{"id":25826,"date":"2026-02-03T19:33:56","date_gmt":"2026-02-04T00:33:56","guid":{"rendered":"https:\/\/blakewilliams.net\/blog\/?p=25826"},"modified":"2026-02-22T02:32:17","modified_gmt":"2026-02-22T07:32:17","slug":"foreign-travel-its-a-berlinale-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2026\/02\/foreign-travel-its-a-berlinale-schedule\/","title":{"rendered":"Foreign Travel: It’s a Berlinale schedule"},"content":{"rendered":"

\u24c5<\/strong><\/span> is for P&I
\n <\/p>\n

February 11<\/span><\/strong>
\n7:30pm – No Good Men<\/strong> (Shahrbanoo Sadat), CinemaxX 4 \u24c5<\/strong><\/span>
\n <\/p>\n

February 12<\/span><\/strong>
\n2:15pm – Trial of Hein<\/strong> (Kai St\u00e4nicke), Bluemax Theater \u24c5<\/strong><\/span>
\n5:00pm – Liminals (Pierre Huyghe), Halle am Berghain
\n9:45pm – Good Luck, Have Fun, Don\u2019t Die<\/strong> (Gore Verbinski), CinemaxX 7 \u24c5<\/strong><\/span>
\n <\/p>\n

February 13<\/span><\/strong>
\n10:00am – Light Pillar<\/strong> (Xu Zao), Bluemax Theater \u24c5<\/strong><\/span>
\n12:15pm – Everybody Digs Bill Evans<\/strong> (Grant Gee), Berlinale Palast \u24c5<\/strong><\/span>
\n6:15pm – Mouse<\/strong> (Kelly O\u2019Sullivan & Alex Thompson), Zoo Palast 1
\n9:15pm – Dao<\/strong> (Alain Gomis), CinemaxX 4 \u24c5<\/strong><\/span>
\n <\/p>\n

February 14<\/span><\/strong>
\n11:00am – Crystal Palace<\/strong> (1934, Hryhorii Hrycher), Akademie der K\u00fcnste
\n1:30pm – Doggerland<\/strong> (Kim Ekberg), Akademie der K\u00fcnste 35mm<\/span>
\n7:00pm – WAX & GOLD<\/strong> (Ruth Beckermann), CinemaxX 6 \u24c5<\/strong><\/span>
\n <\/p>\n

February 15<\/span><\/strong>
\n10:00am – Atlas of the Universe<\/strong> (Paul Negoescu), Zoo Palast 2
\n12:15pm – Rose<\/strong> (Markus Schleinzer), Berlinale Palast \u24c5<\/strong><\/span>
\n3:15pm – If I Were Alive<\/strong> (Andr\u00e9 Novais Oliveira), Zoo Palast 1
\n5:30pm – Forum Expanded Programme 4<\/strong>, Cinema Betonhalle@Silent Green
\n               – This Suffocating Now<\/em> (Vika Kirchenbauer)
\n               – El Le\u00f3n<\/em> (Diana Bustamante)
\n               – Filme Pin<\/em> (Mar\u00eda Rojas Arias & Andr\u00e9s Jurado [La Vulcanizadora])
\n               – Fruits of Despair<\/em> (Nima Nassaj)
\n9:30pm – I Built A Rocket Imagining Your Arrival<\/strong> (Jana\u00edna Marques), Delphi Filmpalast
\n <\/p>\n

February 16<\/span><\/strong>
\n8:45am – At the Sea<\/strong> (Korn\u00e9l Mundrucz\u00f3), Berlinale Palast \u24c5<\/strong><\/span>
\n12:00pm – Nina Roza<\/strong> (Genevi\u00e8ve Dulude-de Celles), Berlinale Palast \u24c5<\/strong><\/span>
\n7:30pm – My Wife Cries<\/strong> (Angela Schanelec), CinemaxX 4 \u24c5<\/strong><\/span>
\n <\/p>\n

February 17<\/span><\/strong>
\n10:00am – Isabel<\/strong> (Gabe Klinger), Cubix 9
\n12:15pm – Queen at Sea<\/strong> (Lance Hammer), Berlinale Palast \u24c5<\/strong><\/span>
\n4:00pm – London<\/strong> (Sebastian Brameshuber), Cubix 6
\n7:30pm – The Moths & the Flame<\/strong> (Kevin Contento), Cubix 8
\n <\/p>\n

February 18<\/span><\/strong>
\n9:00am – Flies<\/strong> (Fernando Eimbcke), Berlinale Palast \u24c5<\/strong><\/span>
\n12:00pm – Home Stories<\/strong> (Eva Trobisch), Berlinale Palast \u24c5<\/strong><\/span>
\n6:00pm – Forum Expanded Programme 10<\/strong>, Delphi Filmpalast
\n               – Warnings to the Distant Future<\/em> (Juliane Jaschnow & Stefanie Schroeder)
\n               – The Weary Hours of Two Lab Assistants<\/em> (Burak \u00c7evik)
\n               – Forever\u2026Forever<\/em> (Johann Lurf) 70mm<\/span>
\n9:00pm – EIGHT BRIDGES<\/strong> (James Benning), Delphi Filmpalast
\n <\/p>\n

February 19<\/span><\/strong>
\n9:00am – The Loneliest Man in Town<\/strong> (Rainer Frimmel & Tizza Covi), Berlinale Palast \u24c5<\/strong><\/span>
\n5:30pm – Cesarean Weekend<\/strong> (Mohammad Schirvani), Delphi Filmpalast
\n9:45pm + Bamboozled<\/strong> (2000, Spike Lee), Akademie der K\u00fcnste 35mm<\/span>
\n <\/p>\n

February 20<\/span><\/strong>
\n9:00am – Yo<\/strong> (Anna Fitch & Banker White), Berlinale Palast \u24c5<\/strong><\/span>
\n11:45am – Josephine<\/strong> (Beth de Ara\u00fajo), Berlinale Palast \u24c5<\/strong><\/span>
\n10:00pm – The Day She Returns<\/strong> (Hong Sang-soo), Cubix 7
\n <\/p>\n

February 21<\/span><\/strong>
\n9:30pm – Foreign Travel<\/strong> (Ted Fendt), Delphi Filmpalast
\n <\/p>\n

February 22<\/span><\/strong>
\n11:30am – Everything Else Is Noise<\/strong> (Nicol\u00e1s Pereda), Cinema Paris
\n <\/p>\n","protected":false},"excerpt":{"rendered":"

\u24c5 is for P&I   February 11 7:30pm – No Good Men (Shahrbanoo Sadat), CinemaxX 4 \u24c5   February 12 2:15pm – Trial of Hein (Kai St\u00e4nicke), Bluemax Theater \u24c5 5:00pm – Liminals (Pierre Huyghe), Halle am Berghain 9:45pm – Good Luck, Have Fun, Don\u2019t Die (Gore Verbinski), CinemaxX 7 \u24c5   February 13 10:00am […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-25826","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/25826","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=25826"}],"version-history":[{"count":40,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/25826\/revisions"}],"predecessor-version":[{"id":25927,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/25826\/revisions\/25927"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=25826"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=25826"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=25826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}