{"id":26061,"date":"2026-05-08T01:52:09","date_gmt":"2026-05-08T06:52:09","guid":{"rendered":"https:\/\/blakewilliams.net\/blog\/?p=26061"},"modified":"2026-05-10T11:34:46","modified_gmt":"2026-05-10T16:34:46","slug":"my-private-hell-its-a-cannes-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2026\/05\/my-private-hell-its-a-cannes-schedule\/","title":{"rendered":"My Private Hell: It&#8217;s a Cannes Schedule"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">May 12<\/span><\/strong><br \/>\n8:00pm \u2014 <strong>The Electric Kiss<\/strong> (Pierre Salvadori), Bazin<br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">May 13<\/span><\/strong><br \/>\n10:00am \u2014 <strong>Butterfly Jam<\/strong> (Kantemir Balagov), Th\u00e9\u00e2tre Croisette<br \/>\n3:00pm \u2014 <strong>Nagi Notes<\/strong> (K\u00f4ji Fukada), Lumi\u00e8re<br \/>\n5:15pm \u2014 <strong>A Woman\u2019s Life<\/strong> (Charline Bourgeois-Tacquet), Debussy<br \/>\n8:30pm \u2014 <strong>In Waves<\/strong> (Phuong-Mai Nguyen), Miramar<br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">May 14<\/span><\/strong><br \/>\n8:45am \u2014 <strong>Teenage Sex and Death at Camp Miasma<\/strong> (Jane Schoenbrun), Debussy<br \/>\n12:00pm \u2014 <strong>Gabin<\/strong> (Maxence Voiseux), Th\u00e9\u00e2tre Croisette<br \/>\n3:00pm \u2014 <strong>Thanks for Coming<\/strong> (Alain Cavalier), Th\u00e9\u00e2tre Croisette<br \/>\n5:00pm \u2014 <strong>Fatherland<\/strong> (Pawe\u0142 Pawlikowski), Bazin<br \/>\n6:45pm \u2014 <strong>Parallel Tales<\/strong> (Asghar Farhadi), Debussy<br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">May 15<\/span><\/strong><br \/>\n8:30am \u2014 <strong>The Meltdown<\/strong> (Manuela Martelli), Debussy<br \/>\n12:00pm \u2014 <strong>The Diary of a Chambermaid<\/strong> (Radu Jude), Th\u00e9\u00e2tre Croisette<br \/>\n2:30pm \u2014 <strong>All of a Sudden<\/strong> (Ryusuke Hamaguchi), Bazin<br \/>\n7:45pm \u2014 <strong>John Lennon: The Last Interview<\/strong> (Steven Soderbergh), Varda<br \/>\n10:30pm \u2014 <strong>Gentle Monster<\/strong> (Marie Kreutzer), Bazin<br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">May 16<\/span><\/strong><br \/>\n8:30am \u2014 <strong>Club Kid<\/strong> (Jordan Firstman), Debussy<br \/>\n11:00am \u2014 <strong>La Gradiva<\/strong> (Marine Atlan), Miramar<br \/>\n3:00pm \u2014 <strong>Double Freedom<\/strong> (Lisandro Alonso), Th\u00e9\u00e2tre Croisette<br \/>\n5:30pm \u2014 <strong>The Beloved<\/strong> (Rodrigo Sorogoyen), Bazin<br \/>\n10:00pm \u2014 <strong>Paper Tiger<\/strong> (James Gray), Debussy<br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">May 17<\/span><\/strong><br \/>\n8:30am \u2014 <strong>Full Phil<\/strong> (Quentin Dupieux), Varda<br \/>\n3:00pm \u2014 <strong>Moulin<\/strong> (L\u00e1szl\u00f3 Nemes), Lumi\u00e8re<br \/>\n6:00pm \u2014 <strong>Dora<\/strong> (July Jung), Th\u00e9\u00e2tre Croisette<br \/>\n10:00pm \u2014 <strong>Hope<\/strong> (Na Hong-jin), Debussy<br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">May 18<\/span><\/strong><br \/>\n8:30am \u2014 <strong>Jim Queen<\/strong> (Marco Nguyen &#038; Nicolas Athan\u00e9), Bu\u00f1uel<br \/>\n11:30am \u2014 <strong>Everytime<\/strong> (Sandra Wollner), Debussy<br \/>\n3:30pm \u2014 <strong>The Unknown<\/strong> (Arthur Harari), Lumi\u00e8re<br \/>\n8:30pm \u2014 <strong>La Perra<\/strong> (Dominga Sotomayor), Th\u00e9\u00e2tre Croisette<br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">May 19<\/span><\/strong><br \/>\n8:30am \u2014 <strong>Her Private Hell<\/strong> (Nicolas Winding Refn), Varda<br \/>\n11:00am \u2014 <strong>Fjord<\/strong> (Cristian Mungiu), Bazin<br \/>\n3:30pm \u2014 <strong>Minotaur<\/strong> (Andrey Zvyagintsev), Lumi\u00e8re<br \/>\n8:00pm \u2014 <strong>The Samurai and the Prisoner<\/strong> (Kiyoshi Kurosawa), Debussy<br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">May 20<\/span><\/strong><br \/>\n8:45am \u2014 <strong>Six Months in a Pink and Blue Building<\/strong> (Bruno Santamar\u00eda Razo), Miramar<br \/>\n11:00am \u2014 <strong>Goodbye Cruel World<\/strong> (F\u00e9lix de Givry), Miramar<br \/>\n3:00pm \u2014 <strong>Red Rocks<\/strong> (Bruno Dumont), Th\u00e9\u00e2tre Croisette<br \/>\n6:30pm \u2014 <strong>I See Buildings Fall Like Lightning<\/strong> (Clio Barnard), Th\u00e9\u00e2tre Croisette<br \/>\n10:15pm \u2014 <strong>The Man I Love<\/strong> (Ira Sachs), Debussy<br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">May 21<\/span><\/strong><br \/>\n8:30am \u2014 <strong>Roma Elastica<\/strong> (Bertrand Mandico), Bu\u00f1uel<br \/>\n2:00pm \u2014 <strong>Orange-Flavoured Wedding<\/strong> (Christophe Honor\u00e9), Varda<br \/>\n5:15pm \u2014 <strong>La Bola Nega<\/strong> (Javier Calvo &#038; Javier Ambrossi), Bazin<br \/>\n9:45pm \u2014 <strong>Vertiginous<\/strong> (Quentin Dupieux), Th\u00e9\u00e2tre Croisette<br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">May 22<\/span><\/strong><br \/>\n8:30am \u2014 <strong>Victorian Psycho<\/strong> (Zachary Wigon), Debussy<br \/>\n12:00pm \u2014 <strong>Coward<\/strong> (Lukas Dhont), Lumi\u00e8re<br \/>\n3:00pm \u2014 <strong>The Dreamed Adventure<\/strong> (Valeska Grisebach), Lumi\u00e8re<br \/>\n6:30pm \u2014 <strong>The Birthday Party<\/strong> (L\u00e9a Mysius), Bazin<br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">May 23<\/span><\/strong><br \/>\nTK \u2014 <strong>Bitter Christmas<\/strong> (Pedro Almod\u00f3var), TK<br \/>\nTK \u2014 <strong>A Man of His Time<\/strong> (Emmanuel Marre), TK<br \/>\nTK \u2014 <strong>Sheep in the Box<\/strong> (Hirokazu Kore-eda), TK<br \/>\nTK \u2014 <strong>Garance<\/strong> (Jeanne Herry), TK<\/p>\n<p>&nbsp;<br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">Pre-screened<\/span><\/strong><br \/>\n<strong>9 Temples to Heaven<\/strong> (Sompot Chidgasornpongse)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; May 12 8:00pm \u2014 The Electric Kiss (Pierre Salvadori), Bazin &nbsp; May 13 10:00am \u2014 Butterfly Jam (Kantemir Balagov), Th\u00e9\u00e2tre Croisette 3:00pm \u2014 Nagi Notes (K\u00f4ji Fukada), Lumi\u00e8re 5:15pm \u2014 A Woman\u2019s Life (Charline Bourgeois-Tacquet), Debussy 8:30pm \u2014 In Waves (Phuong-Mai Nguyen), Miramar &nbsp; May 14 8:45am \u2014 Teenage Sex and Death at Camp [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-26061","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/26061","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=26061"}],"version-history":[{"count":5,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/26061\/revisions"}],"predecessor-version":[{"id":26074,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/26061\/revisions\/26074"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=26061"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=26061"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=26061"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}