{"id":8505,"date":"2013-08-20T13:48:53","date_gmt":"2013-08-20T18:48:53","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=8505"},"modified":"2013-09-15T22:43:36","modified_gmt":"2013-09-16T03:43:36","slug":"my-tiff-2013-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2013\/08\/my-tiff-2013-schedule\/","title":{"rendered":"The Strange Color of Your Little Cat by the Lake: My TIFF 2013 Schedule"},"content":{"rendered":"

September 5<\/span><\/strong>
\n6:30PM – Blood Ties (Guillaume Canet)<\/strong> – Gray matter. \/\/ 5.1<\/span>
\n9:30PM – Story of My Death (Albert Serra)<\/strong> – May be my most anticipated of the festival. \/\/ 5.5<\/span><\/p>\n

September 6<\/span><\/strong>
\n11AM – Omar (Hany Abu-Assad)<\/strong> – NYFF, but also decent word from Cannes, and an Un Certain Regard Jury Prize. \/\/ 3.9<\/span>
\n2PM – Tom at the Farm (Xavier Dolan)<\/strong> – Now if this one is good, that’s called a “winning streak.” \/\/ 5.0<\/span>
\n4:45PM – Club Sandwich (Fernando Eimbcke)<\/strong> – Had never heard of this guy but D’Angelo is weirdly excited for this. \/\/ 6.2<\/span>
\n6:30PM – Wavelengths 1: Variations On…<\/strong><\/p>\n

September 7<\/span><\/strong>
\n9:15AM – Salvation Army (Abdellah Ta\u00efa)<\/strong> – Agn\u00e8s. \/\/ 5.6<\/span>
\n11:15AM – Love is the Perfect Crime (Arnaud & Jean-Marie Larrieu)<\/strong> – Happy End made my 2009 Top 10. \/\/ 6.6<\/span>
\n2:15PM – Gravity (Alfonso Cuar\u00f3n)<\/strong> – Not like I’ll have time to see it in theatres anyway. \/\/ 6.0<\/span>
\n8:30PM – Wavelengths 2: Now & Then<\/strong><\/p>\n

September 8<\/span><\/strong>
\n1PM – Three Landscapes preceded by Song and Spring<\/strong> – Dorsky and Hutton. Hutton and Dorsky. \/\/ 5.9<\/span> [grade for the Hutton only]
\n7PM – Wavelengths 3: Farther Than the Eye Can See<\/strong>
\n10PM – Child of God (James Franco)<\/strong> – NYFF \/\/ 1.8<\/span><\/p>\n

September 9<\/span><\/strong>
\n7:30PM – Wavelengths 4: Elysium<\/strong><\/p>\n

September 10<\/span><\/strong>
\n2PM – Le Week-End (Roger Mitchell)<\/strong> – NYFF. \/\/ 4.4<\/span>
\n9:45PM – +Stranger by the Lake (Alain Guiraudie)<\/strong> – It’s aged very well. \/\/ 7.7<\/span> [up from 7.2]<\/p>\n

September 11<\/span><\/strong>
\n4:15PM – Night Moves (Kelly Reichardt)<\/strong> – Funny how the \/\/ 6.3<\/span>
\n7PM – Un Conte de Michel de Montaigne and The King’s Body and Redemption<\/strong> – Might bail after the Straub (have seen the other two).
\n9PM – Stray Dogs<\/strong> – Master Shots.<\/a><\/span> \/\/ 7.6<\/span> [up from 7.5]<\/p>\n

September 12<\/span><\/strong>
\n9AM – Joe (David Gordon Green)<\/strong> – Is Nicholas Cage wearing a stick-on beard in this movie? \/\/ 5.7<\/span>
\n11:30AM – Under the Skin (Jonathan Glazer)<\/strong> – Birth. \/\/ 7.3<\/span>
\n2:45PM – The Square (Jehane Noujaim)<\/strong> – NYFF \/\/ 4.7<\/span>
\n5:45PM – The Wind Rises (Hayao Miyazaki)<\/strong> – NYFF \/\/ 4.1<\/span>
\n9:30PM – The Strange Colour of Your Body’s Tears (Helene Cattet & Bruno Forzani)<\/strong> – -ica. \/\/ 4.8<\/span><\/p>\n

September 13<\/span><\/strong>
\n10AM – The Amazing Catfish (Claudia Sainte-Luce)<\/strong> – Godard. \/\/ 5.3<\/span>
\n11:45AM – Our Sunhi (Hong Sang-soo)<\/strong> – Feels like I’ve already seen it. \/\/ 5.9<\/span>
\n2:30PM – Moebius (Kim Ki-duk)<\/strong> – My audience had better vomit or I’m not going to be happy. \/\/ 6.4<\/span>
\n5:15PM – Three Interpretation Exercises (Cristi Puiu)<\/strong> – Rohmer-esque, eh? \/\/ 6.1<\/span><\/p>\n

September 14<\/span><\/strong>
\n9:45AM – Abuse of Weakness (Catherine Breillat)<\/strong> – All signs point to this not being one of her fairy tale movies, so ugh. \/\/ 5.7<\/span>
\n11:45AM – Real (Kiyoshi Kurosawa)<\/strong> – NYFF. Only seen Tokyo Sonata (unimpressed). \/\/ 2.8<\/span>
\n2:15PM – October November (G\u00f6tz Spielmann)<\/strong> – Revanche. \/\/ 5.4<\/span>
\n9PM – 12 Years a Slave (Steve McQueen)<\/strong> – Shame. Please let this be nothing like Shame. \/\/ 4.5<\/span><\/p>\n

September 15<\/span><\/strong>
\n6:30PM – A Spell to Ward Off the Darkness (Ben Rivers & Ben Russell)<\/strong> – Gonna be honest. Not looking forward to this at all. \/\/ 5.6<\/span>
\n9:30PM – When Evening Falls on Bucharest or Metabolism (Corneliu Porumboiu)<\/strong> – I’m a Porumboiu fan but this title annoys me. \/\/ 6.5<\/span><\/p>\n

\n
<\/br>\n<\/div>\n

Films that would be priorities for me if I hadn’t already seen them:<\/span>
\nThe Strange Little Cat<\/strong> (Ramon Z\u00fcrcher) – 8.9
\nMANAKAMANA<\/strong> (Stephanie Spray & Pacho Velez) – 7.8
\nNorte, the End of History<\/strong> (Lav Diaz) – 7.8
\nStray Dogs<\/strong> (Tsai Ming-liang) – 7.5
\nBastards<\/strong> (Claire Denis) – 7.5
\nStranger by the Lake<\/strong> (Alain Guiraudie) – 7.2
\nA Touch of Sin<\/strong> (Jia Zhang-ke) – 6.8
\nLa \u00faltima pel\u00edcula<\/strong> (Raya Martin & Mark Peranson) – 6.5
\nOnly Lovers Left Alive<\/strong> (Jim Jarmusch) – 6.4
\nA Thousand Suns<\/strong> (Mati Diop) – 6.2
\nClosed Curtain<\/strong> (Jafar Panahi & Kamboziya Partovi) – 5.9
\nBlue is the Warmest<\/strong> Color (Abdellatif Kechiche) – 5.9
\nThe Selfish Giant<\/strong> (Clio Barnard) – 5.8
\nThe Great Beauty<\/strong> (Paolo Sorrentino) – 5.8
\nThe King\u2019s Body (Joao Pedro Rodrigues)<\/em>
\nLike Father, Like Son<\/strong> (Hirokazu Kore-eda) – 5.6
\nR100<\/strong> (Hitoshi Matsumoto) – 5.6
\nGerontophilia<\/strong> (Bruce LaBruce) – 5.5
\nCelestial Wives of the Meadow Mari<\/strong> (Aleksei Fedorchenko) – 5.4
\nBlind Detective<\/strong> (Johnnie To) – 5.3
\nYoung & Beautiful<\/strong> (Fran\u00e7ois Ozon) – 5.0
\nAt Berkeley<\/strong> (Frederick Wiseman) – 4.9
\nA Field in England<\/strong> (Ben Wheatley) – 4.9
\nBorgman<\/strong> (Alex van Warmerdam) – 4.9
\nIlo Ilo<\/strong> (Anthony Chen) – 4.8
\nThe Invisible Woman<\/strong> (Ralph Fiennes) – 4.7
\nThe Unknown Known<\/strong> (Errol Morris) – 4.4
\nGloria<\/strong> (Sebasti\u00e1n Lelio) – 4.4
\nThe Missing Image<\/strong> (Rithy Panh) – 4.3
\nRedemption (Miguel Gomes)<\/em>
\nBurning Bush<\/strong> (Agnieszka Holland) – 4.0
\nThe Past<\/strong> (Asghar Farhadi) – 3.8
\nThe Last of the Unjust<\/strong> (Claude Lanzmann) – 3.5<\/p>\n

\n
<\/br>\n<\/div>\n

Other TIFF13 films I have already seen:<\/span>
\nBright Days Ahead<\/strong> (Marion Vernoux) – 5.3
\nThe Lunchbox<\/strong> (Ritesh Batra) – 5.2
\nThe Summer of Flying Fish<\/strong> (Marcela Said) – 5.2
\nBends<\/strong> (Flora Lau) – 5.1
\nBlue Ruin<\/strong> (Jeremy Saulnier) – 5.0
\nJodorowsky\u2019s Dune<\/strong> (Frank Pavich) – 5.0
\nGabrielle<\/strong> (Louise Archambault) – 4.8
\nSarah Prefers to Run<\/strong> (Chlo\u00e9 Robichaud) – 4.6
\nSiddharth<\/strong> (Richie Mehta) – 4.5
\nMary Queen of Scots<\/strong> (Thomas Imbach) – 4.4
\nPays Barbare<\/strong> (Yervant Gianikian & Angela Ricci Lucchi) – 4.2
\nBurt\u2019s Buzz<\/strong> (Jody Shapiro) – 4.2
\nCold Eyes<\/strong> (Cho Ui-seok & Kim Byung-seo) – 4.1
\nManuscripts Don\u2019t Burn<\/strong> (Mohammad Rasoulof) – 4.0
\nThou Gild\u2019st the Even<\/strong> (Onur \u00dcnl\u00fc) – 3.6
\nThe Dismantling<\/strong> (S\u00e9bastien Pilote) – 3.2
\nThe Art of the Steal<\/strong> (Jonathan Sobol) – 3.0
\nThe Battle of Tabat\u00f4<\/strong> (Joao Viana) \u2013 2.2<\/p>\n","protected":false},"excerpt":{"rendered":"

September 5 6:30PM – Blood Ties (Guillaume Canet) – Gray matter. \/\/ 5.1 9:30PM – Story of My Death (Albert Serra) – May be my most anticipated of the festival. \/\/ 5.5 September 6 11AM – Omar (Hany Abu-Assad) – NYFF, but also decent word from Cannes, and an Un Certain Regard Jury Prize. \/\/ […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-8505","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/8505","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=8505"}],"version-history":[{"count":149,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/8505\/revisions"}],"predecessor-version":[{"id":8850,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/8505\/revisions\/8850"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=8505"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=8505"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=8505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}