{"id":26225,"date":"2026-07-22T19:18:59","date_gmt":"2026-07-23T00:18:59","guid":{"rendered":"https:\/\/blakewilliams.net\/blog\/?p=26225"},"modified":"2026-08-13T14:25:43","modified_gmt":"2026-08-13T19:25:43","slug":"nowhere-to-lay-my-eyes-its-a-locarco-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2026\/07\/nowhere-to-lay-my-eyes-its-a-locarco-schedule\/","title":{"rendered":"Cinema of the Present: It’s a Locarco Schedule"},"content":{"rendered":"

\u24c5<\/strong><\/span> is for Press
\n <\/p>\n

August 7<\/span><\/strong>
\n4:30pm – The Illusion of an Everlasting Summer<\/strong> (Alessandra Sanguinetti), PalaCinema 3 \u24c5<\/strong><\/span>
\n7:00pm + At Night<\/strong> (Beatrice Gibson), PalaCinema 3 \u24c5<\/strong><\/span>
\n <\/p>\n

August 8<\/span><\/strong>
\n8:45am \u2014 Kettic\u00e8<\/strong> (Giovanni Tortorici), Teatro Kursaal \u24c5<\/strong><\/span>
\n11:15am \u2014 Donkey Princess<\/strong> (Crist\u00f3bal Le\u00f3n & Joaqu\u00edn Coci\u00f1a), L’altra Sala
\n1:30pm \u2014 You Don’t Belong Here<\/strong> (Florin \u0218erban), Teatro Kursaal \u24c5<\/strong><\/span>
\n4:45pm \u2014 Nobody’s Violence<\/strong> (Denis C\u00f4t\u00e9), Palexpo
\n7:30pm \u2014 Shakedown<\/strong> (1950, Joseph Pevney), GranRex 35mm<\/span>
\n <\/p>\n

August 9<\/span><\/strong>
\n8:30am \u2014 Brave New Love<\/strong> (Maria B\u00e4ck), Teatro Kursaal \u24c5<\/strong><\/span>
\n11:00am \u2014 Ego Reach We All<\/strong> (Amartei Armar), Digital Library
\n3:00pm \u2014 Sixteen Moments of My Life<\/strong> (Albert Serra), PalaCinema 1
\n5:00pm \u2014 Revolutionaries Never Die<\/strong> (Mohanad Yaqubi), Digital Library
\n7:00pm \u2014 September Afternoon<\/strong> (Nicolaas Schmidt), PalaCinema 3 \u24c5<\/strong><\/span>
\n9:00pm \u2014 I Rarely Wake Up Dreaming<\/strong> (Isabelle Stever), La Sala
\n <\/p>\n

August 10<\/span><\/strong>
\n8:45am \u2014 Hearing<\/strong> (L\u00ea B\u1ea3o), Teatro Kursaal \u24c5<\/strong><\/span>
\n12:00pm \u2014 All Night Long<\/strong> (1962, Basil Dearden), GranRex 35mm<\/span>
\n8:00pm – Intruder in the Dust<\/strong> (1949, Clarence Brown), GranRex 35mm<\/span>
\n10:00pm \u2014 Native Son<\/strong> (1951, Pierre Chenal), GranRex 35mm<\/span>
\n <\/p>\n

August 11<\/span><\/strong>
\n9:00am \u2014 Objet a<\/strong> (Ann Oren), Teatro Kursaal \u24c5<\/strong><\/span>
\n11:30am \u2014 The Young One<\/strong> (1960, Luis Bu\u00f1uel), GranRex 35mm<\/span>
\n2:00pm \u2014 O Jacar\u00e9<\/strong> (Basil Da Cunha), Teatro Kursaal \u24c5<\/strong><\/span>
\n4:45pm \u2014 The Hollywood Blacklist: The Survivors Tell Their Stories<\/strong> (Marie-Dominique Montel & Christopher Jones), GranRex
\n7:00pm \u2014 Fire Flower<\/strong> (Ana Vaz), PalaCinema 3 \u24c5<\/strong><\/span>
\n11:00pm – Summer Meadow<\/strong> (Na\u00ebl Khleifi), Digital Library
\n <\/p>\n

August 12<\/span><\/strong>
\n11:15am \u2014 The Riverbank<\/strong> (Matheus Farias & Enock Carvalho), Digital Library
\n2:30pm – Woman in Hiding<\/strong> (1950, Michael Gordon), GranRex 35mm<\/span>
\n4:30pm + Magic Atlas<\/strong> (Sun Xin), PalaCinema 3 \u24c5<\/strong><\/span>
\n7:30pm \u2014 Not Wanted<\/strong> (1949, Ida Lupino & Elmer Clifton) + The Hat<\/em> (1964, Faith & John Hubley), GranRex
\n10:15pm \u2014 Caged<\/strong> (1950, John Cromwell), GranRex 35mm<\/span>
\n <\/p>\n

August 13<\/span><\/strong>
\n9:30am \u2014 Nowhere to Lay My Eyes<\/strong> (Hong Sang-soo), Teatro Kursaal \u24c5<\/strong><\/span>
\n1:45pm – He Who Must Die<\/strong> (1957, Jules Dassin), GranRex 35mm<\/span>
\n4:30pm + Tomorrow a Long Time Ago<\/strong> (Luise Donschen), PalaCinema 3 \u24c5<\/strong><\/span>
\n9:30pm \u2014 Crossfire<\/strong> (1947, Edward Dmytryk), GranRex 35mm<\/span>
\n <\/p>\n

August 14<\/span><\/strong>
\n9:00am \u2014 The House on the Moon<\/strong> (Nelson Yeo), Teatro Kursaal \u24c5<\/strong><\/span><\/p>\n

 
\n <\/p>\n

Pre-festival viewing<\/span>
\nAt Night<\/strong> (Beatrice Gibson)
\nThe Days Off<\/strong> (Lucila Mariani)
\nDestroy All Girls<\/strong> (Erin Vassilopoulos)
\nD’ici l\u00e0<\/strong> (Sarah Leonor)
\nFar From the Trees<\/strong> (Meritxell Colell Aparicio)
\nIn All My Journeys I Am Returning<\/strong> (Manuel Ponce de Le\u00f3n)
\nMagic Atlas<\/strong> (Sun Xin)
\nManhunt<\/strong> (Wayne Wapeemukwa)
\nRehmat<\/strong> (Gurvinder Singh)
\nSmall Talk<\/strong> (Mateo Ybarra)
\nTear Gas<\/strong> (Uta Beria)
\nTomorrow a Long Time Ago<\/strong> (Luise Donschen)<\/p>\n","protected":false},"excerpt":{"rendered":"

\u24c5 is for Press   August 7 4:30pm – The Illusion of an Everlasting Summer (Alessandra Sanguinetti), PalaCinema 3 \u24c5 7:00pm + At Night (Beatrice Gibson), PalaCinema 3 \u24c5   August 8 8:45am \u2014 Kettic\u00e8 (Giovanni Tortorici), Teatro Kursaal \u24c5 11:15am \u2014 Donkey Princess (Crist\u00f3bal Le\u00f3n & Joaqu\u00edn Coci\u00f1a), L’altra Sala 1:30pm \u2014 You Don’t […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-26225","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/26225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=26225"}],"version-history":[{"count":28,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/26225\/revisions"}],"predecessor-version":[{"id":26392,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/26225\/revisions\/26392"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=26225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=26225"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=26225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}