{"id":26359,"date":"2026-08-11T15:25:24","date_gmt":"2026-08-11T20:25:24","guid":{"rendered":"https:\/\/blakewilliams.net\/blog\/?p=26359"},"modified":"2026-08-12T04:08:26","modified_gmt":"2026-08-12T09:08:26","slug":"my-life-cries-its-a-tiff26-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2026\/08\/my-life-cries-its-a-tiff26-schedule\/","title":{"rendered":"My Life Cries: It’s a TIFF26 schedule"},"content":{"rendered":"

\u24c5<\/strong><\/span> is for Public
\n <\/p>\n

September 10<\/span><\/strong>
\n8:40am – Tender Loving Care<\/strong> (Mike Leigh), Scotiabank 13
\n12:00pm – Woman Unknown<\/strong> (May el-Toukhy), Scotiabank 4
\n3:10pm – The Only Living Pickpocket in New York<\/strong> (Noah Segan), Scotiabank 4
\n6:10pm – Mr. Nelson, Did You Kill People?<\/strong> (Shinya Tsukamoto), Scotiabank 13
\n10:00pm – The Fortunate Isles<\/strong> (Helena Gir\u00f3n & Samuel Delgado), Lightbox 4
\n <\/p>\n

September 11<\/span><\/strong>
\n9:30am – A Long Winter<\/strong> (Andrew Haigh), Lightbox 2
\n12:10pm \u2013\u00a0Union Town<\/strong> (Barbara Kopple), Scotiabank 1
\n2:30pm – Wavelengths 1: House and Home<\/strong>, Lightbox 3 \u24c5<\/strong><\/span>
\n               – Two Pids<\/em> (John Smith)
\n               – After Image<\/em> (Rita Ferrando)
\n               – Moon Palace<\/em> (Jiaqi Yu)
\n               – Microcosmic Orbit: Encased<\/em> (Danaya Chulphuthiphong)
\n               – The Address Book<\/em> (Mustafa Uzuner) 16mm<\/strong><\/span>
\n               + Chronicle of Tiredness<\/em> (Natalia Mar\u00edn)<\/strike>
\n4:00pm – Bucking Fastard<\/strong> (Werner Herzog), Scotiabank 3
\n9:00pm – A Common Story<\/strong> (Anna Foglietta), Scotiabank 9
\n <\/p>\n

September 12<\/span><\/strong>
\n8:30am – Your Mother Your Mother Your Mother<\/strong> (Bassam Tariq), John Bassett Theatre
\n12:00pm – Clarissa<\/strong> (Arie Esiri), Scotiabank 14 \u24c5<\/strong><\/span>
\n4:15pm – Wavelengths 2: This Suffocating Now<\/strong>, Lightbox 4 \u24c5<\/strong><\/span>
\n               – Ghazal-e Sorkh<\/em> (Maryam Tafakory)
\n               – TM<\/em> (1974, Takehisa Kosugi)
\n               – Fire Flies<\/em> (Zheng Lu Xinyuan)
\n               – Splits in Two<\/em> (Simon Liu)
\n               + This Suffocating Now<\/em> (Vika Kirchenbauer)
\n6:30pm – Elsinore<\/strong>\u00a0(Simon Stone), John Bassett Theatre
\n9:55pm – The Face of Horror<\/strong>\u00a0(Anna Biller), Scotiabank 14 \u24c5<\/strong><\/span>
\n <\/p>\n

September 13<\/span><\/strong>
\n8:40am – Misty Green<\/strong> (Chris Rock), Scotiabank 2
\n1:00pm – Wavelengths: Anoushapour\/Aljafari, Lightbox 4 \u24c5<\/strong><\/span>
\n               – Peacocks Come with the Clouds<\/strong> (Parastoo Anoushahpour)
\n               – Masao Adachi Takes a Passport Photo<\/em> (Kamal Aljafari)
\n4:45pm + The Dreamed Adventure<\/strong> (Valeska Grisebach), Lightbox 3 \u24c5<\/strong><\/span>
\n9:15pm – The Remotes<\/strong> (John Torres), Lightbox 4 \u24c5<\/strong><\/span>
\n <\/p>\n

September 14<\/span><\/strong>
\n8:50am – Life of Jorge Luis Borges<\/strong>\u00a0(Mariano Llin\u00e1s), Scotiabank 6
\n4:10pm \u2013\u00a0Once Upon a Time in Harlem<\/strong> (William Greaves), Scotiabank 7
\n9:00pm – Pelechian Project<\/strong>, Lightbox 4 \u24c5<\/strong><\/span>
\n               + Land of the People<\/em> (1966, Artavazd Pelechian)
\n               + The Beginning<\/em> (1967, Artavazd Pelechian)
\n               + We<\/em> (1969, Artavazd Pelechian)
\n               + The Seasons<\/em> (1975, Artavazd Pelechian)
\n               + The End<\/em> (1992, Artavazd Pelechian)
\n <\/p>\n

September 15<\/span><\/strong>
\n9:00am \u2013\u00a0The Black Box is Orange<\/strong>\u00a0(Yuula Benivolski), Scotiabank 10
\n12:00pm – Wavelengths 3: Time and Tide<\/strong>, Lightbox 1 \u24c5<\/strong><\/span>
\n               + Forever\u2026Forever<\/em> (Johann Lurf) 70mm<\/strong><\/span>
\n               – La Prospettiva (1653)<\/em> (Ben Russell)
\n               – Electric Fragments No. 1 \u2013 Rom (Men)<\/em> (2001, Yervant Gianikian & Angela Ricci Lucchi)
\n               – Fevers<\/em> (James Richards)
\n6:15pm – Possible Love<\/strong>\u00a0(Lee Chang-dong), John Bassett Theatre
\n <\/p>\n

September 16<\/span><\/strong>
\n3:10pm – Eklipse<\/strong>\u00a0(Manuel Wetscher), Scotiabank 3 \u24c5<\/strong><\/span>
\n6:30pm – Ink<\/strong> (Danny Boyle), John Bassett Theatre
\n <\/p>\n

September 17<\/span><\/strong>
\n9:15am – Ladies and Gentlemen, Brian Mulroney<\/strong> (Matthew Rankin), Scotiabank 3
\n2:00pm – The Debut<\/strong> (Jesse Eisenberg), Lightbox 1 \u24c5<\/strong><\/span>
\n7:00pm + The Unknown<\/strong> (Arthur Harari), Scotiabank 7 \u24c5<\/strong><\/span>
\n <\/p>\n

September 18<\/span><\/strong>
\n3:15pm – Anchors Aweigh<\/strong> (Matt Barats), Lightbox 3 \u24c5<\/strong><\/span>
\n7:30pm – Everest: The Other Side<\/strong> (Elizabeth Chai Vasarhelyi), Scotiabank 12 \u24c5<\/strong><\/span>
\n <\/p>\n

September 19<\/span><\/strong>
\n3:30pm – Ben’Imana<\/strong> (Marie-Cl\u00e9mentine Dusabejambo), Scotiabank 9 \u24c5<\/strong><\/span>
\n6:30pm – Glaxo<\/strong> (Benjam\u00edn Naishtat), Scotiabank 9 \u24c5<\/strong><\/span>
\n9:15pm \u2013\u00a0The bovine with the curved horns<\/strong>\u00a0(Omar E. Ospina Giraldo), Scotiabank 5 \u24c5<\/strong><\/span>
\n <\/p>\n

September 20<\/span><\/strong>
\n10:15am – Wild Horse Nine<\/strong> (Martin McDonagh), Scotiabank 2 \u24c5<\/strong><\/span>
\n1:15pm + My Wife Cries<\/strong> (Angela Schanelec), Lightbox 4 \u24c5<\/strong><\/span><\/p>\n

 
\n 
\n <\/p>\n

Films I have already seen:<\/span>
\nAll of a Sudden<\/strong> (Ry\u00fbsuke Hamaguchi)
\nAt Night<\/strong> (Beatrice Gibson)
\nThe Beloved<\/strong> (Rodrigo Sorogoyen)
\nBitter Christmas<\/strong> (Pedro Almod\u00f3var)
\nClub Kid<\/strong> (Jordan Firstman)
\nCoward<\/strong> (Lukas Dhont)
\nThe Diary of a Chambermaid<\/strong> (Radu Jude)
\nDouble Freedom<\/strong> (Lisandro Alonso)
\nThe Dreamed Adventure<\/strong> (Valeska Grisebach)
\nEverything Else Is Noise<\/strong> (Nicol\u00e1s Pereda)
\nEverytime<\/strong> (Sandra Wollner)
\nFjord<\/strong> (Cristian Mungiu)
\nFlies<\/strong> (Fernando Eimbcke)
\nGentle Monster<\/strong> (Marie Kreutzer)
\nIn Waves<\/strong> (Phuong Mai Nguyen)
\nJosephine<\/strong> (Beth de Ara\u00fajo)
\nLa Bola Negra<\/strong> (Javier Calvo & Javier Ambrossi)
\nLa Gradiva<\/strong> (Marine Atlan)
\nLight Pillar<\/strong> (Xu Zao)
\nLondon<\/strong> (Sebastian Brameshuber)
\nThe Man I Love<\/strong> (Ira Sachs)
\nMinotaur<\/strong> (Andrey Zvyagintsev)
\nMy Wife Cries<\/strong> (Angela Schanelec)
\nNobody\u2019s Violence<\/strong> (Denis C\u00f4t\u00e9)
\nThe Unknown<\/strong> (Arthur Harari)<\/p>\n","protected":false},"excerpt":{"rendered":"

\u24c5 is for Public   September 10 8:40am – Tender Loving Care (Mike Leigh), Scotiabank 13 12:00pm – Woman Unknown (May el-Toukhy), Scotiabank 4 3:10pm – The Only Living Pickpocket in New York (Noah Segan), Scotiabank 4 6:10pm – Mr. Nelson, Did You Kill People? (Shinya Tsukamoto), Scotiabank 13 10:00pm – The Fortunate Isles (Helena […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-26359","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/26359","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=26359"}],"version-history":[{"count":10,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/26359\/revisions"}],"predecessor-version":[{"id":26378,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/26359\/revisions\/26378"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=26359"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=26359"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=26359"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}