{"id":2650,"date":"2010-01-01T14:01:38","date_gmt":"2010-01-01T19:01:38","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=2650"},"modified":"2017-10-08T11:21:42","modified_gmt":"2017-10-08T16:21:42","slug":"2010-film-log","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2010\/01\/2010-film-log\/","title":{"rendered":"2010 Film Log"},"content":{"rendered":"

Past Logs<\/span><\/span><\/p>\n

2009 Film Log<\/span><\/a>
\n2007 Film Log<\/a>
\n<\/span><\/p>\n

\n
\n<\/br>\n<\/div>\n

*8mm<\/span>\/16mm<\/span>\/35mm<\/span>\/70mm<\/span> denotes that what I saw was a film print.
\n*DP<\/span> denotes that what I saw was a Digital Projection in a theatre (ie. Avatar 3D, or Los Angeles Plays Itself) either because the film doesn’t exist on celluloid, it was shown in 3D, or the theatre where I saw it is run by incompetent penny pinchers.
\n*All others were either from DVDs, downloads, or television.
\n*Only films that are at least 40 minutes long (the Academy’s minimum for a feature film) are logged.
\n*A grade of “Inc.” denotes that I don’t think that this screening was an accurate enough presentation of the film for me to make a value judgment, either because their weren’t English subtitles for a foreign language film, or the projector broke\/sound cut out\/the print burned, or an ass in the theatre distracted me with too much talking\/cellphone usage, or, like the incident with 2001: A Space Odyssey at the Coolidge Corner Theatre in Brookline, MA, the reels are out of order.
\n*Regarding W\/Os, I almost always finish what I start, and what I don\u2019t, I don\u2019t log.
\n*A ‘+’ at the beginning of a line means that I had seen this film before.
\n
\n<\/br>\n<\/div>\n

<\/a>January<\/span><\/strong><\/p>\n

The 5,000 Fingers of Dr. T (1953, Roy Rowland) – 6.5<\/p>\n

Eden is West (2009, Costa-Gavras) – 6.0<\/p>\n

Moon (2009, Duncan Jones) – 5.0<\/p>\n

Broken Embraces (2009, Pedro Almod\u00f3var) – 6.7<\/p>\n

Like You Know it All (2009, Hong Sang-soo) – 5.7<\/p>\n

+Funny Games (1997, Michael Haneke) – 7.4<\/p>\n

Samson & Delilah (2009, Warwick Thornton) – 1.9<\/p>\n

That Day (2003, Raoul Ruiz) – 6.1<\/p>\n

La Danse: The Paris Opera Ballet (2009, Frederick Wiseman) – 5.4<\/p>\n

Helen (2008, Joe Lawlor & Christine Molloy) – 4.5<\/p>\n

Whatever Works (2009, Woody Allen) – 6.0<\/p>\n

+A Christmas Tale (2008, Arnaud Desplechin) – 7.8<\/p>\n

No One Knows About Persian Cats (2009, Bahman Ghobadi) – 5.9<\/p>\n

A Serious Man (2009, Joel & Ethan Coen) – 6.6<\/p>\n

The Bad Lieutenant: Port of Call – New Orleans (2009, Werner Herzog) 35mm<\/span> – 4.9<\/p>\n

The Road (2009, John Hillcoat) – 4.6<\/p>\n

Bluebeard (2009, Catherine Breillat) – 7.0<\/p>\n

Private Fears in Public Places (2006, Alain Resnais) – 5.4<\/p>\n

The Lovely Bones (2009, Peter Jackson) – 0.9<\/p>\n

Le Pont des Artes (2004, Eug\u00e8ne Green) – 7.6<\/p>\n

Birth (2004, Jonathan Glazer) – 7.5<\/p>\n

Summit Circle (2007, Bernard \u00c9mond) – 6.1<\/p>\n

+The White Ribbon (2009, Michael Haneke) 35mm<\/span>– 6.6<\/p>\n

Optical Illusions (2009, Cristi\u00e1n Jimenez) – 5.6<\/p>\n

Momma’s Man (2008, Azazel Jacobs) – 5.3<\/p>\n

La Donation (2009, Bernard \u00c9mond) 35mm<\/span> – 6.4<\/p>\n

Grand Opera: An Historical Romance (1978, James Benning) 16mm<\/span> – 8.7<\/p>\n

+Wavelength (1967, Michael Snow) 16mm<\/span> – 9.3<\/p>\n

Platform (2000, Jia Zhangke) 35mm<\/span> – 4.5<\/p>\n

+Tropical Malady (2004, Apichatpong Weerasethakul) 35mm<\/span> – 8.5<\/p>\n

+Syndromes and a Century (2006, Apichatpong Weerasethakul) 35mm<\/span> – 9.6<\/p>\n

La R\u00e9gion Centrale (1971, Michael Snow) 16mm<\/span> – 7.6<\/p>\n

Drums Along the Mohawk (1939, John Ford) 35mm<\/span> – 6.2<\/p>\n

Three Times (2005, Hou Hsiao-Hsien) 35mm<\/span> – 5.8<\/p>\n

\n
<\/br>\n<\/div>\n

<\/a>February<\/span><\/strong><\/p>\n

Morvern Callar (2002, Lynne Ramsay) – 5.9<\/p>\n

Friday Night (2002, Claire Denis) – 7.4<\/p>\n

Sita Sings the Blues (2008, Nina Paley) – 5.4<\/p>\n

Presents (1981, Michael Snow) 16mm<\/span> – 6.9<\/p>\n

<\u2014> (1969, Michael Snow) 16mm<\/span> – 6.2<\/p>\n

Beau travail (1999, Claire Denis) 35mm<\/span> – 8.3<\/p>\n

The Intruder (2004, Claire Denis) 35mm<\/span> – 4.7<\/p>\n

+Who’s Camus Anyway? (2005, Mitsuo Yanagimachi) – 5.5<\/p>\n

All About Eve (1950, Joseph L. Mankiewicz) – 6.8<\/p>\n

+Werckmeister Harmonies (2000, B\u00e9la Tarr) 35mm<\/span> – 7.9<\/p>\n

+La R\u00e9gion Centrale (1971, Michael Snow) 16mm<\/span> – 7.2<\/p>\n

+Beau travail (1999, Claire Denis) 35mm<\/span> – 8.2<\/p>\n

+The Gleaners and I (2000, Agn\u00e8s Varda) – 8.5<\/p>\n

The Informant! (2009, Steven Soderbergh) – 6.3<\/p>\n

+Paris, Texas (1984, Wim Wenders) – 6.0<\/p>\n

Late Marriage (2001, Dover Koshashvili) – 5.9<\/p>\n

Longing (2006, Valeska Grisebach) 35mm<\/span> – 4.4<\/p>\n

Shutter Island (2010, Martin Scorsese) 35mm<\/span> – 6.2<\/p>\n

Boy A (2007, John Crowley) – 4.0<\/p>\n

In Praise of Love (2001, Jean-Luc Godard) 35mm<\/span> – 5.5<\/p>\n

American Graffiti (1973, George Lucas) – 3.6<\/p>\n

The King of Escape (2009, Alain Guiraudie) – 4.8<\/p>\n

Reverberlin (2006, Michael Snow) DP<\/span> – 4.5<\/p>\n

\u00c0 nos amours (1983, Maurice Pialat) – 7.6<\/p>\n

Film About a Woman Who… (1974, Yvonne Rainer) 16mm<\/span> – 5.0<\/p>\n

+Revanche (2008, G\u00f6tz Spielmann) – 7.5<\/p>\n

Afterschool (2008, Antonio Campos) – 8.2<\/p>\n

+The Prestige (2006, Christopher Nolan) – 8.0<\/p>\n

Whip It (2009, Drew Barrymore) – 5.6<\/p>\n

\n
<\/br>\n<\/div>\n

<\/a>March<\/span><\/strong><\/p>\n

Katalin Varga (2009, Peter Strickland) – 5.5<\/p>\n

Los Angeles Plays Itself (2003, Thom Andersen) DP<\/span> – 4.3<\/p>\n

To Be and To Have (2002, Nicolas Philibert) – 6.3<\/p>\n

Henri-Georges Clouzot’s Inferno (2009, Berge Bromberg & Ruxandra Medrea) DP<\/span> – 6.2<\/p>\n

Robinson in Space (1997, Patrick Keiller) 35mm<\/span> – 3.7<\/p>\n

+Presents (1981, Michael Snow) – 7.4<\/p>\n

The Declic Years (1984, Raymond Depardon) 35mm<\/span> – 3.6<\/p>\n

Tearoom (2007, William E. Jones) – 6.7<\/p>\n

*Corpus Callosum (2002, Michael Snow) – Inc. (~7.9) [no sound on my bootleg after the 40-min. mark]<\/span><\/p>\n

A Tale of the Wind (1988, Joris Ivens & Marceline Loridan) 35mm<\/span> – 6.1<\/p>\n

A Grin Without a Cat (1977, Chris Marker) 35mm<\/span> – 4.0<\/p>\n

So Is This (1982, Michael Snow) – 7.5<\/p>\n

Poto and Cabengo (1980, Jean-Pierre Gorin) 35mm<\/span> – 5.7<\/p>\n

Everyone Else (2009, Maren Ade) 35mm<\/span> – 7.0<\/p>\n

Zidane: A 21st Century Portrait (2006, Douglas Gordon & Philippe Parreno) – 5.6<\/p>\n

Mid-August Lunch (2008, Gianni Di Gregorio) – 5.2<\/p>\n

+A Serious Man (2009, Joel & Ethan Coen) – 5.6<\/p>\n

+Fantastic Mr. Fox (2009, Wes Anderson) – 7.2<\/p>\n

‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen (1974, Michael Snow) – 8.2<\/p>\n

American Dreams (lost and found) (1984, James Benning) – 5.8<\/p>\n

The Innocents (1961, Jack Clayton) – 5.5<\/p>\n

Transmission (2008, Harun Farocki) – 6.7<\/p>\n

The Holy Girl (2004, Lucrecia Martel) – 6.4<\/p>\n

Bigger Than Life (1956, Nicholas Ray) – 7.1<\/p>\n

Kodak (2006, Tacita Dean) – 2.4<\/p>\n

Muriel (1963, Alain Resnais) – 5.6<\/p>\n

Law of Desire (1987, Pedro Almod\u00f3var) – 6.3<\/p>\n

+Police, Adjective (2009, Corneliu Porumboiu) – 7.8<\/p>\n

The Meetings of Anna (1978, Chantal Akerman) – 6.0<\/p>\n

+Wild Grass (2009, Alain Resnais) – 8.4<\/p>\n

The General (1926, Buster Keaton) – 7.6<\/p>\n

Kinetta (2005, Giorgos Lanthimos) – 3.1<\/p>\n

+Wild Grass (2009, Alain Resnais) – 8.4<\/p>\n

\n
<\/br>\n<\/div>\n

<\/a>April<\/span><\/strong><\/p>\n

I Went To the Zoo the Other Day (2009, Luo Li) DP<\/span> – 2.7<\/p>\n

My Kid Could Paint That (2007, Amir Bar-Lev) – 7.3<\/p>\n

Beeswax (2009, Andrew Bujalski) – 6.2<\/p>\n

The Man Who Sleeps (1974, Bernard Queysanne) – 6.6<\/p>\n

Unmade Beds (2009, Alexis Dos Santos) – 5.6<\/p>\n

Los (2004, James Benning) – 6.3<\/p>\n

+Afterschool (2008, Antonio Campos) – 8.3<\/p>\n

Blood Wedding (1981, Carlos Saura) – 6.1<\/p>\n

In the Bathtub of the World (2001, Caveh Zahedi) – 6.7<\/p>\n

Carmen (1983, Carlos Saura) – 5.8<\/p>\n

Keane (2004, Lodge Kerrigan) – 4.6<\/p>\n

Woman is the Future of Man (2004, Hong Sang-soo) – 4.9<\/p>\n

El Amor Brujo (1986, Carlos Saura) – 6.2<\/p>\n

ABC Africa (2001, Abbas Kiarostami) – 5.5<\/p>\n

P.opular S.ky (2009, Ryan Trecartin) DP<\/span> – 6.9<\/p>\n

The Wolfberg Family (2009, Axelle Ropert) 35mm<\/span> – 5.3<\/p>\n

Craneway Event (2009, Tacita Dean) 16mm<\/span> – 4.4<\/p>\n

Blockade (2006, Sergei Loznitsa) – 6.7<\/p>\n

Through the Forest (2005, Jean-Paul Civeyrac) – 6.0<\/p>\n

Wild Tigers I Have Known (2006, Cam Archer) – 2.9<\/p>\n

The Gift (2003, Michelangelo Frammartino) – 5.6<\/p>\n

Jupiter’s Dance (2006, Renaud Barret & Florent de la Tullaye) – 3.9<\/p>\n

Cages (2006, Olivier Masset-Depasse) – 3.5<\/p>\n

Frankie (2005, Fabienne Berthaud) – 5.7<\/p>\n

General Orders No. 9 (2009, Robert Persons) Hot Docs<\/span>, DP<\/span> – 2.0<\/p>\n

Disco and Atomic War (2009, Jaak Kilmi) Hot Docs<\/span>, DP<\/span> – 4.1<\/p>\n

\n
<\/br>\n<\/div>\n

<\/a>May<\/span><\/strong><\/p>\n

The Invention of Dr. NakaMats (2009, Kaspar Astrup Schr\u00f6der) Hot Docs<\/span>, DP<\/span> – 5.6<\/p>\n

Waste Land (2009, Lucy Walker, Karen Harley, & Jo\u00e3o Jardim) Hot Docs<\/span>, DP<\/span> – 3.1<\/p>\n

Mark (2009, Mike Hoolboom) Hot Docs<\/span>, DP<\/span> – 4.9<\/p>\n

Into Great Silence (2005, Philip Gr\u00f6ning) Hot Docs<\/span>, 35mm<\/span> – 6.4<\/p>\n

Farewell (2009, Ditteke Mensink) Hot Docs<\/span>, DP<\/span> – 5.7<\/p>\n

The Peddler (2010, Eduardo de la Serna, Lucas Marcheggiano, Adriana Yurcovich) Hot Docs<\/span>, DP<\/span> – 5.0<\/p>\n

Sex Magic, Manifesting Maya (2010, Eric Liebman & Jonathan Schell) Hot Docs<\/span>, DP<\/span> – 5.8<\/p>\n

Soundtracker (2010, Nick Sherman) Hot Docs<\/span>, DP<\/span> – 6.7<\/p>\n

I Shot My Love (2010, Tomer Heymann) Hot Docs<\/span>, DP<\/span> – 7.1<\/p>\n

Marwencol (2010, Jeff Malmberg) Hot Docs<\/span>, DP<\/span> – 7.9<\/p>\n

Exit Through the Gift Shop (2010, Banksy) 35mm<\/span> – 7.5<\/p>\n

Chongqing Blues (2010, Wang Xiaoshuai) Cannes<\/span>, 35mm<\/span> – 3.2<\/p>\n

The Strange Case of Angelica (2010, Manoel de Oliveira) Cannes<\/span>, 35mm<\/span> – 5.9<\/p>\n

Tuesday, After Christmas (2010, Radu Muntean) Cannes<\/span>, 35mm<\/span> – 7.3<\/p>\n

Benda Bilili! (2010, Florent de la Tullaye & Renaud Barret) Cannes<\/span>, 35mm<\/span> – 6.3<\/p>\n

Aurora (2010, Cristi Puiu) Cannes<\/span>, 35mm<\/span> – 4.7<\/p>\n

Little Baby Jesus of Flandr (2010, Gust Van den Bergh) Cannes<\/span>, DP<\/span> – 2.1<\/p>\n

The Housemaid (2010, Im Sangsoo) Cannes<\/span>, 35mm<\/span> – 5.0<\/p>\n

Shit Year (2010, Cam Archer) Cannes<\/span>, 35mm<\/span> – 3.9<\/p>\n

The City Below (2010, Christoph Hochh\u00e4usler) Cannes<\/span>, 35mm<\/span> – 6.0<\/p>\n

Heartbeats (2010, Xavier Dolan) Cannes<\/span>, 35mm<\/span> – 4.0<\/p>\n

The Light Thief (2010, Aktan Arym Kubat) Cannes<\/span>, 35mm<\/span> – 2.8<\/p>\n

We Are What We Are (2010, Jorge Michel Grau) Cannes<\/span>, 35mm<\/span> – 3.3<\/p>\n

Le Quattro Volte (2010, Michelangelo Frammartino) Cannes<\/span>, 35mm<\/span> – 6.8<\/p>\n

P\u00e1l Adrienn (2010, \u00c1gnes Kocsis) Cannes<\/span>, 35mm<\/span> – 5.1<\/p>\n

R U There (2010, David Verbeek) Cannes<\/span>, 35mm<\/span> – 4.5<\/p>\n

I Wish I Knew (2010, Jia Zhangke) Cannes<\/span>, DP<\/span> – 6.5<\/p>\n

The Silent House (2010, Gustavo Hern\u00e1ndez) Cannes<\/span>, DP<\/span> – 1.2<\/p>\n

Film Socialisme [Navajo subtitles] (2010, Jean-Luc Godard) Cannes<\/span>, DP<\/span> – 4.7<\/p>\n

Carancho (2010, Pablo Trapero) Cannes<\/span>, DP<\/span> – 5.6<\/p>\n

The Wanderer (2010, Avishai Sivan) Cannes<\/span>, 35mm<\/span> – 5.0<\/p>\n

Everything Will Be Fine (2010, Christoffer Boe) Cannes<\/span>, 35mm<\/span> – 3.0<\/p>\n

A Screaming Man (2010, Mahamat-Saleh Haroun) Cannes<\/span>, 35mm<\/span> – 4.9<\/p>\n

Two Gates Of Sleep (2010, Alistair Banks Griffin) Cannes<\/span>, DP<\/span> – 5.4<\/p>\n

Certified Copy (2010, Abbas Kiarostami) Cannes<\/span>, 35mm<\/span> – 7.2<\/p>\n

The Lips (2010, Ivan Fund & Santiago Loza) Cannes<\/span>, DP<\/span> – 4.8<\/p>\n

Young Girls In Black (2010, Jean Paul Civeyrac) Cannes<\/span>, 35mm<\/span> – 6.2<\/p>\n

Blue Valentine (2010, Derek Cianfrance) Cannes<\/span>, DP<\/span> – 7.5<\/p>\n

You All Are Captains (2010, Oliver Laxe) Cannes<\/span>, 35mm<\/span> – 2.9<\/p>\n

All Good Children (2010, Alicia Duffy) Cannes<\/span>, 35mm<\/span> – 4.2<\/p>\n

+Certified Copy (2010, Abbas Kiarostami) Cannes<\/span>, 35mm<\/span> – 8.2<\/p>\n

October (2010, Daniel & Diego Vega) Cannes<\/span>, 35mm<\/span> – 2.7<\/p>\n

Udaan (2010, Vikramaditya Motwane) Cannes<\/span>, 35mm<\/span> – 4.9<\/p>\n

Poetry (2010, Lee Chang-dong) Cannes<\/span>, 35mm<\/span> – 5.8<\/p>\n

Lights Out (2010, Fabrice Gobert) Cannes<\/span>, DP<\/span> – 1.8<\/p>\n

The Joy (2010, Felipe Bragan\u00e7a & Marina Meliande) Cannes<\/span>, DP<\/span> – 5.7<\/p>\n

Picco (2010, Philip Koch) Cannes<\/span>, 35mm<\/span> – 6.0<\/p>\n

Lily Sometimes (2010, Fabienne Berthaud) Cannes<\/span>, DP<\/span> – 5.9<\/p>\n

Uncle Boonmee Who Can Recall His Past Lives (2010, Apichatpong Weerasethakul) Cannes<\/span>, 16mm<\/span> – 7.8<\/p>\n

Rebecca H. (Return to the Dogs) (2010, Lodge Kerrigan) Cannes<\/span>, DP<\/span> – 5.3<\/p>\n

The Tiger Factory (2010, Ming jin Woo) Cannes<\/span>, DP<\/span> – 2.7<\/p>\n

Hahaha (2010, Hong Sang-soo) Cannes<\/span>, 35mm<\/span> – 7.1<\/p>\n

Tender Son – The Frankenstein Project (2010, Korn\u00e9l Mondrucz\u00f3) Cannes<\/span>, 35mm<\/span> – 4.4<\/p>\n

Route Irish (2010, Ken Loach) Cannes<\/span>, 35mm<\/span> – 3.2<\/p>\n

The Princess of Montpensier (2010, Bertrand Tavernier) Cannes<\/span>, 35mm<\/span> – 4.9<\/p>\n

My Joy (2010, Sergei Loznitsa) Cannes<\/span>, 35mm<\/span> – 6.4<\/p>\n

Of Gods and Men (2010, Xavier Beauvois) Cannes<\/span>, DP<\/span> – 6.0<\/p>\n

On Tour (2010, Mathieu Amalric) Cannes<\/span>, 35mm<\/span> – 5.4<\/p>\n

The Tree (2010, Julie Bertucelli) Cannes<\/span>, DP<\/span> – 2.5<\/p>\n

I Am Guilty (2005, Christoph Hochh\u00e4usler) – 6.5<\/p>\n

\n
<\/br>\n<\/div>\n

<\/a>June<\/span><\/strong><\/p>\n

Double Tide (2009, Sharon Lockhart) DP<\/span> – 4.4<\/p>\n

Macuna\u00edma (1969, Joaquim Pedro de Andrade) DP<\/span> – 6.0<\/p>\n

Primate (1974, Frederick Wiseman) 35mm<\/span> – 8.8<\/p>\n

Evolution of a Filipino Family (2004, Lav Diaz) DP<\/span> – 5.5<\/p>\n

Bus 174 (2002, Jos\u00e9 Padilha) 35mm<\/span> – 5.9<\/p>\n

The Exploding Girl (2009, Bradley Rust Gray) DP<\/span> – 4.8<\/p>\n

+Battleship Potemkin (1925, Sergei Eisenstein) 35mm<\/span> – Inc. (~4.7) [no English subs on print]<\/span><\/p>\n

Othello (1922, Dimitri Buchowetzki) 35mm<\/span> – 4.6<\/p>\n

Garrincha, Joy of the People (1963, Joaquim Pedro de Andrade) DP<\/span> – 5.0<\/p>\n

I Love You Phillip Morris (2009, Glenn Ficarra & John Requa) 35mm<\/span> – 3.7<\/p>\n

A Wedding Suit (1976, Abbas Kiarostami) – 5.2<\/p>\n

Bled Number One (2006, Rabah Ameur-Za\u00efmeche) 35mm<\/span> – 1.7<\/p>\n

A Lake (2008, Philippe Grandrieux) – 5.8<\/p>\n

From the East (1993, Chantal Akerman) 35mm<\/span> – 6.7<\/p>\n

Over There (2006, Chantal Akerman) DP<\/span> – Inc. (~5.3) [no English subs on print]<\/span><\/p>\n

Coal Money (2008, Wang Bing) DP<\/span> – 6.0<\/p>\n

Pickpocket (1959, Robert Bresson) 35mm<\/span> – 5.9<\/p>\n

The Ghost Writer (2010, Roman Polanski) 35mm<\/span> – 4.3<\/p>\n

Soi Cowboy (2008, Thomas Clay) – 6.3<\/p>\n

Sleep Furiously (2008, Gideon Koppel) – 3.4<\/p>\n

The Mouth of the Wolf (2009, Pietro Marcello) – 6.1<\/p>\n

\n
<\/br>\n<\/div>\n

<\/a>July<\/span><\/strong><\/p>\n

Winter Soldier (1972, Winterfilm, Inc.) DP<\/span> – 6.4<\/p>\n

Irma Vep (1996, Olivier Assayas) – 8.5<\/p>\n

I Can’t Sleep (1994, Claire Denis) – 6.2<\/p>\n

Kinatay (2009, Brillante Mendoza) – 5.7<\/p>\n

Notre Musique (2004, Jean-Luc Godard) – 5.8<\/p>\n

Carrie (1976, Brian De Palma) – 4.6<\/p>\n

Attack of the 50 Ft. Woman (1993, Christopher Guest) – 1.0<\/p>\n

Cry-Baby (1990, John Waters) – 4.9<\/p>\n

+Hot Fuzz (2007, Edgar Wright) – 6.0<\/p>\n

Accattone (1961, Pier Paolo Pasolini) 35mm<\/span> – 3.6<\/p>\n

Medea (1969, Pier Paolo Pasolini) 35mm<\/span> – 5.3<\/p>\n

Theorem (1968, Pier Paolo Pasolini) 35mm<\/span> – 6.9<\/p>\n

Mamma Roma (1962, Pier Paolo Pasolini) 35mm<\/span> – 5.6<\/p>\n

Toy Story 3 (2010, Lee Unkrich) 3D<\/span> – 6.1<\/p>\n

Winter’s Bone (2010, Debra Granik) 35mm<\/span> – 5.4<\/p>\n

Greenberg (2010, Noah Baumbach) – 3.7<\/p>\n

The Gospel According to St. Matthew (1964, Pier Paolo Pasolini) 35mm<\/span> – 1.6<\/p>\n

City Girl (1930, F.W. Murnau) – 6.7<\/p>\n

Boogie (2008, Radu Muntean) – 7.0<\/p>\n

Those Who Love Me Can Take the Train (1998, Patrice Ch\u00e9reau) – 4.3<\/p>\n

Inception (2010, Christopher Nolan) 70mm<\/span> – 3.9<\/p>\n

This Very Moment (2003, Christoph Hochh\u00e4usler) – 6.0<\/p>\n

M (1931, Fritz Lang) – 7.8<\/p>\n

Stagecoach (1939, John Ford) – 4.8<\/p>\n

Mystery Train (1989, Jim Jarmusch) – 6.8<\/p>\n

+Inception (2010, Christopher Nolan) 35mm<\/span> – 3.6<\/p>\n

Jumper (2008, Doug Liman) – 5.3<\/p>\n

Metropolitan (1990, Whit Stillman) – 6.6<\/p>\n

Man Is Not a Bird (1965, Du\u0161an Makavejev) – 6.0<\/p>\n

Love Affair, or The Case of the Missing Switchboard Operator (1967, Du\u0161an Makavejev) – 5.6<\/p>\n

Innocence Unprotected (1968, Du\u0161an Makavejev) – 7.3<\/p>\n

Salt (2010, Phillip Noyce) 35mm<\/span> – 5.0<\/p>\n

Steamboat Bill, Jr. (1928, Buster Keaton & Charles Reisner) – 8.7<\/p>\n

Walkabout (1971, Nicolas Roeg) – 7.4<\/p>\n

\n
<\/br>\n<\/div>\n

<\/a>August<\/span><\/strong><\/p>\n

+Face (2009, Tsai Ming-liang) – 7.7<\/p>\n

Experience (1973, Abbas Kiarostami) – 6.2<\/p>\n

+Bigger Than Life (1956, Nicholas Ray) – 7.1<\/p>\n

Brewster McCloud (1970, Robert Altman) – 6.6<\/p>\n

Make Way For Tomorrow (1937, Leo McCarey) – 7.8<\/p>\n

At Sea (2007, Peter Hutton) \u2013 6.5<\/p>\n

Citizen Ruth (1996, Alexander Payne) \u2013 8.1<\/p>\n

Les Vampires (1915, Louis Feuillade) \u2013 7.2<\/p>\n

+Irma Vep (1996, Olivier Assayas) \u2013 8.9<\/p>\n

Rubber (2010, Quentin Dupieux) – 4.3<\/p>\n

+The Host (2006, Bong Joon-ho) – 6.2<\/p>\n

Crumb (1994, Terry Zwigoff) – 6.0<\/p>\n

The Night of the Hunter (1955, Charles Laughton) 35mm<\/span> – 7.1<\/p>\n

The Devils (1971, Ken Russell) DP<\/span> – 4.9<\/p>\n

\n
<\/br>\n<\/div>\n

<\/a>September<\/span><\/strong><\/p>\n

Morgen (2010, Marian Crisan) Festival des Films du Monde<\/span>, 35mm<\/span> – 4.2<\/p>\n

Chantrapas (2010, Otar Iosseliani) Festival des Films du Monde<\/span>, 35mm<\/span> – 5.5<\/p>\n

If I Want to Whistle, I Whistle (2010, Florin Serban) – 5.6<\/p>\n

+Uncle Boonmee Who Can Recall His Past Lives (2010, Apichatpong Weerasethakul) – 7.8<\/p>\n

+Film Socialism [no subtitles] (2010, Jean-Luc Godard) TIFF<\/span>, DP<\/span> – 7.1<\/p>\n

Legend of the Fist: The Return of Chen Zhen (2010, Andrew Lau) TIFF<\/span>, 35mm<\/span> – 2.4<\/p>\n

Cirkus Columbia (2010, Danis Tanovic) TIFF<\/span>, 35mm<\/span> – 3.8<\/p>\n

Brownian Movement (2010, Nanouk Leopold) TIFF<\/span>, 35mm<\/span> – 6.2<\/p>\n

Erotic Man (2010, J\u00f8rgen Leth) TIFF<\/span>, 35mm<\/span> – 3.9<\/p>\n

+Le Quattro Volte (2010, Michelangelo Frammartino) TIFF<\/span>, 35mm<\/span> – 6.8<\/p>\n

What I Most Want (2010, Delfina Castagnino) TIFF<\/span>, DP<\/span> – 3.1<\/p>\n

+Ruhr (2009, James Benning) TIFF<\/span>, DP<\/span> – 7.0<\/p>\n

Route 132 (2010, Louis B\u00e9langer) TIFF<\/span>, 35mm<\/span> – 4.0<\/p>\n

!Women Art Revolution – A Secret History (2010, Lynn Hershman-Leeson) TIFF<\/span>, DP<\/span> – 4.6<\/p>\n

The Illusionist (2010, Sylvain Chomet) TIFF<\/span>, DP<\/span> – 4.2<\/p>\n

Mamma G\u00f3g\u00f3 (2010, Fridrik Thor Fridriksson) TIFF<\/span>, 35mm<\/span> – 3.7<\/p>\n

The Trip (2010, Michael Winterbottom) TIFF<\/span>, DP<\/span> – 6.9<\/p>\n

Tears of Gaza (2010, Vibeke L\u00f8kkeberg) TIFF<\/span>, 35mm<\/span> – 4.8<\/p>\n

ANPO (2010, Linda Hoaglund) TIFF<\/span>, DP<\/span> – 2.0<\/p>\n

Norwegian Wood (2010, Tran Anh Hung) TIFF<\/span>, DP<\/span> – 4.9<\/p>\n

The Sleeping Beauty (2010, Catherine Breillat) TIFF<\/span>, DP<\/span> – 6.4<\/p>\n

Leap Year (2010, Michael Rowe) TIFF<\/span>, 35mm<\/span> – 7.2<\/p>\n

The Last Circus (2010, Alex de la Iglesia) TIFF<\/span>, DP<\/span> – 3.5<\/p>\n

Cave of Forgotten Dreams (2010, Werner Herzog) TIFF<\/span>, 3D<\/span> – 8.0<\/p>\n

The Ditch (2010, Wang Bing) TIFF<\/span>, DP<\/span> – 4.7<\/p>\n

Promises Written in Water (2010, Vincent Gallo) TIFF<\/span>, 35mm<\/span> – 6.6<\/p>\n

Sensation (2010, Tom Hall) TIFF<\/span>, 35mm<\/span> – 5.6<\/p>\n

Dirty Girl (2010, Abe Sylvia) TIFF<\/span>, DP<\/span> – 0.9<\/p>\n

Meek’s Cutoff (2010, Kelly Reichardt) TIFF<\/span>, 35mm<\/span> – 6.7<\/p>\n

Over Your Cities Grass Will Grow (2010, Sophie Fiennes) TIFF<\/span>, DP<\/span> – 6.3<\/p>\n

Outbound (2010, Bogdan George Apetri) TIFF<\/span>, 35mm<\/span> – 5.0<\/p>\n

Anything You Want (2010, Achero Ma\u00f1as) TIFF<\/span>, 35mm<\/span> – 4.2<\/p>\n

Home For Christmas (2010, Bent Hamer) TIFF<\/span>, 35mm<\/span> – 3.6<\/p>\n

Oki’s Movie (2010, Hong Sang-soo) TIFF<\/span>, DP<\/span> – 5.8<\/p>\n

Autobiography of Nicolae Ceausescu (2010, Andrei Ujica) TIFF<\/span>, DP<\/span> – 5.9<\/p>\n

Cold Fish (2010, Sion Sono) TIFF<\/span>, 35mm<\/span> – 3.4<\/p>\n

Silent Souls (2010, Aleksei Fedorchenko) TIFF<\/span>, 35mm<\/span> – 7.4<\/p>\n

Kaboom (2010, Gregg Araki) TIFF<\/span>, DP<\/span> – 6.2<\/p>\n

Guest (2010, Jos\u00e9 Luis Guer\u00edn) TIFF<\/span>, 35mm<\/span> – 6.5<\/p>\n

A Useful Life (2010, Federico Veiroj) TIFF<\/span>, 35mm<\/span> – 6.1<\/p>\n

Summer of Goliath (2010, Nicol\u00e1s Pereda) TIFF<\/span>, 35mm<\/span> – 4.6<\/p>\n

Attenberg (2010, Athina Rachel Tsangari) TIFF<\/span>, 35mm<\/span> – 7.0<\/p>\n

You Are Here (2010, Daniel Cockburn) TIFF<\/span>, DP<\/span> – 7.7<\/p>\n

Mysteries of Lisbon (2010, Raul Ruiz) TIFF<\/span>, DP<\/span> – 4.7<\/p>\n

L’Avventura (1960, Michelangelo Antonioni) 35mm<\/span> – 7.1<\/p>\n

+Videodrome (1983, David Cronenberg) 35mm<\/span> – 6.5<\/p>\n

Chronicle of a Summer (1961, Edgar Morin & Jean Rouch) 35mm<\/span> – 6.0<\/p>\n

Catfish (2010, Henry Joost & Ariel Schulman) DP<\/span> – 6.9<\/p>\n

+Uncle Boonmee Who Can Recall His Past Lives (2010, Apichatpong Weerasethakul) 16mm<\/span> – 7.8<\/p>\n

The Edge of the World (1937, Michael Powell) – 5.8<\/p>\n

How I Ended This Summer (2010, Aleksei Popogrebsky) – 6.3<\/p>\n

\n
<\/br>\n<\/div>\n

<\/a>October<\/span><\/strong><\/p>\n

The Social Network (2010, David Fincher) DP<\/span> – 6.0<\/p>\n

+Wavelength (1967, Michael Snow) 16mm<\/span> – 9.3<\/p>\n

Jack Goes Boating (2010, Philip Seymour Hoffman) 35mm<\/span> – 3.5<\/p>\n

Never Let Me Go (2010, Mark Romanek) 35mm<\/span> – 5.8<\/p>\n

Greed [140-minute version] (1924, Erich von Stroheim) 35mm<\/span> – 8.4<\/p>\n

Howl (2010, Rob Epstein & Jeffrey Friedman) 35mm<\/span> – 4.4<\/p>\n

Finis terrae (1929, Jean Epstein) – 4.1<\/p>\n

+Where is the Friend’s Home? (1987, Abbas Kiarostami) – 9.0<\/p>\n

Apocalypse Now [Redux] (1979, Francis Ford Coppola) DP<\/span> – 5.2<\/p>\n

River of Grass (1994, Kelly Reichardt) – 5.6<\/p>\n

The Forest (2009, Piotr Dumala) – 3.3<\/p>\n

A Moment of Innocence (1996, Mohsen Makhmalbaf) – 8.2<\/p>\n

Backstairs (1921, Leopold Jessner & Paul Leni) – 6.8<\/p>\n

Voyage to Italy (1954, Roberto Rossellini) 35mm<\/span> – 5.9<\/p>\n

+Blue Velvet (1986, David Lynch) 35mm<\/span> – 8.5<\/p>\n

+Pather Panchali (1955, Satyajit Ray) 35mm<\/span> – 5.5<\/p>\n

+And Life Goes On… (1991, Abbas Kiarostami) – 6.7<\/p>\n

My Son, My Son, What Have Ye Done (2009, Werner Herzog) – 5.6<\/p>\n

S:TREAM:S:S:ECTION:S:ECTION:S:S:ECTIONED (1971, Paul Sharits) 16mm<\/span> – 8.6<\/p>\n

Twilight of a Woman’s Soul (1913, Yevgeni Bauer) – 6.2<\/p>\n

After Death (1915, Yevgeni Bauer) – 4.8<\/p>\n

The Dying Swan (1917, Yevgeni Bauer) – 6.3<\/p>\n

All That Jazz (1979, Bob Fosse) – 7.1<\/p>\n

Children of Paradise (1945, Marcel Carn\u00e9) 35mm<\/span> – 7.8<\/p>\n

The Killing (1956, Stanley Kubrick) 35mm<\/span> – 7.5<\/p>\n

Written on the Wind (1956, Douglas Sirk) 35mm<\/span> – 7.0<\/p>\n

L’Atalante (1934, Jean Vigo) 35mm<\/span> – 4.9<\/p>\n

The Cabinet of Dr. Caligari (1920, Robert Wiene) 35mm<\/span> – 6.1<\/p>\n

+Citizen Kane (1941, Orson Welles) 35mm<\/span> – 8.0<\/p>\n

+Citizen Ruth (1996, Alexander Payne) – 7.4<\/p>\n

\n
<\/br>\n<\/div>\n

<\/a>November<\/span><\/strong><\/p>\n

Sweet Movie (1974, Dusan Makavejev) – 3.2<\/p>\n

+Nashville (1975, Robert Altman) 35mm<\/span> – 9.1<\/p>\n

Metropolis (1927, Fritz Lang) DP<\/span> – 7.8<\/p>\n

Berlin: Symphony of a Great City (1927, Walter Ruttmann) – 5.2<\/p>\n

+The Nun (1966, Jacques Rivette) – 8.3<\/p>\n

The Birth of a Nation (1915, D.W. Griffith) 35mm<\/span> – 4.7<\/p>\n

Demonlover (2002, Olivier Assayas) – 7.3<\/p>\n

Bonnie and Clyde (1967, Arthur Penn) – 7.6<\/p>\n

Singin’ in the Rain (1952, Stanley Donen & Gene Kelly) 35mm<\/span> – 6.7<\/p>\n

Sunrise (1927, F.W. Murnau) – 7.6<\/p>\n

Earth (1930, Aleksandr Dovzhenko) 35mm<\/span> – 6.0<\/p>\n

The River (1929, Frank Borzage) – 5.6<\/p>\n

Different From the Others (1919, Richard Oswald) – 4.8<\/p>\n

The Robber (2010, Benjamin Heisenberg) – 7.5<\/p>\n

The Eleventh Year (1928, Dziga Vertov) – 5.1<\/p>\n

Contempt (1963, Jean-Luc Godard) – 6.6<\/p>\n

Chinatown (1974, Roman Polanski) – 6.9<\/p>\n

Bringing Up Baby (1938, Howard Hawks) 35mm<\/span> – 7.4<\/p>\n

Buffalo ’66 (1998, Vincent Gallo) – 8.2<\/p>\n

Enter the Void (2009, Gaspar No\u00e9) – 5.7<\/p>\n

\n
<\/br>\n<\/div>\n

<\/a>December<\/span><\/strong><\/p>\n

The White Balloon (1995, Jafar Panahi) 35mm<\/span> – 6.0<\/p>\n

The Man Who Laughs (1928, Paul Leni) 35mm<\/span> – 3.4<\/p>\n

The Mirror (1997, Jafar Panahi) 35mm<\/span> – 5.1<\/p>\n

The Circle (2000, Jafar Panahi) 35mm<\/span> – 6.4<\/p>\n

Offside (2006. Jafar Panahi) 35mm<\/span> – 6.3<\/p>\n

The Blood of a Poet (1932, Jean Cocteau) – 5.3<\/p>\n

Vacation (2007, Thomas Arslan) – 5.9<\/p>\n

Primer (2004, Shane Carruth) – 5.9<\/p>\n

+2001: A Space Odyssey (1968, Stanley Kubrick) 70mm<\/span> – 9.6<\/p>\n

The Ghost and Mrs. Muir (1947, Joseph L. Mankiewicz) 35mm<\/span> – 4.6<\/p>\n

Amer (2009, H\u00e9l\u00e8ne Cattet & Bruno Forzani) – 6.2<\/p>\n

The Lost World (1925, Harry O. Hoyt) 35mm<\/span> – 5.6<\/p>\n

+Buffalo ’66 (1998, Vincent Gallo) – 8.2<\/p>\n

F For Fake (1973, Orson Welles) – 6.7<\/p>\n

Everlasting Moments (2008, Jan Troell) – 5.3<\/p>\n

7th Heaven (1927, Frank Borzage) – 6.8<\/p>\n

Sherlock Jr. (1924, Buster Keaton) – 7.2<\/p>\n

Melody of the World (1929, Walter Ruttmann) – 5.7<\/p>\n

Ballad of a Soldier (1959, Grigori Chukhrai) – 6.3<\/p>\n

Nosferatu, a Symphony of Horror (1922, F. W. Murnau) 35mm<\/span> – 4.0<\/p>\n

Free and Easy (1930, Edward Sedgwick) – 6.9<\/p>\n

Rabbit Hole (2010, John Cameron Mitchell) – 5.0<\/p>\n

Black Swan (2010, Darren Aronofsky) – 6.2<\/p>\n

Australia (2008, Baz Luhrmann) – 2.6<\/p>\n

Somewhere (2010, Sofia Coppola) – 5.3<\/p>\n

True Grit (2010, Joel & Ethan Coen) 35mm<\/span> – 3.8<\/p>\n

Head (1968, Bob Rafelson) – 4.6<\/p>\n","protected":false},"excerpt":{"rendered":"

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