{"id":24769,"date":"2024-09-17T15:32:08","date_gmt":"2024-09-17T20:32:08","guid":{"rendered":"https:\/\/blakewilliams.net\/blog\/?p=24769"},"modified":"2024-10-06T22:09:32","modified_gmt":"2024-10-07T03:09:32","slug":"nights-weekends-afternoons-of-solitude-its-a-schedule-of-robert-beavers-nyff-screenings","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2024\/09\/nights-weekends-afternoons-of-solitude-its-a-schedule-of-robert-beavers-nyff-screenings\/","title":{"rendered":"Nights\/Weekends\/Afternoons of Solitude: It’s a schedule of NYC Rep & NYFF screenings"},"content":{"rendered":"

September 26<\/span><\/strong>
\n6:45\u202fPM \u2014 Robert Beavers: Program 1<\/strong>, Anthology Film Archives
\n– Early Monthly Segments<\/em> (1970) 35mm<\/span>
\n– Winged Dialogue<\/em> (1967) 16mm<\/span>
\n– Plan of Brussels<\/em> (1968) 16mm<\/span>
\n8:45\u202fPM \u2014 Robert Beavers: Program 2<\/strong>, Anthology Film Archives
\n– The Count of Days<\/em> (1969) 16mm<\/span>
\n– Palinode<\/em> (1970) 16mm<\/span>
\n– “Der Klang, die Welt…”<\/em> (2018) 16mm<\/span>
\n <\/p>\n

September 27<\/span><\/strong>
\n7:00\u202fPM \u2014 Robert Beavers: Program 3<\/strong>, Anthology Film Archives
\n– Diminished Frame<\/em> (1970) 16mm<\/span>
\n– Still Light<\/em> (1970) 16mm<\/span>
\n8:45\u202fPM \u2014 Robert Beavers: Program 4<\/strong>, Anthology Film Archives
\n+ From the Notebook of…<\/em> (1971) 35mm<\/span>
\n– The Painting<\/em> (1972) 16mm<\/span>
\n <\/p>\n

September 28<\/span><\/strong>
\n5:30\u202fPM \u2014 Robert Beavers: Program 5<\/strong>, Anthology Film Archives
\n+ Work Done<\/em> (1972) 35mm<\/span>
\n– Ruskin<\/em> (1975) 35mm<\/span>
\n– Amor<\/em> (1980) 35mm<\/span>
\n8:00\u202fPM \u2014 Robert Beavers: Program 6<\/strong>, Anthology Film Archives
\n– Sotiros<\/em> (1978) 35mm<\/span>
\n– Efpsychi<\/em> (1983) 35mm<\/span>
\n– Wingseed<\/em> (1985) 35mm<\/span>
\n <\/p>\n

September 29<\/span><\/strong>
\n5:30\u202fPM \u2014 Robert Beavers: Program 7<\/strong>, Anthology Film Archives
\n– The Hedge Theatre<\/em> (1990) 35mm<\/span>
\n+ The Stoas<\/em> (1997) 35mm<\/span>
\n+ The Ground<\/em> (2001) 35mm<\/span>
\n– Pitcher of Colored Light<\/em> (2007) 35mm<\/span>
\n8:00\u202fPM \u2014 Robert Beavers: Program 8<\/strong>, Anthology Film Archives
\n+ The Suppliant<\/em> (2010) 16mm<\/span>
\n+ Listening to the Space in My Room<\/em> (2013) 16mm<\/span>
\n– Among the Eucalyptuses<\/em> (2017) 16mm<\/span>
\n– The Sparrow Dream<\/em> (2022) 16mm<\/span>
\n– Dedication: Bernice Hodges<\/em> (2024) 16mm<\/span>
\n <\/p>\n

September 30<\/span><\/strong>
\n1:30\u202fPM \u2014 Jimmy<\/strong> (Yashaddai Owens), EBM Film Center (HGT)
\n3:30\u202fPM \u2014 bluish<\/strong> (Lilith Kraxner & Milena Czernovsky), EBM Film Center (HGT)
\n <\/p>\n

October 1<\/span><\/strong>
\n🤷‍♂️
\n <\/p>\n

October 2<\/span><\/strong>
\n8:30\u202fPM \u2014 Pavements<\/strong> (Alex Ross Perry), Alice Tully Hall
\n <\/p>\n

October 3<\/span><\/strong>
\n4:00pm \u2014 My Left Eye Sees Ghosts<\/strong> (2002, Johnnie To & Wai Ka-fai), MoMA Theater 2 35mm<\/span>
\n7:45\u202fPM \u2014 Nickel Boys<\/strong> (RaMell Ross), MoMI Redstone Theater
\n <\/p>\n

October 4<\/span><\/strong>
\n3:15\u202fPM \u2014 Stranger Eyes<\/strong> (Siew Hua Yeo), EBM Film Center (FBT)
\n9:00\u202fPM \u2014 Afternoons of Solitude<\/strong> (Albert Serra), EBM Film Center (FBT)
\n <\/p>\n

October 5<\/span><\/strong>
\n2:00\u202fPM \u2014 My Undesirable Friends: Part I \u2014 Last Air in Moscow<\/strong> [Chapters 1-3, Part 1 of 2] (Julia Loktev), Walter Reade
\n6:30\u202fPM \u2014 Little, Big, and Far<\/strong> (Jim Cohen), Walter Reade
\n <\/p>\n

October 6<\/span><\/strong>
\n12:00\u202fPM \u2014 Currents Program 4: Space Is the Place<\/strong>, EBM Film Center (HGT)
\n+ Revolving Rounds<\/em> (Christina Jauernik & Johann Lurf) 3D<\/span>
\n– ESP<\/em> (Laura Kraning)
\n– re-engraved<\/em> (Lei Lei)
\n+ A Black Screen Too<\/em> (Rhayne Vermette)
\n– The Land at Night<\/em> (Richard Tuohy & Dianna Barrie) 16mm<\/span>
\n+ Archipelago of Earthen Bones \u2014 To Bunya<\/em> (Malena Szlam)
\n1:30\u202fPM \u2014 Currents Program 5: Material Worlds<\/strong>, EBM Film Center (FBT)
\n– Vibrant Matter<\/em> (Pablo Mar\u00edn)
\n– Towards the Sun, Far from the Center<\/em> (Pascal Viveros & Luciana Merino)
\n– No Spank<\/em> (Jordan Strafer)
\n– Sinking Feeling<\/em> (Zachary Epcar)
\n– The Invisible Worm<\/em> (Rosalind Nashashibi)<\/strike> [Skipping so I can get to…]
\n2:45\u202fPM \u2014 My Undesirable Friends: Part I \u2014 Last Air in Moscow<\/strong> [Chapters 4-5, Part 2 of 2] (Julia Loktev), Walter Reade
\n5:30\u202fPM \u2014 The Suit<\/strong> (Heinz Emigholz), EBM Film Center (HGT)
\n9:15\u202fPM \u2014 Currents Program 6: Poetry Is Not a Luxury<\/strong>, EBM Film Center (FBT)
\n– Refuse Room<\/em> (Simon Liu)
\n– Machine Boys<\/em> (Karimah Ashadu)
\n– Razeh-del<\/em> (Maryam Tafakory)
\n+ Practice, Practice, Practice<\/em> (Kevin Jerome Everson)
\n+ October Noon<\/em> (Francisco Rodr\u00edguez Teare)
\n <\/p>\n","protected":false},"excerpt":{"rendered":"

September 26 6:45\u202fPM \u2014 Robert Beavers: Program 1, Anthology Film Archives – Early Monthly Segments (1970) 35mm – Winged Dialogue (1967) 16mm – Plan of Brussels (1968) 16mm 8:45\u202fPM \u2014 Robert Beavers: Program 2, Anthology Film Archives – The Count of Days (1969) 16mm – Palinode (1970) 16mm – “Der Klang, die Welt…” (2018) 16mm […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-24769","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/24769","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=24769"}],"version-history":[{"count":13,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/24769\/revisions"}],"predecessor-version":[{"id":24814,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/24769\/revisions\/24814"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=24769"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=24769"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=24769"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}