{"id":26454,"date":"2026-08-27T12:00:18","date_gmt":"2026-08-27T17:00:18","guid":{"rendered":"https:\/\/blakewilliams.net\/blog\/?p=26454"},"modified":"2026-08-27T13:04:24","modified_gmt":"2026-08-27T18:04:24","slug":"overt-viewing-its-a-tentative-nyff26-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2026\/08\/overt-viewing-its-a-tentative-nyff26-schedule\/","title":{"rendered":"Overt Viewing: It\u2019s a (tentative) NYFF26 schedule"},"content":{"rendered":"<p><span style=\"color: #9900ff;\"><strong>\u24c5<\/strong><\/span> is for Press<br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 27<\/span><\/strong><br \/>\n2:15pm &#8211; <strong>Heil Jupiter!<\/strong> (Carlos Reygadas), Walter Reade Theater<br \/>\n6:45pm &#8211; <strong>A Day in the Life of Jo: Chapter Phaedra<\/strong> (Jacqueline Lentzou), Howard Gilman Theater<br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 28<\/span><\/strong><br \/>\n2:30pm &#8211; <strong>Just Like Weather<\/strong> (1986, Allen Fong), Francesca Beale Theater<br \/>\n7:00pm &#8211; <strong>Currents Program 3: Surface Noise<\/strong>, Howard Gilman Theater<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>Procedures<\/em> (Simon Liu)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>Practice Towards Light<\/em> (Jonathan Seungjoon Lee)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>Interwoven Intervals<\/em> (Laura Kraning)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;+ <em>Flim Flam<\/em> (Siegfried A. Fruhauf)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>Moored Shadow<\/em> (Karissa Hahn) <span style=\"color: #9b9630;\"><strong>16mm<\/strong><\/span><br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>Day One<\/em> (Cameron Worden) <span style=\"color: #9b9630;\"><strong>35mm<\/strong><\/span><br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 29<\/span><\/strong><br \/>\n3:15pm &#8211; <strong>In Which Annie Gives It Those Ones<\/strong> (1989, Pradip Krishen), Francesca Beale Theater<br \/>\n6:00pm &#8211; <strong>Currents Program 4: The Real World<\/strong>, Howard Gilman Theater<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>Certainties<\/em> (Calum Walter)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>RW-LO<\/em> (Martine Syms)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>Placeholder<\/em> (Jesse McLean)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;+ <em>Moon Palace<\/em> (Jiaqi Yu)<br \/>\n8:45pm &#8211; <strong>Currents Program 6: Out of the Present<\/strong>, Francesca Beale Theater<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>They\u2019re Here<\/em> (Laura Poitras &#038; Rachel Lauren Mueller)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;+ <em>Another Earth<\/em> (Ben Russell)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;+ <em>This Suffocating Now<\/em> (Vika Kirchenbauer)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>Morne Fortune<\/em> (Mara Chavez &#038; doris duhennois)<br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 30<\/span><\/strong><br \/>\n4:00pm &#8211; <strong>Currents Program 5: The Material Ghost<\/strong>, Howard Gilman Theater<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>The Wayfinders<\/em> (Peggy Ahwesh)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>National Seating<\/em> (Kevin Jerome Everson)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>The Flesh of the Mountain<\/em> (Adam Piron)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>Elegy for the Forgotten, On an Endless War<\/em>  (Bani Khoshnoudi)<br \/>\n6:15pm \u2013\u00a0<strong>I Deserve a Lover Whose Every Rise Sets Fiery Dooms Raging Across the Skies<\/strong>\u00a0(Mani Haghighi), Walter Reade Theater<br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">October 1<\/span><\/strong><br \/>\n4:00pm &#8211; <strong>Pelechian Project Program 2<\/strong>, Howard Gilman Theater<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;+ <em>The Beginning<\/em> (1967, Artavazd Pelechian)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; Our Century (1982, Artavazd Pelechian)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;+ <em>The End<\/em> (1992, Artavazd Pelechian)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>Life<\/em> (1993, Artavazd Pelechian)<br \/>\n4:00pm &#8211; <strong>Pelechian Project Program 1<\/strong>, Francesca Beale Theater<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>Mountain Patrol<\/em>\u2028(1964, Artavazd Pelechian)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;+ <em>Land of the People<\/em>\u2028(1966, Artavazd Pelechian)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;+ <em>We<\/em>\u2028(1969, Artavazd Pelechian)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;+ <em>The Seasons<\/em> (1975, Artavazd Pelechian)<br \/>\n6:15pm &#8211; <strong>Bardi<\/strong> (Tala Hadid), Walter Reade Theater<br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">October 2<\/span><\/strong><br \/>\n10:00am &#8211; <strong>Behemoth!<\/strong>\u00a0(Tony Gilroy), Walter Reade Theater <span style=\"color: #9900ff;\"><strong>\u24c5<\/strong><\/span><br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">October 3<\/span><\/strong><br \/>\n12:00pm &#8211; <strong>Overt Listening<\/strong> (Tiffany Sia), Francesca Beale Theater<br \/>\n6:00pm &#8211; <strong>Suicide Note<\/strong> (1976-84, Fred Camper), Francesca Beale Theater <span style=\"color: #9b9630;\"><strong>16mm<\/strong><\/span><br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">October 4<\/span><\/strong><br \/>\n12:00pm &#8211; <strong>What Can\u2019t Be Mentioned<\/strong> (Dan Sallitt), Francesca Beale Theater<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; preceded by <em>Sounds from Home<\/em> (Nathan Silver)<br \/>\n6:30pm &#8211; <strong>Spotlight Shorts<\/strong>, Walter Reade Theater<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>South of Tehran<\/em> (Kleber Mendon\u00e7a Filho)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;+ <em>Masao Adachi Takes a Passport Photo<\/em> (Kamal Aljafari)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>A Stolen Movie<\/em> (Camilo Restrepo)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;+ <em>Torino Shadow<\/em> (Jia Zhangke)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>Screening Room<\/em> (1968\/2026, Morgan Fisher) <span style=\"color: #9b9630;\"><strong>35mm<\/strong><\/span><br \/>\n&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u24c5 is for Press &nbsp; September 27 2:15pm &#8211; Heil Jupiter! (Carlos Reygadas), Walter Reade Theater 6:45pm &#8211; A Day in the Life of Jo: Chapter Phaedra (Jacqueline Lentzou), Howard Gilman Theater &nbsp; September 28 2:30pm &#8211; Just Like Weather (1986, Allen Fong), Francesca Beale Theater 7:00pm &#8211; Currents Program 3: Surface Noise, Howard Gilman [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-26454","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/26454","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=26454"}],"version-history":[{"count":8,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/26454\/revisions"}],"predecessor-version":[{"id":26463,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/26454\/revisions\/26463"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=26454"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=26454"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=26454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}