{"id":26206,"date":"2026-07-20T09:47:48","date_gmt":"2026-07-20T14:47:48","guid":{"rendered":"https:\/\/blakewilliams.net\/blog\/?p=26206"},"modified":"2026-07-23T14:20:14","modified_gmt":"2026-07-23T19:20:14","slug":"tiff-2026-line-up","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2026\/07\/tiff-2026-line-up\/","title":{"rendered":"TIFF 2026 Line-Up"},"content":{"rendered":"<pre><span style=\"text-decoration: underline;\">Key:<\/span>\n<strong>Features (40min. and up) are in bold<\/strong>\n<em>Shorts are in italics<\/em>\n\u25cf - I have seen this film\n\u2605 - I have seen this film and am fond of it (6.0 and higher)\n\u2718 - I have seen this film and had a bad time watching it (4.0 and lower)\n\u25cb - I am seriously considering making an attempt to see this film\n<span style=\"color: #9b9630;\"><strong>16mm<\/strong><\/span>, <span style=\"color: #9b9630;\"><strong>35mm<\/strong><\/span>, <span style=\"color: #9b9630;\"><strong>70mm<\/strong><\/span> - This film will be screened from a celluloid print\n&#x1f453; - This film is stereoscopic\n<span style=\"color: #ff0066;\"><strong>L<\/strong><\/span> - Has TIFF's \"Luminaries\" label, i.e. it'd be in \"Masters\" if the section still existed\n\n<span style=\"text-decoration: underline;\">Colour coding:<\/span>\n<span style=\"color: #9900ff;\"><strong>NYFF<\/strong><\/span> - Slate and Main\n<span style=\"color: #3d85c6;\"><strong>SUNDANCE<\/strong><\/span> - Cin\u00e9ma concret\n<span style=\"color: #ff0000;\"><strong>BERLINALE<\/strong><\/span> - The opposite of politics\n<span style=\"color: #bf9000;\"><strong>CANNES<\/strong><\/span> - Known unknowns\n<span style=\"color: #18d2d2;\"><strong>LOCARNO<\/strong><\/span> - Somewhere to lay my eyes\n<span style=\"color: #27a72b;\"><strong>VENICE<\/strong><\/span> - Awaken the umbra\n<span style=\"color: #0000ff;\"><strong>NOTABLE<\/strong><\/span> - New films by directors whose work I actively look forward to\n\n(Colours trump whatever is below them; e.g. if a film premiered in Berlin it will be red,\nunless it gets announced as part of NYFF's Main Slate, in which case it will become purple)\n<\/pre>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Special Presentations (43 | 2025: 58)<\/span><br \/>\n<strong>The Age of Goodbyes<\/strong> (Edmund Yeo)<br \/>\n<span style=\"color: #bf9000;\"><strong>All of a Sudden<\/strong> (Ry\u00fbsuke Hamaguchi)<\/span> \u25cf<br \/>\n<strong>All That She Wants<\/strong> (Scarlett Bermingham &#038; Andrew Rhymer)<br \/>\n<strong>Alpha Gang<\/strong> (David Zellner &#038; Nathan Zellner)<br \/>\n<strong>Bad Lieutenant: Tokyo<\/strong> (Takashi Miike) \u25cb<br \/>\n<span style=\"color: #bf9000;\"><strong>The Beloved<\/strong> (Rodrigo Sorogoyen)<\/span> \u25cf<br \/>\n<span style=\"color: #bf9000;\"><strong>Bitter Christmas<\/strong> (Pedro Almod\u00f3var)<\/span> \u25cf<br \/>\n<span style=\"color: #bf9000;\"><strong>Clarissa<\/strong> (Arie &#038; Chuko Esiri<\/span> \u25cb<br \/>\n<span style=\"color: #bf9000;\"><strong>Club Kid<\/strong> (Jordan Firstman)<\/span> \u25cf<br \/>\n<span style=\"color: #bf9000;\"><strong>Coward<\/strong> (Lukas Dhont)<\/span> \u25cf<br \/>\n<strong>The Debut<\/strong> (Jesse Eisenberg)<br \/>\n<strong>Elsinore<\/strong> (Simon Stone)<br \/>\n<span style=\"color: #27a72b;\"><strong>Everest: The Other Side<\/strong> (Jimmy Chin &#038; Elizabeth Chai Vasarhelyi)<\/span> \u25cb<br \/>\n<strong>Everybody Wants To F*** Me<\/strong> (Jonathan Schey)<br \/>\n<strong>Faith<\/strong> (Paul Andrew Williams)<br \/>\n<span style=\"color: #bf9000;\"><strong>Fjord<\/strong> (Cristian Mungiu)<\/span> \u2718<br \/>\n<span style=\"color: #bf9000;\"><strong>Gentle Monster<\/strong> (Marie Kreutzer)<\/span> \u2718<br \/>\n<strong>Glaxo<\/strong> (Benjam\u00edn Naishtat) \u25cb<br \/>\n<strong>Growth of the Soil<\/strong> (Hans Petter Moland)<br \/>\n<strong>Happily Ever After<\/strong> (Feng-I Fiona Roan)<br \/>\n<span style=\"color: #27a72b;\"><strong>Hombre al agua<\/strong> (Gael Garc\u00eda Bernal)<\/span><br \/>\n<strong>The Housewife<\/strong> (Ben Shirinian)<br \/>\n<strong>I Play Rocky<\/strong> (Peter Farrelly) \u25cb<br \/>\n<strong>In Alaska<\/strong> (Jaap van Heusden &#038; Vinnie Karetak)<br \/>\n<span style=\"color: #27a72b;\"><strong>Ink<\/strong> (Danny Boyle)<\/span> \u25cb<br \/>\n<span style=\"color: #3d85c6;\"><strong>Josephine<\/strong> (Beth de Ara\u00fajo)<\/span> \u2718<br \/>\n<strong>The Julia Set<\/strong> (Niki Byrne)<br \/>\n<span style=\"color: #bf9000;\"><strong>La Bola Negra<\/strong> (Javier Calvo &#038; Javier Ambrossi)<\/span> \u25cf<br \/>\n<strong>Le Faux Soir<\/strong> (Micha\u00ebl R. Roskam)<br \/>\n<strong>A Long Winter<\/strong> (Andrew Haigh) \u25cb<br \/>\n<span style=\"color: #27a72b;\"><strong>Look Back<\/strong> (Hirokazu Kore-eda)<\/span><br \/>\n<strong>Love of Your Life<\/strong> (Rachel Morrison)<br \/>\n<span style=\"color: #bf9000;\"><strong>The Man I Love<\/strong> (Ira Sachs)<\/span> \u2718<br \/>\n<span style=\"color: #bf9000;\"><strong>Minotaur<\/strong> (Andrey Zvyagintsev)<\/span> \u25cf<br \/>\n<span style=\"color: #27a72b;\"><strong>Mr. Nelson, Did You Kill People?<\/strong> (Shinya Tsukamoto)<\/span> \u25cb<br \/>\n<strong>Paradise Lost<\/strong> (Yeon Sang-ho)<br \/>\n<strong>Phoolan<\/strong> (Richie Mehta)<br \/>\n<span style=\"color: #27a72b;\"><strong>Possible Love<\/strong> (Lee Chang-dong)<\/span> \u25cb<br \/>\n<strong>The Stunt Driver<\/strong> (Michael Dowse)<br \/>\n<span style=\"color: #0000ff;\"><strong>Tender Loving Care<\/strong> (Mike Leigh)<\/span> \u25cb<br \/>\n<span style=\"color: #bf9000;\"><strong>The Unknown<\/strong> (Arthur Harari)<\/span> \u2605<br \/>\n<strong>Whatcha Want<\/strong> (Mina Shum)<br \/>\n<strong>Your Mother Your Mother Your Mother<\/strong> (Bassam Tariq)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Discovery (24 | 2025: 23)<\/span><br \/>\n<strong>Ancestors<\/strong> (David Turpin)<br \/>\n<strong>Arne Goes to Space<\/strong> (Lars Vega)<br \/>\n<span style=\"color: #3d85c6;\"><strong>Bedford Park<\/strong> (Stephanie Ahn)<\/span><br \/>\n<span style=\"color: #27a72b;\"><strong>A Common Story<\/strong> (Anna Foglietta)<\/span><br \/>\n<strong>The Daughters of Abraham<\/strong> (Hana\u00ebl El Yousfi)<br \/>\n<strong>Drifter<\/strong> (Sung Kang) \u25cb<br \/>\n<strong>The Fortunate Isles<\/strong> (Helena Gir\u00f3n &#038; Samuel Delgado) \u25cb<br \/>\n<strong>Head to Head<\/strong> (Ghasideh Golmakani )<br \/>\n<strong>I Am Mario<\/strong> (Sharon Kleinberg)<br \/>\n<span style=\"color: #bf9000;\"><strong>In Waves<\/strong> (Phuong Mai Nguyen)<\/span> \u2718<br \/>\n<strong>Krux<\/strong> (Tony Vahl)<br \/>\n<strong>Magazine<\/strong> (Alexandra Pechman)<br \/>\n<strong>Memories of a Forest<\/strong> (Katharina Rabl)<br \/>\n<strong>Nosotros<\/strong> (Joaqu\u00edn Ruano)<br \/>\n<strong>Purgatory<\/strong> (Lindsay Lanzillotta)<br \/>\n<strong>Salvation<\/strong> (Tom Nicoll)<br \/>\n<strong>Seventeen<\/strong> (Justin Ducharme)<br \/>\n<strong>Sisters<\/strong> (Ione Hern\u00e1ndez)<br \/>\n<strong>Strong Son<\/strong> (Ian Bawa)<br \/>\n<strong>Stuffed<\/strong> (Theo Rhys) \u25cb<br \/>\n<strong>Voices<\/strong> (Deant\u00e8 Gray)<br \/>\n<strong>We Are Born Good<\/strong> (Leung Chuen Yeung)<br \/>\n<strong>What Lies Between Us<\/strong> (Amalie N\u00e6sby Fick)<br \/>\n<strong>Zjili: A Story of Sisterhood and The Burdens of Excess<\/strong> (Christine Boateng &#038; Hajara Musah Chambas)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Gala Presentations (23 | 2025: 22)<\/span><br \/>\n<span style=\"color: #18d2d2;\"><strong>All About Corinne<\/strong> (Marc Fitoussi)<\/span><br \/>\n<strong>Always Lalisa<\/strong> (Sue Kim)<br \/>\n<strong>The Assassin(s)<\/strong> (Hur Jin-ho)<br \/>\n<span style=\"color: #bf9000;\"><strong>Atonement<\/strong> (Reed Van Dyk)<\/span><br \/>\n<strong>Babies<\/strong> (Lauren Miller Rogen)<br \/>\n<strong>Being Heumann<\/strong> (Si\u00e2n Heder)<br \/>\n<span style=\"color: #27a72b;\"><strong>Bunker<\/strong> (Florian Zeller)<\/span><br \/>\n<strong>Diary of a Mad Old Man<\/strong> (Wayne Wang)<br \/>\n<strong>Evil Genius<\/strong> (Courteney Cox)<br \/>\n<strong>Girl Group<\/strong> (Rebel Wilson)<br \/>\n<strong>The Life and Deaths of Wilson Shedd<\/strong> (Tim Blake Nelson)<br \/>\n<strong>Man in Motion: The Rick Hansen Story<\/strong> (Adrian Buitenhuis)<br \/>\n<strong>Misty Green<\/strong> (Chris Rock)<br \/>\n<span style=\"color: #3d85c6;\"><strong>The Only Living Pickpocket in New York<\/strong> (Noah Segan)<\/span><br \/>\n<strong>Onwards and Sideways<\/strong> (John Madden)<br \/>\n<strong>Pretenders<\/strong> (Joss Crowley)<br \/>\n<strong>Prima Facie<\/strong> (Susanna White)<br \/>\n<strong>Run Terry Run<\/strong> (Sean Menard)<br \/>\n<strong>Spirit Guardians: The Last Secret of the First Emperor<\/strong> (Nguyen Phan Quang Binh)<br \/>\n<strong>A Talent for Murder<\/strong> (Anton Corbijn)<br \/>\n<strong>Tenzing<\/strong> (Jennifer Peedom)<br \/>\n<strong>Up Against It<\/strong> (Trudie Styler)<br \/>\n<strong>Villeneuve: The Rise of a Legend<\/strong> (Yan Lanouette Turgeon)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Platform (12 | 2025: 10)<\/span><br \/>\n<strong>Angh<\/strong> (Theja Rio)<br \/>\n<strong>Brace Your Heart<\/strong> (Amanda Kernell)<br \/>\n<strong>Children Untold<\/strong> (Miwa Nishikawa)<br \/>\n<strong>Djinn Wedding<\/strong> (Ferit Karahan)<br \/>\n<strong>Idda<\/strong> (Irene Dionisio)<br \/>\n<strong>In the Heart of the South<\/strong> (Nyla Innuksuk)<br \/>\n<strong>Masc<\/strong> (Bertil Nilsson)<br \/>\n<strong>On Behalf of My Son<\/strong> (Gabriel Martins)<br \/>\n<strong>Silenced Nights<\/strong> (Lawrence Fajardo)<br \/>\n<strong>The Smell of Apples<\/strong> (John Trengove)<br \/>\n<strong>Wild Wild East<\/strong> (Jan Holoubek)<br \/>\n<strong>The World Before<\/strong> (Yoon Dan-bi)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Primetime (10 | 2025: 10)<\/span><br \/>\n<strong>Alice<\/strong> (Virginie Verrier &#038; Guillaume Lonergan)<br \/>\n<strong>American Hostage<\/strong> (Shawn Ryan, Eileen Myers, &#038; Adam Arkin)<br \/>\n<strong>Below<\/strong> (Jesse McKeown)<br \/>\n<strong>Blindspot Berlin<\/strong> (David Nawrath)<br \/>\n<strong>Carrie<\/strong> (Mike Flanagan)<br \/>\n<strong>Crystal Lake<\/strong> (Brad Caleb Kane &#038; Michael Lennox)<br \/>\n<strong>Oxygen Masks Will (Not) Drop Automatically<\/strong> (Marcelo Gomes &#038; Carol Min\u00eam)<br \/>\n<strong>Slow Horses<\/strong> (Will Smith &#038; Adam Randall)<br \/>\n<strong>2.6 Seconds: Death in the Outback<\/strong> (Darren Dale)<br \/>\n<strong>YAGA<\/strong> (Kat Sandler, Rachel Talalay, &#038; David Frazee)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Centrepiece (TK | 2025: 55)<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">TIFF Docs (TK | 2025: 24)<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Wavelengths (TK | 2025: 11  [incl. 3 shorts programmes])<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Midnight Madness (TK | 2025: 10)<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">TIFF Classics (TK | 2025: 6)<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Key: Features (40min. and up) are in bold Shorts are in italics \u25cf &#8211; I have seen this film \u2605 &#8211; I have seen this film and am fond of it (6.0 and higher) \u2718 &#8211; I have seen this film and had a bad time watching it (4.0 and lower) \u25cb &#8211; I am [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-26206","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/26206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=26206"}],"version-history":[{"count":17,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/26206\/revisions"}],"predecessor-version":[{"id":26238,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/26206\/revisions\/26238"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=26206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=26206"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=26206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}