{"id":2488,"date":"2010-09-20T16:41:58","date_gmt":"2010-09-20T21:41:58","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=2488"},"modified":"2016-02-23T17:21:52","modified_gmt":"2016-02-23T22:21:52","slug":"tiff-2010-hierarchy","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2010\/09\/tiff-2010-hierarchy\/","title":{"rendered":"TIFF 2010 Hierarchy"},"content":{"rendered":"<p><span style=\"text-decoration: underline;\">Best<\/span><br \/>\n<strong>Cave of Forgotten Dreams <\/strong>(Werner Herzog)<\/p>\n<p><span style=\"text-decoration: underline;\">Standouts<\/span><br \/>\n<strong>You Are Here<\/strong> (Daniel Cockburn)<br \/>\n<strong>Silent Souls<\/strong> (Aleksei Fedorchenko)<br \/>\n<strong>Leap Year<\/strong> (Michael Rowe)<br \/>\n<strong>Film Socialism<\/strong> [no subtitles] (Jean-Luc Godard)<br \/>\n<strong>Ruhr<\/strong> (James Benning)<br \/>\n<strong>Attenberg<\/strong> (Athina Rachel Tsangari)<\/p>\n<p><span style=\"text-decoration: underline;\">Quite Good<\/span><br \/>\n<strong>The Trip<\/strong> (Michael Winterbottom)<br \/>\n<strong>The Four Times<\/strong> (Michelangelo Frammartino)<br \/>\n<strong>Meek\u2019s Cutoff<\/strong> (Kelly Reichardt)<br \/>\n<strong>Promises Written in Water<\/strong> (Vincent Gallo)<br \/>\n<strong>Guest <\/strong>(Jos\u00e9 Luis Guer\u00edn)<br \/>\n<strong>The Sleeping Beauty<\/strong> (Catherine Breillat)<\/p>\n<p><span style=\"text-decoration: underline;\">Good<\/span><br \/>\n<strong>Over Your Cities Grass Will Grow<\/strong> (Sophie Fiennes)<br \/>\n<strong>Kaboom <\/strong>(Gregg Araki)<br \/>\n<strong>Brownian Movement<\/strong> (Nanouk Leopold)<br \/>\n<strong>A Useful Life<\/strong> (Federico Veiroj)<br \/>\n<strong>Autobiography of Nicolae Ceausescu<\/strong> (Andrei Ujica)<br \/>\n<strong>Oki\u2019s Movie<\/strong> (Hong Sang-soo)<br \/>\n<strong>Sensation<\/strong> (Tom Hall)<br \/>\n<strong>Outbound<\/strong> (Bogdan George Apetri)<br \/>\n<strong>Mysteries of Lisbon<\/strong> (Raul Ruiz)<\/p>\n<p><span style=\"text-decoration: underline;\">More Interesting Than Watchable<\/span><br \/>\n<strong>The Ditch<\/strong> (Wang Bing)<\/p>\n<p><span style=\"text-decoration: underline;\">Decent<\/span><br \/>\n<strong>Norwegian Wood<\/strong> (Tran Anh Hung)<br \/>\n<strong>Tears of Gaza<\/strong> (Vibeke L\u00f8kkeberg)<br \/>\n<strong>Summer of Goliath<\/strong> (Nicol\u00e1s Pereda)<br \/>\n<strong>! Women Art Revolution \u2013 A Secret History<\/strong> (Lynn Hershman-Leeson)<br \/>\n<strong>The Illusionist<\/strong> (Sylvain Chomet)<br \/>\n<strong>Anything You Want<\/strong> (Achero Ma\u00f1as)<br \/>\n<strong>Route 132<\/strong> (Louis B\u00e9langer)<\/p>\n<p><span style=\"text-decoration: underline;\">Problems<\/span><br \/>\n<strong>Erotic Man<\/strong> (J\u00f8rgen Leth)<br \/>\n<strong>Cirkus Columbia <\/strong>(Danis Tanovic)<br \/>\n<strong>Mamma G\u00f3g\u00f3<\/strong> (Fridrik Thor Fridriksson)<br \/>\n<strong>Home For Christmas<\/strong> (Bent Hamer)<br \/>\n<strong>The Last Circus<\/strong> (Alex de la Iglesia)<br \/>\n<strong>Cold Fish<\/strong> (Sion Sono)<br \/>\n<strong>What I Most Want<\/strong> (Delfina Castagnino)<\/p>\n<p><span style=\"text-decoration: underline;\">Big Problems<\/span><br \/>\n<strong>Legend of the Fist: The Return of Chen Zhen<\/strong> (Andrew Lau)<br \/>\n<strong>ANPO<\/strong> (Linda Hoaglund)<\/p>\n<p><span style=\"text-decoration: underline;\">Awful<\/span><br \/>\n<strong>Dirty Girl<\/strong> (Abe Sylvia)<br \/>\n<\/p>\n<div><\/div>\n<p><\/br><br \/>\n&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p><span style=\"text-decoration: underline;\">5 That I&#8217;m Most Interested in Re-Visiting<\/span><br \/>\n<strong>Meek&#8217;s Cutoff<\/strong> (Kelly Reichardt)<br \/>\n<strong>Promises Written in Water<\/strong> (Vincent Gallo)<br \/>\n<strong>Film Socialism<\/strong> (Jean-Luc Godard) &#8211; <em>seen it w\/Navajo &#038; subless; 3rd time (w\/English subs) ought to be charm<\/em><br \/>\n<strong>Oki&#8217;s Movie<\/strong> (Hong Sang-soo)<br \/>\n<strong>The Sleeping Beauty<\/strong> (Catherine Breillat)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Best Cave of Forgotten Dreams (Werner Herzog) Standouts You Are Here (Daniel Cockburn) Silent Souls (Aleksei Fedorchenko) Leap Year (Michael Rowe) Film Socialism [no subtitles] (Jean-Luc Godard) Ruhr (James Benning) Attenberg (Athina Rachel Tsangari) Quite Good The Trip (Michael Winterbottom) The Four Times (Michelangelo Frammartino) Meek\u2019s Cutoff (Kelly Reichardt) Promises Written in Water (Vincent Gallo) [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2488","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/2488","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=2488"}],"version-history":[{"count":12,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/2488\/revisions"}],"predecessor-version":[{"id":13226,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/2488\/revisions\/13226"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=2488"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=2488"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=2488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}