{"id":7244,"date":"2012-12-31T11:59:17","date_gmt":"2012-12-31T16:59:17","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=7244"},"modified":"2024-04-05T15:45:49","modified_gmt":"2024-04-05T20:45:49","slug":"top-10-of-2012","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2012\/12\/top-10-of-2012\/","title":{"rendered":"Top 10 of 2012"},"content":{"rendered":"

*Click on the ‘Lists & Logs’ tab to see lists from previous years.<\/strong><\/p>\n

This is a dynamic list, so it’ll be updated each time I see a film which had its world premiere in 2012 that is better than at least one of the films already on the list.<\/p>\n

    \n
  1. Leviathan (Lucien Castaing-Taylor & V\u00e9r\u00e9na Paravel)<\/li>\n
  2. Blankets for Indians (Ken Jacobs)<\/li>\n
  3. Like Someone in Love (Abbas Kiarostami)<\/li>\n
  4. The Master (Paul Thomas Anderson)<\/li>\n
  5. Spring Breakers (Harmony Korine)<\/li>\n
  6. Cosmopolis (David Cronenberg)<\/li>\n
  7. Frances Ha (Noah Baumbach)<\/li>\n
  8. Beyond the Hills (Cristian Mungiu)<\/li>\n
  9. A Month in Thailand (Paul Negoescu)<\/li>\n
  10. Tchoupitoulas (Bill Ross IV & Turner Ross)<\/li>\n<\/ol>\n

     <\/p>\n

    Polls Top 10<\/span><\/strong> (My favourites of the titles that appear here<\/a>; will only update this until I turn in my Skandie ballot at the end of January 2013)<\/p>\n

      \n
    1. Holy Motors (2012, Leos Carax)<\/li>\n
    2. Once Upon a Time in Anatolia (2011, Nuri Bilge Ceylan)<\/li>\n
    3. The Master (2012, Paul Thomas Anderson)<\/li>\n
    4. Crazy Horse (2011, Frederick Wiseman)<\/li>\n
    5. The Deep Blue Sea (2011, Terence Davies)<\/li>\n
    6. Cosmopolis (2012, David Cronenberg)<\/li>\n
    7. You Are Here (2010, Daniel Cockburn)<\/li>\n
    8. Tchoupitoulas (2012, Bill Ross IV & Turner Ross)<\/li>\n
    9. Elena (2011, Andrei Zvyagintsev)<\/li>\n
    10. The Turin Horse (2011, B\u00e9la Tarr)<\/li>\n<\/ol>\n

       <\/p>\n

      My Top 10 Discoveries During 2012<\/span><\/strong> (only first-time viewings of films made before 2000 are eligible)<\/p>\n

        \n
      1. Woman in the Dunes (1964, Hiroshi Teshigahara)<\/li>\n
      2. Meet Me in St. Louis (1944, Vincente Minnelli)<\/li>\n
      3. Four Nights of a Dreamer (1971, Robert Bresson)<\/li>\n
      4. Some Like it Hot (1959, Billy Wilder)<\/li>\n
      5. Stormy Waters [Remorques] (1941, Jean Gr\u00e9millon)<\/li>\n
      6. Our Hospitality (1923, John G. Blystone & Buster Keaton)<\/li>\n
      7. Touch of Evil (1958, Orson Welles)<\/li>\n
      8. The Last Picture Show (1971, Peter Bogdanovich)<\/li>\n
      9. Solaris (1972, Andrei Tarkovsky)<\/li>\n
      10. The Game (1997, David Fincher)<\/li>\n<\/ol>\n

         <\/p>\n

        Other 2012 films I’ve seen<\/span><\/strong><\/p>\n

          \n
        • Viola (Mat\u00edas Pi\u00f1eiro) – 7.2<\/li>\n
        • You Ain\u2019t Seen Nothin\u2019 Yet! (Alain Resnais) – 7.1<\/li>\n
        • To the Wonder (Terrence Malick) – 7.0<\/li>\n
        • The Imposter (Bart Layton) – 7.0<\/li>\n
        • Amour (Michael Haneke) – 7.0<\/li>\n
        • Laurence Anyways (Xavier Dolan) – 6.9<\/li>\n
        • Drug War (Johnnie To) – 6.9<\/li>\n
        • Somebody Up There Likes Me (Bob Byington) – 6.9<\/li>\n
        • People\u2019s Park (Libbie Dina Cohn & J.P. Sniadecki) – 6.8<\/li>\n
        • Eat Sleep Die (Gabriela Pichler) – 6.8<\/li>\n
        • Tower (Kazik Radwanski) – 6.8<\/li>\n
        • Room 237 (Rodney Ascher) – 6.7<\/li>\n
        • In Another Country (Hong Sang-soo) – 6.7<\/li>\n
        • Sister (Ursula Meier) – 6.7<\/li>\n
        • Holy Motors (Leos Carax) \u2013 6.6<\/li>\n
        • East Hastings Pharmacy (Antoine Bourges) \u2013 6.6<\/li>\n
        • It\u2019s Such a Beautiful Day (Don Hertzfeldt) \u2013 6.6<\/li>\n
        • The Great North Korean Picture Show (James Leong & Lynn Lee) \u2013 6.6<\/li>\n
        • A Hijacking (Tobias Lindholm) – 6.6<\/li>\n
        • Killing Them Softly (Andrew Dominik) – 6.6<\/li>\n
        • Tabu (Miguel Gomes) – 6.5<\/li>\n
        • The Unspeakable Act (Dan Sallitt) – 6.5<\/li>\n
        • Blankets for Indians (Ken Jacobs) – 6.5<\/li>\n
        • Sightseers (Ben Wheatley) – 6.5<\/li>\n
        • Augustine (Alice Winocour) – 6.5<\/li>\n
        • Looper (Rian Johnson) – 6.4<\/li>\n
        • No (Pablo Larra\u00edn) – 6.4<\/li>\n
        • Neighboring Sounds (Kleber Mendon\u00e7a Filho) – 6.4<\/li>\n
        • Sleepless Night (Jang Kun-Jae) – 6.4<\/li>\n
        • Django Unchained (Quentin Tarantino) \u2013 6.4<\/li>\n
        • Sun Don’t Shine (Amy Seimetz) – 6.4<\/li>\n
        • Barbara (Christian Petzold) – 6.4<\/li>\n
        • Life of Pi (Ang Lee) \u2013 6.3<\/li>\n
        • Bestiaire (Denis C\u00f4t\u00e9) – 6.3<\/li>\n
        • Only The Young (Elizabeth Mims & Jason Tippet) – 6.3<\/li>\n
        • The Extravagant Shadows (David Gatten) – 6.3<\/li>\n
        • Man at War (Jacek B\u0142awut) – 6.3<\/li>\n
        • Berberian Sound Studio (Peter Strickland) – 6.3<\/li>\n
        • How to Survive a Plague (David France) – 6.3<\/li>\n
        • Gebo and the Shadow (Manoel de Oliveira) – 6.2<\/li>\n
        • Vamps (Amy Heckerling) – 6.2<\/li>\n
        • When Night Falls (Ying Liang) – 6.2<\/li>\n
        • Tricked (Paul Verhoeven) – 6.1<\/li>\n
        • The Last Time I Saw Macao (Jo\u00e3o Pedro Rodrigues & Jo\u00e3o Rui Guerra Da Mata) – 6.1<\/li>\n
        • Atomic Age (H\u00e9l\u00e9na Klotz) – 6.1<\/li>\n
        • Post Tenebras Lux (Carlos Reygadas) – 6.1<\/li>\n
        • Greatest Hits (Nicol\u00e1s Pereda) – 6.1<\/li>\n
        • Fragments of Kubelka (Martina Kudl\u00e1cek) – 6.1<\/li>\n
        • The Queen of Versailles (Lauren Greenfield) – 6.1<\/li>\n
        • First Cousin Once Removed (Alan Berliner) – 6.1<\/li>\n
        • Keep the Lights On (Ira Sachs) – 6.1<\/li>\n
        • The Angels\u2019 Share (Ken Loach) – 6.1<\/li>\n
        • The Comedy (Rick Alverson) – 6.0<\/li>\n
        • Stemple Pass (James Benning) – 6.0<\/li>\n
        • differently, Molussia (Nicolas Rey) – 6.0<\/li>\n
        • the war (James Benning) – 6.0<\/li>\n
        • Reality (Matteo Garrone) – 6.0<\/li>\n
        • Aliyah (Elie Wajeman) – 6.0<\/li>\n
        • Argo (Ben Affleck) – 6.0<\/li>\n
        • 38 Witnesses (Lucas Belvaux) – 6.0<\/li>\n
        • This is 40 (Judd Apatow) \u2013 6.0<\/li>\n
        • Paradise: Faith (Ulrich Seidl) \u2013 6.0<\/li>\n
        • Red Hook Summer (Spike Lee) \u2013 5.9<\/li>\n
        • It’s a Disaster (Todd Berger) – 5.9<\/li>\n
        • The Dead Man and Being Happy (Javier Robollo) – 5.9<\/li>\n
        • Skyfall (Sam Mendes) – 5.9<\/li>\n
        • West of Memphis (Amy Berg) – 5.9<\/li>\n
        • 21 Jump Street (Phil Lord & Chris Miller) – 5.9<\/li>\n
        • Much Ado About Nothing (Joss Whedon) – 5.8<\/li>\n
        • The Hunt (Thomas Vinterberg) – 5.8<\/li>\n
        • Florentina Hubaldo, CTE (Lav Diaz) – 5.8<\/li>\n
        • The Pervert\u2019s Guide to Ideology (Sophie Fiennes) – 5.8<\/li>\n
        • Starlet (Sean Baker) – 5.8<\/li>\n
        • Compliance (Craig Zobel) – 5.8<\/li>\n
        • Passion (Brian De Palma) – 5.7<\/li>\n
        • Leones (Jazm\u00edn L\u00f3pez) – 5.7<\/li>\n
        • Another Night on Earth (David Mu\u00f1oz) \u2013 5.7<\/li>\n
        • Not Fade Away (David Chase) \u2013 5.7<\/li>\n
        • Zero Dark Thirty (Kathryn Bigelow) \u2013 5.7<\/li>\n
        • Silver Linings Playbook (David O. Russell) – 5.7<\/li>\n
        • Jayne Mansfield\u2019s Car (Billy Bob Thornton) – 5.7<\/li>\n
        • Thursday till Sunday (Dominga Sotomayor Castillo) – 5.7<\/li>\n
        • Everybody in Our Family (Radu Jude) – 5.7<\/li>\n
        • Stories We Tell (Sarah Polley) – 5.7<\/li>\n
        • Paradise: Love (Ulrich Seidl) – 5.6<\/li>\n
        • The Central Park Five (Ken Burns, David McMahon & Sarah Burns) – 5.6<\/li>\n
        • Camp 14: Total Control Zone (Marc Wiese) \u2013 5.6<\/li>\n
        • The Great Cinema Party (Raya Martin) \u2013 5.6<\/li>\n
        • Wanderlust (David Wain) – 5.6<\/li>\n
        • United in Anger: A History of ACT UP (Jim Hubbard) \u2013 5.6<\/li>\n
        • 3 (Pablo Stoll Ward) – 5.6<\/li>\n
        • The Sheik and I (Caveh Zahedi) \u2013 5.5<\/li>\n
        • Circle in the Sand (Michael Robinson) – 5.5<\/li>\n
        • Just the Wind (Benedek Fliegauf) – 5.5<\/li>\n
        • Fuck for Forest (Micha\u0142 Marczak) – 5.5<\/li>\n
        • Memories Look at Me (Song Fang) – 5.5<\/li>\n
        • Gimme the Loot (Adam Leon) – 5.5<\/li>\n
        • Caesar Must Die (Paolo & Vittorio Taviani) – 5.5<\/li>\n
        • The Dark Knight Rises (Christopher Nolan) – 5.5<\/li>\n
        • Detropia (Heidi Ewing & Rachel Grady) – 5.5<\/li>\n
        • Soldier\/Citizen (Silvina Landesman) – 5.5<\/li>\n
        • Night Across the Street (Ra\u00fal Ruiz) – 5.4<\/li>\n
        • Celestial Wives of the Meadow Mari (Aleksei Fedorchenko) \u2013 5.4<\/li>\n
        • Magic Mike (Steven Soderbergh) – 5.4<\/li>\n
        • Dredd (Pete Travis) – 5.4<\/li>\n
        • Flight of the Butterflies (Mike Slee) – 5.4<\/li>\n
        • Student (Darezhan Omirbaev) – 5.4<\/li>\n
        • Danube Hospital (Nikolaus Geyrhalter) – 5.4<\/li>\n
        • Broken (Rufus Norris) \u2013 5.4<\/li>\n
        • Maintenance (Adele Horne) \u2013 5.4<\/li>\n
        • The Three Stooges (Peter & Bobby Farrelly) – 5.4<\/li>\n
        • Gone Fishing (Carlos Sorin) – 5.4<\/li>\n
        • I Declare War (Jason Lapeyre & Robert Wilson) – 5.3<\/li>\n
        • Perret in France and Algeria (Heinz Emigholz) \u2013 5.3<\/li>\n
        • Centro Hist\u00f3rico (Aki Kaurism\u00e4ki, Pedro Costa, V\u00edctor Erice, & Manoel de Oliveira) – 5.3<\/li>\n
        • Winter, Go Away! (Sofia Rodkevich, Anton Seregin, Madina Mustafina, Elena Khoreva, Anna Moiseenko, Dmitry Kubasov, Askold Kurov, Nadezhda Leonteva, Alexey Zhirayakov, & Denis Klebleev) \u2013 5.3<\/li>\n
        • Brave (Mark Andrews & Brenda Chapman) – 5.3<\/li>\n
        • Elena (Petra Costa) – 5.3<\/li>\n
        • Fly with the Crane (Li Ruijun) – 5.3<\/li>\n
        • A Liar\u2019s Autobiography \u2013 The Untrue Story of Monty Python\u2019s Graham Chapman (Ben Timlett, Bill Jones, & Jeff Simpson) – 5.3<\/li>\n
        • Mystery (Lou Ye) – 5.3<\/li>\n
        • Museum Hours (Jem Cohen) – 5.2<\/li>\n
        • The Gatekeepers (Dror Moreh) – 5.2<\/li>\n
        • Savages (Oliver Stone) – 5.2<\/li>\n
        • Mud (Jeff Nichols) – 5.2<\/li>\n
        • The Pirogue (Moussa Toure) – 5.1<\/li>\n
        • Pursuit of Loneliness (Laurence Thrush) – 5.1<\/li>\n
        • Farewell, My Queen (Beno\u00eet Jacquot) – 5.1<\/li>\n
        • All That You Possess (Bernard \u00c9mond) – 5.1<\/li>\n
        • Marina Ambramovic: The Artist is Present (Matthew Akers) – 5.1<\/li>\n
        • Project X (Nima Nourizadeh) – 5.1<\/li>\n
        • Jackie (Antoinette Beumer) – 5.1<\/li>\n
        • Araf – Somewhere In Between (Ye\u015fim Ustao\u011flu) – 5.0<\/li>\n
        • Low Tide (Roberto Minervini) – 5.0<\/li>\n
        • Simon Killer (Antonio Campos) – 5.0<\/li>\n
        • Anna Karenina (Joe Wright) – 5.0<\/li>\n
        • Les Invisibles (S\u00e9bastien Lifshitz) – 5.0<\/li>\n
        • Byzantium (Neil Jordan) – 5.0<\/li>\n
        • The Last Station (Catalina Vergara & Cristian Soto) \u2013 5.0<\/li>\n
        • Final Cut \u2013 Ladies & Gentlemen (Gy\u00f6rgy P\u00e1lfi) – 5.0<\/li>\n
        • The Act of Killing (Joshua Oppenheimer, Christine Cynn, & Anonymous) – 5.0<\/li>\n
        • Clip (Maja Milo\u0161) – 5.0<\/li>\n
        • The Iceman (Ariel Vromen) – 5.0<\/li>\n
        • Ernest and Celestine (St\u00e9phane Aubier, Vincent Patar, & Benjamin Renner) – 4.9<\/li>\n
        • The We and the I (Michel Gondry) – 4.9<\/li>\n
        • Blackbird (Jason Buxton) – 4.9<\/li>\n
        • Journal de France (Claudine Nougaret & Raymond Depardon) – 4.9<\/li>\n
        • Future My Love (Maja Borg) \u2013 4.9<\/li>\n
        • Miss Lovely (Ashim Ahluwalia) – 4.9<\/li>\n
        • Blancanieves (Pablo Berger) – 4.9<\/li>\n
        • Ginger and Rosa (Sally Potter) – 4.9<\/li>\n
        • Jeff (Chris James Thompson) – 4.9<\/li>\n
        • Marley (Kevin McDonald) – 4.9<\/li>\n
        • Moonrise Kingdom (Wes Anderson) – 4.8<\/li>\n
        • Dormant Beauty (Marco Bellocchio) – 4.8<\/li>\n
        • Camille Rewinds (No\u00e9mie Lvovsky) – 4.8<\/li>\n
        • Lore (Cate Shortland) – 4.8<\/li>\n
        • Once Upon a Time Was I, Ver\u00f4nica (Marcelo Gomes) – 4.8<\/li>\n
        • Ship of Theseus (Anand Gandhi) – 4.8<\/li>\n
        • Fill the Void (Rama Burshtein) – 4.8<\/li>\n
        • Chronicle (Josh Trank) – 4.8<\/li>\n
        • Shut Up and Play the Hits (Will Lovelace & Dylan Southern) – 4.8<\/li>\n
        • Bullet to the Head (Walter Hill) \u2013 4.7<\/li>\n
        • Our Children (Joachim Lafosse) – 4.7<\/li>\n
        • Confession of a Child of the Century (Sylvie Verheyde) – 4.7<\/li>\n
        • Once Every Day (Richard Foreman) – 4.7<\/li>\n
        • In the Fog (Sergei Loznitsa) – 4.7<\/li>\n
        • White Epilepsy (Philippe Grandrieux) – 4.7<\/li>\n
        • No, I am Not a Toad, I am a Turtle! (Elke Marh\u00f6fer) – 4.7<\/li>\n
        • The Legend of Kaspar Hauser (Davide Manuli) – 4.7<\/li>\n
        • Nights with Theodore (S\u00e9bastien Betbeder) – 4.6<\/li>\n
        • Age Is\u2026 (Stephen Dwoskin) – 4.6<\/li>\n
        • Lincoln (Steven Spielberg) \u2013 4.6<\/li>\n
        • The Lebanese Rocket Society (Joana Hadji Thomas & Khalil Joreige) – 4.6<\/li>\n
        • Three Worlds (Catherine Corsini) – 4.6<\/li>\n
        • On the Road (Walter Salles) – 4.6<\/li>\n
        • War Witch (Kim Nguyen) – 4.6<\/li>\n
        • The Paperboy (Lee Daniels) – 4.5<\/li>\n
        • Something in the Air (Olivier Assayas) – 4.5<\/li>\n
        • Flight (Robert Zemeckis) – 4.5<\/li>\n
        • Katy Perry: Part of Me (Dan Cutforth & Jane Lipsitz) – 4.5<\/li>\n
        • The Company You Keep (Robert Redford) – 4.5<\/li>\n
        • Blondie (Jesper Ganslandt) – 4.5<\/li>\n
        • In the House (Fran\u00e7ois Ozon) – 4.4<\/li>\n
        • Cloud Atlas (Tom Tykwer & Lana & Andy Wachowski) – 4.4<\/li>\n
        • 31st Haul (Denis Klebleev) – 4.4<\/li>\n
        • Rust and Bone (Jacques Audiard) – 4.4<\/li>\n
        • La Sirga (William Vega) – 4.4<\/li>\n
        • Motorway (Soi Cheang) – 4.3<\/li>\n
        • Imagine (Andrzej Jakimowski) – 4.3<\/li>\n
        • Aqu\u00ed y all\u00e1 (Antonio M\u00e9ndez Esparza) – 4.3<\/li>\n
        • Capital (Costa-Gavras) – 4.3<\/li>\n
        • Lawless (John Hillcoat) – 4.3<\/li>\n
        • Inori (Pedro Gonz\u00e1lez-Rubio) – 4.2<\/li>\n
        • Beyond the Hill (Emin Alper) – 4.2<\/li>\n
        • Promised Land (Gus Van Sant) – 4.2<\/li>\n
        • The Secret Disco Revolution (Jamie Kastner) – 4.2<\/li>\n
        • Children of Sarajevo (Aida Begic) – 4.1<\/li>\n
        • Patience (After Sebald) (Grant Gee) \u2013 4.1<\/li>\n
        • Marvel\u2019s The Avengers (Joss Whedon) – 4.1<\/li>\n
        • Pieta (Ki-duk Kim) – 4.1<\/li>\n
        • Three Sisters (Wang Bing) – 4.0<\/li>\n
        • The Perks of Being a Wallflower (Stephen Chbosky) – 4.0<\/li>\n
        • Foxfire: Confessions of a Girl Gang (Laurent Cantet) – 4.0<\/li>\n
        • The Cremator (Peng Tao) – 3.9<\/li>\n
        • Pusher (Luis Prieto) – 3.9<\/li>\n
        • Antiviral (Brandon Cronenberg) – 3.9<\/li>\n
        • Beasts of the Southern Wild (Benh Zeitlin) – 3.8<\/li>\n
        • Ai Weiwei: Never Sorry (Alison Klayman) – 3.7<\/li>\n
        • The End of Time (Peter Mettler) – 3.6<\/li>\n
        • Lines of Wellington (Valeria Sarmiento) – 3.6<\/li>\n
        • Tim and Eric\u2019s Billion Dollar Movie (Tim Heidecker & Eric Wareheim) – 3.6<\/li>\n
        • Ethel (Rory Kennedy) – 3.5<\/li>\n
        • The Hobbit: An Unexpected Journey (Peter Jackson) – 3.4<\/li>\n
        • Wildness (Wu Tsang) – 3.4<\/li>\n
        • Hyde Park on Hudson (Roger Michell) – 3.4<\/li>\n
        • Yellow (Nick Cassavetes) – 3.4<\/li>\n
        • 7 Days in Havana (Benicio del Toro, Pablo Trapero, Julio Medem, Elia Suleiman, Gaspar No\u00e9, Juan Carlos Tabio, & Laurent Cantet) – 3.4<\/li>\n
        • After the Battle (Yousry Nasrallah) – 3.3<\/li>\n
        • The Suicide Shop (Patrice Leconte) \u2013 3.2<\/li>\n
        • Dangerous Liaisons (Hur Jin-Ho) – 3.1<\/li>\n
        • Bwakaw (Jun Robles Lana) – 3.0<\/li>\n
        • An Oversimplification of Her Beauty (Terence Nance) – 3.0<\/li>\n
        • London – The Modern Babylon (Julien Temple) – 2.9<\/li>\n
        • The Place Beyond the Pines (Derek Cianfrance) – 2.8<\/li>\n
        • Nobody Walks (Ry Russo-Young) – 2.7<\/li>\n
        • At Any Price (Ramin Bahrani) – 2.6<\/li>\n
        • Mekong Hotel (Apichatpong Weerasethakul) – 2.6<\/li>\n
        • L (Babis Makridis) – 2.5<\/li>\n
        • Jump (Kieron J. Walsh) – 2.4<\/li>\n
        • Kinshasa Kids (Marc-Henri Wajnberg) – 2.3<\/li>\n
        • The Dream and the Silence (Jaime Rosales) – 2.3<\/li>\n
        • The Taste of Money (Im Sang-soo) – 2.0<\/li>\n
        • After Luc\u00eda (Michel Franco) – 1.7<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"

          *Click on the ‘Lists & Logs’ tab to see lists from previous years. This is a dynamic list, so it’ll be updated each time I see a film which had its world premiere in 2012 that is better than at least one of the films already on the list. Leviathan (Lucien Castaing-Taylor & V\u00e9r\u00e9na Paravel) […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-7244","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/7244","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=7244"}],"version-history":[{"count":74,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/7244\/revisions"}],"predecessor-version":[{"id":24242,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/7244\/revisions\/24242"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=7244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=7244"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=7244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}