{"id":5031,"date":"2011-01-01T19:00:25","date_gmt":"2011-01-02T00:00:25","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=5031"},"modified":"2019-01-30T21:54:49","modified_gmt":"2019-01-31T02:54:49","slug":"2011-film-log","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2011\/01\/2011-film-log\/","title":{"rendered":"2011 Film Log"},"content":{"rendered":"

Past Logs<\/span><\/span><\/p>\n

2010 Film Log<\/span><\/a>
\n2009 Film Log<\/span><\/a>
\n2007 Film Log<\/a>
\n<\/span><\/p>\n

 <\/p>\n

*8mm<\/span>\/16mm<\/span>\/35mm<\/span>\/70mm<\/span> denotes that what I saw was a film print.
\n*DP<\/span> denotes that what I saw was a Digital Projection in a theatre, either because the film doesn’t exist on celluloid, or the theatre where I saw it is run by incompetent penny pinchers.
\n*3D<\/span> denotes that I saw it in 3D, obvi.
\n*All others were either from DVDs, downloads, or television.
\n*Only films that are at least 40 minutes long (the Academy’s minimum for a feature film) are logged.
\n*A grade of “Inc.” denotes that I don’t think that this screening was an accurate enough presentation of the film for me to make a value judgment, either because their weren’t English subtitles for a foreign language film, or the projector broke\/sound cut out\/the print burned, or an ass in the theatre distracted me with too much talking\/popcorn eating, or, like the incident with 2001: A Space Odyssey at the Coolidge Corner Theatre in Brookline, MA, the reels are shown out of order.
\n*Regarding W\/Os, I almost always finish what I start, and what I don’t, I don’t log.
\n*A ‘+’ at the beginning of a line means that I had seen this film before.<\/p>\n

January<\/span><\/strong><\/p>\n

+Play Time (1967, Jacques Tati) 70mm<\/span> – 9.5<\/p>\n

The Spider’s Stratagem (1970, Bernardo Bertolucci) 35mm<\/span> – 5.1<\/p>\n

The Pilgrim (1923, Charles Chaplin) 35mm<\/span> – Inc. (~4.5)<\/p>\n

Nostalgia for the Light (2010, Patricio Guzm\u00e1n) DP<\/span> – 5.2<\/p>\n

The Conformist (1970, Bernardo Bertolucci) 35mm<\/span> – 6.1<\/p>\n

Tragedy of a Ridiculous Man (1981, Bernardo Bertolucci) 35mm<\/span> – 3.3<\/p>\n

Before the Revolution (1964, Bernardo Bertolucci) 35mm<\/span> – 4.5<\/p>\n

Last Tango in Paris (1972, Bernardo Bertolucci) 35mm<\/span> – 6.8<\/p>\n

Sparrows (1926, William Beaudine) 35mm<\/span> – 5.9<\/p>\n

In the Loop (2009, Armando Iannucci) – 4.3<\/p>\n

Partner (1968, Bernardo Bertolucci) 35mm<\/span> – 3.0<\/p>\n

Incendies (2010, Denis Villeneuve) 35mm<\/span> – 2.8<\/p>\n

Curling (2010, Denis C\u00f4t\u00e9) 35mm<\/span> – 5.3<\/p>\n

Buried (2010, Rodrigo Cort\u00e9s) – 6.1<\/p>\n

House (1977, Nobuhiko \u00d4bayashi) – 7.2<\/p>\n

Daddy-Long-Legs (1919, Marshall Neilan) 35mm<\/span> – 5.3<\/p>\n

The Poor Little Rich Girl (1917, Maurice Tourneur) 35mm<\/span> – 6.0<\/p>\n

The Wild Bunch (1969, Sam Peckinpah) – 4.1<\/p>\n

The Cook the Thief His Wife & Her Lover (1989, Peter Greenaway) – 7.9<\/p>\n

Celebrity (1998, Woody Allen) – 5.6<\/p>\n

The Tenant (1976, Roman Polanski) – 3.4<\/p>\n

Daisies (1966, Vera Chytilov\u00e1) – 6.7<\/p>\n

Day For Night (1973, Fran\u00e7ois Truffaut) 35mm<\/span> – 7.4<\/p>\n

Three Ages (1923, Edward F. Cline & Buster Keaton) – 6.0<\/p>\n

Secret Sunshine (2007, Lee Chang-dong) – 5.8<\/p>\n

+Mulholland Dr. (2001, David Lynch) – 8.4<\/p>\n

Fantastic Planet (1973, Ren\u00e9 Laloux) – 5.5<\/p>\n

+INLAND EMPIRE (2006, David Lynch) – 9.8<\/p>\n

+Sherlock Jr. (1924, Buster Keaton) – 6.6<\/p>\n

A Star is Born (1954, George Cukor) – 6.5<\/p>\n

+Nashville (1975, Robert Altman) – 9.4<\/p>\n

+Dogtooth (2009, Giorgos Lanthimos) – 8.2<\/p>\n

Subway (1985, Luc Besson) – 4.7<\/p>\n

The Stuff (1985, Larry Cohen) – 4.5<\/p>\n

Carlos [330-minute version] (2010, Olivier Assayas) – 5.6<\/p>\n

 <\/p>\n

February<\/span><\/strong><\/p>\n

Another Year (2010, Mike Leigh) 35mm<\/span> – 6.3<\/p>\n

What Have I Done to Deserve This? (1984, Pedro Almod\u00f3var) – 6.1<\/p>\n

Valerie and Her Week of Wonders (1970, Jaromil Jires) – 4.6<\/p>\n

Single White Female (1992, Barbet Schroeder) – 3.4<\/p>\n

+The Robber (2010, Benjamin Heisenberg) – 7.3<\/p>\n

Out of the Past (1947, Jacques Tourneur) 35mm<\/span> – 7.0<\/p>\n

Xala (1975, Ousmane Semb\u00e8ne) 35mm<\/span> – 5.3<\/p>\n

Who Can Kill a Child? (1976, Narciso Ib\u00e1\u00f1ez Serrador) – 4.8<\/p>\n

Scott Pilgrim vs. the World (2010, Edgar Wright) – 6.0<\/p>\n

Honey (2010, Semih Kaplano\u011flu) – 4.9<\/p>\n

Ceddo (1977, Ousmane Semb\u00e8ne) 35mm<\/span> – 4.7<\/p>\n

LENNONYC (2010, Michael Epstein) – 5.1<\/p>\n

Alamar (2009, Pedro Gonz\u00e1lez-Rubio) – 6.1<\/p>\n

Kuroneko (1968, Kaneto Shindo) 35mm<\/span> – 5.7<\/p>\n

Moolaad\u00e9 (2004, Ousmane Semb\u00e8ne) 35mm<\/span> – 6.6<\/p>\n

Illegal (2010, Olivier Masset-Depasse) – 3.9<\/p>\n

Stop Making Sense (1984, Jonathan Demme) – 5.3<\/p>\n

Blow Out (1981, Brian De Palma) – 5.9<\/p>\n

Something Wild (1986, Jonathan Demme) – 7.1<\/p>\n

A Matter of Life and Death (1946, Michael Powell & Emeric Pressburger) 35mm<\/span> – 6.9<\/p>\n

Seven Chances (1925, Buster Keaton) – 6.8<\/p>\n

Robinson Crusoe on Mars (1964, Byron Haskin) – 5.5<\/p>\n

The African Queen (1951, John Huston) DP<\/span> – 6.5<\/p>\n

Pandora and the Flying Dutchman (1951, Albert Lewin) 35mm<\/span> – 6.1<\/p>\n

The Naked Kiss (1964, Samuel Fuller) – 5.6<\/p>\n

Leave Her to Heaven (1945, John M. Stahl) 35mm<\/span> – 7.5<\/p>\n

Cameraman: The Life and Work of Jack Cardiff (2010, Craig McCall) DP<\/span> – 6.2<\/p>\n

+The Rules of the Game (1939, Jean Renoir) 35mm<\/span> – 6.9<\/p>\n

Suds (1920, Jack Dillon) 35mm<\/span> – 5.2<\/p>\n

Through the Back Door (1921, Alfred E. Green) DP<\/span> – 3.5<\/p>\n

My Best Girl (1927, Sam Taylor) 35mm<\/span> – 7.2<\/p>\n

Fair Game (2010, Doug Liman) – 5.6<\/p>\n

Biutiful (2010, Alejandro Gonz\u00e1lez I\u00f1\u00e1rritu) 35mm<\/span> – 4.4<\/p>\n

Lucky Star (1929, Frank Borzage) – 6.5<\/p>\n

Broadcast News (1987, James L. Brooks) – 7.6<\/p>\n

Network (1976, Sidney Lumet) – 8.1<\/p>\n

Sweetie (1989, Jane Campion) – 7.3<\/p>\n

By the Law (1926, Lev Kuleshov) – 7.0<\/p>\n

+Irreversible (2002, Gaspar No\u00e9) – 6.6<\/p>\n

 <\/p>\n

March<\/span><\/strong><\/p>\n

The Prowler (1951, Joseph Losey) 35mm<\/span> – 7.4<\/p>\n

Go West (1925, Buster Keaton) – 4.3<\/p>\n

How Do You Know (2010, James L. Brooks) – 6.8<\/p>\n

Revoluci\u00f3n (2010, Carlos Reygadas + 9 hacks) – 4.0<\/p>\n

+Network (1976, Sidney Lumet) – 8.1<\/p>\n

Drifting States (2005, Denis C\u00f4t\u00e9) 35mm<\/span> – 3.5<\/p>\n

Models (1999, Ulrich Seidl) 35mm<\/span> – 5.3<\/p>\n

Our Private Lives (2007, Denis C\u00f4t\u00e9) DP<\/span> – 6.1<\/p>\n

+Days of Heaven (1978, Terrence Malick) – 7.7<\/p>\n

Rango (2011, Gore Verbinski) DP<\/span> – 4.5<\/p>\n

Weekend (1967, Jean-Luc Godard) – 5.8<\/p>\n

The Big Heat (1953, Fritz Lang) 35mm<\/span> – 6.0<\/p>\n

Joan the Maid – The Battles (1994, Jacques Rivette) 35mm<\/span> – 4.6<\/p>\n

Joan the Maid – The Prisons (1994, Jacques Rivette) 35mm<\/span> – 6.4<\/p>\n

Tampopo (1985, J\u00fbz\u00f4 Itami) – 7.7<\/p>\n

Trouble in Paradise (1932, Ernst Lubitsch) – 7.8<\/p>\n

Les Innocents (1987, Andr\u00e9 T\u00e9chin\u00e9) 35mm<\/span> – 5.0<\/p>\n

Under the Sun of Satan (1987, Maurice Pialat) 35mm<\/span> – 5.4<\/p>\n

La C\u00e9r\u00e9monie (1995, Claude Chabrol) 35mm<\/span> – 7.4<\/p>\n

The Doll (1919, Ernst Lubitsch) – 7.9<\/p>\n

Scarlet Street (1945, Fritz Lang) 35mm<\/span> – 7.8<\/p>\n

La Moustache (2005, Emmanuel Carr\u00e8re) – 7.5<\/p>\n

Tartuffe (1925, F. W. Murnau) – 7.0<\/p>\n

The Woman in the Window (1944, Fritz Lang) 35mm<\/span> – 6.6<\/p>\n

The Miracle Worker (1962, Arthur Penn) 35mm<\/span> – 7.7<\/p>\n

Side\/Walk\/Shuttle (1991, Ernie Gehr) 16mm<\/span> – 6.1<\/p>\n

 <\/p>\n

April<\/span><\/strong><\/p>\n

+Broadcast News (1987, James L. Brooks) – 7.9<\/p>\n

+The Miracle Worker (1962, Arthur Penn) 35mm<\/span> – 8.0<\/p>\n

Human Desire (1954, Fritz Lang) 35mm<\/span> – 4.4<\/p>\n

Dragonslayer (2011, Tristan Patterson) – 5.3<\/p>\n

Family Instinct (2010, Andris Gauja) – 4.5<\/p>\n

The Embrace of the River (2010, Nicolas Rincon Gille) – 5.4<\/p>\n

Empire North (2010, Jakob S. Boeskov) – 6.5<\/p>\n

El Bulli: Cooking in Progress (2010, Gereon Wetzel) – 5.7<\/p>\n

We Were Here (2011, David Weissman & Bill Weber) – 4.6<\/p>\n

The Return (2003, Andrei Zvyagintsev) – 5.9<\/p>\n

Splendor (1999, Gregg Araki) 35mm<\/span> – 4.3<\/p>\n

The Ballad of Genesis and Lady Jaye (2011, Marie Losier) – 4.7<\/p>\n

The National Parks Project (2011, Daniel Cockburn + 12 hacks) – 2.5<\/p>\n

Totally F***ed Up (1993, Gregg Araki) DP<\/span> – 4.8<\/p>\n

The Living End (1992, Gregg Araki) DP<\/span> – 4.1<\/p>\n

Dust. A Sculptor\u2019s Journey (2011, Jeanne Pope) – 2.8<\/p>\n

Sweet Smell of Success (1957, Alexander MacKendrick) – 6.6<\/p>\n

Reprise (2006, Joachim Trier) – 6.3<\/p>\n

Our Life (2010, Daniele Luchetti) – 3.8<\/p>\n

Fightville (2011, Petra Epperlein & Michael Tucker) DP<\/span> – 4.9<\/p>\n

The Doom Generation (1995, Gregg Araki) 35mm<\/span> – 5.1<\/p>\n

Nowhere (1997, Gregg Araki) 35mm<\/span> – 5.4<\/p>\n

Bobby Fischer Against the World (2011, Liz Garbus) DP<\/span> – 6.0<\/p>\n

Ne change rien (2009, Pedro Costa) 35mm<\/span> – 7.3<\/p>\n

At Night, They Dance (2010, Isabelle Lavigne & St\u00e9phane Thibault) – 5.0<\/p>\n

Nothing Personal (2009, Urszula Antoniak) – 3.6<\/p>\n

Involuntary (2008, Ruben \u00d6stlund) – 6.1<\/p>\n

Time (2006, Kim Ki-duk) – 7.2<\/p>\n

Eldorado (2008, Bouli Lanners) – 3.7<\/p>\n

Eastern Plays (2009, Kamen Kalev) – 5.5<\/p>\n

The Blossoming of Maximo Oliveros (2005, Auraeus Solitio) – 6.8<\/p>\n

Suely in the Sky (2006, Karim A\u00efnouz) – 3.4<\/p>\n

Ratcatcher (1999, Lynne Ramsay) – 6.3<\/p>\n

Outrage (2010, Takeshi Kitano) – 2.3<\/p>\n

The Girl on the Train (2009, Andr\u00e9 T\u00e9chin\u00e9) – 6.5<\/p>\n

POM Wonderful Presents: The Greatest Movie Ever Sold (2011, Morgan Spurlock) 35mm<\/span> – 4.4<\/p>\n

Bananas (1971, Woody Allen) – 4.9<\/p>\n

The Big Combo (1955, Joseph Lewis) 35mm<\/span> – 4.7<\/p>\n

The Last Days of Disco (1998, Whit Stillman) – 7.4<\/p>\n

The Arbor (2010, Clio Barnard) – 6.5<\/p>\n

Beauty Day (2011, Jay Cheel) Hot Docs<\/span>, DP<\/span> – 5.5<\/p>\n

The Bengali Detective (2011, Philip Cox) – 5.6<\/p>\n

 <\/p>\n

May<\/span><\/strong><\/p>\n

Strike (1925, Sergei Eisenstein) 35mm<\/span> – 4.8<\/p>\n

Conan O’Brien Can’t Stop (2011, Rodman Flender) Hot Docs<\/span>, DP<\/span> – 4.1<\/p>\n

Position Among the Stars (2011, Leonard Retel Helmrich) Hot Docs<\/span>, DP<\/span> – 6.3<\/p>\n

Freaks (1932, Tod Browning) – 6.9<\/p>\n

Buck (2011, Cindy Meehl) Hot Docs<\/span>, DP<\/span> – 4.7<\/p>\n

The Bully Project (2011, Lee Hirsch) Hot Docs<\/span>, DP<\/span> – 5.0<\/p>\n

Hot Coffee (2011, Susan Saladoff) Hot Docs<\/span>, DP<\/span> – 5.6<\/p>\n

Hell and Back Again (2011, Danfung Dennis) Hot Docs<\/span>, DP<\/span> – 5.8<\/p>\n

Project Nim (2011, James Marsh) Hot Docs<\/span>, 35mm<\/span> – 5.9<\/p>\n

The Interrupters (2011, Steve James) Hot Docs<\/span>, DP<\/span> – 5.1<\/p>\n

Kumar\u00e9 (2011, Vikram Gandhi) Hot Docs<\/span>, DP<\/span> – 5.8<\/p>\n

Midnight in Paris (2011, Woody Allen) Cannes<\/span>, 35mm<\/span> – 4.0<\/p>\n

Magic Trip (2011, Alex Gibney & Alison Ellwood) Cannes Market<\/span>, DP<\/span> – 3.1<\/p>\n

Sleeping Beauty (2011, Julia Leigh) Cannes<\/span>, DP<\/span> – 5.5<\/p>\n

We Need to Talk About Kevin (2011, Lynne Ramsay) Cannes<\/span>, DP<\/span> – 3.7<\/p>\n

Restless (2011, Gus Van Sant) Cannes<\/span>, DP<\/span> – 4.8<\/p>\n

Hard Labor (2011, Juliana Rojas & Marco Dutra) Cannes<\/span>, 35mm<\/span> – 6.0<\/p>\n

The Slut (2011, Hagar Ben Asher) Cannes<\/span>, 35mm<\/span> – 4.4<\/p>\n

The Fairy (2011, Fiona Gordon, Dominique Abel, & Bruno Romy) Cannes<\/span>, 35mm<\/span> – 4.3<\/p>\n

Poliss (2011, Ma\u00efwenn) Cannes<\/span>, DP<\/span> – 5.4<\/p>\n

The Other Side of Sleep (2011, Rebecca Daly) Cannes<\/span>, DP<\/span> – 2.8<\/p>\n

Sleeping Sickness (2011, Ulrich K\u00f6hler) Cannes Market<\/span>, 35mm<\/span> – 4.7<\/p>\n

Miss Bala (2011, Gerardo Naranjo) Cannes<\/span>, DP<\/span> – 5.2<\/p>\n

Arirang (2011, Kim Ki-duk) Cannes<\/span>, DP<\/span> – 1.5<\/p>\n

The Silence of Joan (2011, Philippe Ramos) Cannes<\/span>, DP<\/span> – 3.5<\/p>\n

Volcano (2011, R\u00fanar R\u00fanarsson) Cannes<\/span>, 35mm<\/span> – 3.8<\/p>\n

Porfirio (2011, Alejandro Landes) Cannes<\/span>, 35mm<\/span> – 6.4<\/p>\n

Good Bye (2011, Mohammad Rasoulof) Cannes<\/span>, DP<\/span> – 6.2<\/p>\n

Dreileben: Beats Being Dead (2011, Christian Petzold) Cannes Market<\/span>, DP<\/span> – 5.7<\/p>\n

Dreileben: Don’t Follow Me (2011, Dominik Graf) Cannes Market<\/span>, DP<\/span> – 5.1<\/p>\n

Dreileben: One Minute of Darkness (2011, Christoph Hochh\u00e4usler) Cannes Market<\/span>, DP<\/span> – 5.6<\/p>\n

The Kid With A Bike (2011, Jean-Pierre & Luc Dardenne) Cannes<\/span>, DP<\/span> – 6.5<\/p>\n

The Artist (2011, Michel Hazanavicius) Cannes<\/span>, DP<\/span> – 4.3<\/p>\n

Martha Marcy May Marlene (2011, Sean Durkin) Cannes<\/span>, DP<\/span> – 7.4<\/p>\n

Play (2011, Ruben \u00d6stlund) Cannes<\/span>, DP<\/span> – 6.9<\/p>\n

Code Blue (2011, Urszula Antoniak) Cannes<\/span>, 35mm<\/span> – 3.5<\/p>\n

Iris in Bloom (2011, Val\u00e9rie Mr\u00e9jen & Bertrand Schefer) Cannes<\/span>, 35mm<\/span> – 4.8<\/p>\n

The Tree of Life (2011, Terrence Malick) Cannes<\/span>, DP<\/span> – 5.0<\/p>\n

Outside Satan (2011, Bruno Dumont) Cannes<\/span>, DP<\/span> – 6.3<\/p>\n

Unforgivable (2011, Andr\u00e9 T\u00e9chin\u00e9) Cannes<\/span>, DP<\/span> – 4.6<\/p>\n

The Island (2011, Kamen Kalev) Cannes<\/span>, 35mm<\/span> – 5.7<\/p>\n

Corpo Celeste 2011, Alice Rohrwacher) Cannes<\/span>, 35mm<\/span> – 5.1<\/p>\n

The Silver Cliff (2011, Karim A\u00efnouz) Cannes<\/span>, 35mm<\/span> – 6.6<\/p>\n

My Little Princess (2011, Eva Ionesco) Cannes<\/span>, 35mm<\/span> – 5.9<\/p>\n

The Prize (2011, Paula Markovitch) Cannes Market<\/span>, DP<\/span> – 6.8<\/p>\n

Tatsumi (2011, Eric Khoo) Cannes<\/span>, 35mm<\/span> – 4.8<\/p>\n

Melancholia (2011, Lars von Trier) Cannes<\/span>, DP<\/span> – 8.6<\/p>\n

Mushrooms (2011, Vimukthi Jayasundara) Cannes<\/span>, DP<\/span> – 5.8<\/p>\n

Oslo, August 31st (2011, Joachim Trier) Cannes<\/span>, DP<\/span> – 4.7<\/p>\n

Sauna On Moon (2011, Zou Peng) Cannes<\/span>, 35mm<\/span> – 5.1<\/p>\n

Guilty of Romance (2011, Sion Sono) Cannes<\/span>, 35mm<\/span> – 4.5<\/p>\n

The Skin I Live In (2011, Pedro Almod\u00f3var) Cannes<\/span>, DP<\/span> – 5.9<\/p>\n

The Day He Arrives (2011, Hong Sang-soo) Cannes<\/span>, 35mm<\/span> – 7.0<\/p>\n

Breathing (2011, Karl Markovics) Cannes<\/span>, DP<\/span> – 4.9<\/p>\n

Heat Wave (2011, Jean-Jacques Jauffret) Cannes<\/span>, DP<\/span> – Inc. (~5.9)<\/p>\n

On the Plank (2011, Le\u00efla Kilani) Cannes<\/span>, DP<\/span> – 2.7<\/p>\n

This Must Be the Place (2011, Paolo Sorrentino) Cannes<\/span>, DP<\/span> – 6.1<\/p>\n

This is Not a Film (2011, Jafar Panahi & Mojtaba Mirtahmasb) Cannes<\/span>, DP<\/span> – 6.9<\/p>\n

The Hunter (2011, Bakur Bakuradze) Cannes<\/span>, DP<\/span> – 1.9<\/p>\n

The Giants (2011, Bouli Lanners) Cannes<\/span>, 35mm<\/span> – 4.2<\/p>\n

Once Upon A Time In Anatolia (2011, Nuri Bilge Ceylan) Cannes<\/span>, DP<\/span> – 4.7<\/p>\n

Beloved (2011, Christophe Honor\u00e9) Cannes<\/span>, DP<\/span> – 4.0<\/p>\n

Drive (2011, Nicholas Winding Refn) Cannes<\/span>, DP<\/span> – 7.2<\/p>\n

Elena (2011, Andrey Zvyagintsev) Cannes<\/span>, DP<\/span> – 7.1<\/p>\n

Habemus Papam (2011, Nanni Moretti) Cannes<\/span>, 35mm<\/span> – 5.3<\/p>\n

Footnote (2011, Joseph Cedar) Cannes<\/span>, DP<\/span> – 2.7<\/p>\n

Michael (2011, Markus Schleinzer) Cannes<\/span>, DP<\/span> – 5.0<\/p>\n

Pater (2011, Alain Cavalier) Cannes<\/span>, DP<\/span> – 2.1<\/p>\n

House of Tolerance (2011, Bertrand Bonello) Cannes<\/span>, 35mm<\/span> – 8.0<\/p>\n

The Source (2011, Radu Miheileanu) Cannes<\/span>, DP<\/span> – 1.8<\/p>\n

+Melancholia (2011, Lars von Trier) 35mm<\/span> – 8.3<\/p>\n

+Trouble in Paradise (1932, Ernst Lubitsch) 35mm<\/span> – 7.4<\/p>\n

Ninotchka (1939, Ernst Lubitsch) 35mm<\/span> – 5.9<\/p>\n

Mildred Pierce (2011, Todd Haynes) – 6.7<\/p>\n

Slow Action (2011, Ben Rivers) – 6.5<\/p>\n

Mildred Pierce (1945, Michael Curtiz) – 5.2<\/p>\n

+Double Indemnity (1944, Billy Wilder) 35mm<\/span> – 9.3<\/p>\n

The Pornographer (2001, Bertrand Bonello) – 4.7<\/p>\n

Cluny Brown (1946, Ernst Lubitsch) 35mm<\/span> – 5.6<\/p>\n

 <\/p>\n

June<\/span><\/strong><\/p>\n

Ace in the Hole (1951, Billy Wilder) – 7.0<\/p>\n

+Meek’s Cutoff (2010, Kelly Reichardt) 35mm<\/span> – 7.7<\/p>\n

Will Success Spoil Rock Hunter? (1957, Frank Tashlin) – 5.7<\/p>\n

Around a Small Mountain (2009, Jacques Rivette) – 4.5<\/p>\n

Secret Beyond the Door… (1947, Fritz Lang) 35mm<\/span> – 5.6<\/p>\n

Boxing Gym (2010, Frederick Wiseman) – 6.8<\/p>\n

Cold Weather (2010, Aaron Katz) – 6.1<\/p>\n

Tiresia (2003, Bertrand Bonello) – 5.0<\/p>\n

13 Assassins (2010, Takashi Miike) – 5.1<\/p>\n

McCabe & Mrs. Miller (1971, Robert Altman) – 6.0<\/p>\n

Inside Job (2010, Charles Ferguson) – 4.6<\/p>\n

Symbol (2009, Hitoshi Matsumoto) – 6.9<\/p>\n

World on a Wire (1973, Rainer Werner Fassbinder) 35mm<\/span> – 6.2<\/p>\n

Even Dwarfs Started Small (1970, Werner Herzog) – 7.3<\/p>\n

Two-Lane Blacktop (1971, Monte Hellman) – 6.4<\/p>\n

Exotica (1994, Atom Egoyan) – 7.9<\/p>\n

Robinson in Ruins (2010, Patrick Keiller) – 2.3<\/p>\n

Post Mortem (2010, Pablo Larrain) – 5.6<\/p>\n

Tiny Furniture (2010, Lena Dunham) – 5.7<\/p>\n

+The Tree of Life (2011, Terrence Malick) 35mm<\/span> – 7.5<\/p>\n

+Badlands (1973, Terrence Malick) 35mm<\/span> – 8.2<\/p>\n

Zazie in the Subway (1960, Louis Malle) – 6.3<\/p>\n

+Primer (2004, Shane Carruth) – 6.5<\/p>\n

Partie de campagne (1936, Jean Renoir) – 6.6<\/p>\n

Miller’s Crossing (1990, Joel Coen) 35mm<\/span> – 6.0<\/p>\n

On War (2008, Bertrand Bonello) – 4.1<\/p>\n

+Phantom (2000, Jo\u00e3o Pedro Rodrigues) 35mm<\/span> – 5.1<\/p>\n

The Unholy Three (1925, Tod Browning) 35mm<\/span> – 4.7<\/p>\n

Ugetsu (1953, Kenji Mizoguchi) – 7.8<\/p>\n

Beware of a Holy Whore (1971, Rainer Werner Fassbinder) 35mm<\/span> – 5.3<\/p>\n

 <\/p>\n

July<\/span><\/strong><\/p>\n

+Double Indemnity (1944, Billy Wilder) – 9.3<\/p>\n

Suspiria (1977, Dario Argento) 35mm<\/span> – 7.4<\/p>\n

Fellini’s Roma (1972, Federico Fellini) 35mm<\/span> – 7.0<\/p>\n

+Brazil (1985, Terry Gilliam) 35mm<\/span> – 6.4<\/p>\n

Seven Beauties (1975, Lina Wertm\u00fcller) – 4.2<\/p>\n

Limelight (1952, Charles Chaplin) 35mm<\/span> – 5.5<\/p>\n

Il Posto (1961, Ermanno Olmi) 35mm<\/span> – 8.7<\/p>\n

I Don’t Want to Be a Man (1918, Ernst Lubitsch) – 5.6<\/p>\n

Rosemary’s Baby (1968, Roman Polanski) 35mm<\/span> – 8.4<\/p>\n

Winnie the Pooh (2011, Stephen J. Anderson & Don Hall) – 5.1<\/p>\n

Pyaasa (1957, Guru Dutt) DP<\/span> – Inc. (~6.6)<\/p>\n

A Child is Waiting (1963, John Cassavetes) 35mm<\/span> – 5.5<\/p>\n

I Confess (1953, Alfred Hitchcock) 35mm<\/span> – 6.2<\/p>\n

Too Late Blues (1961, John Cassavetes) 35mm<\/span> – 6.0<\/p>\n

Mikey and Nicky (1976, Elaine May) 35mm<\/span> – 5.9<\/p>\n

The Dirty Dozen (1967, Robert Aldrich) 35mm<\/span> – 3.9<\/p>\n

Fellini’s Casanova (1976, Federico Fellini) 35mm<\/span> – 5.0<\/p>\n

Shampoo (1975, Hal Ashby) 35mm<\/span> – 7.3<\/p>\n

Minnie and Moskowitz (1971, John Cassavetes) 35mm<\/span> – 6.3<\/p>\n

From Here to Eternity (1953, Fred Zinnemann) 35mm<\/span> – 6.1<\/p>\n

La Dolce Vita (1960, Federico Fellini) 35mm<\/span> – 7.5<\/p>\n

Paisan (1946, Roberto Rossellini) 35mm<\/span> – 5.7<\/p>\n

+You Are Here (2010, Daniel Cockburn) – 7.2<\/p>\n

An Angel at My Table (1990, Jane Campion) 35mm<\/span> – 6.9<\/p>\n

Love Streams (1984, John Cassavetes) 35mm<\/span> – 6.4<\/p>\n

West Side Story (1961, Jerome Robbins & Robert Wise) 70mm<\/span> – 4.8<\/p>\n

 <\/p>\n

August<\/span><\/strong><\/p>\n

Umberto D. (1952, Vittorio De Sica) 35mm<\/span> – 7.0<\/p>\n

The Future (2011, Miranda July) 35mm<\/span> – 7.6<\/p>\n

The Flowers of St. Francis (1950, Roberto Rossellini) 35mm<\/span> – 5.1<\/p>\n

Lawrence of Arabia (1962, David Lean) 70mm<\/span> – 6.3<\/p>\n

Under the Sun of Rome (1948, Renato Castellani) 35mm<\/span> – 6.5<\/p>\n

City of Women (1980, Federico Fellini) 35mm<\/span> – 5.0<\/p>\n

The Swimmer (1968, Frank Perry) 35mm<\/span> – 6.6<\/p>\n

Attack the Block (2011, Joe Cornish) DP<\/span> – 5.4<\/p>\n

I Vitelloni (1953, Federico Fellini) 35mm<\/span> – 3.5<\/p>\n

Diner (1982, Barry Levinson) 35mm<\/span> – 6.9<\/p>\n

Rome, Open City (1945, Roberto Rossellini) 35mm<\/span> – 7.6<\/p>\n

Bitter Rice (1949, Giuseppe De Santis) 35mm<\/span> – 6.8<\/p>\n

Moonstruck (1987, Norman Jewison) 35mm<\/span> – 6.1<\/p>\n

The Myth of the American Sleepover (2010, David Robert Mitchell) – 5.8<\/p>\n

Spartacus (1960, Stanley Kubrick) 70mm<\/span> – 6.6<\/p>\n

Nights of Cabiria (1957, Federico Fellini) 35mm<\/span> – Inc. (6.0)<\/p>\n

The Goddess (1960, Satyajit Ray) 35mm<\/span> – 7.8<\/p>\n

Take This Waltz (2011, Sarah Polley) DP<\/span> – 4.8<\/p>\n

Shoeshine (1946, Vittorio De Sica) 35mm<\/span> – 7.1<\/p>\n

Amy George (2011, Yonah Lewis & Calvin Thomas) DP<\/span> – 6.2<\/p>\n

Teresa Venerd\u00ec (1941, Vittorio De Sica) 35mm<\/span> – 5.0<\/p>\n

+Children of Paradise (1945, Marcel Carn\u00e9) 35mm<\/span> – 7.8<\/p>\n

The Tourist (2010, Florian Henckel von Donnersmarck) – 4.4<\/p>\n

+Something Wild (1986, Jonathan Demme) – 7.7<\/p>\n

Super 8 (2011, J.J. Abrams) 35mm<\/span> – 5.2<\/p>\n

Le Havre (2011, Aki Kaurism\u00e4ki) 35mm<\/span> – 5.0<\/p>\n

Gaily, Gaily (1969, Norman Jewison) 35mm<\/span> – 5.3<\/p>\n

Keyhole (2011, Guy Maddin) 35mm<\/span> – 5.9<\/p>\n

388 Arletta Ave. (2011, Randall Cole) DP<\/span> – 4.1<\/p>\n

The Misfits (1961, John Huston) 35mm<\/span> – 6.0<\/p>\n

Think of Me (2011, Bryan Wizemann) DP<\/span> – 3.7<\/p>\n

A Separation (2011, Asghar Farhadi) DP<\/span> – 7.4<\/p>\n

The Cat Vanishes (2011, Carlos Sorin) – 6.0<\/p>\n

 <\/p>\n

September<\/span><\/strong><\/p>\n

Pariah (2011, Dee Rees) DP<\/span> – 5.8<\/p>\n

+Once Upon a Time in Anatolia (2011, Nuri Bilge Ceylan) 35mm<\/span> – 7.9<\/p>\n

Caf\u00e9 de Flore (2011, Jean-Marc Vall\u00e9e) DP<\/span> – 5.0<\/p>\n

The Ides of March (2011, George Clooney) DP<\/span> – 5.6<\/p>\n

Headhunters (2011, Morten Tyldum) DP<\/span> – 4.5<\/p>\n

Doppelg\u00e4nger Paul (2011, Kris Elgstrand & Dylan Akio Smith) – 1.6<\/p>\n

Lena (2011, Christophe Van Rompaey) – 5.2<\/p>\n

Shame (2011, Steve McQueen) 35mm<\/span> – 4.5<\/p>\n

Terri (2011, Azazel Jacobs) DP<\/span> – 6.1<\/p>\n

A Dangerous Method (2011, David Cronenberg) DP<\/span> – 5.5<\/p>\n

Beauty (2011, Oliver Hermanus) TIFF<\/span>, 35mm<\/span> – 4.7<\/p>\n

Pina (2011, Wim Wenders) TIFF<\/span>, 3D<\/span> – 6.3<\/p>\n

Into the Abyss (2011, Werner Herzog) TIFF<\/span>, DP<\/span> – 6.6<\/p>\n

Found Memories (2011, Julia Murat) TIFF<\/span>, 35mm<\/span> – 5.6<\/p>\n

Whore’s Glory (2011, Michael Glawogger) TIFF<\/span>, DP<\/span> – 6.5<\/p>\n

Twilight Portrait (2011, Angelina Nikonova) TIFF<\/span>, DP<\/span> – 4.0<\/p>\n

Fable of the Fish (2011, Adolfo Borinaga Alix Jr.) TIFF<\/span>, DP<\/span> – 4.9<\/p>\n

Goodbye First Love (2011, Mia Hansen-L\u00f8ve) TIFF<\/span>, 35mm<\/span> – 7.0<\/p>\n

Faust (2011, Alexander Sokurov) TIFF<\/span>, DP<\/span> – 5.0<\/p>\n

+House of Tolerance (2011, Bertrand Bonello) TIFF<\/span>, 35mm<\/span> – 8.4<\/p>\n

Twenty Cigarettes (2011, James Benning) TIFF<\/span>, DP<\/span> – 6.1<\/p>\n

Damsels in Distress (2011, Whit Stillman) TIFF<\/span>, DP<\/span> – 6.7<\/p>\n

Young Pines (2011, Ute Aurand) TIFF<\/span>, 16mm<\/span> – 3.8<\/p>\n

The Cardboard Village (2011, Ermanno Olmi) TIFF<\/span>, DP<\/span> – 4.3<\/p>\n

Low Life (2011, Nicolas Klotz & Elisabeth Perceval) TIFF<\/span>, DP<\/span> – 6.6<\/p>\n

The Student (2011, Santiago Mitre) TIFF<\/span>, DP<\/span> – 3.4<\/p>\n

Bons\u00e1i (2011, Cristi\u00e1n Jim\u00e9nez) TIFF<\/span>, DP<\/span> – 4.2<\/p>\n

The Loneliest Planet (2011, Julia Loktev) TIFF<\/span>, 35mm<\/span> – 7.2<\/p>\n

Wuthering Heights (2011, Andrea Arnold) TIFF<\/span>, DP<\/span> – 3.0<\/p>\n

Land of Oblivion (2011, Michale Boganim) TIFF<\/span>, DP<\/span> – 5.8<\/p>\n

Alps (2011, Yorgos Lanthimos) TIFF<\/span>, 35mm<\/span> – 6.4<\/p>\n

Crazy Horse (2011, Frederick Wiseman) TIFF<\/span>, DP<\/span> – 7.6<\/p>\n

Killer Joe (2011, William Friedkin) TIFF<\/span>, DP<\/span> – 6.0<\/p>\n

Chicken with Plums (2011, Marjane Satrapi & Vincent Paronnaud) TIFF<\/span>, DP<\/span> – 3.6<\/p>\n

Dark Horse (2011, Todd Solondz) TIFF<\/span>, DP<\/span> – 4.0<\/p>\n

Nuit #1 (2011, Anne \u00c9mond) TIFF<\/span>, 35mm<\/span> – 5.0<\/p>\n

Invasion (1969, Hugo Santiago) TIFF<\/span>, 35mm<\/span> – 4.5<\/p>\n

Twixt (2011, Francis Ford Coppola) TIFF<\/span>, 3D<\/span> – 4.6<\/p>\n

Love and Bruises (2011, Lou Ye) TIFF<\/span>, 35mm<\/span> – 2.6<\/p>\n

Century of Birthing (2011, Lav Diaz) TIFF<\/span>, DP<\/span> – 6.3<\/p>\n

A Burning Hot Summer (2011, Philippe Garrel) TIFF<\/span>, DP<\/span> – 6.5<\/p>\n

Cut (2011, Amir Naderi) TIFF<\/span>, DP<\/span> – 5.7<\/p>\n

A Mysterious World (2011, Rodrigo Moreno) TIFF<\/span>, 35mm<\/span> – 6.4<\/p>\n

The Turin Horse (2011, B\u00e9la Tarr) TIFF<\/span>, 35mm<\/span> – 7.1<\/p>\n

Carr\u00e9 blanc (2011, Jean-Baptiste Leonetti) TIFF<\/span>, DP<\/span> – 4.4<\/p>\n

Back to Stay (2011, Milagros Mumenthaler) TIFF<\/span>, 35mm<\/span> – 5.8<\/p>\n

People Mountain People Sea (2011, Cai Shangjun) TIFF<\/span>, DP<\/span> – 6.2<\/p>\n

The Deep Blue Sea (2011, Terence Davies) TIFF<\/span>, 35mm<\/span> – 7.3<\/p>\n

Life Without Principle (2011, Johnnie To) TIFF<\/span>, DP<\/span> – 5.7<\/p>\n

Crane World (1999, Pablo Trapero) TIFF<\/span>, 35mm<\/span> – 5.0<\/p>\n

Fatherland (2011, Nicol\u00e1s Prividera) TIFF<\/span>, DP<\/span> – 4.2<\/p>\n

Kill List (2011, Ben Wheatley) TIFF<\/span>, 35mm<\/span> – 4.8<\/p>\n

Almayer’s Folly (2011, Chantal Akerman) TIFF<\/span>, 35mm<\/span> – 6.3<\/p>\n

Samsara (2011, Ron Fricke) TIFF<\/span>, DP<\/span> – 4.6<\/p>\n

The Wages of Fear (1953, Henri-Georges Clouzot) 35mm<\/span> – 8.5<\/p>\n

Snowtown (2011, Justin Kurzel) – 5.6<\/p>\n

+Drive (2011, Nicholas Winding Refn) DP<\/span> – 6.9<\/p>\n

Black Venus (2010, Abdellatif Kechiche) – 6.8<\/p>\n

Day Night Day Night (2006, Julia Loktev) – 8.0<\/p>\n

Contagion (2011, Steven Soderbergh) DP<\/span> – 5.5<\/p>\n

Moneyball (2011, Bennett Miller) DP<\/span> – 7.0<\/p>\n

Good Morning (1959, Yasujir\u00f4 Ozu) 35mm<\/span> – 5.2<\/p>\n

 <\/p>\n

October<\/span><\/strong><\/p>\n

They Live By Night (1949, Nicholas Ray) 35mm<\/span> – 7.5<\/p>\n

Familiar Ground (2011, St\u00e9phane Lafleur) – 5.3<\/p>\n

The Sweet Hereafter (1997, Atom Egoyan) – 6.4<\/p>\n

Weekend (2011, Andrew Haigh) 35mm<\/span> – 5.9<\/p>\n

Upending (2011, OpenEndedGroup) NYFF<\/span>, 3D<\/span> – 4.8<\/p>\n

SEEKING THE MONKEY KING (2011, Ken Jacobs) NYFF<\/span>, DP<\/span> – 6.3<\/p>\n

Empire of Evil (2011, George Kuchar) NYFF<\/span>, DP<\/span> – 4.0<\/p>\n

Studies for the Decay of the West (2010, Klaus Wyborny) NYFF<\/span>, DP<\/span> – 4.9<\/p>\n

The Unstable Object (2011, Daniel Eisenberg) NYFF<\/span>, DP<\/span> – 6.6<\/p>\n

4:44 Last Day on Earth (2011, Abel Ferrara) NYFF<\/span>, DP<\/span> – 6.7<\/p>\n

The Pettifogger (2011, Lewis Klahr) NYFF<\/span>, DP<\/span> – 7.3<\/p>\n

Take Shelter (2011, Jeff Nichols) 35mm<\/span> – 7.0<\/p>\n

Gate of Flesh (1964, Seijun Suzuki) NYFF<\/span>, DP<\/span> – 3.9<\/p>\n

Take Aim at the Police Van (1960, Seijun Suzuki) NYFF<\/span>, DP<\/span> – 3.7<\/p>\n

Two Years at Sea (2011, Ben Rivers) NYFF<\/span>, DP<\/span> – 5.1<\/p>\n

Margaret (2011, Kenneth Lonergan) 35mm<\/span> – 7.5<\/p>\n

Lung Neaw Visits His Neighbours (2011, Rirkrit Tiravanija) – 4.4<\/p>\n

Quai des Orf\u00e8vres (1947, Henri-Georges Clouzot) 35mm<\/span> – 5.0<\/p>\n

The Murderer Lives at Number 21 (1942, Henri-Georges Clouzot) 35mm<\/span> – 5.2<\/p>\n

Crazy, Stupid, Love. (2011, Glenn Ficarra & John Requa) – 3.9<\/p>\n

The Color Wheel (2011, Alex Ross Perry) – 5.9<\/p>\n

The River Used to Be a Man (2011, Jan Zabeil) – 5.6<\/p>\n

Policeman (2011, Nadav Lapid) – 6.5<\/p>\n

+Tuesday, After Christmas (2010, Radu Muntean) – 7.6<\/p>\n

A Married Woman (1964, Jean-Luc Godard) – 6.6<\/p>\n

Born to be Bad (1950, Nicholas Ray) 35mm<\/span> – 6.9<\/p>\n

The Mystery of Picasso (1956, Henri-Georges Clouzot) 35mm<\/span> – 7.8<\/p>\n

Nainsukh (2010, Amit Dutta) DP<\/span> – 3.6<\/p>\n

Pale Flower (1964, Masahiro Shinoda) – 4.5<\/p>\n

Manon (1949, Henri-Georges Clouzot) 35mm<\/span> – 5.3<\/p>\n

Green (2011, Sophia Takal) – 6.1<\/p>\n

Don’t Expect Too Much (2011, Susan Ray) DP<\/span> – 5.2<\/p>\n

The Innocents (1961, Jack Clayton) 35mm<\/span> – 6.7<\/p>\n

Bitter Victory (1957, Nicholas Ray) 35mm<\/span> – 6.0<\/p>\n

We Can’t Go Home Again (1976, Nicholas Ray) DP<\/span> – 7.3<\/p>\n

Cronos (1993, Guillermo del Toro) 35mm<\/span> – 5.3<\/p>\n

The Devil’s Backbone (2001, Guillermo del Toro) 35mm<\/span> – 5.4<\/p>\n

Tabloid (2010, Errol Morris) – 7.1<\/p>\n

Beginners (2010, Mike Mills) – 6.6<\/p>\n

 <\/p>\n

November<\/span><\/strong><\/p>\n

If…. (1968, Lindsay Anderson) – 6.2<\/p>\n

+Bitter Victory (1957, Nicholas Ray) 35mm<\/span> – 6.0<\/p>\n

Le Corbeau: The Raven (1943, Henri-Georges Clouzot) 35mm<\/span> – 6.5<\/p>\n

+Afterschool (2008, Antonio Campos) – 8.3<\/p>\n

Putty Hill (2010, Matthew Porterfield) – 6.4<\/p>\n

+I Am Guilty (2005, Christoph Hochh\u00e4usler) – 6.8<\/p>\n

My Life as a Dog (1985, Lasse Hallstr\u00f6m) – 5.1<\/p>\n

To the Devil (2011, Claire Denis) – 3.2<\/p>\n

Memories of a Morning (2011, Jos\u00e9 Luis Guer\u00edn) – 5.0<\/p>\n

Dial M for Murder (1954, Alfred Hitchcock) 35mm<\/span> – 8.4<\/p>\n

Say Anything… (1989, Cameron Crowe) 35mm<\/span> – 6.4<\/p>\n

A Little Princess (1995, Alfonso Cuar\u00f3n) 35mm<\/span> – 2.2<\/p>\n

To Catch a Thief (1955, Alfred Hitchcock) 35mm<\/span> – 4.9<\/p>\n

+Psycho (1960, Alfred Hitchcock) 35mm<\/span> – 7.6<\/p>\n

+Twelve Monkeys (1995, Terry Gilliam) 35mm<\/span> – 6.9<\/p>\n

+The Birds (1963, Alfred Hitchcock) 35mm<\/span> – 7.0<\/p>\n

The 39 Steps (1935, Alfred Hitchcock) 35mm<\/span> – 5.8<\/p>\n

Rebel Without a Cause (1955, Nicholas Ray) 35mm<\/span> – 5.6<\/p>\n

Miquette (1950, Henri-Georges Clouzot) 35mm<\/span> – 6.0<\/p>\n

Woman in Chains (1968, Henri-Georges Clouzot) 35mm<\/span> – 6.0<\/p>\n

+A Clockwork Orange (1971, Stanley Kubrick) 35mm<\/span> – 6.6<\/p>\n

The Element of Crime (1984, Lars von Trier) 35mm<\/span> – 3.3<\/p>\n

Risky Business (1983, Paul Brickman) 35mm<\/span> – 6.8<\/p>\n

+Rear Window (1954, Afred Hitchcock) 35mm<\/span> – 9.4<\/p>\n

About Elly (2009, Asghar Farhadi) – 7.0<\/p>\n

Wind Across the Everglades (1958, Nicholas Ray) 35mm<\/span> – 5.6<\/p>\n

La V\u00e9rit\u00e9 (1960, Henri-Georges Clouzot) 35mm<\/span> – 7.5<\/p>\n

The Mill and the Cross (2011, Lech Majewski) DP<\/span> – 5.0<\/p>\n

Diabolique (1955, Henri-Georges Clouzot) 35mm<\/span> – 8.1<\/p>\n

Europa (1991, Lars von Trier) 35mm<\/span> – 5.4<\/p>\n

Kill Daddy Goodnight (2009, Michael Glawogger) – 5.9<\/p>\n

Like Crazy (2011, Drake Doremus) – 3.5<\/p>\n

Le Doulos (1962, Jean-Pierre Melville) 35mm<\/span> – 4.9<\/p>\n

Le Cercle Rouge (1970, Jean-Pierre Melville) 35mm<\/span> – 7.7<\/p>\n

The Idiots (1998, Lars von Trier) 35mm<\/span> – 8.6<\/p>\n

55 Days at Peking (1963, Nicholas Ray) 35mm<\/span> – 1.7<\/p>\n

Rapt (2009, Lucas Belvaux) – 7.4<\/p>\n

Free Radicals: A History of Experimental Film (2010, Pip Chodorov) – 5.1<\/p>\n

The Spies (1957, Henri-Georges Clouzot) 35mm<\/span> – 4.0<\/p>\n

+Lessons of Darkness (1992, Werner Herzog) – 7.2<\/p>\n

Party Girl (1958, Nicholas Ray) 35mm<\/span> – 5.8<\/p>\n

Oxhide (2005, Liu Jiayin) – 6.7<\/p>\n

+The Other Side of Sleep (2011, Rebecca Daly) DP<\/span> – 3.9<\/p>\n

 <\/p>\n

December<\/span><\/strong><\/p>\n

+The City Below (2010, Christoph Hochh\u00e4usler) – 7.1<\/p>\n

+Day Night Day Night (2006, Julia Loktev) – 8.2<\/p>\n

The Man Who Knew Too Much (1956, Alfred Hitchcock) 35mm<\/span> – 6.7<\/p>\n

Marnie (1964, Alfred Hitchcock) 35mm<\/span> – 4.7<\/p>\n

The Hart of London (1970, Jack Chambers) 16mm<\/span> – 7.5<\/p>\n

On Dangerous Ground (1952, Nicholas Ray) 35mm<\/span> – Inc. (~6.2)<\/p>\n

+Boogie (2008, Radu Muntean) – 6.8<\/p>\n

+North by Northwest (1959, Alfred Hitchcock) 35mm<\/span> – 6.9<\/p>\n

Linda Linda Linda (2005, Nobuhiro Yamashita) 35mm<\/span> – 5.5<\/p>\n

+House of Tolerance (2011, Bertrand Bonello) – 8.5<\/p>\n

+Vertigo (1958, Alfred Hitchcock) 35mm<\/span> – 8.8<\/p>\n

+Life of Brian (1979, Terry Jones) 35mm<\/span> – 5.3<\/p>\n

In a Lonely Place (1950, Nicholas Ray) 35mm<\/span> – 7.8<\/p>\n

Tomboy (2011, C\u00e9line Sciamma) DP<\/span> – 5.7<\/p>\n

Family Plot (1976, Alfred Hitchcock) 35mm<\/span> – 4.2<\/p>\n

Oxhide II (2009, Liu Jiayin) – 6.6<\/p>\n

+The Future (2011, Miranda July) – 7.6<\/p>\n

+Adaptation (2002, Spike Jonze) 35mm<\/span> – 8.7<\/p>\n

The Descendants (2011, Alexander Payne) DP<\/span> – 4.1<\/p>\n

Sweet Rush (2009, Andrzej Wajda) – 4.2<\/p>\n

She, a Chinese (2009, Guo Xiaolu) – 5.7<\/p>\n

The Hole (2009, Joe Dante) – 4.9<\/p>\n

Eighteen (2009, Jang Kun-jae) – 5.4<\/p>\n

Kanik\u00f4sen (2009, Sabu) – 2.9<\/p>\n

Disorder (2009, Huang Weikai) – 6.7<\/p>\n

+Eyes Without a Face (1959, Georges Franju) – 8.0<\/p>\n

+Tampopo (1985, J\u00fbz\u00f4 Itami) – 7.7<\/p>\n

Wise Blood (1979, John Huston) – 5.0<\/p>\n

Bridesmaids (2011, Paul Feig) – 5.4<\/p>\n

Mission: Impossible – Ghost Protocol (2011, Brad Bird) DP<\/span> – 4.6<\/p>\n

Hugo (2011, Martin Scorsese) 3D<\/span> – 6.1<\/p>\n

3 Women (1977, Robert Altman) – 7.1<\/p>\n

Rise of the Planet of the Apes (2011, Rupert Wyatt) – 3.8<\/p>\n

+Moneyball (2011, Bennett Miller) – 7.5<\/p>\n","protected":false},"excerpt":{"rendered":"

Past Logs 2010 Film Log 2009 Film Log 2007 Film Log   *8mm\/16mm\/35mm\/70mm denotes that what I saw was a film print. *DP denotes that what I saw was a Digital Projection in a theatre, either because the film doesn’t exist on celluloid, or the theatre where I saw it is run by incompetent penny […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5031","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/5031","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=5031"}],"version-history":[{"count":16,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/5031\/revisions"}],"predecessor-version":[{"id":17403,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/5031\/revisions\/17403"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=5031"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=5031"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=5031"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}