same]<\/span><\/p>\n
+Viola (2012, Mat\u00edas Pi\u00f1eiro) \u2013 7.2 [same]<\/span><\/p>\n
Gabrielle (2013, Louise Archambault) DP<\/span> – 4.8<\/p>\n
The Invisible Woman (2013, Ralph Fiennes) DP<\/span> – 4.7<\/p>\n
The Art of the Steal (2013, Jonathan Sobol) DP<\/span> – 3.0<\/p>\n
Siddharth (2013, Richie Mehta) DP<\/span> – 4.5<\/p>\n
Gerontophilia (2013, Bruce LaBruce) DP<\/span> – 5.5<\/p>\n
+A Touch of Sin (2013, Jia Zhangke) DP<\/span> – 6.8 [same]<\/span><\/p>\n
The Oxbow Cure (2013, Yonah Lewis & Calvin Thomas) DP<\/span> – 5.0<\/p>\n
MANAKAMANA (2013, Stephanie Spray & Pacho Velez) – 7.8<\/p>\n
A Thousand Suns (2013, Mati Diop) – 6.2<\/p>\n
Cold Eyes (2013, Cho Ui-seok and Kim Byung-seo) DP<\/span> – 4.1<\/p>\n
La \u00faltima pel\u00edcula (2013, Raya Martin & Mark Peranson) 35mm<\/span> – 6.5<\/p>\n
American Promise (2013, Joe Brewster & Mich\u00e8le Stephenson) – 5.6<\/p>\n
+The Strange Little Cat (2013, Ramon Z\u00fcrcher) DP<\/span> – 8.9 [up from 8.1]<\/span><\/p>\n
Burning Bush (2013, Agnieszka Holland) DP<\/span> – 4.0<\/p>\n
Ilo Ilo (2013, Anthony Chen) DP<\/span> – 4.8<\/p>\n
Bright Days Ahead (2013, Marion Vernoux) DP<\/span> – 5.3<\/p>\n
The Lunchbox (2013, Ritesh Batr) DP<\/span> – 5.2<\/p>\n
Thou Gild’st the Even (2013, Onur \u00dcnl\u00fc) DP<\/span> – 3.6<\/p>\n
Shivers (1975, David Cronenberg) DP<\/span> – 5.9<\/p>\n
Burt’s Buzz (2013, Jody Shapiro) DP<\/span> – 4.2<\/p>\n
Mary Queen of Scots (2013, Thomas Imbach) DP<\/span> – 4.4<\/p>\n
R100 (2013, Hitoshi Matsumoto) – 5.6<\/p>\n
+Alien (1979, Ridley Scott) DP<\/span> – 6.7 [~same]<\/span>
\n
\n<\/br><\/p>\n
<\/div>\n
<\/a>September<\/span><\/strong><\/p>\n
The Thing (1982, John Carpenter) DP<\/span> – 5.8<\/p>\n
At Berkeley (2013, Frederick Wiseman) – 4.9<\/p>\n
The Unknown Known (2013, Errol Morris) DP<\/span> – 4.4<\/p>\n
Blood Ties (2013, Guillaume Canet) TIFF<\/span>, DP<\/span> – 5.1<\/p>\n
Story of My Death (2013, Albert Serra) TIFF<\/span>, DP<\/span> – 5.5<\/p>\n
Omar (2013, Hany Abu-Assad) TIFF<\/span>, DP<\/span> – 3.9<\/p>\n
Tom at the Farm (2013, Xavier Dolan) TIFF<\/span>, DP<\/span> – 5.0<\/p>\n
Club Sandwich (2013, Fernando Eimbcke) TIFF<\/span>, DP<\/span> – 6.2<\/p>\n
Waiting for Sancho (2008, Mark Peranson) DP<\/span> – 3.6<\/p>\n
Salvation Army (2013, Abdellah Ta\u00efa) TIFF<\/span>, DP<\/span> – 5.6<\/p>\n
Love is the Perfect Crime (2013, Arnaud & Jean-Marie Larrieu) TIFF<\/span>, DP<\/span> – 6.6<\/p>\n
Gravity (2013, Alfonso Cuar\u00f3n) TIFF<\/span>, 3D<\/span> – 6.0<\/p>\n
Three Landscapes (2013, Peter Hutton) TIFF<\/span>, DP<\/span> – 5.9<\/p>\n
Child of God (2013, James Franco) TIFF<\/span>, DP<\/span> – 1.8<\/p>\n
Le Week-End (2013, Roger Mitchell) TIFF<\/span>, DP<\/span> – 4.4<\/p>\n
+Stranger by the Lake (2013, Alain Guiraudie) TIFF<\/span>, DP<\/span> – 7.7 [up from 7.2]<\/span><\/p>\n
+Things to Come (1936, William Cameron Menzies) \u2013 5.8 [same]<\/span><\/p>\n
Night Moves (2013, Kelly Reichardt) TIFF<\/span>, DP<\/span> – 6.3<\/p>\n
+Stray Dogs (2013, Tsai Ming-liang) TIFF<\/span>, DP<\/span> – 7.6 [up from 7.5]<\/span><\/p>\n
Joe (2013, David Gordon Green) TIFF<\/span>, DP<\/span> – 5.7<\/p>\n
Under the Skin (2013, Jonathan Glazer) TIFF<\/span>, DP<\/span> – 7.3<\/p>\n
The Square (2013, Jehane Noujaim) TIFF<\/span>, DP<\/span> – 4.7<\/p>\n
The Wind Rises (2013, Hayao Miyazaki) TIFF<\/span>, DP<\/span> – 4.1<\/p>\n
The Strange Colour of Your Body’s Tears (2013, Helene Cattet & Bruno Forzani) TIFF<\/span>, DP<\/span> – 4.8<\/p>\n
The Amazing Catfish (2013, Claudia Sainte-Luce) TIFF<\/span>, DP<\/span> – 5.3<\/p>\n
Our Sunhi (2013, Hong Sang-soo) TIFF<\/span>, DP<\/span> – 5.9<\/p>\n
Moebius (2013, Kim Ki-duk) TIFF<\/span>, DP<\/span> – 6.4<\/p>\n
Three Interpretation Exercises (2013, Cristi Puiu) TIFF<\/span>, DP<\/span> – 6.1<\/p>\n
Abuse of Weakness (2013, Catherine Breillat) TIFF<\/span>, DP<\/span> – 5.7<\/p>\n
Real (2013, Kiyoshi Kurosawa) TIFF<\/span>, DP<\/span> – 2.8<\/p>\n
October November (2013, G\u00f6tz Spielmann) TIFF<\/span>, DP<\/span> – 5.4<\/p>\n
12 Years a Slave (2013, Steve McQueen) TIFF<\/span>, DP<\/span> – 4.5<\/p>\n
A Spell to Ward Off the Darkness (2013, Ben Rivers & Ben Russell) TIFF<\/span>, DP<\/span> – 5.6<\/p>\n
When Evening Falls on Bucharest or Metabolism (2013, Corneliu Porumboiu) TIFF<\/span>, DP<\/span> – 6.5<\/p>\n
+Sherlock Jr. (1924, Buster Keaton) \u2013 8.1 [up from 6.6]<\/span><\/p>\n
Daredevils (2013, Stephanie Barber) – 3.5<\/p>\n
The Manchurian Candidate (1962, John Frankenheimer) – 5.8<\/p>\n
No Fear, No Die (1990, Claire Denis) – 6.1<\/p>\n
The Island of St. Matthews (2013, Kevin Jerome Everson) – 4.6<\/p>\n
Camille Claudel 1915 (2013, Bruno Dumont) – 6.0<\/p>\n
Hard Times (1975, Walter Hill) – 5.9<\/p>\n
Sacro GRA (2013, Gianfranco Rosi) – 4.9
\n
\n<\/br><\/p>\n
<\/div>\n
<\/a>October<\/span><\/strong><\/p>\n
Phoenix Tapes (2000, Christoph Girardet & Matthias M\u00fcller) – 5.1<\/p>\n
Jealousy (2013, Philippe Garrel) NYFF<\/span><\/strong>, DP<\/span> – 6.6<\/p>\n
Coast of Death (2013, Lois Pati\u00f1o) NYFF<\/span><\/strong>, DP<\/span> – 4.5<\/p>\n
Life is Dream (1987, Ra\u00fal Ruiz) NYFF<\/span><\/strong>, 16mm<\/span> – 5.7<\/p>\n
Dusty Stacks of Mom: The Poster Project (2013, Jodie Mack) NYFF<\/span><\/strong>, 16mm<\/span> – 8.3<\/p>\n
Liahona (2013, Talena Sanders) NYFF<\/span><\/strong>, DP<\/span> – 5.2<\/p>\n
Session 9 (2001, Brad Anderson) – 2.7<\/p>\n
The Seashell and the Clergyman (1928, Germaine Dulac) – 5.8<\/p>\n
+Dead Ringers (1988, David Cronenberg) 35mm<\/span> – 6.3 [~same]<\/span><\/p>\n
I Know Where I’m Going! (1945, Michael Powell & Emeric Pressburger) DP<\/span> – 5.5<\/p>\n
+A Thousand Suns (2013, Mati Diop) DP<\/span> – 6.6 [up from 6.2]<\/span><\/p>\n
Touki Bouki (1973, Djibril Diop Mamb\u00e9ty) 35mm<\/span> – 6.1<\/p>\n
+Bastards (2013, Claire Denis) DP<\/span> – 7.5 [same]<\/span><\/p>\n
A. (1994, Luther Price) 8mm<\/span> – 6.0<\/p>\n
+Leviathan (2012, Lucien Castaing-Taylor & V\u00e9r\u00e9na Paravel) – 8.1 [same]<\/span><\/p>\n
The Lovely Month of May (1963, Chris Marker) DP<\/span> – 5.9<\/p>\n
+Friday Night (2002, Claire Denis) 35mm<\/span> – 6.4 [down from 7.4]<\/span><\/p>\n
Claire Denis – The Wanderer (1996, Sebastien Lifshitz) DP<\/span> – 4.2<\/p>\n
U.S. Go Home (1994, Claire Denis) DP<\/span> – 7.7<\/p>\n
Nenette and Boni (1996, Claire Denis) 35mm<\/span> – 5.4<\/p>\n
+Upstream Color (2013, Shane Carruth) – 6.9 [up from 6.6]<\/span><\/p>\n
Le r\u00e9v\u00e9lateur (1968, Philippe Garrel) – 4.4<\/p>\n
+The Inner Scar (1972, Philippe Garrel) – 8.0 [up from 6.9]<\/span>
\n
\n<\/br><\/p>\n
<\/div>\n
<\/a>November<\/span><\/strong><\/p>\n
Short Term 12 (2013, Destin Cretton) DP<\/span> – 4.5<\/p>\n
Trouble Every Day (2001, Claire Denis) 35mm<\/span> – 7.3<\/p>\n
Rabid (1977, David Cronenberg) 35mm<\/span> – 5.7<\/p>\n
Tetsuo (1989, Shinya Tsukamoto) DP<\/span> – 4.8<\/p>\n
+The Strange Little Cat (2013, Ramon Z\u00fcrcher) – 8.9 [same]<\/span><\/p>\n
The Counselor (2013, Ridley Scott) DP<\/span> – 6.4<\/p>\n
+Gravity (2013, Alfonso Cuar\u00f3n) 3D<\/span> – 6.0 [same]<\/span><\/p>\n
Stereo (1969, David Cronenberg) 35mm<\/span> – 4.7<\/p>\n
+L’Age d’Or (1930, Luis Bu\u00f1uel) – 7.4 [~same]<\/span><\/p>\n
+Nebraska (2013, Alexander Payne) DP<\/span> – 7.0 [same]<\/span><\/p>\n
The Blind Side (2009, John Lee Hancock) – 3.7<\/p>\n
+L’Atalante (1934, Jean Vigo) – 5.8  [same]<\/span><\/p>\n
Oldboy (2013, Spike Lee) DP<\/span> – 5.0<\/p>\n
Hard to Be a God (2013, Alexei German) – 6.2<\/p>\n
Jezebel (1938, William Wyler) 35mm<\/span> – 5.5<\/p>\n
The Little Foxes (1941, William Wyler) 35mm<\/span> – 4.9<\/p>\n
+Inside Llewyn Davis (2013, Joel & Ethan Coen) DP<\/span> – 6.5 [same]<\/span><\/p>\n
Vic + Flo Saw a Bear (2013, Denis C\u00f4t\u00e9) DP<\/span> – 5.2<\/p>\n
+Fargo (1996, Joel Coen) 35mm<\/span> – 8.3 [same]<\/span><\/p>\n
Alan Partridge: Alpha Papa (2013, Declan Lowney) – 5.7<\/p>\n
Beyond the Forest (1949, King Vidor) 35mm<\/span> – 6.3
\n
\n<\/br><\/p>\n
<\/div>\n
<\/a>December<\/span><\/strong><\/p>\n
+Blood Simple. [Theatrical Cut] (1984, Joel Coen) 35mm<\/span> – 7.1 [down from ~7.8]<\/span><\/p>\n
+O Brother, Where Art Thou? (2000, Joel Coen) 35mm<\/span> – 7.2 [down from ~7.8]<\/span><\/p>\n
Her (2013, Spike Jonze) – 5.8<\/p>\n
+Barton Fink (1991, Joel Coen) 35mm<\/span> – 8.4 [~same]<\/span><\/p>\n
Captain Phillips (2013, Paul Greengrass) – 6.1<\/p>\n
The Music Room (1958, Satyajit Ray) – 5.9<\/p>\n
The Grandmaster (2013, Wong Kar-wai) – 4.3<\/p>\n
The Spectacular Now (2013, James Ponsoldt) – 5.4<\/p>\n
All is Lost (2013, J.C. Chandor) DP<\/span> – 6.0<\/p>\n
The Hobbit: An Unexpected Journey [3D] (2012, Peter Jackson)  – 3.4<\/p>\n
Pain & Gain (2013, Michael Bay) – 4.2<\/p>\n
Centro Hist\u00f3rico (2012, Aki Kaurism\u00e4ki, Pedro Costa, V\u00edctor Erice, & Manoel de Oliveira) – 5.3<\/p>\n
Pacific Rim (2013, Guillermo del Toro) – 4.6<\/p>\n
The Dirties (2013, Matt Johnson) – 6.6<\/p>\n
+Gravity (2013, Alfonso Cuar\u00f3n) 3D<\/span> – 6.4 [up from 6.0]<\/span><\/p>\n
It’s a Disaster (2012, Todd Berger) – 5.9<\/p>\n
Star Trek Into Darkness [3D] (2013, J.J. Abrams) – 3.8<\/p>\n
The Wolf of Wall Street (2013, Martin Scorsese) DP<\/span> – 5.3<\/p>\n","protected":false},"excerpt":{"rendered":"
Past Logs 2012 Film Log 2011 Film Log 2010 Film Log 2009 Film Log 2007 Film Log *8mm\/16mm\/35mm\/70mm denotes that what I saw was a film print. *DP denotes that what I saw was a Digital Projection in a theatre, either because the film doesn’t exist on celluloid, or the theatre where I saw it […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-9141","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/9141","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=9141"}],"version-history":[{"count":7,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/9141\/revisions"}],"predecessor-version":[{"id":14688,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/9141\/revisions\/14688"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=9141"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=9141"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=9141"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}