{"id":8884,"date":"2013-09-27T09:29:36","date_gmt":"2013-09-27T14:29:36","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=8884"},"modified":"2013-10-06T23:41:30","modified_gmt":"2013-10-07T04:41:30","slug":"my-views-from-the-avant-garde-garrel-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2013\/09\/my-views-from-the-avant-garde-garrel-schedule\/","title":{"rendered":"My Views from the Avant-Garde (+Garrel) schedule"},"content":{"rendered":"

October 3<\/span><\/p>\n

3PM – PROGRAM 15: Voices perish (coloring the darkening glow)<\/a><\/strong>
\n\t– Strawberries in the Summertime (Jennifer Reeves, USA, 2013, 15m)
\n\t– Luna (Snow) (Leslie Thornton, USA, 2013, 2:21m)
\n\t– Onomatopoeic Alphabet (Aura Satz, UK, 2010, 7m)
\n\t– Doorway for Nathalie Kalmus (Aura Satz, UK, 2013, 9m)
\n\t– Paisaje-Duraci\u00f3n Trigal (Duration Landscape Cornfield) (Lois Pati\u00f1o, Spain, 2010, 2:57m)
\n\t– Psalm IV: Valley of the Shadow (Phil Solomon, USA, 2013, 7:31m)
\n\t– All or Nothing (Fred Worden, USA, 2013, 8m)
\n\t– Half Life (April Simmons, USA, 2013, 6:04m)
\n\t– Luna (Heaven) (Leslie Thornton, USA, 2013, 12m)
\n\t– Remanence IV (Josh Bonnetta, USA, 2013, 54s)
\n\t– Bedtime Story (Esther Shatavsky, USA, 1981, 5.5m)
\n\t– Weissfilm (Wilhelm and Brigit Hein, Germany, 1977, 5m)
\n\t– Splice 181 to Splice 243 of Spicefilm, 2013, Homage to Brigit and Wilhelm Hein’s Weissfilm, 1977 (Florian Zeyfang, Germany, 2013, 5m)
\n\t– Creme 21 (Eve Heller, Austria, 2013, 11m)
\n\t– Ten Notes on A Summer Day (Mike Stoltz, USA, 2012, 4.5m)
\n\t– The Sea Seeks Its Own Level (Erin Espelie, USA, 2013, 5:04m)<\/p>\n

6PM – MAIN SLATE: Jealousy (2013, Philippe Garrel)<\/a><\/strong><\/p>\n

9PM – PROGRAM 3: Coast of Death (2013, Lois Pati\u00f1o)<\/a><\/strong>
\n<\/p>\n\n

<\/br>
\nOctober 4<\/span><\/p>\n

12PM – PROGRAM 5: Life is Dream (1987, Ra\u00fal Ruiz)<\/a><\/strong><\/p>\n

6:15PM – PROGRAM 9: Landscapes in the Shadow of Time<\/a><\/strong>
\n\t+ Views from the Acropolis (Lonnie van Brummelen and Siebren de Haan, Netherlands\/Turkey, 2012, 14:58m)
\n\t– Landscape Rocks (Lois Pati\u00f1o, Spain, 2011, 4:19m)
\n\t– Mountain in shadow (Lois Pati\u00f1o, Spain, 2012, 13:54m)
\n\t– Nile Perch (Josh Gibson, USA\/Uganda, 2013, 16:47m)
\n\t– [at this point I leave to go try to rush Program 11<\/em>]<\/p>\n

8:15PM – PROGRAM 11: One Secret Destroys Everything<\/a><\/strong>
\n\t+ Dad\u2019s Stick (John Smith, GB, 2013, 6m)
\n\t+ The Invisible World (Jesse McLean, USA, 2012, 20:15m)
\n\t– Lyrica (Shana Moulton, USA, 2012, 4:53m)
\n\t– The Dark, Krystle (Michael Robinson, USA, 2013, 8m)
\n\t+ Mount Song (Shambhavi Kaul, USA\/India, 2013, 8:49m)
\n\t– Property (Jeanne Liotta, USA, 2013, 3:28m)
\n\t– Ojo Caliente (Pat O\u2019Neill, USA, 2012, 4m)
\n\t– Dirty Code (Bobby Abate, USA, 2013, 5m)
\n\t– Black Powder, White Smoke (Sarah Halpern, USA, 2:05m)
\n\t– Life is an Opinion Fire a Fact (Karen Yasinsky, USA, 2012, 9m)
\n\t– Greystone (Kerry Tribe, USA, 2012, 29m)<\/p>\n

10:30PM – PROGRAM 13: Jodie Mack \u2013 Let Your Light Shine<\/a><\/strong>
\n\t– Undertone Overture (Jodie Mack, USA, 2013, 10:30m)
\n\t– New Fancy Foils (Jodie Mack, USA, 2013, 12m)
\n\t– Dusty Stacks of Mom (Jodie Mack, USA, 2013, 41m)
\n\t– Glistening Thrills (Jodie Mack, USA, 2013, 8m)
\n\t– Let Your Light Shine (Jodie Mack, USA, 2013, 2:45m)
\n<\/p>\n\n

<\/br>
\nOctober 5<\/span><\/p>\n

12PM – PROGRAM 16: L\u2019Age D\u2019Or<\/a><\/strong>
\n\t– Tender Feet (Fern Silva, USA, 2013, 10m)
\n\t+ 45 7 Broadway (Tomonari Nishikawa, USA\/Japan, 2013, 6m)
\n\t– Blue (Shiloh Cinquemani, Germany, 2013, 3:02m)
\n\t– Sea Series 12, 13, 14 (John Price, Canada, 2013, 7:30m)
\n\t– Farewell (Alexandra Cuesta, USA, 2013, 9:36m)
\n\t– Bat El Drinking Water and Other Signs (Jonathan Schwartz, USA\/Israel, 2013, 9:59m)
\n\t– Utskor: Either\/Or (Laida Lertxundi, Norway\/Spain\/USA, 2013, 7:30m)
\n\t+ Gowanus Canal (Sarah J. Christman, USA, 2013, 7m)
\n\t– High Water (Pawel Wojtasik, USA, 2013, 9:23m)
\n\t– Age of Stone (Ana Vaz, Brazil, 2013, 28:57m)<\/p>\n

2:30PM – PROGRAM 7: Sandro Aguilar – Dive: Approach and Exit<\/a><\/strong>
\n\t– Dive: Approach and Exit (Sandro Aguilar, Portugal, 2013, 12m)
\n\t– Signs of Stillness out of Meaningless Things (Sandro Aguilar, Portugal, 2012, 28m)
\n\t– Remains (Sandro Aguilar, Portugal, 2010, 18m)
\n\t– Mercurio (Sandro Aguilar, Portugal, 2010, 18m)
\n\t– Arquivo (Sandro Aguilar, Portugal, 2007, 19m)
\n\t– [at this point I leave and go to Program 18<\/em>]<\/p>\n

4:15PM – PROGRAM 18: Precarious Light in Calm Frequencies<\/a><\/strong>
\n\t– Balga (Lichun Tseng, Netherlands, 2012, 4:26m)
\n\t– Natura Obscura (Paolo Gioli, Italy, 7:50m)
\n\t– Orchard.5 (Hey\u2013Yeun Jang, USA, 2013, 4m)
\n\t– Late Summer (Barry Gerson, USA, 2013, 11m)
\n\t– Lost Our Lease (Jim Jennings, USA, 2013, 10m)
\n\t– February (Inhan Cho, South Korea, 2011, 4:25m)
\n\t– Watercolor (Fall Creek, Vincent Grenier, USA, 2013, 12:15m)
\n\t– Flow (Lichun Tseng, Netherlands, 2013, 16m)
\n\t– Falling Notes Unleaving (Saul Levine, USA, 2013, 12m)
\n\t– Threshold (Robert Todd, USA, 2013, 19m)
\n\t– Exterior Extended (Siegfried A. Fruhauf, Austria, 2013, 9m)<\/p>\n

9:30PM – PROGRAM 22: Lullabies and Alarms<\/a><\/strong>
\n\t– Cars and Killers (Gretchen Skogerson, USA, 2013, 2m)
\n\t– Platonic (Dani Leventhal, USA, 2013, 21 m)
\n\t– Elsa merdelamerdelamer (Abigail Child, USA, 2013, 3:30m)
\n\t– vis \u00e0 vis (Abigail Child, USA, 2013, 25m)
\n\t– After Hours (Karen Yasinsky, USA, 2013, 14:40m)
\n\t+ El Adios (Largos Andrew Lampert, USA, 2013, 10m)
\n\t– Rode Molen (Esther Urlus, Netherlands, 2013, 4m)
\n\t– Seoul Electric (Richard Tuohy, South Korea, 2012, 7:29m)
\n\t– Las Variaciones Schwitters (Alberto Cabrera Bernal, Spain, 2012, 6m)
\n\t– Slackness Princess (Sara Grace Nesin, USA, 2013, 3:57m)
\n\t– Scattered in the Wind (Lori Felker,USA, 2013, 5:32m)
\n\t– P.S. When You\u2019re About to Die (Stom Sogo, USA\/Japan, 2003, 12m)
\n<\/p>\n\n

<\/br>
\nOctober 6<\/span><\/p>\n

12PM – PROGRAM 23: Liahona (2013, Talena Sanders)<\/a><\/strong><\/p>\n

3:15PM – PROGRAM 25: (a noisy distance of None will be returned if, and only if, the ghost is captured)<\/a><\/strong>
\n\t– Home Movie Gaza (Basma Alsharif, Palestinian Territories, 2013, 24m)
\n\t– The Fold (Leslie Thornton, 2013, 4m)
\n\t– Every Filter In Final Cut Pro (Lisa McArty, USA, 2013, 9:55m)
\n\t– Immortal, Suspended (Deborah Stratman, USA, 2013, 5m)
\n\t– Sound Seam (Aura Satz, UK, 2010, 14:04m)
\n\t– Binocular; Zebra 2 (Leslie Thornton, 2013, 2m)
\n\t+ Movement in Squares (Jean-Paul Kelly, Canada, 2013,12:37m)
\n\t+ Figure \u2013ground (Jean-Paul Kelly, Canada, 2013, 4:47m)
\n\t+ Service of the Goods (Jean-Paul Kelly, Canada, 2013, 29:10m)<\/p>\n

5:30PM – PROGRAM 26: Written on the Wind<\/a><\/strong>
\n\t– Murmurations (Rebecca Meyers, USA, 2013, 5:40m)
\n\t– Aviary (Katherin McInnis, 2013, 5:00m)
\n\t– Verses (James Sansingm, USA, 2012, 4m)
\n\t– Experiments in Buoyancy (Calum Michel Walter, USA, 2013, 4:30m)
\n\t– Handful of Dust (Hope Tucker, USA, 2013, 8:46m)
\n\t– Burrow- Cams (Sam Easterson, USA, 2012, 3m)
\n\t– True-Life Adventure I (Erin Espelie, USA, 2012, 5m)
\n\t– True-Life Adventure II (Erin Espelie, USA, 2013, 5m)
\n\t– True-Life Adventure III (Erin Espelie, USA, 2013, 6m)
\n\t– Looking Glass Insects (Charlotte Pryce, USA, 2013, 4:02m)
\n\t– A Study in Natural Magic (Charlotte Pryce, USA, 2013, 3:28m)
\n\t– Animals Moving to the Sound of Drums (Jonathan Schwartz, USA, 2013, 8m)
\n\t– Painter and Ball 4-14 (Pat O\u2019Neill, USA, 2011, 10m)
\n\t– After Creation After Icebergs (Mary Beth Reed, 2013, 16mm, 2:26m)<\/p>\n

7:30PM – PROGRAM 28: Ernie Gehr \u2013 Living Next Door to Magic<\/a><\/strong>
\n\t– Photographic Phantoms (Ernie Gehr, USA, 2013, 26m)
\n\t– Winter Morning (Ernie Gehr, USA, 2013, 18m)
\n\t– The Quiet Car (Ernie Gehr, USA, 2013, 18m)
\n\t– Auto-Collider XVIII (Ernie Gehr, USA, 2013, 13m)
\n\t– Brooklyn Series (Ernie Gehr, USA, 2013, 8m)<\/p>\n

9:45PM – PROGRAM 30: Scott Stark \u2013 The Realist<\/a><\/strong>
\n\t– Etienne\u2019s Hand (Richard Touhy, Australia, 2011, 12:34m)
\n\t– The Unique Boutique (Shana Moulton, USA) [late addition to the program<\/em>]
\n\t– Poetry and Truth (Dichtung und Wahrheit) (Peter Kubelka, 2003, 13m)
\n\t– A Serpente (Sandro Aguilar, Portugal, 2005, 15m)
\n\t+ The Realist (Scott Stark, USA, 2013, 40m)<\/p>\n","protected":false},"excerpt":{"rendered":"

October 3 3PM – PROGRAM 15: Voices perish (coloring the darkening glow) – Strawberries in the Summertime (Jennifer Reeves, USA, 2013, 15m) – Luna (Snow) (Leslie Thornton, USA, 2013, 2:21m) – Onomatopoeic Alphabet (Aura Satz, UK, 2010, 7m) – Doorway for Nathalie Kalmus (Aura Satz, UK, 2013, 9m) – Paisaje-Duraci\u00f3n Trigal (Duration Landscape Cornfield) (Lois […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-8884","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/8884","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=8884"}],"version-history":[{"count":12,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/8884\/revisions"}],"predecessor-version":[{"id":8916,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/8884\/revisions\/8916"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=8884"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=8884"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=8884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}