{"id":682,"date":"2009-03-11T21:00:00","date_gmt":"2009-03-12T02:00:00","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=682"},"modified":"2011-04-23T00:34:11","modified_gmt":"2011-04-23T05:34:11","slug":"dvd-some-photos-in-the-city-of-sylvia-guerin-2007","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2009\/03\/dvd-some-photos-in-the-city-of-sylvia-guerin-2007\/","title":{"rendered":"DVD: Some Photos In the City of Sylvia (Guer\u00edn, 2007)"},"content":{"rendered":"<p><a onblur=\"try {parent.deselectBloggerImageGracefully();} catch(e) {}\" href=\"http:\/\/3.bp.blogspot.com\/_L6AEeviYYws\/Sbgby8hd-4I\/AAAAAAAAAT4\/vcqSaHB1Md4\/s1600-h\/sylvia.jpg\"><img decoding=\"async\" style=\"float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 238px; height: 320px;\" src=\"http:\/\/3.bp.blogspot.com\/_L6AEeviYYws\/Sbgby8hd-4I\/AAAAAAAAAT4\/vcqSaHB1Md4\/s320\/sylvia.jpg\" border=\"0\" alt=\"\" id=\"BLOGGER_PHOTO_ID_5312026322537413506\" \/><\/a>Essentially the same film as <i>In the City of Sylvia<\/i>, this seems like the sort of film that Guerin would have settled for if film didn&#8217;t exist and everyone told stories visually via Powerpoint presentations.  But, it still has an impact, which is proof enough that <i>In the City of Sylvia <\/i>isn&#8217;t perfect only because of its stunning lensing and sound design.  The most offputting thing about <i>Some Photos<\/i>, though, is its lack of a sound track.  It&#8217;s the same beef I had with <i>Hotel Monterrey<\/i> (though that film needed much more than sound to make me want to see it again), and I only feel a little bit naive with my opinion that a film <i>needs<\/i> sound to be successful.  Even if it&#8217;s a low static buzz running through the whole thing.  I want something to listen to, and I&#8217;d rather not count on the ambient noises in my apartment or studio, or whatever I&#8217;m playing in iTunes, as the sonic accompaniment to a film.<\/p>\n<p>So,   the film is photos and text.  There are a few things that he does with this format though that are nice, like intermittently showing a photo, and following it up with a nearly identical photo (that he took right after the previous one).  It was a brief nod to the difference between a photo montage and a motion picture.  It gave me the feeling of watching choppy video, which always makes me tense.  The same feeling as when I realize that the video has no sound, and I have to spend 5 minutes researching to make sure that the film has no sound and that my DVD isn&#8217;t faulty, I momentarily feel like my DVD is skipping.  Also, he would take many similar photos and fade them quickly in and out over each other, which gave the image a ghostly effect.<\/p>\n<p>There are differences in the stories told in <i>Some Photos <\/i>and <i>In the City<\/i> beside it&#8217;s photo presentation.  It simultaneously feels like a more in-depth version of the filmed <i>Sylvia<\/i> and a different, parallel story to that one.  For one, the protagonist has been searching for Sylvia for 22 years instead of 6.  I&#8217;m not sure if <i>Sylvia<\/i> is based on Guerin&#8217;s actual experience, but I had the impression that <i>Some Photos<\/i> was Guerin telling the &#8216;true&#8217; story that <i>In the City<\/i> was based on.  I believe that the photos were taken by Guerin himself, but I&#8217;m not sure if he took them 22 years ago, or if he took them for this project.  Either way, there are a lot of photos here.  The screen is rarely consumed by the same photo for more than a couple of seconds, and often there are multiple photos that play over one second.  The film is over an hour, so, lots of photos.  I found the text intrusive, as it was placed in the center of the image, in fairly large, white, italic font.  I don&#8217;t see why there couldn&#8217;t have been a voiceover, but the written story was begging for someone to be reading it aloud.<\/p>\n<p>This is a nice companion to <i>In the City<\/i>, but I don&#8217;t think it functions well as it&#8217;s own feature, as it feels like a DVD supplement more than anything else, which is not what it is being sold as.  It would be a shame for someone to see this supposed feature before <i>In the City<\/i> as I think it would diminish the impact of the guy&#8217;s hunt for Sylvia (also the fact that I didn&#8217;t know that he was had been hunting for this girl for 6 years until more than halfway through the film).  It does  expands the myth of Sylvia and ideas of the &#8216;male gaze,&#8217; and it makes for a nice, quiet after-viewing cool down for the superior <i>In the City of Sylvia<\/i>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Essentially the same film as In the City of Sylvia, this seems like the sort of film that Guerin would have settled for if film didn&#8217;t exist and everyone told stories visually via Powerpoint presentations. But, it still has an impact, which is proof enough that In the City of Sylvia isn&#8217;t perfect only because [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-682","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/682","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=682"}],"version-history":[{"count":3,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/682\/revisions"}],"predecessor-version":[{"id":3280,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/682\/revisions\/3280"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=682"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=682"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}