{"id":8068,"date":"2013-07-23T10:00:58","date_gmt":"2013-07-23T15:00:58","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=8068"},"modified":"2013-08-30T18:31:11","modified_gmt":"2013-08-30T23:31:11","slug":"tiff-2013-line-up","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2013\/07\/tiff-2013-line-up\/","title":{"rendered":"TIFF 2013 Line-Up"},"content":{"rendered":"
16mm<\/strong><\/span>, 35mm<\/strong><\/span>, 70mm<\/strong><\/span> - this movie will be screened from a film print (as per the festival website<\/del> programme guide)\r\nFeatures (40min. and up) are bold.<\/strong>\r\nShorts are in italics.<\/em>\r\n\u26ab - I have seen this film.\r\n\u2605 - I have seen this film and heartily recommend it (6.2 and higher).\r\n\u25cb - I am seriously considering making an attempt to see this film.\r\nC<\/strong><\/span> - this film is Canadian. If it's any good, Torontonians can catch it in Canada's Top Ten in January, or at the Royal.\r\nFS<\/strong><\/span> - this film is available for me to watch on Festival Scope.\r\n\u00ae<\/strong><\/span> - This film has a Canadian Distributor*\r\n\r\n[*This used to be a one of the colour options below. When that was the case, it also included films that had only US distribution, and was limited to films with firm release dates in the three months following the festival. It's become too difficult to keep track of all that, and in the end it just isn't very useful for me if a film is greyed out and I can't tell if it'll be released in Toronto or if it's just a stateside opening. This new application of the \u00ae<\/strong><\/span> indicator will still be useful, I think, for Americans who are trying to see films that won't get released, since most films open in both countries around the same time anyway.]\r\n\r\nThe following colors trump each other hierarchically, so e.g. a film that plays both Berlin and Cannes will be Red, unless e.g. it is in the NYFF Main Slate in which case it will be purple.\r\n\r\nNYFF<\/strong><\/span> - Titles from the Main Selection only (sans Opening, Closing, Centerpiece films, because Hereafter<\/em>).\r\nSUNDANCE<\/strong><\/span> - The good ones have already been released.\r\nBERLINALE<\/strong><\/span> - They had The Strange Little Cat<\/em>, and some other movies that look all right I guess.\r\nCANNES<\/strong><\/span> - The Strange Little Cat<\/em> played here, too.\r\nLOCARNO<\/strong><\/span> - MANAKAMANA<\/em> looks to be as close to Leviathan<\/em> as we're going to get this year.\r\nVENICE<\/strong><\/span> - Le Tsai...\r\nBIGGIES<\/strong><\/span> - Films by name directors that I'm anticipating, perhaps ill-advisedly; also, films with raves from the other major festivals (Rotterdam, BAFICI, SxSW, Tribeca, etc.).\r\n<\/pre>\n
\n
\n<\/br>\n<\/div>\n
Special Presentations (81; last year: 70)<\/span>
\nAll Is By My Side<\/strong> (John Ridley)
\nThe Armstrong Lie<\/strong> (Alex Gibney)<\/span> \u00ae<\/strong><\/span>
\nAttila Marcel<\/strong> (Sylvain Chomet)<\/span> \u25cb
\nBad Words<\/strong> (Jason Bateman)
\nBelle<\/strong> (Amma Asante)
\nBlind Detective<\/strong> (Johnnie To)<\/span> \u26ab
\nBlue Is the Warmest Color<\/strong> (Abdellatif Kechiche)<\/span> \u26ab \u00ae<\/strong><\/span>
\nBurning Bush<\/strong> (Agnieszka Holland)<\/span> \u26ab
\nCan a Song Save Your Life?<\/strong> (John Carney)
\nCannibal<\/strong> (Manuel Mart\u00edn Cuenca)
\nChild of God<\/strong> (James Franco)<\/span> \u25cb
\nDallas Buyers Club<\/strong> (Jean-Marc Vall\u00e9e) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nDevil’s Knot<\/strong> (Atom Egoyan)<\/span> C<\/strong><\/span> \u00ae<\/strong><\/span>
\nThe Disappearance of Eleanor Rigby: Him and Her<\/strong> (Ned Benson)
\nDom Hemingway<\/strong> (Richard Shepard)
\nDon Jon<\/strong> (Joseph Gordon-Levitt)<\/span> \u00ae<\/strong><\/span>
\nThe Double<\/strong> (Richard Ayoade) \u00ae<\/strong><\/span>
\nEnemy<\/strong> (Denis Villeneuve) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nEnough Said<\/strong> (Nicole Holofcener)
\nExit Marrakech<\/strong> (Caroline Link)
\nThe F Word<\/strong> (Michael Dowse) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nThe Face of Love<\/strong> (Arie Posin) \u00ae<\/strong><\/span>
\nFading Gigolo<\/strong> (John Turturro)
\nFelony<\/strong> (Matthew Saville)
\nThe Finishers<\/strong> (Nils Tavernier)
\nFor Those Who Can Tell No Tales<\/strong> (Jasmila \u017dbani\u0107)
\nGabrielle<\/strong> (Louise Archambault)<\/span> \u26ab C<\/strong><\/span> \u00ae<\/strong><\/span>
\nGloria<\/strong> (Sebasti\u00e1n Lelio)<\/span> \u26ab \u00ae<\/strong><\/span>
\nGoing Away<\/strong> (Nicole Garcia)
\nGravity<\/strong> (Alfonso Cuar\u00f3n)<\/span> \u25cb \u00ae<\/strong><\/span>
\nThe Great Beauty<\/strong> (Paolo Sorrentino)<\/span> \u26ab \u00ae<\/strong><\/span>
\nHalf of a Yellow Sun<\/strong> (Biyi Bandele)
\nHateship Loveship<\/strong> (Liza Johnson)
\nHow I Live Now<\/strong> (Kevin Macdonald) \u00ae<\/strong><\/span>
\nThe Husband<\/strong> (Bruce McDonald) C<\/strong><\/span>
\nIda<\/strong> (Pawel Pawlikowski) \u25cb
\nThe Invisible Woman<\/strong> (Ralph Fiennes)<\/span> \u26ab \u00ae<\/strong><\/span>
\nJoe<\/strong> (David Gordon Green)<\/span>
\nLabor Day<\/strong> (Jason Reitman) \u00ae<\/strong><\/span>
\nThe Last of Robin Hood<\/strong> (Richard Glatzer & Wash Westmoreland)
\nLe Week-End<\/strong> (Roger Michell)<\/span> \u25cb \u00ae<\/strong><\/span>
\nThe Liberator<\/strong> (Alberto Arvelo)
\nLike Father, Like Son<\/strong> (Hirokazu Kore-eda)<\/span> \u26ab \u00ae<\/strong><\/span>
\nL’intrepido<\/strong> (Gianni Amelio)<\/span>
\nLove is the Perfect Crime<\/strong> (Arnaud & Jean-Marie Larrieu)<\/span> \u25cb
\nLucky Them<\/strong> (Megan Griffiths)
\nMan of Tai Chi<\/strong> (Keanu Reeves) \u00ae<\/strong><\/span>
\nMary, Queen of Scots<\/strong> (Thomas Imbach)<\/span> \u26ab
\nMystery Road<\/strong> (Ivan Sen)
\nNight Moves<\/strong> (Kelly Reichardt)<\/span> \u25cb
\nOmar<\/strong> (Hany Abu-Assad)<\/span> \u25cb
\nOne Chance<\/strong> (David Frankel) \u00ae<\/strong><\/span>
\nOnly Lovers Left Alive<\/strong> (Jim Jarmusch)<\/span> \u2605 \u00ae<\/strong><\/span>
\nThe Past<\/strong> (Asghar Farhadi)<\/span> \u26ab \u00ae<\/strong><\/span>
\nPhilomena<\/strong> (Stephen Frears)<\/span> \u00ae<\/strong><\/span>
\nPioneer<\/strong> (Erik Skjoldbj\u00e6rg)
\nPrisoners<\/strong> (Denis Villeneuve) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nA Promise<\/strong> (Patrice Leconte)
\nQuai d’Orsay<\/strong> (Bertrand Tavernier)
\nReal<\/strong> (Kiyoshi Kurosawa)<\/span> \u25cb
\nRock the Casbah<\/strong> (La\u00efla Marrakchi)<\/span>
\nSinging Women<\/strong> (Reha Erdem)
\nStarred Up<\/strong> (David Mackenzie)
\nSouthcliffe<\/strong> (Sean Durkin)
\nSunshine on Leith<\/strong> (Dexter Fletcher)
\nTherese<\/strong> (Charlie Stratton)
\nThird Person<\/strong> (Paul Haggis) \u00ae<\/strong><\/span>
\nThose Happy Years<\/strong> (Daniele Luchetti)
\nTom at the Farm<\/strong> (Xavier Dolan)<\/span> \u25cb C<\/strong><\/span> \u00ae<\/strong><\/span>
\nTracks<\/strong> (John Curran)<\/span> \u00ae<\/strong><\/span>
\n12 Years a Slave<\/strong> (Steve McQueen)<\/span> \u25cb \u00ae<\/strong><\/span>
\nUnder the Skin<\/strong> (Jonathan Glazer)<\/span> \u25cb
\nUnforgiven<\/strong> (Lee Sang-il)<\/span>
\nViolette<\/strong> (Martin Provost)
\nVisitors<\/strong> (Godfrey Reggio) \u00ae<\/strong><\/span>
\nWalesa. Man of Hope.<\/strong> (Andrzej Wajda)<\/span>
\nWatermark<\/strong> (Jennifer Baichwal & Edward Burtynsky) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nWe are the Best!<\/strong> (Lukas Moodysson)<\/span> \u25cb
\nThe Wind Rises<\/strong> (Hayao Miyazaki)<\/span> \u25cb
\nYou Are Here<\/strong> (Matthew Weiner) \u00ae<\/strong><\/span>
\nYoung & Beautiful<\/strong> (Fran\u00e7ois Ozon)<\/span> \u26ab \u00ae<\/strong><\/span><\/p>\n
\n
\n<\/br>\n<\/div>\n
Contemporary World Cinema (59, including the shorts programme; last year: 61)<\/span>
\nThe Animal Project<\/strong> (Ingrid Veninger) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nBad Hair<\/strong> (Mariana Rond\u00f3n)
\nBastardo<\/strong> (Nejib Belkadhi)
\nThe Bit Player<\/strong> (Jeffrey Jeturian)
\nBlind Dates<\/strong> (Levan Koguashvili)
\nBrazilian Western<\/strong> (Ren\u00e9 Sampaio)
\nBreak Loose<\/strong> (Alexey Uchitel)
\nChild’s Pose<\/strong> (Calin Peter Netzer)<\/span> \u26ab
\nCinemanovels<\/strong> (Terry Miles) C<\/strong><\/span>
\nClub Sandwich<\/strong> (Fernando Eimbcke)
\nCristo Rey<\/strong> (Leticia Tonos Paniagua)
\nThe Dick Knost Show<\/strong> (Bruce Sweeney) C<\/strong><\/span>
\nThe Dinner<\/strong> (Menno Meyjes)
\nThe Dismantling<\/strong> (S\u00e9bastien Pilote)<\/span> \u26ab C<\/strong><\/span> \u00ae<\/strong><\/span>
\nEastern Boys<\/strong> (Robin Campillo)<\/span>
\nEl Mudo<\/strong> (Diego & Daniel Vega)<\/span> FS<\/strong><\/span>
\nEmpire of Dirt<\/strong> (Peter Stebbings) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nAn Episode in the Life of an Iron Picker<\/strong> (Danis Tanovi\u0107)<\/span>
\nFriends from France<\/strong> (Philippe Kotlarski & Anne Weil) \u00ae<\/strong><\/span>
\nGiselle<\/strong> (Toa Fraser)
\nHeart of a Lion<\/strong> (Dome Karukoski)
\nHoneymoon<\/strong> (Jan Hrebejk)
\nHotell<\/strong> (Lisa Langseth)
\nThe Immoral<\/strong> (Lars Daniel Krutzkoff Jacobsen)
\nIntruders<\/strong> (Noh Young-Seok)
\niNumber Number<\/strong> (Donovan Marsh)
\nA Journey<\/strong> (Catherine Martin) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nThe Kids from the Port<\/strong> (Alberto Morais)
\nLadder to Damascus<\/strong> (Mohamad Malas)
\nLe Grand Cahier<\/strong> (J\u00e1nos Sz\u00e1sz)
\nLife’s a Breeze<\/strong> (Lance Daly)
\nLittle Feet<\/strong> (Alexandre Rockwell)
\nThe Major<\/strong> (Yuri Bykov)<\/span> FS<\/strong><\/span>
\nManuscripts Don’t Burn<\/strong> (Mohammad Rasoulof)<\/span> \u26ab
\nMcCanick<\/strong> (Josh C. Waller) \u00ae<\/strong><\/span>
\nMetalhead<\/strong> (Ragnar Bragason)
\nNingen<\/strong> (Guillaume Giovanetti & \u00c7agla Zencirci)
\nOctober November<\/strong> (G\u00f6tz Spielmann)<\/span> \u25cb
\nOld Moon<\/strong> (Raisa Bonnet)
\nPalestine Stereo<\/strong> (Rashid Masharawi)
\nParadise: Hope<\/strong> (Ulrich Seidl)<\/span> \u25cb
\nA Place in Heaven<\/strong> (Yossi Madmony)
\nQissa<\/strong> (Anup Singh)
\nRags and Tatters<\/strong> (Ahmad Abdalla)
\nThe Sea<\/strong> (Stephen Brown)
\nThe Selfish Giant<\/strong> (Clio Barnard)<\/span> \u26ab \u00ae<\/strong><\/span>
\nSiddharth<\/strong> (Richie Mehta)<\/span> \u26ab C<\/strong><\/span>
\nSomething Necessary<\/strong> (Judy Kibinge)
\nStay<\/strong> (Wiebke von Carolsfeld) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nStop the Pounding Heart<\/strong> (Roberto Minervini)<\/span> FS<\/strong><\/span>
\nStranger by the Lake<\/strong> (Alain Guiraudie)<\/span> \u2605
\nThis is Sanlitun<\/strong> (R\u00f3bert I. Douglas)
\nUnbeatable<\/strong> (Dante Lam)
\nUnder the Starry Sky<\/strong> (Dyana Gaye)
\nWhen Evening Falls on Bucharest or Metabolism<\/strong> (Corneliu Porumboiu)<\/span> \u25cb
\nWhite Lies<\/strong> (Dana Rotberg)
\nA Wolf at the Door<\/strong> (Fernando Coimbra)
\nThe Wonders<\/strong> (Avi Nesher)<\/p>\n
To Repel Ghosts: Urban Tales from the African Continent<\/strong>:
\n  – Homecoming<\/em> (Jim Chuchu)
\n  – Berea<\/em> (Vincent Moloi)
\n  – To Repel Ghosts<\/em> (Philippe Lac\u00f4te)
\n  – Kwaku Ananse<\/em> (Akosua Adoma Owusu)
\n  – Noah\u2019s Flood<\/em> (Mark Dornford-May)<\/p>\n
\n
\n<\/br>\n<\/div>\n
Discovery (28; last year: 27)<\/span>
\nAll About the Feathers<\/strong> (Neto Villalobos)
\nAll the Wrong Reasons<\/strong> (Gia Milani) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nThe Amazing Catfish<\/strong> (Claudia Sainte-Luce)<\/span>
\nAround the Block<\/strong> (Sarah Spillane)
\nBends<\/strong> (Flora Lau)<\/span> \u26ab
\nBeneath the Harvest Sky<\/strong> (Aron Gaudet & Gita Pullapilly)
\nBethlehem<\/strong> (Yuval Adler)<\/span>
\nBob\u00f4<\/strong> (In\u00eas Oliveira)
\nBorder<\/strong> (Alessio Cremonini)
\nCanopy<\/strong> (Aaron Wilson)
\nFat<\/strong> (Mark Phinney)
\nGiraffada<\/strong> (Rani Massalha)
\nI Am Yours<\/strong> (Iram Haq)
\nIlo Ilo<\/strong> (Anthony Chen)<\/span> \u26ab
\nThe Militant<\/strong> (Manolo Nieto)
\nMiracle<\/strong> (Juraj Lehotsky) 35mm<\/strong><\/span>
\nMy Love Awaits Me by the Sea<\/strong> (Mais Darwazah)
\nOf Good Report<\/strong> (Jahmil X.T. Qubeka)
\nPalo Alto<\/strong> (Gia Coppola)<\/span>
\nParadise<\/strong> (Mariana Chenillo)
\n1982<\/strong> (Tommy Oliver)
\nRhymes for Young Ghouls<\/strong> (Jeff Barnaby) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nSalvation Army<\/strong> (Abdellah Taia)<\/span> \u25cb
\nSarah Prefers to Run<\/strong> (Chlo\u00e9 Robichaud)<\/span> \u26ab C<\/strong><\/span> FS<\/strong><\/span> \u00ae<\/strong><\/span>
\nSouth is Nothing<\/strong> (Fabio Mollo)
\nThe Stag<\/strong> (John Butler)
\nThe Summer of Flying Fish<\/strong> (Marcela Said)<\/span> \u26ab FS<\/strong><\/span>
\nTrap Street<\/strong> (Vivian Qu)<\/p>\n
\n
\n<\/br>\n<\/div>\n
TIFF Docs (22; last year: 29)<\/span>
\nAin’t Misbehavin’<\/strong> (Marcel Oph\u00fcls)<\/span>
\nAt Berkeley<\/strong> (Frederick Wiseman)<\/span> \u25cb \u00ae<\/strong><\/span>
\nBeyond the Edge<\/strong> (Leanne Pooley)
\nBurt’s Buzz<\/strong> (Jody Shapiro) \u26ab C<\/strong><\/span>
\nThe Dark Matter of Love<\/strong> (Sarah McCarthy)
\nThe Dog<\/strong> (Allison Berg & Frank Keraudren)
\nFaith Connections<\/strong> (Pan Nalin)
\nFilthy Gorgeous: The Bob Guccione Story<\/strong> (Barry Avrich) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nFinding Vivian Maier<\/strong> (John Maloof & Charlie Siskel) \u00ae<\/strong><\/span>
\nHi-Ho Mistahey!<\/strong> (Alanis Obomsawin) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nIgnasi M.<\/strong> (Ventura Pons)
\nJodorowsky’s Dune<\/strong> (Frank Pavich)<\/span> \u26ab \u00ae<\/strong><\/span>
\nThe Last of the Unjust<\/strong> (Claude Lanzmann)<\/span> \u26ab FS<\/strong><\/span>
\nThe Mayor<\/strong> (Emiliano Altuna Fistolera)
\nMidway<\/strong> (Chris Jordan)
\nMission Congo<\/strong> (David Turner & Lara Zizic)
\nThe Square<\/strong> (Jehane Noujaim)<\/span> \u25cb
\nA Story of Children and Film<\/strong> (Mark Cousins)<\/span> FS<\/strong><\/span>
\nTim\u2019s Vermeer<\/strong> (Teller) \u00ae<\/strong><\/span>
\nThe Unknown Known<\/strong> (Errol Morris)<\/span> \u25cb \u00ae<\/strong><\/span>
\nUnstable Elements<\/strong> (Madeleine Sackler)
\nWhen Jews Were Funny<\/strong> (Alan Zweig) C<\/strong><\/span><\/p>\n
\n
\n<\/br>\n<\/div>\n
Wavelengths (21, including shorts programmes; last year: 19)<\/span>
\nThe Battle of Tabat\u00f4<\/strong> (Joao Viana)<\/span> [+ The Disquiet<\/em> (Ali Cherri)] \u26ab FS<\/strong><\/span>
\nA Field in England<\/strong> (Ben Wheatley)<\/span> \u26ab FS<\/strong><\/span> \u00ae<\/strong><\/span>
\nLa \u00faltima pel\u00edcula<\/strong> (Raya Martin & Mark Peranson)<\/span> [+ RP31<\/em> (Lucy Raven)] \u2605 35mm<\/strong><\/span> \u00ae<\/strong><\/span>
\nI\u2019m the same, I\u2019m an other<\/strong> (Caroline Strubbe)
\nMANAKAMANA<\/strong> (Stephanie Spray & Pacho Velez)<\/span> \u2605 FS<\/strong><\/span>
\nThe Missing Image<\/strong> (Rithy Panh)<\/span> \u26ab \u00ae<\/strong><\/span>
\nPays Barbare<\/strong> (Yervant Gianikian & Angela Ricci Lucchi)<\/span> \u26ab FS<\/strong><\/span>
\nThe Police Officer’s Wife<\/strong> (Philip Gr\u00f6ning)<\/span> \u25cb
\nA Spell to Ward Off the Darkness<\/strong> (Ben Rivers & Ben Russell)<\/span> \u25cb
\nStory of My Death<\/strong> (Albert Serra)<\/span> \u25cb
\nThe Strange Little Cat<\/strong> (Ramon Z\u00fcrcher)<\/span> \u2605 FS<\/strong><\/span>
\nStray Dogs<\/strong> (Tsai Ming-liang)<\/span> \u2605
\nThree Interpretation Exercises<\/strong> (Cristi Puiu)<\/span> \u25cb
\n\u2018Til Madness Do Us Part<\/strong> (Wang Bing)<\/span> \u25cb<\/p>\n
A Thousand Suns And Letter To A Refusing Pilot<\/strong>
\n  – A Thousand Suns<\/strong> (Mati Diop) \u2605
\n  – Letter to a Refusing Pilot<\/em> (Akram Zaatari)<\/p>\n
Three Landscapes Preceded By Song And Spring<\/strong> \u25cb
\n  – Song<\/em> (Nathaniel Dorsky) 16mm<\/strong><\/span>
\n  – Spring<\/em> (Nathaniel Dorsky) 16mm<\/strong><\/span>
\n  – Three Landscapes<\/strong><\/strong> (Peter Hutton)<\/p>\n
Un Conte De Michel De Montaigne And The King\u2019s Body And Redemption<\/strong>
\n  – Un Conte de Michel de Montaigne<\/em> (Jean-Marie Straub)
\n  – The King’s Body<\/em> (Joao Pedro Rodrigues) \u26ab
\n  – Redemption<\/em> (Miguel Gomes) \u26ab<\/p>\n
Wavelengths 1: Variations On…<\/strong> \u25cb
\n  – Variations of a Cellophane Wrapper<\/em> (David Rimmer) 16mm<\/strong><\/span>
\n  – Pop Takes<\/em> (Luther Price) 16mm<\/strong><\/span>
\n  – Airship<\/em> (Kenneth Anger)
\n  – El Adios Largos<\/em> (Andrew Lampert)
\n  – The Realist<\/em> (Scott Stark)<\/p>\n
Wavelengths 2: Now & Then<\/strong> \u25cb
\n  – Instants<\/em> (Hannes Sch\u00fcpbach) 16mm<\/strong><\/span>
\n  – Pepper’s Ghost<\/em> (Stephen Broomer)
\n  – Man in Motion, 2012<\/em> (Ruben Glamer) 16mm<\/strong><\/span>
\n  – Flower<\/em> (Naoko Tasaka)
\n  – Constellations<\/em> (Helga Fanderl) 16mm<\/strong><\/span><\/p>\n
Wavelengths 3: Farther Than the Eye Can See<\/strong> \u25cb
\n  – Farther Than the Eye Can See<\/em> (Basma Alsharif)
\n  – Main Hall<\/em> (Philipp Fleischmann) 35mm<\/strong><\/span>
\n  – 457 Broadway<\/em> (Tomonari Nishikawa) 16mm<\/strong><\/span>
\n  – Bann<\/em> (Nina K\u00f6nnemann)
\n  – Suchy Pion<\/em> (Wojckech Bakowski)
\n  – Gowanus Canal<\/em> (Sarah J. Christman) 16mm<\/strong><\/span>
\n  – Nefandus<\/em> (Carlos Motta)<\/p>\n
Wavelengths 4: Elysium<\/strong> \u25cb
\n  – Triss\u00e1kia 3<\/em> (Nick Collins) 16mm<\/strong><\/span>
\n  – Brimstone Line<\/em> (Chris Kennedy) 16mm<\/strong><\/span>
\n  – Listening to the Space in My Room<\/em> (Robert Beavers) 16mm<\/strong><\/span>
\n  – Mount Song<\/em> (Shambhavi Kaul)
\n  – Natpwe, the feast of the spirits<\/em> (Jean Dubrel)<\/p>\n
\n
\n<\/br>\n<\/div>\n
Gala Presentations (20; last year: 20)<\/span>
\nAmerican Dreams in China<\/strong> (Peter Ho-Sun Chan)
\nThe Art of the Steal<\/strong> (Jonathan Sobol) \u26ab C<\/strong><\/span> \u00ae<\/strong><\/span>
\nAugust: Osage County<\/strong> (John Wells) \u00ae<\/strong><\/span>
\nBlood Ties<\/strong> (Guillaume Canet)<\/span> \u25cb
\nBright Days Ahead<\/strong> (Marion Vernoux) \u26ab \u00ae<\/strong><\/span>
\nCold Eyes<\/strong> (Cho Ui-seok & Kim Byung-seo) \u26ab
\nThe Fifth Estate<\/strong> (Bill Condon) \u00ae<\/strong><\/span>
\nThe Grand Seduction<\/strong> (Don McKellar) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nKill Your Darlings<\/strong> (John Krokidas)<\/span> \u00ae<\/strong><\/span>
\nLife of Crime<\/strong> (Daniel Schechter)
\nThe Love Punch<\/strong> (Joel Hopkins) \u00ae<\/strong><\/span>
\nThe Lunchbox<\/strong> (Ritesh Batra)<\/span> \u26ab \u00ae<\/strong><\/span>
\nMandela: Long Walk to Freedom<\/strong> (Justin Chadwick) \u00ae<\/strong><\/span>
\nParkland<\/strong> (Peter Landesman)<\/span> \u25cb \u00ae<\/strong><\/span>
\nThe Railway Man<\/strong> (Jonathan Teplitzky)
\nA Random Desi Romance<\/strong> (Maneesh Sharma) \u00ae<\/strong><\/span>
\nThe Right Kind of Wrong<\/strong> (Jeremiah Chechik) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nRush<\/strong> (Ron Howard) \u00ae<\/strong><\/span>
\nSupermensch The Legend of Shep Gordon<\/strong> (Mike Myers)
\nWords and Pictures<\/strong> (Fred Schepisi)<\/p>\n
\n
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Vanguard (16; last year: 15)<\/span>
\nAsphalt Watches<\/strong> (Seth Scriver & Shayne Ehman) C<\/strong><\/span>
\nBlue Ruin<\/strong> (Jeremy Saulnier)<\/span> \u26ab \u00ae<\/strong><\/span>
\nBorgman<\/strong> (Alex van Warmerdam)<\/span> \u26ab \u00ae<\/strong><\/span>
\nCelestial Wives of the Meadow Mari<\/strong> (Aleksei Fedorchenko)<\/span> \u26ab FS<\/strong><\/span>
\nThe Fake<\/strong> (Yeon Sang-ho)
\nGerontophilia<\/strong> (Bruce LaBruce)<\/span> \u26ab C<\/strong><\/span> \u00ae<\/strong><\/span>
\nHorns<\/strong> (Alexandre Aja) \u00ae<\/strong><\/span>
\nPeople In Places<\/strong> (Juan Cavestany)
\nProxy<\/strong> (Zack Parker)
\nThe Sacrament<\/strong> (Ti West)<\/span>
\nSapi<\/strong> (Brillante Mendoza)<\/span>
\nSex, Drugs & Taxation<\/strong> (Christoffer Boe)
\nSoul<\/strong> (Chung Mong-Hong)
\nThe Strange Color of Your Body\u2019s Tears<\/strong> (H\u00e9l\u00e8ne Cattet & Bruno Forzani)<\/span> \u25cb
\nThou Gild\u2019st the Even<\/strong> (Onur \u00dcnl\u00fc) \u26ab FS<\/strong><\/span>
\nWe Gotta Get Out of This Place<\/strong> (Simon Hawkins & Zeke Hawkins)<\/p>\n
\n
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Masters (11; last year: 14)<\/span>
\nAbuse of Weakness<\/strong> (Catherine Breillat)<\/span> \u25cb
\nBastards<\/strong> (Claire Denis)<\/span> \u2605 \u00ae<\/strong><\/span>
\nClosed Curtain<\/strong> (Jafar Panahi & Kamboziya Partovi)<\/span> \u26ab
\nConcrete Night<\/strong> (Pirjo Honkasalo)
\nHome From Home \u2013 Chronicle of a Vision<\/strong> (Edgar Reitz)<\/span>
\nHow Strange to be Named Federico: Scola Narrates Fellini <\/strong> (Ettore Scola)<\/span>
\nMoebius<\/strong> (Kim Ki-duk)<\/span>
\nNorte, the End of History<\/strong> (Lav Diaz)<\/span> \u2605
\nOur Sunhi<\/strong> (Hong Sang-soo)<\/span> \u25cb
\nA Touch of Sin<\/strong> (Jia Zhang-ke)<\/span> \u2605 \u00ae<\/strong><\/span>
\nTriptych<\/strong> (Robert Lepage & Pedro Pires) C<\/strong><\/span> \u00ae<\/strong><\/span><\/p>\n
\n
\n<\/br>\n<\/div>\n
City to City: Athens (10; last year: 10)<\/span>
\nThe Daughter<\/strong> (Thanos Anastopoulos)<\/span> FS<\/strong><\/span>
\nThe Eternal Return of Antonis Paraskevas<\/strong> (Elina Psykou)<\/span> FS<\/strong><\/span>
\nJ.A.C.E. \u2013 Just Another Confused Elephant<\/strong> (Menelaos Karamaghiolis)
\nMiss Violence<\/strong> (Alexandros Avranas)<\/span>
\nSeptember<\/strong> (Penny Panayotopoulou)
\nStanding Aside, Watching<\/strong> (Yorgos Servetas)
\nTo the Wolf<\/strong> (Aran Hughes & Christina Koutsospyrou)<\/span> FS<\/strong><\/span>
\nUnfair World<\/strong> (Filippos Tsitos)
\nWasted Youth<\/strong> (2011, Argyris Papadimitropoulos & Jan Vogel) FS<\/strong><\/span>
\nWild Duck<\/strong> (Yannis Sakaridis)<\/p>\n
\n
\n<\/br>\n<\/div>\n
Midnight Madness (10; last year: 10)<\/span>
\nAfflicted<\/strong> (Derek Lee & Clif Prowse) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nAll Cheerleaders Die<\/strong> (Lucky McKee & Chris Sivertson)
\nAlmost Human<\/strong> (Joe Begos)
\nThe Green Inferno<\/strong> (Eli Roth) \u00ae<\/strong><\/span>
\nOculus<\/strong> (Mike Flanagan)
\nR100<\/strong> (Hitoshi Matsumoto)<\/span> \u26ab
\nRigor Mortis<\/strong> (Juno Mak)<\/span>
\nThe Station<\/strong> (Marvin Kren)
\nWhy Don’t You Play in Hell?<\/strong> (Sion Sono)<\/span>
\nWitching & Bitching<\/strong> (Alex de la Iglesia)<\/p>\n
\n
\n<\/br>\n<\/div>\n
Future Projections (9; last year: 8)<\/span>
\n1. Camille Henrot: Grosse Fatigue<\/strong> (2013) – September 5 to 15
\n2. Ralph Steadman: Ralph Steadman For No Good Reason<\/strong> (1970-2013) – September 5 to 15
\n3. Radical Friend: Sweat<\/strong> (2012) – September 5 to 15
\n4. Candice Breitz: Treatment<\/strong> (2013) – September 5 to December 29
\n5. Marcel Dzama: Une Danse des Bouffons (or A Jester’s Dance)<\/strong> (2013) – September 5 to December 29
\n6. James Coupe: Swarm<\/strong> (2013) – September 5 to December 29
\n7. Jeremy Shaw: Introduction to the Memory Personality<\/strong> (2012\/2013) – September 5 to December 29
\n8. Jamie Shovlin: Rough Cut (Hiker Meat)<\/strong> (2012-13) – September 5 to December 29
\n9. Laurel Woodcock: walkthrough<\/strong> (2013) – September 5 to December 29<\/p>\n