{"id":25795,"date":"2026-01-28T08:47:53","date_gmt":"2026-01-28T13:47:53","guid":{"rendered":"https:\/\/blakewilliams.net\/blog\/?p=25795"},"modified":"2026-02-03T05:28:20","modified_gmt":"2026-02-03T10:28:20","slug":"cinema-situations-its-my-iffr26-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2026\/01\/cinema-situations-its-my-iffr26-schedule\/","title":{"rendered":"Cinema Situations: It’s my IFFR26 schedule"},"content":{"rendered":"

January 30<\/span><\/strong>
\n7:30pm – Tetsuya Maruyama: Cinema Situations<\/strong>, Kino 4
\n               – Shashin no Ma<\/em> (Tetsuya Maruyama)
\n               – Dead See<\/em> (2021, Tetsuya Maruyama)
\n               – Third Mountain<\/em> (Tetsuya Maruyama) 16mm<\/span>
\n               – Situation-Cinema<\/em> (2023, Tetsuya Maruyama)
\n               – Untitled (three moons)<\/em> (2024, Tetsuya Maruyama) 16mm<\/span>
\n9:30pm – sound\/\/vision: \u6c34\u6258\u90a6 (Hydrotopia)<\/strong> (Chiemi Shimada & Jamie Man), WORM UBIK
\n <\/p>\n

January 31<\/span><\/strong>
\n9:45am – Dialectics<\/strong>, Path\u00e9 2
\n               – An Impossible Address<\/em> (2025, Suneil Sanzgiri)
\n               – Statues Also Die?<\/em> (Thais Fernandes)
\n               – Last Night I Dreamed It Was Raining Fish<\/em> (2025, Shraddha Khanna)
\n               – Au hasard<\/em> (Darren Dominique Heroux) 3D<\/span>
\n12:15pm – Transformed Topography<\/strong>, Path\u00e9 2
\n               – SightNotSeeing<\/em> (Sheungman Yim)
\n               – Greetings from Rhodes<\/em> (Viera \u010c\u00e1kanyov\u00e1)
\n               – Venezia Diorama<\/em> (Nicolas Piret)
\n               + FELT<\/em> (2025, Blake Williams) 3D<\/span>
\n               – Tamashi<\/em> (Ashima Shiraishi & Jess X. Snow)
\n5:00pm – Tetsuya Maruyama: Camera Work<\/strong>, Kino 4
\n               – ANTFILM<\/em> (2021, Tetsuya Maruyama) 8mm<\/span>
\n               – FOTOGRAFAR<\/em> (Tetsuya Maruyama) 8mm<\/span>
\n               – L.O.V.E.S.O.N.G.<\/em> (2019, Tetsuya Maruyama) 8mm<\/span>
\n               – GIRA 2<\/em> (2024, Tetsuya Maruyama) 8mm<\/span>
\n               – One more performance that unfolds a space<\/em> (Tetsuya Maruyama) 16mm<\/span>
\n               – Q&A<\/em> (Tetsuya Maruyama)
\n               – Corredor<\/em> (2023, Tetsuya Maruyama) 16mm<\/span>
\n6:30pm – Fine Grain<\/strong>, Kino 3
\n               – Veronique<\/em> (Friedl vom Gr\u00f6ller) 16mm<\/span>
\n               – DETRITUS<\/em> (Deborah S. Phillips & Zuzanna Marczak) 16mm<\/span>
\n               – XTENDED RELEASE<\/em> (Joshua Gen Solondz) 16mm<\/span>
\n               – See Through the Hollowed Blue Hellebore<\/em> (Jiayi Chen) 16mm<\/span>
\n               – Super, Natural<\/em> (2025, Kyath Battie) 16mm<\/span>
\n               – Wounded Edges<\/em> (2025, Yannick Mosimann) 16mm<\/span>
\n11:00pm – sound\/\/vision: Pedra e Montanha<\/strong> (2025, Tetsuya Maruyama), WORM Central Station 35mm<\/span>
\n <\/p>\n

February 1<\/span><\/strong>
\n3:00pm – Chronovisor<\/strong> (Kevin Walker & Jack Auen), Path\u00e9 2
\n <\/p>\n

February 2<\/span><\/strong>
\n11:45am – The Misconceived<\/strong> (James N. Kienitz Wilkins), LantarenVenster 3
\n2:45pm – DINAMO: Exposure<\/strong>, Kino 3
\n               – The System<\/em> (2014, Marco Godoy)
\n               – Omen<\/em> (2000, Peter Rose)
\n               – 44 Houses<\/em> (2025, Kari Fisher & Isaac Forsland)
\n               – RE:EXPOSURE<\/em> (2021, Vicky Smith)
\n               – Verdigris<\/em> (2025, Chloe Brenan)
\n               – gestures toward Plant Vision<\/em> (2021, Sarah Abbott)
\n               – A Letter from Elli<\/em> (2019, Elina Saloranta)
\n               – 20\/68 Schatzi<\/em> (1968, Kurt Kren) 16mm<\/span>
\n               – Roseblood<\/em> (1974, Sharon Couzin)
\n5:45pm \u2013\u00a0The Devil and the Beauty<\/strong> (1969, Lee Yong-min), Path\u00e9 3 3D<\/span>
\n8:45pm – Tycoon<\/strong> (Charlotte Zhang), Kino 4
\n <\/p>\n

February 3<\/span><\/strong>
\n6:30pm \u2013\u00a0Nox<\/strong> (Matti Harju), LantarenVenster 5
\n8:30pm – Nightmare\u2019s Advice<\/strong> (Renaud Despr\u00e9s-Larose & Ana Tapia Rousiouk), Path\u00e9 6
\n <\/p>\n

February 4<\/span><\/strong>
\n11:45am – ADGIN PRRX<\/strong> (Norbert Pfaffenbichler), LantarenVenster 3
\n <\/p>\n","protected":false},"excerpt":{"rendered":"

January 30 7:30pm – Tetsuya Maruyama: Cinema Situations, Kino 4                – Shashin no Ma (Tetsuya Maruyama)                – Dead See (2021, Tetsuya Maruyama)                – Third Mountain (Tetsuya Maruyama) 16mm             […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-25795","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/25795","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=25795"}],"version-history":[{"count":6,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/25795\/revisions"}],"predecessor-version":[{"id":25823,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/25795\/revisions\/25823"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=25795"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=25795"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=25795"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}