{"id":8827,"date":"2013-09-15T20:13:12","date_gmt":"2013-09-16T01:13:12","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=8827"},"modified":"2013-09-18T21:00:06","modified_gmt":"2013-09-19T02:00:06","slug":"tiff13-hierarchy","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2013\/09\/tiff13-hierarchy\/","title":{"rendered":"TIFF13 Hierarchy"},"content":{"rendered":"<p><span style=\"text-decoration: underline;\">Key<\/span><br \/>\n&#8211; <span style=\"color: #ff6600;\">Saw at TIFF Proper (between Sept. 5-15)<\/span><br \/>\n&#8211; <strong>Saw at Cannes<\/strong><br \/>\n&#8211; <em>Saw at TIFF pre-festival press screening<\/em><br \/>\n&#8211; Saw a screener of some kind<br \/>\n<br \/>\n<\/br><\/p>\n<div><\/div>\n<p><span style=\"text-decoration: underline;\">Tier 0<\/span><br \/>\n<em><strong>The Strange Little Cat (Ramon Z\u00fcrcher)<\/strong><\/em> \u2013 <span style=\"color: #ce00c7;\">8.9<\/span><\/p>\n<p><span style=\"text-decoration: underline;\">Tier 1<\/span><br \/>\nMANAKAMANA (Stephanie Spray &#038; Pacho Velez) \u2013 <span style=\"color: #ce00c7;\">7.8<\/span><br \/>\n<strong>Norte, the End of History (Lav Diaz)<\/strong> \u2013 <span style=\"color: #ce00c7;\">7.8<\/span><\/p>\n<p><span style=\"text-decoration: underline;\">Tier 2<\/span><br \/>\n<span style=\"color: #ff6600;\"><strong>Stranger by the Lake (Alain Guiraudie)<\/strong><\/span> \u2013 <span style=\"color: #ce00c7;\">7.7<\/span><br \/>\n<span style=\"color: #ff6600;\">Stray Dogs (Tsai Ming-liang)<\/span> \u2013 <span style=\"color: #ce00c7;\">7.6<\/span><br \/>\n<strong>Bastards (Claire Denis)<\/strong> \u2013 <span style=\"color: #ce00c7;\">7.5<\/span><br \/>\n<span style=\"color: #ff6600;\">Under the Skin (Jonathan Glazer)<\/span> \u2013 <span style=\"color: #ce00c7;\">7.3<\/span><\/p>\n<p><span style=\"text-decoration: underline;\">Tier 3<\/span><br \/>\n<em><strong>A Touch of Sin (Jia Zhang-ke)<\/strong><\/em> \u2013 <span style=\"color: #ce00c7;\">6.8<\/span><br \/>\n<span style=\"color: #ff6600;\">Love is the Perfect Crime (Arnaud &#038; Jean-Marie Larrieu)<\/span> \u2013 <span style=\"color: #ce00c7;\">6.6<\/span><br \/>\n<span style=\"color: #ff6600;\">When Evening Falls on Bucharest or Metabolism (Corneliu Porumboiu)<\/span> &#8211; <span style=\"color: #ce00c7;\">6.5<\/span><br \/>\n<em>La \u00faltima pel\u00edcula (Raya Martin &#038; Mark Peranson)<\/em> \u2013 <span style=\"color: #ce00c7;\">6.5<\/span><br \/>\n<span style=\"color: #ff6600;\">Moebius (Kim Ki-duk)<\/span> \u2013 <span style=\"color: #ce00c7;\">6.4<\/span><br \/>\n<strong>Only Lovers Left Alive (Jim Jarmusch)<\/strong> \u2013 <span style=\"color: #ce00c7;\">6.4<\/span><br \/>\n<span style=\"color: #ff6600;\">Night Moves (Kelly Reichardt)<\/span> \u2013 <span style=\"color: #ce00c7;\">6.3<\/span><br \/>\n<span style=\"color: #ff6600;\">Club Sandwich (Fernando Eimbcke)<\/span> \u2013 <span style=\"color: #ce00c7;\">6.2<\/span><br \/>\nA Thousand Suns (Mati Diop) \u2013 <span style=\"color: #ce00c7;\">6.2<\/span><\/p>\n<p><span style=\"text-decoration: underline;\">Tier 4<\/span><br \/>\n<span style=\"color: #ff6600;\">Three Interpretation Exercises (Cristi Puiu)<\/span> \u2013 <span style=\"color: #ce00c7;\">6.1<\/span><br \/>\n<span style=\"color: #ff6600;\">Gravity (Alfonso Cuar\u00f3n)<\/span> \u2013 <span style=\"color: #ce00c7;\">6.0<\/span><br \/>\nClosed Curtain (Jafar Panahi &#038; Kamboziya Partovi) \u2013 <span style=\"color: #ce00c7;\">5.9<\/span><br \/>\n<strong>Blue is the Warmest Color (Abdellatif Kechiche)<\/strong> \u2013 <span style=\"color: #ce00c7;\">5.9<\/span><br \/>\n<span style=\"color: #ff6600;\">Three Landscapes (Peter Hutton)<\/span> \u2013 <span style=\"color: #ce00c7;\">5.9<\/span><br \/>\n<span style=\"color: #ff6600;\">Our Sunhi (Hong Sang-soo)<\/span> \u2013 <span style=\"color: #ce00c7;\">5.9<\/span><br \/>\n<strong>The Selfish Giant (Clio Barnard)<\/strong> \u2013 <span style=\"color: #ce00c7;\">5.8<\/span><br \/>\n<strong>The Great Beauty (Paolo Sorrentino)<\/strong> \u2013 <span style=\"color: #ce00c7;\">5.8<\/span><br \/>\n<span style=\"color: #ff6600;\">Abuse of Weakness (Catherine Breillat)<\/span> \u2013 <span style=\"color: #ce00c7;\">5.7<\/span><br \/>\n<span style=\"color: #ff6600;\">Joe (David Gordon Green)<\/span> \u2013 <span style=\"color: #ce00c7;\">5.7<\/span><br \/>\n<span style=\"color: #ff6600;\">A Spell to Ward Off the Darkness (Ben Rivers &#038; Ben Russell)<\/span> \u2013 <span style=\"color: #ce00c7;\">5.6<\/span><br \/>\nR100 (Hitoshi Matsumoto) \u2013 <span style=\"color: #ce00c7;\">5.6<\/span><br \/>\n<span style=\"color: #ff6600;\">Salvation Army (Abdellah Ta\u00efa)<\/span> \u2013 <span style=\"color: #ce00c7;\">5.6<\/span><br \/>\n<strong>Like Father, Like Son (Hirokazu Kore-eda)<\/strong> \u2013 <span style=\"color: #ce00c7;\">5.6<\/span><br \/>\n<span style=\"color: #ff6600;\">Story of My Death (Albert Serra)<\/span> \u2013 <span style=\"color: #ce00c7;\">5.5<\/span><br \/>\n<em>Gerontophilia (Bruce LaBruce)<\/em> \u2013 <span style=\"color: #ce00c7;\">5.5<\/span><br \/>\nCelestial Wives of the Meadow Mari (Aleksei Fedorchenko) \u2013 <span style=\"color: #ce00c7;\">5.4<\/span><br \/>\n<span style=\"color: #ff6600;\">October November (G\u00f6tz Spielmann)<\/span> &#8211; <span style=\"color: #ce00c7;\">5.4 <\/span><\/p>\n<p><span style=\"text-decoration: underline;\">Tier 5<\/span><br \/>\n<strong>Blind Detective (Johnnie To)<\/strong> \u2013 <span style=\"color: #ce00c7;\">5.3<\/span><br \/>\n<span style=\"color: #ff6600;\">The Amazing Catfish (Claudia Sainte-Luce)<\/span> \u2013 <span style=\"color: #ce00c7;\">5.3<\/span><br \/>\n<em>Bright Days Ahead (Marion Vernoux)<\/em> \u2013 <span style=\"color: #ce00c7;\">5.3<\/span><br \/>\n<em>The Lunchbox (Ritesh Batra)<\/em> \u2013 <span style=\"color: #ce00c7;\">5.2<\/span><br \/>\nThe Summer of Flying Fish (Marcela Said) \u2013 <span style=\"color: #ce00c7;\">5.2<\/span><br \/>\n<span style=\"color: #ff6600;\">Blood Ties (Guillaume Canet)<\/span> &#8211; <span style=\"color: #ce00c7;\">5.1<\/span><br \/>\n<strong>Bends (Flora Lau)<\/strong> \u2013 <span style=\"color: #ce00c7;\">5.1<\/span><br \/>\n<span style=\"color: #ff6600;\">Tom at the Farm (Xavier Dolan)<\/span> \u2013 <span style=\"color: #ce00c7;\">5.0<\/span><br \/>\n<strong>Young &#038; Beautiful (Fran\u00e7ois Ozon)<\/strong> \u2013 <span style=\"color: #ce00c7;\">5.0<\/span><br \/>\n<strong>Blue Ruin (Jeremy Saulnier)<\/strong> \u2013 <span style=\"color: #ce00c7;\">5.0<\/span><br \/>\nJodorowsky\u2019s Dune (Frank Pavich) \u2013 <span style=\"color: #ce00c7;\">5.0<\/span><br \/>\nAt Berkeley (Frederick Wiseman) \u2013 <span style=\"color: #ce00c7;\">4.9<\/span><br \/>\nA Field in England (Ben Wheatley) \u2013 <span style=\"color: #ce00c7;\">4.9<\/span><br \/>\n<strong>Borgman (Alex van Warmerdam)<\/strong> \u2013 <span style=\"color: #ce00c7;\">4.9<\/span><br \/>\n<em>Ilo Ilo (Anthony Chen)<\/em> \u2013 <span style=\"color: #ce00c7;\">4.8<\/span><br \/>\n<span style=\"color: #ff6600;\">The Strange Colour of Your Body\u2019s Tears (Helene Cattet &#038; Bruno Forzani)<\/span> \u2013 <span style=\"color: #ce00c7;\">4.8<\/span><br \/>\n<em>Gabrielle (Louise Archambault)<\/em> \u2013 <span style=\"color: #ce00c7;\">4.8<\/span><br \/>\n<span style=\"color: #ff6600;\">The Square (Jehane Noujaim)<\/span> \u2013 <span style=\"color: #ce00c7;\">4.7<\/span><br \/>\n<em>The Invisible Woman (Ralph Fiennes)<\/em> \u2013 <span style=\"color: #ce00c7;\">4.7<\/span><br \/>\nSarah Prefers to Run (Chlo\u00e9 Robichaud) \u2013 <span style=\"color: #ce00c7;\">4.6<\/span><\/p>\n<p><span style=\"text-decoration: underline;\">Tier 6<\/span><br \/>\n<span style=\"color: #ff6600;\">12 Years a Slave (Steve McQueen)<\/span> \u2013 <span style=\"color: #ce00c7;\">4.5<\/span><br \/>\n<em>Siddharth (Richie Mehta)<\/em> \u2013 <span style=\"color: #ce00c7;\">4.5<\/span><br \/>\n<em>The Unknown Known (Errol Morris)<\/em> \u2013 <span style=\"color: #ce00c7;\">4.4<\/span><br \/>\n<strong>Gloria (Sebasti\u00e1n Lelio)<\/strong> \u2013 <span style=\"color: #ce00c7;\">4.4<\/span><br \/>\n<span style=\"color: #ff6600;\">Le Week-End (Roger Mitchell)<\/span> \u2013 <span style=\"color: #ce00c7;\">4.4<\/span><br \/>\n<em>Mary Queen of Scots (Thomas Imbach)<\/em> \u2013 <span style=\"color: #ce00c7;\">4.4<\/span><br \/>\n<strong>The Missing Image (Rithy Panh)<\/strong> \u2013 <span style=\"color: #ce00c7;\">4.3<\/span><br \/>\nPays Barbare (Yervant Gianikian &#038; Angela Ricci Lucchi) \u2013 <span style=\"color: #ce00c7;\">4.2<\/span><br \/>\n<em>Burt\u2019s Buzz (Jody Shapiro)<\/em> \u2013 <span style=\"color: #ce00c7;\">4.2<\/span><br \/>\n<span style=\"color: #ff6600;\">The Wind Rises (Hayao Miyazaki)<\/span> \u2013 <span style=\"color: #ce00c7;\">4.1<\/span><br \/>\n<em>Cold Eyes (Cho Ui-seok &#038; Kim Byung-seo)<\/em> \u2013 <span style=\"color: #ce00c7;\">4.1<\/span><br \/>\n<strong>Manuscripts Don\u2019t Burn (Mohammad Rasoulof)<\/strong> \u2013 <span style=\"color: #ce00c7;\">4.0<\/span><br \/>\n<em>Burning Bush (Agnieszka Holland)<\/em> \u2013 <span style=\"color: #ce00c7;\">4.0<\/span><br \/>\n<strong>Child\u2019s Pose (Calin Peter Netzer)<\/strong> \u2013 <span style=\"color: #ce00c7;\">3.9<\/span><br \/>\n<span style=\"color: #ff6600;\">Omar (Hany Abu-Assad)<\/span> \u2013 <span style=\"color: #ce00c7;\">3.9<\/span><br \/>\n<em><strong>The Past (Asghar Farhadi)<\/strong><\/em> \u2013 <span style=\"color: #ce00c7;\">3.8<\/span><\/p>\n<p><span style=\"text-decoration: underline;\">Tier 7<\/span><br \/>\n<em>Thou Gild\u2019st the Even<\/strong> (Onur \u00dcnl\u00fc)<\/em> \u2013 <span style=\"color: #ce00c7;\">3.6<\/span><br \/>\n<strong>The Last of the Unjust (Claude Lanzmann)<\/strong> \u2013 <span style=\"color: #ce00c7;\">3.5<\/span><br \/>\n<strong>The Dismantling (S\u00e9bastien Pilote)<\/strong> \u2013 <span style=\"color: #ce00c7;\">3.2<\/span><br \/>\n<em>The Art of the Steal (Jonathan Sobol)<\/em> \u2013 <span style=\"color: #ce00c7;\">3.0<\/span><\/p>\n<p><span style=\"text-decoration: underline;\">Tier 8<\/span><br \/>\n<span style=\"color: #ff6600;\">Real (Kiyoshi Kurosawa)<\/span> \u2013 <span style=\"color: #ce00c7;\">2.8<\/span><br \/>\nThe Battle of Tabat\u00f4 (Joao Viana) \u2013 <span style=\"color: #ce00c7;\">2.2<\/span><\/p>\n<p><span style=\"text-decoration: underline;\">Tier 9<\/span><br \/>\n<span style=\"color: #ff6600;\">Child of God (James Franco)<\/span> \u2013 <span style=\"color: #ce00c7;\">1.8<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Key &#8211; Saw at TIFF Proper (between Sept. 5-15) &#8211; Saw at Cannes &#8211; Saw at TIFF pre-festival press screening &#8211; Saw a screener of some kind Tier 0 The Strange Little Cat (Ramon Z\u00fcrcher) \u2013 8.9 Tier 1 MANAKAMANA (Stephanie Spray &#038; Pacho Velez) \u2013 7.8 Norte, the End of History (Lav Diaz) \u2013 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-8827","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/8827","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=8827"}],"version-history":[{"count":15,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/8827\/revisions"}],"predecessor-version":[{"id":8856,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/8827\/revisions\/8856"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=8827"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=8827"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=8827"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}