{"id":26454,"date":"2026-08-27T12:00:18","date_gmt":"2026-08-27T17:00:18","guid":{"rendered":"https:\/\/blakewilliams.net\/blog\/?p=26454"},"modified":"2026-10-06T07:35:36","modified_gmt":"2026-10-06T12:35:36","slug":"overt-viewing-its-a-tentative-nyff26-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2026\/08\/overt-viewing-its-a-tentative-nyff26-schedule\/","title":{"rendered":"Overt Viewing: It\u2019s an NYFF schedule"},"content":{"rendered":"

\u24c5<\/strong><\/span> is for Press
\n <\/p>\n

September 28<\/span><\/strong>
\n6:00pm – Heil Jupiter!<\/strong> (Carlos Reygadas), Walter Reade
\n <\/p>\n

September 29<\/span><\/strong>
\n1:00pm – A Day in the Life of Jo: Chapter Phaedra<\/strong> (Jacqueline Lentzou), Howard Gilman
\n6:00pm – Currents Program 4: The Real World<\/strong>, Howard Gilman
\n               – Certainties<\/em> (Calum Walter)
\n               – RW-LO<\/em> (Martine Syms)
\n               – Placeholder<\/em> (Jesse McLean)
\n               + Moon Palace<\/em> (Jiaqi Yu)<\/strike>
\n8:45pm – Currents Program 6: Out of the Present<\/strong>, Francesca Beale
\n               – They\u2019re Here<\/em> (Laura Poitras & Rachel Lauren Mueller)
\n               + Another Earth<\/em> (Ben Russell)
\n               + This Suffocating Now<\/em> (Vika Kirchenbauer)
\n               – Morne Fortune<\/em> (Mara Chavez & doris duhennois)
\n <\/p>\n

September 30<\/span><\/strong>
\n1:00pm – NAZA<\/strong> (Yuval Abraham & Rachel Szor), IFC Center
\n4:00pm – Currents Program 5: The Material Ghost<\/strong>, Howard Gilman
\n               – The Wayfinders<\/em> (Peggy Ahwesh)
\n               – National Seating<\/em> (Kevin Jerome Everson)
\n               – The Flesh of the Mountain<\/em> (Adam Piron)
\n               – Elegy for the Forgotten, On an Endless War<\/em> (Bani Khoshnoudi)
\n6:15pm \u2013\u00a0I Deserve a Lover Whose Every Rise Sets Fiery Dooms Raging Across the Skies<\/strong>\u00a0(Mani Haghighi), Walter Reade
\n               – preceded by South of Tehran<\/em> (Kleber Mendon\u00e7a Filho)
\n <\/p>\n

October 1<\/span><\/strong>
\n10:00am – Bardi<\/strong> (Tala Hadid), Francesca Beale
\n2:30pm – Pelechian Project Program 2<\/strong>, Howard Gilman
\n               + The Beginning<\/em> (1967, Artavazd Pelechian)
\n               – Our Century (1982, Artavazd Pelechian)
\n               + The End<\/em> (1992, Artavazd Pelechian)
\n               – Life<\/em> (1993, Artavazd Pelechian)
\n4:15pm – Pelechian Project Program 1<\/strong>, Francesca Beale
\n               – Mountain Patrol<\/em> (1964, Artavazd Pelechian)
\n               – Land of the People<\/em> (1966, Artavazd Pelechian)
\n               + We<\/em> (1969, Artavazd Pelechian)
\n               + The Seasons<\/em> (1975, Artavazd Pelechian)
\n <\/p>\n

October 2<\/span><\/strong>
\n11:45am – Cameron Winter at Carnegie Hall<\/strong>\u00a0(Paul Thomas Anderson), Alice Tully Hall 35mm<\/strong><\/span>
\n2:15pm – Digger<\/strong> (Alejandro Gonz\u00e1lez I\u00f1\u00e1rritu), AMC Lincoln Square 13 35mm<\/strong> [VistaVision]<\/span>
\n <\/p>\n

October 3<\/span><\/strong>
\n2:00pm – Seventies Structures<\/strong>, MoMA Theater 2
\n               – Blues<\/em> (1970, Larry Gottheim) 16mm<\/strong><\/span>
\n               – Breakfast<\/em> (1976, Michael Snow) 16mm<\/strong><\/span>
\n               – Table<\/em> (1976, Ernie Gehr) 16mm<\/strong><\/span>
\n               – Line<\/em> (1976, Alan Berliner) 16mm<\/strong><\/span>
\n               + I-94<\/em> (1974, Bette Gordon & James Benning) 16mm<\/strong><\/span>
\n               – Bertha\u2019s Children<\/em> (1976, Roberta Friedman & Grahame Weinbren) 16mm<\/strong><\/span>
\n               – X-Tracts<\/em> (1972, Leslie Thornton & Desmond Horsfield) 16mm<\/strong><\/span>
\n               – Dirt<\/em> (1971, Amy Greenfield) 16mm<\/strong><\/span>
\n               – Water Motor<\/em> (1978, Babette Mangolte) 16mm<\/strong><\/span>
\n               – Restoring Appearances to Order in 12 Minutes<\/em> (1975, Coleen Fitzgibbon)
\nLate Afternoon – \u201dAnthony McCall: Solid Light, 1973, 2020, 2026,\u201d<\/strong> Sean Kelly Gallery
\n6:00pm – Suicide Note<\/strong> (1976-84, Fred Camper), Francesca Beale 16mm<\/strong><\/span>
\n <\/p>\n

October 4<\/span><\/strong>
\n12:00pm – What Can\u2019t Be Mentioned<\/strong> (Dan Sallitt), Francesca Beale
\n               – preceded by Sounds from Home<\/em> (Nathan Silver)
\n <\/p>\n

October 5<\/span><\/strong>
\n2:45pm + Begotten<\/strong> (1989, E. Elias Merhige), IFC Center
\n4:40pm – The History of Concrete<\/strong> (John Wilson), IFC Center<\/p>\n

 <\/p>\n

October 6<\/span><\/strong>
\n11:45am – Behemoth!<\/strong>\u00a0(Tony Gilroy), Alice Tully Hall
\n2:30pm – Artificial<\/strong> (Luca Guadagnino), Alice Tully Hall
\n6:45pm – Report to Mother<\/strong> (1986, John Abraham), Howard Gilman
\n <\/p>\n","protected":false},"excerpt":{"rendered":"

\u24c5 is for Press   September 28 6:00pm – Heil Jupiter! (Carlos Reygadas), Walter Reade   September 29 1:00pm – A Day in the Life of Jo: Chapter Phaedra (Jacqueline Lentzou), Howard Gilman 6:00pm – Currents Program 4: The Real World, Howard Gilman                – Certainties (Calum Walter)   […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-26454","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/26454","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=26454"}],"version-history":[{"count":48,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/26454\/revisions"}],"predecessor-version":[{"id":26674,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/26454\/revisions\/26674"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=26454"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=26454"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=26454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}