{"id":6851,"date":"2012-01-01T00:01:29","date_gmt":"2012-01-01T05:01:29","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=6851"},"modified":"2020-11-11T12:03:19","modified_gmt":"2020-11-11T17:03:19","slug":"2012-film-log","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2012\/01\/2012-film-log\/","title":{"rendered":"2012 Film Log"},"content":{"rendered":"

Past Logs<\/span><\/span><\/p>\n

2011 Film Log<\/span><\/a>
\n2010 Film Log<\/span><\/a>
\n2009 Film Log<\/span><\/a>
\n2007 Film Log<\/a>
\n<\/span><\/p>\n

<\/div>\n

*8mm<\/span>\/16mm<\/span>\/35mm<\/span>\/70mm<\/span> denotes that what I saw was a film print.
\n*DP<\/span> denotes that what I saw was a Digital Projection in a theatre, either because the film doesn’t exist on celluloid, or the theatre where I saw it is run by incompetent penny pinchers.
\n*3D<\/span> denotes that I saw it in 3D, obvi.
\n*All others were either from DVDs, downloads, or television.
\n*Only films that are at least 40 minutes long (the Academy’s minimum for a feature film) are logged.
\n*A grade of “Inc.” denotes that I don’t think that this screening was an accurate enough presentation of the film for me to make a value judgment, either because their weren’t English subtitles for a foreign language film, or the projector broke\/sound cut out\/the print burned, or an ass in the theatre distracted me with too much talking\/popcorn eating, or, like the incident with 2001: A Space Odyssey at the Coolidge Corner Theatre in Brookline, MA, the reels are shown out of order.
\n*Regarding W\/Os, I almost always finish what I start, and what I don’t, I don’t log.
\n*A ‘+’ at the beginning of a line means that I had seen this film before.<\/p>\n

<\/div>\n

\"\"<\/p>\n

And that translates to:<\/span><\/strong><\/p>\n

A+\t9.4 - 10.0\t[Top 10 of All Time consideration]\nA\t8.6 - 9.3\t[Masterpiece]\nA-\t7.8 - 8.5\t[Near-masterpiece]\nB+\t7.0 - 7.7\t[Great]\nB\t6.2 - 6.9\t[Something special]\nB-\t5.4 - 6.1\t[Admirable, at least]\nC+\t4.6 - 5.3\t[Decent, but nothing special]\nC\t3.8 - 4.5\t[Forgettable mediocrity]\nC-\t3.0 - 3.7\t[What a failure]\nD+\t2.2 - 2.9\t[What-a-failure with cheese]\nD\t1.4 - 2.1\t[How did I get duped into seeing this?]\nD-\t0.6 - 1.3\t[You have got<\/em> to be kidding me]\nF\t0.0 - 0.5\t[Worst of All Time consideration]<\/pre>\n
January<\/span><\/strong><\/p>\n
127 Hours (2010, Danny Boyle) – 6.0<\/p>\n
It’s a Wonderful Life (1946, Frank Capra) – 7.2<\/p>\n
The Girl With the Dragon Tattoo (2011, David Fincher) DP<\/span> – 4.9<\/p>\n
Monsieur Lazhar (2011, Philippe Falardeau) DP<\/span> – 5.0<\/p>\n
Young Adult (2011, Jason Reitman) DP<\/span> – 5.3<\/p>\n
+Keyhole (2011, Guy Maddin) 35mm<\/span> – 6.1 [up from 5.9]<\/span><\/p>\n
Carnage (2011, Roman Polanski) DP<\/span> – 4.0<\/p>\n
Hobo with a Shotgun (2011, Jason Eisener) 35mm<\/span> – 4.5<\/p>\n
Yol (1982, Serif G\u00f6ren & Yilmaz G\u00fcney) 35mm<\/span> – 5.6<\/p>\n
Tinker Tailor Soldier Spy (2011, Tomas Alfredson) DP<\/span> – 4.7<\/p>\n
Starbuck (2011, Ken Scott) DP<\/span> – 3.8<\/p>\n
Life During Wartime (2009, Todd Solondz) – 4.4<\/p>\n
Wetlands (2011, Guy \u00c9doin) 35mm<\/span> – 5.7<\/p>\n
+A Dangerous Method (2011, David Cronenberg) DP<\/span> – 5.9 [up from 5.5]<\/span><\/p>\n
Lula, Son of Brazil (2009, F\u00e1bio Barreto & Marcelo Santiago) – 3.2<\/p>\n
Scream 4 (2011, Wes Craven) – 5.6<\/p>\n
+Caf\u00e9 de flore (2011, Jean-Marc Vall\u00e9e) DP<\/span> – 5.0 [same]<\/span><\/p>\n
The Salesman (2011, S\u00e9bastien Pilote) DP<\/span> – 6.2<\/p>\n
Paranormal Activity 3 (2011, Henry Joost & Ariel Schulman) – 6.0<\/p>\n
Print Generation (1974, J.J. Murphy) 16mm<\/span> – 7.0<\/p>\n
+By the Law [Franz Reisecker score] (1926, Lev Kuleshov) – 8.8 [up from 7.0]<\/span><\/p>\n
The Time That Remains (2009, Elia Suleiman) – 5.3<\/p>\n
Da\u00efnah la m\u00e9tisse (1932, Jean Gr\u00e9millon) – 8.0<\/p>\n
Walkover (1965, Jerzy Skolimowski) 35mm<\/span> – 4.4<\/p>\n
+Santa Claus Has Blue Eyes (1969, Jean Eustache) 35mm<\/span> – 6.8 [up from ~4.5]<\/span><\/p>\n
In the Dust of the Stars (1976, Gottfried Kolditz) 35mm<\/span> – 3.1<\/p>\n
Living Together (1973, Anna Karina) 35mm<\/span> – 5.7<\/p>\n
The Dead Mountaineer’s Hotel (1979, Grigori Kromanov) 35mm<\/span> – 3.4<\/p>\n
An Oversimplification of Her Beauty (2012, Terence Nance) – 3.0<\/p>\n
Pilot Pirx’s Inquest (1979, Marek Piestrak) 35mm<\/span> – 4.5<\/p>\n
Senna (2010, Asif Kapadia) – 6.2<\/p>\n
Dancing in the Dark (1986, Leon Marr) 35mm<\/span> – 6.1<\/p>\n
Hope (1970, Yilmaz G\u00fcney) 35mm<\/span> – 6.2<\/p>\n
Moscow-Cassiopeia (1975, Richard Viktorov) DP<\/span> – 5.2<\/p>\n
Teens in the Universe (1974, Richard Viktorov) DP<\/span> – 5.4<\/p>\n
Father (2010, Jos\u00e9 Mar\u00eda de Orbe) – 4.4<\/p>\n
The Herd (1979, Zeki \u00d6kten) 35mm<\/span> – 4.9<\/p>\n
Ferat Vampire (1982, Juraj Herz) 35mm<\/span> – 3.9<\/p>\n
Solaris (1972, Andrei Tarkovsky) 35mm<\/span> – 7.8<\/p>\n
The Poor (1975, Yilmaz G\u00fcney & Atif Yilmaz) 35mm<\/span> – 4.5<\/p>\n
+Aurora (2010, Cristi Puiu) – 4.7 [same]<\/span><\/p>\n
The Big Space Travel (1974, Valentin Selivanov) DP<\/span> – 3.8<\/p>\n
<\/div>\n
February<\/span><\/strong><\/p>\n
Elegy (1972, Yilmaz G\u00fcney) 35mm<\/span> – 4.1<\/p>\n
The Innkeepers (2011, Ti West) DP<\/span> – 4.8<\/p>\n
Bride of the Earth (1968, Yilmaz G\u00fcney) 35mm<\/span> – 6.5<\/p>\n
Who Wants to Kill Jessie? (1966, V\u00e1clav Vorl\u00edcek) 35mm<\/span> – 6.0<\/p>\n
The Hungry Wolves (1969, Yilmaz G\u00fcney) 35mm<\/span> – 5.1<\/p>\n
Johnny Guitar (1954, Nicholas Ray) 35mm<\/span> – 7.6<\/p>\n
Better Mus’ Come (2010, Storm Saulter) DP<\/span> – 3.3<\/p>\n
Friend (1975, Yilmaz G\u00fcney) 35mm<\/span> – 4.2<\/p>\n
L (2012, Babis Makridis) – 2.5<\/p>\n
Clip (2012, Maja Milo\u0161) – 5.0<\/p>\n
Felicia’s Journey (1999, Atom Egoyan) 35mm<\/span> – 5.3<\/p>\n
+Sans Soleil (1983, Chris Marker) – 5.6 [up from ~3.5]<\/span><\/p>\n
Harvest (2011, Benjamin Cantu) – 5.5<\/p>\n
Babette’s Feast (1987, Gabriel Axel) 35mm<\/span> – 4.9<\/p>\n
Thursday till Sunday (2012, Dominga Sotomayor Castillo) – 5.7<\/p>\n
+Black Venus (2010, Abdellatif Kechiche) – 6.4 [down from 6.8]<\/span><\/p>\n
Pursuit of Loneliness (2012, Laurence Thrush) – 5.1<\/p>\n
+A Man Escaped (1956, Robert Bresson) 35mm<\/span> – 8.1 [up from ~7.5]<\/span><\/p>\n
+Stalker (1979, Andrei Tarkovsky) 35mm<\/span> – 6.2 [down from ~9.5]<\/span><\/p>\n
+Mouchette (1967, Robert Bresson) 35mm<\/span> – 5.6 [up from ~4.0]<\/span><\/p>\n
+Wild at Heart (1990, David Lynch) 35mm<\/span> – 5.8 [down from ~6.5]<\/span><\/p>\n
The True Story of Jesse James (1957, Nicholas Ray) 35mm<\/span> – 4.3<\/p>\n
Diary of a Country Priest (1951, Robert Bresson) 35mm<\/span> – 5.0<\/p>\n
Angels of the Streets (1943, Robert Bresson) 35mm<\/span> – 4.4<\/p>\n
The Legend Of Kaspar Hauser (2012, Davide Manuli) – 4.7<\/p>\n
Zero for Conduct (1933, Jean Vigo) – 7.3<\/p>\n
King of Kings (1961, Nicholas Ray) 35mm<\/span> – 3.5<\/p>\n
Buenas noches, Espa\u00f1a (2011, Raya Martin) – 7.5<\/p>\n
Bestiaire (2012, Denis C\u00f4t\u00e9) – 6.3<\/p>\n
Coeur fid\u00e8le (1923, Jean Epstein) – 4.8<\/p>\n
Les dames du Bois de Boulogne (1945, Robert Bresson) 35mm<\/span> – 5.2<\/p>\n
Gerhard Richter Painting (2011, Corinna Belz) Reel Artists<\/span>, DP<\/span> – 6.7<\/p>\n
Thomas Ruff (2011, Ralph Goertz) Reel Artists<\/span>, DP<\/span> – 3.2<\/p>\n
Mark Lewis: Nowhere Land (2011, Reinhard Wulf) Reel Artists<\/span>, DP<\/span> – 5.9<\/p>\n
+Raising Arizona (1987, Joel Coen) 35mm<\/span> – 6.9 [up from ~5.5]<\/span><\/p>\n
Marina Abramovic: The Artist Is Present (2012, Matthew Akers) Reel Artists<\/span>, DP<\/span> – 5.1<\/p>\n
Affliction (1997, Paul Schrader) 35mm<\/span> – 4.4<\/p>\n
<\/div>\n
March<\/span><\/strong><\/p>\n
Beyond the Hill (2012, Emin Alper) – 4.2<\/p>\n
+Au Hasard Balthazar (1966, Robert Bresson) 35mm<\/span> – 6.2 [up from ~4.5]<\/span><\/p>\n
+Pickpocket (1959, Robert Bresson) 35mm<\/span> – 5.7 [down from 5.9]<\/span><\/p>\n
The Trial of Joan of Arc (1962, Robert Bresson) 35mm<\/span> – 5.0<\/p>\n
Modern Times (1936, Charles Chaplin) – 6.5<\/p>\n
It’s the Earth Not the Moon (2011, Gon\u00e7alo Tocha) – 6.4<\/p>\n
Neighboring Sounds (2012, Kleber Mendon\u00e7a Filho) – 6.4<\/p>\n
+Once Upon a Time in Anatolia (2011, Nuri Bilge Ceylan) 35mm<\/span> – 7.7 [down from 7.9]<\/span><\/p>\n
Knock on Any Door (1949, Nicholas Ray) 35mm<\/span> – 5.8<\/p>\n
Lancelot of the Lake (1974, Robert Bresson) 35mm<\/span> – Inc. (~4.7) [frequent disruptions from drunk man]<\/span><\/p>\n
The Young Girls of Rochefort (1967, Jacques Demy) 35mm<\/span> – 6.6<\/p>\n
A Gentle Woman (1969, Robert Bresson) 35mm<\/span> – 6.8<\/p>\n
A Woman’s Secret (1949, Nicholas Ray) 35mm<\/span> – 4.9<\/p>\n
Four Nights of a Dreamer (1971, Robert Bresson) 35mm<\/span> – 7.1<\/p>\n
Only Yesterday (1991, Isao Takahata) 35mm<\/span> – 6.1<\/p>\n
Tim and Eric’s Billion Dollar Movie (2012, Tim Heidecker & Eric Wareheim) – 3.6<\/p>\n
+Kinatay (2009, Brillante Mendoza) \u2013 5.7 [same]<\/span><\/p>\n
+About Elly (2009, Asghar Farhadi) – 7.0 [same]<\/span><\/p>\n
Whisper of the Heart (1995, Yoshifumi Kond\u00f4) 35mm<\/span> – 5.8<\/p>\n
The Grey (2011, Joe Carnahan) – 4.5<\/p>\n
My Neighbor Totoro (1988, Hayao Miyazaki) 35mm<\/span> – 5.2<\/p>\n
Atomic Age (2012, H\u00e9l\u00e9na Klotz) – 6.1<\/p>\n
The Devil, Probably (1977, Robert Bresson) 35mm<\/span> – 3.9<\/p>\n
Woman in the Dunes (1964, Hiroshi Teshigahara) 35mm<\/span> – 8.9<\/p>\n
The Savage Innocents (1960, Nicholas Ray) 35mm<\/span> – 6.9<\/p>\n
L’Argent (1983, Robert Bresson) 35mm<\/span> – 6.3<\/p>\n
Porco Rosso (1992, Hayao Miyazaki) 35mm<\/span> – 4.3<\/p>\n
Detropia (2012, Heidi Ewing & Rachel Grady) – 5.5<\/p>\n
The Lusty Men (1952, Nicholas Ray) 35mm<\/span> – 6.8<\/p>\n
Nana (2011, Val\u00e9rie Massadian) – 5.4<\/p>\n
Jane Eyre (2011, Cary Fukunaga) 35mm<\/span> – 5.1<\/p>\n
Our Dancing Daughters (1928, Harry Beaumont) Toronto Silent<\/strong>, 16mm<\/span> – 5.0<\/p>\n
Blood and Sand (1922, Fred Niblo) Toronto Silent<\/strong>, 16mm<\/span> – 3.6<\/p>\n
The Last Picture Show (1971, Peter Bogdanovich) DP<\/span> – 7.9<\/p>\n
<\/div>\n
April<\/span><\/strong><\/p>\n
Flying Leathernecks (1951, Nicholas Ray) 35mm<\/span> – 5.0<\/p>\n
Edward II (1991, Derek Jarman) 35mm<\/span> – 3.1<\/p>\n
+House of Tolerance (2011, Bertrand Bonello) – 8.5 [same]<\/span><\/p>\n
Variety [US Cut] (1925, Ewald Andr\u00e9 Dupont) Toronto Silent<\/strong>, 16mm<\/span> – 5.2<\/p>\n
+Four Nights of a Dreamer (1971, Robert Bresson) 35mm<\/span> – 8.3 [up from 7.1]<\/span><\/p>\n
Lilies (1996, John Greyson) 35mm<\/span> – 5.5<\/p>\n
Princess Mononoke (1997, Hayao Miyazaki) 35mm<\/span> – 5.6<\/p>\n
Fireworks Wednesday (2006, Asghar Farhadi) 35mm<\/span> – 4.8<\/p>\n
The South (1983, Victor Erice) 35mm<\/span> – Inc. (~6.0) [sound problem]<\/span><\/p>\n
Ruggles of Red Gap (1935, Leo McCarey) 35mm<\/span> – 7.3<\/p>\n
+Killer of Sheep (1979, Charles Burnett) 35mm<\/span> – 8.6 [up from ~6.0]<\/span><\/p>\n
+The Pettifogger (2011, Lewis Klahr) Images<\/span>, DP<\/span> – 9.1 [up from 7.3]<\/span><\/p>\n
Planet of Snail (2011, Seung-jun Yi) – 4.6<\/p>\n
The Observers (2011, Jacqueline Goss) Images<\/span>, DP<\/span> – 5.1<\/p>\n
What Is It? (2005, Crispin Glover) 35mm<\/span> – 5.0<\/p>\n
+Two Years at Sea (2011, Ben Rivers) Images<\/span>, 35mm<\/span> – 5.1 [same]<\/span><\/p>\n
Death in Venice (1971, Luchino Visconti) 35mm<\/span> – 7.0<\/p>\n
The Queen of Versailles (2012, Lauren Greenfield) DP<\/span> – 6.1<\/p>\n
Wildness (2012, Wu Tsang) DP<\/span> – 3.4<\/p>\n
No, I am Not a Toad, I am a Turtle! (2012, Elke Marh\u00f6fer) Images<\/span>, DP<\/span> – 4.7<\/p>\n
Happy People: A Year in the Taiga (2010, Dmitry Vasyukov & Werner Herzog) DP<\/span> – 4.5<\/p>\n
The Strawberry Tree (2011, Simone Rapisarda Casanova) Images<\/span>, DP<\/span> – 5.3<\/p>\n
Florentina Hubaldo, CTE (2012, Lav Diaz) Images<\/span>, DP<\/span> – 5.8<\/p>\n
Bottle Rocket (1996, Wes Anderson) – 6.3<\/p>\n
A Town Called Panic (2009, St\u00e9phane Aubier & Vincent Patar) – 5.8<\/p>\n
Daniel & Ana (2009, Michel Franco) – 3.9<\/p>\n
Chronicle (2012, Josh Trank) – 4.8<\/p>\n
Ai Weiwei: Never Sorry (2012, Alison Klayman) Hot Docs<\/span>, DP<\/span> – 3.7<\/p>\n
Ethel (2012, Rory Kennedy) Hot Docs<\/span>, DP<\/span> – 3.5<\/p>\n
A.K. (1985, Chris Marker) Hot Docs<\/span>, DP<\/span> – 5.1<\/p>\n
The Imposter (2012, Bart Layton) Hot Docs<\/span>, DP<\/span> – 6.6<\/p>\n
All Divided Selves (2011, Luke Fowler) Hot Docs<\/span>, DP<\/span> – 4.2<\/p>\n
There Is No Sexual Rapport (2011, Rapha\u00ebl Siboni) Hot Docs<\/span>, DP<\/span> – 5.2<\/p>\n
Jeff (2012, Chris James Thompson) Hot Docs<\/span>, DP<\/span> – 4.9<\/p>\n
Soldier\/Citizen (2012, Silvina Landesman) Hot Docs<\/span>, DP<\/span> – 5.5<\/p>\n
Summer of Giacomo (2011, Alessandro Comodin) Hot Docs<\/span>, DP<\/span> – 6.2<\/p>\n
<\/div>\n
May<\/span><\/strong><\/p>\n
Only The Young (2012, Elizabeth Mims & Jason Tippet) Hot Docs<\/span>, DP<\/span> – 6.3<\/p>\n
Marley (2012, Kevin McDonald) Hot Docs<\/span>, DP<\/span> – 4.9<\/p>\n
For Those Who Will Follow (1963, Michel Brault & Pierre Perrault) Hot Docs<\/span>, DP<\/span> – 4.7<\/p>\n
Papirosen (2011, Gast\u00f3n Solnicki) – 4.6<\/p>\n
\u00a1Vivan las Antipodas! (2011, Victor Kossakovsky) Hot Docs<\/span>, DP<\/span> – 4.5<\/p>\n
The Law in These Parts (2011, Ra’anan Alexandrowicz) Hot Docs<\/span>, DP<\/span> – 2.3<\/p>\n
Shut Up and Play the Hits (2012, Will Lovelace & Dylan Southern) Hot Docs<\/span>, DP<\/span> – 4.8<\/p>\n
Tchoupitoulas (2012, Bill Ross IV & Turner Ross) Hot Docs<\/span>, DP<\/span> – 7.0<\/p>\n
The Lovers on the Bridge (1991, Leos Carax) – 5.2<\/p>\n
That Has Been (1984, Nicky Hamlyn) 16mm<\/span> – 5.6<\/p>\n
Frenzy (1972, Alfred Hitchcock) 35mm<\/span> – 6.0<\/p>\n
Moonrise Kingdom (2012, Wes Anderson) Cannes<\/span>, DP<\/span> – 4.8<\/p>\n
After the Battle (2012, Yousry Nasrallah) Cannes<\/span>, DP<\/span> – 3.3<\/p>\n
Rust and Bone (2012, Jacques Audiard) Cannes<\/span>, DP<\/span> – 4.4<\/p>\n
Mystery (2012, Lou Ye) Cannes<\/span>, DP<\/span> – 5.3<\/p>\n
Sister (2012, Ursula Meier) Cannes March\u00e9 du Film<\/span>, DP<\/span> – 6.7<\/p>\n
Paradise: Love (2012, Ulrich Seidl) Cannes<\/span>, DP<\/span> – 5.6<\/p>\n
The We and the I (2012, Michel Gondry) Cannes<\/span>, DP<\/span> – 4.9<\/p>\n
Student (2012, Darezhan Omirbaev) Cannes<\/span>, 35mm<\/span> – 4.7<\/p>\n
Reality (2012, Matteo Garrone) Cannes<\/span>, 35mm<\/span> – 6.0<\/p>\n
Tabu (2012, Miguel Gomes) Cannes March\u00e9 du Film<\/span>, DP<\/span> – 6.5<\/p>\n
Mekong Hotel (2012, Apichatpong Weerasethakul) Cannes<\/span>, DP<\/span> – 2.6<\/p>\n
Beyond the Hills (2012, Cristian Mungiu) Cannes<\/span>, DP<\/span> – 8.2<\/p>\n
Laurence Anyways (2012, Xavier Dolan) Cannes<\/span>, 35mm<\/span> – 6.9<\/p>\n
Lawless (2012, John Hillcoat) Cannes<\/span>, DP<\/span> – 4.3<\/p>\n
Antiviral (2012, Brandon Cronenberg) Cannes<\/span>, DP<\/span> – 3.9<\/p>\n
38 Witnesses (2012, Lucas Belvaux) Cannes March\u00e9 du Film<\/span>, DP<\/span> – 6.0<\/p>\n
Night Across the Street (2012, Ra\u00fal Ruiz) Cannes<\/span>, DP<\/span> – 5.4<\/p>\n
Amour (2012, Michael Haneke) Cannes<\/span>, DP<\/span> – 6.6<\/p>\n
In Another Country (2012, Hong Sang-soo) Cannes<\/span>, 35mm<\/span> – 6.3<\/p>\n
The Invisible Ones (2012, S\u00e9bastien Lifshitz) Cannes<\/span>, DP<\/span> – 5.0<\/p>\n
Like Someone in Love (2012, Abbas Kiarostami) Cannes<\/span>, DP<\/span> – 7.9<\/p>\n
Confession of a Child of the Century (2012, Sylvie Verheyde) Cannes<\/span>, DP<\/span> – 4.8<\/p>\n
You Ain’t Seen Nothin’ Yet! (2012, Alain Resnais) Cannes<\/span>, DP<\/span> – 5.3<\/p>\n
The Pirogue (2012, Moussa Toure) Cannes<\/span>, DP<\/span> – 5.1<\/p>\n
The Hunt (2012, Thomas Vinterberg) Cannes<\/span>, DP<\/span> – 5.8<\/p>\n
The Angels’ Share (2012, Ken Loach) Cannes<\/span>, 35mm<\/span> – 6.1<\/p>\n
Room 237 (2012, Rodney Ascher) Cannes<\/span>, DP<\/span> – 6.7<\/p>\n
Killing Them Softly (2012, Andrew Dominik) Cannes<\/span>, DP<\/span> – 6.6<\/p>\n
Journal de France (2012, Claudine Nougaret & Raymond Depardon) Cannes<\/span>, DP<\/span> – 4.9<\/p>\n
Everybody in Our Family (2012, Radu Jude) Cannes March\u00e9 du Film<\/span>, 35mm<\/span> – 5.7<\/p>\n
Holy Motors (2012, Leos Carax) Cannes<\/span>, DP<\/span> – 8.5<\/p>\n
Our Children (2012, Joachim Lafosse) Cannes<\/span>, DP<\/span> – 4.7<\/p>\n
Caesar Must Die (2012, Paolo & Vittorio Taviani) Cannes March\u00e9 du Film<\/span>, DP<\/span> – 5.5<\/p>\n
The Dream and the Silence (2012, Jaime Rosales) Cannes<\/span>, 35mm<\/span> – 2.3<\/p>\n
Children of Sarajevo (2012, Aida Begic) Cannes<\/span>, 35mm<\/span> – 4.1<\/p>\n
Post Tenebras Lux (2012, Carlos Reygadas) Cannes<\/span>, DP<\/span> – 3.5<\/p>\n
7 Days in Havana (2012, Benicio del Toro, Pablo Trapero, Julio Medem, Elia Suleiman, Juan Carlos Tabio, Gaspar No\u00e9, & Laurent Cantet) Cannes<\/span>, DP<\/span> – 3.4<\/p>\n
The Paperboy (2012, Lee Daniels) Cannes<\/span>, DP<\/span> – 4.5<\/p>\n
Dangerous Liaisons (2012, Hur Jin-Ho) Cannes<\/span>, DP<\/span> – 3.1<\/p>\n
Three Worlds (2012, Catherine Corsini) Cannes<\/span>, DP<\/span> – 4.6<\/p>\n
In the Fog (2012, Sergei Loznitsa) Cannes<\/span>, 35mm<\/span> – 4.7<\/p>\n
Sightseers (2012, Ben Wheatley) Cannes<\/span>, DP<\/span> – 6.5<\/p>\n
Cosmopolis (2012, David Cronenberg) Cannes<\/span>, DP<\/span> – 7.1<\/p>\n
Miss Lovely (2012, Ashim Ahluwalia) Cannes<\/span>, DP<\/span> – 4.9<\/p>\n
After Luc\u00eda (2012, Michel Franco) Cannes<\/span>, DP<\/span> – 1.7<\/p>\n
Aqu\u00ed y all\u00e1 (2012, Antonio M\u00e9ndez Esparza) Cannes<\/span>, DP<\/span> – 4.3<\/p>\n
+Holy Motors (2012, Leos Carax) Cannes<\/span>, DP<\/span> – 8.5 [same]<\/span><\/p>\n
Mud (2012, Jeff Nichols) Cannes<\/span>, DP<\/span> – 5.2<\/p>\n
Final Cut – Ladies & Gentlemen (2012, Gy\u00f6rgy P\u00e1lfi) Cannes<\/span>, DP<\/span> – 5.0<\/p>\n
Gimme the Loot (2012, Adam Leon) Cannes<\/span>, DP<\/span> – 5.5<\/p>\n
No (2012, Pablo Larra\u00edn) Cannes<\/span>, DP<\/span> – 6.4<\/p>\n
On the Road (2012, Walter Salles) Cannes<\/span>, DP<\/span> – 4.6<\/p>\n
+You Ain’t Seen Nothin’ Yet! (2012, Alain Resnais) Cannes<\/span>, DP<\/span> – 7.1 [up from 5.3]<\/span><\/p>\n
+Amour (2012, Michael Haneke) Cannes<\/span>, DP<\/span> – 7.0 [up from 6.6]<\/span><\/p>\n
+In Another Country (2012, Hong Sang-soo) Cannes<\/span>, 35mm<\/span> – 6.7 [up from 6.3]<\/span><\/p>\n
The Taste of Money (2012, Im Sang-soo) Cannes<\/span>, DP<\/span> – 2.0<\/p>\n
Quixote (1965, Bruce Baillie) 16mm<\/span> – 6.8<\/p>\n
<\/div>\n
June<\/span><\/strong><\/p>\n
Gentlemen Prefer Blondes (1953, Howard Hawks) 35mm<\/span> – 5.8<\/p>\n
Tokyo! (2008, Michel Gondry, Leos Carax, & Bong Joon-ho) – 5.2<\/p>\n
In the Family (2011, Patrick Wang) 35mm<\/span> – 4.7<\/p>\n
Flaming Creatures (1963, Jack Smith) Luminato<\/span>, 16mm<\/span> – 4.9<\/p>\n
+Will Success Spoil Rock Hunter? (1957, Frank Tashlin) 35mm<\/span> – 6.1 [up from 5.7]<\/span><\/p>\n
Le Confessional (1995, Robert Lepage) Luminato<\/span>, 35mm<\/span> – 4.8<\/p>\n
Some Like it Hot (1959, Billy Wilder) DP<\/span> – 8.1<\/p>\n
Wanderlust (2012, David Wain) – 5.6<\/p>\n
Kiss Me Deadly (1955, Robert Aldrich) – 7.4<\/p>\n
River of No Return (1954, Otto Preminger) 35mm<\/span> – 4.8<\/p>\n
Howards End (1992, James Ivory) 70mm<\/span> – 5.9<\/p>\n
The Remains of the Day (1993, James Ivory) 35mm<\/span> – 6.8<\/p>\n
+Rebecca (1940, Alfred Hitchcock) 35mm<\/span> – 6.9 [up from ~5.0]<\/span><\/p>\n
+Tabloid (2010, Errol Morris) \u2013 6.5 [down from 7.1]<\/span><\/p>\n
+Da\u00efnah la m\u00e9tisse (1932, Jean Gr\u00e9millon) – 7.6 [down from 8.0]<\/span><\/p>\n
+Superstar: The Karen Carpenter Story (1988, Todd Haynes) – 7.8 [down from 8.3]<\/span><\/p>\n
Nanook of the North [live score by Tanya Tagaq] (1922, Robert J. Flaherty) 35mm<\/span> – 5.0<\/p>\n
Polytechnique [French version] (2009, Denis Villeneuve) – 4.3<\/p>\n
Atanarjuat: The Fast Runner (2001, Zacharias Kunuk) 35mm<\/span> – 5.3<\/p>\n
Port of Shadows (1938, Marcel Carn\u00e9) DP<\/span> – 5.7<\/p>\n
+Cosmopolis (2012, David Cronenberg) DP<\/span> – 7.2 [up from 7.1]<\/span><\/p>\n
The Militant Suffragette (1913, Urban Gad) – 6.2<\/p>\n
The ABC of Love (1916, Magnus Stifter) – 5.4<\/p>\n
The Eskimo Baby (1918, Heinz Schall) – 4.3<\/p>\n
The Queen of the Stock Exchange (1918, Edmund Edel) – 4.9<\/p>\n
+Two Lovers (2008, James Gray) – 7.0 [up from ~5.5]<\/span><\/p>\n
<\/div>\n
July<\/span><\/strong><\/p>\n
How to Marry a Millionaire (1953, Jean Negulesco) 35mm<\/span> – 5.5<\/p>\n
Bombay Talkie (1970, James Ivory) 35mm<\/span> – 3.9<\/p>\n
Project X (2012, Nima Nourizadeh) – 5.1<\/p>\n
Out of Sight (1998, Steven Soderbergh) – 6.4<\/p>\n
Dances with Wolves (1990, Kevin Costner) 35mm<\/span> – 4.6<\/p>\n
+Jaws (1975, Steven Spielberg) DP<\/span> – 6.5 [~same]<\/span><\/p>\n
Brave (2012, Mark Andrews & Brenda Chapman) 3D<\/span> – 5.3<\/p>\n
Your Sister’s Sister (2011, Lynn Shelton) DP<\/span> – 4.9<\/p>\n
Magic Mike (2012, Steven Soderbergh) 35mm<\/span> – 5.4<\/p>\n
The Exiles (1961, Kent Mackenzie) 35mm<\/span> – 6.3<\/p>\n
Picnic (1955, Joshua Logan) 35mm<\/span> – 6.9<\/p>\n
Shakespeare Wallah (1965, James Ivory) 35mm<\/span> – 4.9<\/p>\n
Charulata: The Lonely Wife (1964, Satyajit Ray) 35mm<\/span> – 6.0<\/p>\n
+Margaret [Extended Cut] (2011, Kenneth Lonergan) – 8.8 [Theatrical Cut: 7.5]<\/span><\/p>\n
Danube Hospital (2012, Nikolaus Geyrhalter) – 5.4<\/p>\n
Beasts of the Southern Wild (2012, Benh Zeitlin) DP<\/span> – 3.8<\/p>\n
Grand Illusion (1937, Jean Renoir) DP<\/span> – 5.8<\/p>\n
+The Rules of the Game (1939, Jean Renoir) 35mm<\/span> – 7.4 [up from 6.9]<\/span><\/p>\n
French Cancan (1954, Jean Renoir) DP<\/span> – 4.4<\/p>\n
+Tchoupitoulas (2012, Bill Ross IV & Turner Ross) – 7.0 [same]<\/span><\/p>\n
Touch of Evil [Reconstructed Version] (1958, Orson Welles) 35mm<\/span> – 7.9<\/p>\n
+’Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen (1974, Michael Snow) – 8.2 [same]<\/span><\/p>\n
Army of Shadows (1969, Jean-Pierre Melville) 35mm<\/span> – 5.5<\/p>\n
Stormy Waters (1941, Jean Gr\u00e9millon) 35mm<\/span> – 8.1<\/p>\n
Lumi\u00e8re d’\u00e9t\u00e9 (1943, Jean Gr\u00e9millon) 35mm<\/span> – 5.3<\/p>\n
Harry Potter and the Deathly Hallows: Part 1 (2010, David Yates) – 5.2<\/p>\n
Harry Potter and the Deathly Hallows: Part 2 (2011, David Yates) – 5.0<\/p>\n
The Dark Knight Rises (2012, Christopher Nolan) 70mm<\/span> – 5.5<\/p>\n
Savages (2012, Oliver Stone) DP<\/span> – 5.2<\/p>\n
<\/div>\n
August<\/span><\/strong><\/p>\n
Bernie (2011, Richard Linklater) DP<\/span> – 6.0<\/p>\n
The Unfaithful Wife (1969, Claude Chabrol) – 6.2<\/p>\n
Imitation of Life (1959, Douglas Sirk) 35mm<\/span> – 7.0<\/p>\n
+Celine and Julie Go Boating (1974, Jacques Rivette) 35mm<\/span> – 8.3 [~same]<\/span><\/p>\n
Inori (2012, Pedro Gonz\u00e1lez-Rubio) – 4.2<\/p>\n
+Breathless (1960, Jean-Luc Godard) 35mm<\/span> – 5.9 [~same]<\/span><\/p>\n
Compliance (2012, Craig Zobel) DP<\/span> – 5.8<\/p>\n
2 or 3 Things I Know About Her (1967, Jean-Luc Godard) 35mm<\/span> – 6.6<\/p>\n
The Europeans (1979, James Ivory) 35mm<\/span> – 3.7<\/p>\n
The Age of Innocence (1993, Martin Scorsese) 35mm<\/span> – 6.0<\/p>\n
The Perks of Being a Wallflower (2012, Stephen Chbosky) DP<\/span> – 4.0<\/p>\n
All That You Possess (2012, Bernard \u00c9mond) DP<\/span> – 5.1<\/p>\n
Tower (2012, Kazik Radwanski) – 6.8<\/p>\n
A Liar’s Autobiography – The Untrue Story of Monty Python’s Graham Chapman (2012, Bill Jones, Jeff Simpson, & Ben Timlett) 3D<\/span> – 5.3<\/p>\n
+Weekend (1967, Jean-Luc Godard) 35mm<\/span> – 6.5 [up from 5.8]<\/span><\/p>\n
Memories Look at Me (2012, Fang Song) – 5.5<\/p>\n
+Muriel, or The Time of Return (1963, Alain Resnais) 35mm<\/span> – 5.6 [same]<\/span><\/p>\n
The Inner Scar (1972, Philippe Garrel) – 6.9<\/p>\n
When Night Falls (2012, Ying Liang) – 6.2<\/p>\n
Cleo from 5 to 7 (1962, Agn\u00e8s Varda) 35mm<\/span> – 7.0<\/p>\n
Anna Karenina (2012, Joe Wright) DP<\/span> – 5.0<\/p>\n
Looper (2012, Rian Johnson) DP<\/span> – 6.4<\/p>\n
Pusher (2012, Luis Prieto) DP<\/span> – 3.9<\/p>\n
In the House (2012, Fran\u00e7ois Ozon) DP<\/span> – 4.4<\/p>\n
Hyde Park on Hudson (2012, Roger Michell) DP<\/span> – 3.4<\/p>\n
+All is Forgiven (2007, Mia Hansen-L\u00f8ve) 35mm<\/span> – 6.7 [up from ~5.5]<\/span><\/p>\n
West of Memphis (2012, Amy Berg) DP<\/span> – 5.9<\/p>\n
The Cloud-Capped Star (1960, Ritwik Ghatak) DP<\/span> – 4.7<\/p>\n
+The Father of My Children (2009, Mia Hansen-L\u00f8ve) 35mm<\/span> – 6.2 [up from 5.5]<\/span><\/p>\n
A Child in the Crowd (1976, G\u00e9rard Blain) 35mm<\/span> – 6.1<\/p>\n
Van Gogh (1991, Maurice Pialat) 35mm<\/span> – 6.6<\/p>\n
Motorway (2012, Soi Cheang) – 4.3<\/p>\n
The Green Ray (1986, Eric Rohmer) 35mm<\/span> – 7.5<\/p>\n
The Mother and the Whore (1973, Jean Eustache) 35mm<\/span> – 7.6<\/p>\n
Jackie (2012, Antoinette Beumer) DP<\/span> – 5.1<\/p>\n
Leviathan (2012, Lucien Castaing-Taylor & V\u00e9r\u00e9na Paravel) DP<\/span> – 8.1<\/p>\n
The Secret Disco Revolution (2012, Jamie Kastner) 35mm<\/span> – 4.2<\/p>\n
Foxfire: Confessions of a Girl Gang (2012, Laurent Cantet) DP<\/span> – 4.0<\/p>\n
Jump (2012, Kieron J. Walsh) DP<\/span> – 2.4<\/p>\n
I Declare War (2012, Jason Lapeyre & Robert Wilson) DP<\/span> – 5.3<\/p>\n
Imagine (2012, Andrzej Jakimowski) 35mm<\/span> – 4.3<\/p>\n
Berberian Sound Studio (2012, Peter Strickland) 35mm<\/span> – 6.3<\/p>\n
Blackbird (2012, Jason Buxton) DP<\/span> – 4.9<\/p>\n
London – The Modern Babylon (2012, Julien Temple) DP<\/span> – 2.9<\/p>\n
At Any Price (2012, Ramin Bahrani) DP<\/span> – 2.6<\/p>\n
Lore (2012, Cate Shortland) DP<\/span> – 4.8<\/p>\n
Gone Fishing (2012, Carlos Sorin) DP<\/span> – 5.4<\/p>\n
Thomas the Imposter (1965, Georges Franju) 35mm<\/span> – 4.9<\/p>\n
Mademoiselle (1966, Tony Richardson) 35mm<\/span> – 5.8<\/p>\n
The Gatekeepers (2012, Dror Moreh) DP<\/span> – 5.2<\/p>\n
Ship of Theseus (2012, Anand Gandhi) DP<\/span> – 4.8<\/p>\n
The Central Park Five (2012, Ken Burns, David McMahon & Sarah Burns) DP<\/span> – 5.6<\/p>\n
+Play Time (1967, Jacques Tati) 70mm<\/span> – 9.5 [same]<\/span><\/p>\n
<\/div>\n
September<\/span><\/strong><\/p>\n
Therese (1962, Georges Franju) 35mm<\/span> – 4.7<\/p>\n
Elevator to the Gallows (1958, Louis Malle) 35mm<\/span> – 6.5<\/p>\n
The Iceman (2012, Ariel Vromen) DP<\/span> – 5.0<\/p>\n
The Company You Keep (2012, Robert Redford) DP<\/span> – 4.5<\/p>\n
Silver Linings Playbook (2012, David O. Russell) DP<\/span> – 5.7<\/p>\n
+In Another Country (2012, Hong Sang-soo) TIFF<\/span>, 35mm<\/span> – 6.7 [same]<\/span><\/p>\n
Kinshasa Kids (2012, Marc-Henri Wajnberg) TIFF<\/span>, DP<\/span> – 2.3<\/p>\n
+Like Someone in Love (2012, Abbas Kiarostami) TIFF<\/span>, DP<\/span> – 7.9 [same]<\/span><\/p>\n
Pieta (2012, Kim Ki-duk) TIFF<\/span>, DP<\/span> – 4.1<\/p>\n
The End of Time (2012, Peter Mettler) TIFF<\/span>, DP<\/span> – 3.6<\/p>\n
Spring Breakers (2012, Harmony Korine) TIFF<\/span>, DP<\/span> – 6.9<\/p>\n
Ernest & Celestine (2012, Benjamin Renner, Vincent Patar, & St\u00e9phane Aubier) TIFF<\/span>, DP<\/span> – 4.9<\/p>\n
Something in the Air (2012, Olivier Assayas) TIFF<\/span>, DP<\/span> – 4.5<\/p>\n
The Place Beyond the Pines (2012, Derek Cianfrance) TIFF<\/span>, DP<\/span> – 2.8<\/p>\n
Lines of Wellington (2012, Valeria Sarmiento) TIFF<\/span>, DP<\/span> – 3.6<\/p>\n
differently, Molussia (2012, Nicolas Rey) TIFF<\/span>, 16mm<\/span> – 6.0<\/p>\n
The Lebanese Rocket Society (2012, Joana Hadji Thomas & Khalil Joreige) TIFF<\/span>, DP<\/span> – 4.6<\/p>\n
Much Ado About Nothing (2012, Joss Whedon) TIFF<\/span>, DP<\/span> – 5.8<\/p>\n
The Act of Killing (2012, Joshua Oppenheimer, Christine Cynn, & Anonymous) TIFF<\/span>, DP<\/span> – 5.0<\/p>\n
Passion (2012, Brian De Palma) TIFF<\/span>, DP<\/span> – 4.7<\/p>\n
Museum Hours (2012, Jem Cohen) TIFF<\/span>, DP<\/span> – 5.2<\/p>\n
The Master (2012, Paul Thomas Anderson) TIFF<\/span>, 70mm<\/span> – 6.1<\/p>\n
Once Upon a Time Was I, Ver\u00f4nica (2012, Marcelo Gomes) TIFF<\/span>, 35mm<\/span> – 4.8<\/p>\n
Viola (2012, Mat\u00edas Pi\u00f1eiro) TIFF<\/span>, DP<\/span> – 5.9<\/p>\n
Capital (2012, Costa-Gavras) TIFF<\/span>, DP<\/span> – 4.3<\/p>\n
Blancanieves (2012, Pablo Berger) TIFF<\/span>, DP<\/span> – 4.9<\/p>\n
Ginger and Rosa (2012, Sally Potter) TIFF<\/span>, DP<\/span> – 4.9<\/p>\n
The Last Time I Saw Macao (2012, Jo\u00e3o Pedro Rodrigues & Jo\u00e3o Rui Guerra da Mata) TIFF<\/span>, DP<\/span> – 6.1<\/p>\n
Augustine (2012, Alice Winocour) TIFF<\/span>, DP<\/span> – 6.5<\/p>\n
To the Wonder (2012, Terrence Malick) TIFF<\/span>, DP<\/span> – 7.1<\/p>\n
The Pervert’s Guide to Ideology (2012, Sophie Fiennes) TIFF<\/span>, DP<\/span> – 5.8<\/p>\n
Three Sisters (2012, Wang Bing) TIFF<\/span>, DP<\/span> – 4.0<\/p>\n
+Beyond the Hills (2012, Cristian Mungiu) TIFF<\/span>, DP<\/span> – 7.4 [down from 8.2]<\/span><\/p>\n
+Leviathan (2012, Lucien Castaing-Taylor & V\u00e9r\u00e9na Paravel) TIFF<\/span>, DP<\/span> – 8.1 [same]<\/span><\/p>\n
Fill the Void (2012, Rama Burshtein) TIFF<\/span>, DP<\/span> – 4.8<\/p>\n
A Hijacking (2012, Tobias Lindholm) TIFF<\/span>, DP<\/span> – 6.6<\/p>\n
Dormant Beauty (2012, Marco Bellocchio) TIFF<\/span>, DP<\/span> – 4.8<\/p>\n
+Student (2012, Darezhan Omirbayev) TIFF<\/span>, DP<\/span> – 5.4 [up from 4.7]<\/span><\/p>\n
Fly With the Crane (2012, Li Ruijun) TIFF<\/span>, DP<\/span> – 5.3<\/p>\n
Barbara (2012, Christian Petzold) TIFF<\/span>, 35mm<\/span> – 6.4<\/p>\n
Blondie (2012, Jesper Ganslandt) TIFF<\/span>, DP<\/span> – 4.5<\/p>\n
La Sirga (2012, William Vega) TIFF<\/span>, DP<\/span> – 4.4<\/p>\n
3 (2012, Pablo Stoll Ward) TIFF<\/span>, 35mm<\/span> – 5.6<\/p>\n
Jayne Mansfield\u2019s Car (2012, Billy Bob Thornton) TIFF<\/span>, DP<\/span> – 5.7<\/p>\n
Eat Sleep Die (2012, Gabriela Pichler) TIFF<\/span>, DP<\/span> – 6.8<\/p>\n
Frances Ha (2012, Noah Baumbach) TIFF<\/span>, DP<\/span> – 7.0<\/p>\n
The Cremator (2012, Peng Tao) TIFF<\/span>, DP<\/span> – 3.9<\/p>\n
Just the Wind (2012, Bence Fliegauf) TIFF<\/span>, 35mm<\/span> – 5.5<\/p>\n
Nights with Theodore (2012, S\u00e9bastien Betbeder) TIFF<\/span>, DP<\/span> – 4.6<\/p>\n
Yellow (2012, Nick Cassavetes) TIFF<\/span>, DP<\/span> – 3.4<\/p>\n
+Post Tenebras Lux [TIFF cut] (2012, Carlos Reygadas) TIFF<\/span>, DP<\/span> – 6.1 [Cannes cut: 3.5]<\/span><\/p>\n
Gebo and the Shadow (2012, Manoel de Oliveira) TIFF<\/span>, DP<\/span> – 6.2<\/p>\n
+Viola (2012, Mat\u00edas Pi\u00f1eiro) – 7.2 [up from 5.9]<\/span><\/p>\n
+Laurence Anyways (2012, Xavier Dolan) DP<\/span> – 6.9 [same]<\/span><\/p>\n
+Tabu (2012, Miguel Gomes) DP<\/span> – 6.5 [same]<\/span><\/p>\n
The Dead Man and Being Happy (2012, Javier Rebollo) – 5.9<\/p>\n
The Lodger: A Story of the London Fog (1927, Alfred Hitchcock) – 6.8<\/p>\n
War Witch (2012, Kim Nguyen) DP<\/span> – 4.6<\/p>\n
Lifeboat (1944, Alfred Hitchcock) – 6.6<\/p>\n
Meet Me in St. Louis (1944, Vincente Minnelli) – 8.5<\/p>\n
The Unknown (1927, Tod Browning) 35mm<\/span> – 6.0<\/p>\n
Somebody Up There Likes Me (2012, Bob Byington) – 6.9<\/p>\n
+A.I. Artificial Intelligence (2001, Steven Spielberg) – 8.4 [~same]<\/span><\/p>\n
Our Hospitality (1923, John G. Blystone & Buster Keaton) – 8.0<\/p>\n
<\/div>\n
October<\/span><\/strong><\/p>\n
+The Elephant Man (1980, David Lynch) – 7.3 [~same]<\/span><\/p>\n
Nobody Walks (2012, Ry Russo-Young) DP<\/span> – 2.7<\/p>\n
+The Master (2012, Paul Thomas Anderson) 70mm<\/span> – 7.6 [up from 6.1]<\/span><\/p>\n
John Cassavetes (1969, Hubert Knapp & Andr\u00e9 S. Labarthe) NYFF<\/span><\/strong>, 35mm<\/span> – 5.6<\/p>\n
Araf – Somewhere in Between (2012, Ye\u015fim Ustao\u011flu) NYFF<\/span><\/strong>, DP<\/span> – 5.0<\/p>\n
Investigation of a Citizen Above Suspicion (1970, Elio Petri) DP<\/span> – 5.4<\/p>\n
“EMPIRE” (2008, Phil Solomon) NYFF<\/span><\/strong>, DP<\/span> – 6.5<\/p>\n
Age Is\u2026 (2012, Stephen Dwoskin) NYFF<\/span><\/strong>, DP<\/span> – 4.6<\/p>\n
The Blind Owl (1990, Ra\u00fal Ruiz) NYFF<\/span><\/strong>, 16mm<\/span> – 7.1<\/p>\n
Circle in the Sand (2012, Michael Robinson) NYFF<\/span><\/strong>, DP<\/span> – 5.5<\/p>\n
The Extravagant Shadows (2012, David Gatten) NYFF<\/span><\/strong>, DP<\/span> – 6.3<\/p>\n
+Passion (2012, Brian De Palma) NYFF<\/span><\/strong>, DP<\/span> – 5.7 [up from 4.7]<\/span><\/p>\n
+Mekong Hotel (2012, Apichatpong Weerasethakul) NYFF<\/span><\/strong>, DP<\/span> – 2.6 [same]<\/span><\/p>\n
Once Every Day (2012, Richard Foreman) NYFF<\/span><\/strong>, DP<\/span> – 4.7<\/p>\n
small roads (2011, James Benning) NYFF<\/span><\/strong>, DP<\/span> – 7.5<\/p>\n
Bwakaw (2012, Jun Robles Lana) NYFF<\/span><\/strong>, DP<\/span> – 3.0<\/p>\n
Fragments of Kubelka (2012, Martina Kudl\u00e1cek) NYFF<\/span><\/strong>, DP<\/span> – 6.1<\/p>\n
Chantal Akerman by Chantal Akerman (1997, Chantal Akerman) NYFF<\/span><\/strong>, DP<\/span> – 4.4<\/p>\n
Philippe Garrel, Artist (1999, Fran\u00e7oise Etchegaray) NYFF<\/span><\/strong>, DP<\/span> – 3.5<\/p>\n
+Eraserhead (1977, David Lynch) 35mm<\/span> – 9.0 [up from ~8.0]<\/span><\/p>\n
The Forgiveness of Blood (2011, Joshua Marston) – 5.3<\/p>\n
Letter from an Unknown Woman (1948, Max Oph\u00fcls) – 6.8<\/p>\n
+Dial M for Murder (1954, Alfred Hitchcock) 3D<\/span> – 8.1 [down from 8.4]<\/span><\/p>\n
Marvel’s The Avengers (2012, Joss Whedon) – 4.1<\/p>\n
La Promesse (1996, Jean-Pierre & Luc Dardenne) – 7.3<\/p>\n
Cloud Atlas (2012, Andy & Lana Wachowski & Tom Tykwer) DP<\/span> – 4.4<\/p>\n
Lonesome (1928, Paul Fejos) – 5.5<\/p>\n
+The Mist (2007, Frank Darabont) – 5.2 [~same]<\/span><\/p>\n
<\/div>\n
November<\/span><\/strong><\/p>\n
Broadway (1929, Paul Fejos) – 4.3<\/p>\n
The Last Performance (1929, Paul Fejos) – 5.1<\/p>\n
The Game (1997, David Fincher) – 7.8<\/p>\n
Flight (2012, Robert Zemeckis) DP<\/span> – 4.5<\/p>\n
Vamps (2012, Amy Heckerling) – 6.2<\/p>\n
It May Be That Beauty Has Strengthened Our Resolve: Masao Adachi (2011, Philippe Grandrieux) DP<\/span> – 4.0<\/p>\n
The Three Stooges (2012, Peter & Bobby Farrelly) – 5.4<\/p>\n
Greatest Hits (2012, Nicol\u00e1s Pereda) DP<\/span> – 6.1<\/p>\n
The Rose King (1986, Werner Schroeter) 35mm<\/span> – 6.4<\/p>\n
Malina (1991, Werner Schroeter) 35mm<\/span> – 4.7<\/p>\n
+Holy Motors (2012, Leos Carax) – 8.5 [same]<\/span><\/p>\n
Eika Katappa (1969, Werner Schroeter) 35mm<\/span> – 5.6<\/p>\n
+Vertigo (1958, Alfred Hitchcock) – 8.8 [same]<\/span><\/p>\n
Titicut Follies (1967, Frederick Wiseman) 16mm<\/span> – 7.7<\/p>\n
+Dogtooth (2009, Giorgos Lanthimos) \u2013 8.2 [same]<\/span><\/p>\n
Palermo or Wolfsburg (1980, Werner Schroeter) 35mm<\/span> – 5.8<\/p>\n
The Light of Asia (1925, Franz Osten) 35mm<\/span> – 3.6<\/p>\n
The Blue Angel (1930, Josef von Sternberg) 35mm<\/span> – 6.5<\/p>\n
+Gummo (1997, Harmony Korine) – 6.3 [~same]<\/span><\/p>\n
Julien Donkey-Boy (1999, Harmony Korine) – 5.9<\/p>\n
the war (2012, James Benning) – 6.0<\/p>\n
Dress Rehearsal (1980, Werner Schroeter) DP<\/span> – 5.2<\/p>\n
Carriage Trade (1971, Warren Sonbert) 16mm<\/span> – 5.7<\/p>\n
+Trash Humpers (2009, Harmony Korine) – 4.6 [up from 2.5]<\/span><\/p>\n
Where the Boys Are (1960, Henry Levin) – 4.9<\/p>\n
The Ipcress File (1965, Sidney J. Furie) 35mm<\/span> – 5.4<\/p>\n
All Things Were Now Overtaken by Silence (2010, Nicol\u00e1s Pereda) DP<\/span> – 3.3<\/p>\n
The Corridor (1995, Sharunas Bartas) 35mm<\/span> – 6.5<\/p>\n
The Death of Maria Malibran (1972, Werner Schroeter) 35mm<\/span> – 5.5<\/p>\n
Great Expectations (1946, David Lean) 35mm<\/span> – 5.9<\/p>\n
+La moustache (2005, Emmanuel Carr\u00e8re) – 7.6 [up from 7.5]<\/span><\/p>\n
Day of the Idiots (1981, Werner Schroeter) DP<\/span> – 2.8<\/p>\n
The Great Cinema Party (2012, Raya Martin) – 5.6<\/p>\n
<\/div>\n
December<\/span><\/strong><\/p>\n
The Texas Chain Saw Massacre (1974, Tobe Hooper) DP<\/span> – 7.4<\/p>\n
Goldflocken (1976, Werner Schroeter) DP<\/span> – 4.3<\/p>\n
Promised Land (2012, Gus Van Sant) DP<\/span> – 4.2<\/p>\n
Lincoln (2012, Steven Spielberg) DP<\/span> – 4.6<\/p>\n
It’s Such a Beautiful Day (2012, Don Hertzfeldt) – 6.6<\/p>\n
Blood of My Blood [Extended Cut] (2011, Jo\u00e3o Canijo) – 5.1<\/p>\n
Audrey the Trainwreck (2010, Frank V. Ross) – 5.7<\/p>\n
Goon (2011, Michael Dowse) – 5.5<\/p>\n
Generation P (2011, Victor Ginzburg) – 4.6<\/p>\n
Django (1966, Sergio Corbucci) DP<\/span> – Inc. (~4.4) [‘Accidentally’ projected w\/English dub track at press screening]<\/span><\/p>\n
Life of Pi (2012, Ang Lee) 3D<\/span> – 6.3<\/p>\n
Willow Springs (1973, Werner Schroeter) DP<\/span> – 5.0<\/p>\n
The Suicide Shop (2012, Patrice Leconte) 3D<\/span> – 3.2<\/p>\n
Django Unchained (2012, Quentin Tarantino) DP<\/span> – 6.4<\/p>\n
The Cabin in the Woods (2011, Drew Goddard) – 4.7<\/p>\n
Zero Dark Thirty (2012, Kathryn Bigelow) DP<\/span> – 5.7<\/p>\n
The Sheik and I (2012, Caveh Zahedi) – 5.5<\/p>\n
+The Loneliest Planet (2011, Julia Loktev) – 6.6 [down from 7.2]<\/span><\/p>\n
Haywire (2011, Steven Soderbergh) – 5.8<\/p>\n
+Elena (2011, Andrey Zvyagintsev) – 7.1 [same]<\/span><\/p>\n
+This is Not a Film (2011, Jafar Panahi & Mojtaba Mirtahmasb) – 6.9 [same]<\/span><\/p>\n
+The Imposter (2012, Bart Layton) – 7.0 [up from 6.6]<\/span><\/p>\n
Red Hook Summer (2012, Spike Lee) – 5.9<\/p>\n
+The Day He Arrives (2011, Hong Sang-soo) – 6.5 [down from 7.0]<\/span><\/p>\n
+Cinderella (1950, Clyde Geronimi, Wilfred Jackson, & Hamilton Luske) – 4.4 [down ~6.5]<\/span><\/p>\n
El Valley Centro (1999, James Benning) – 6.8<\/p>\n
+Los (2001, James Benning) – 6.3 [same]<\/span><\/p>\n
Sogobi (2002, James Benning) – 5.8<\/p>\n","protected":false},"excerpt":{"rendered":"
Past Logs 2011 Film Log 2010 Film Log 2009 Film Log 2007 Film Log *8mm\/16mm\/35mm\/70mm denotes that what I saw was a film print. *DP denotes that what I saw was a Digital Projection in a theatre, either because the film doesn’t exist on celluloid, or the theatre where I saw it is run by […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-6851","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/6851","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=6851"}],"version-history":[{"count":308,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/6851\/revisions"}],"predecessor-version":[{"id":19813,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/6851\/revisions\/19813"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=6851"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=6851"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=6851"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}