{"id":24278,"date":"2024-05-10T05:15:03","date_gmt":"2024-05-10T10:15:03","guid":{"rendered":"https:\/\/blakewilliams.net\/blog\/?p=24278"},"modified":"2024-05-25T09:00:57","modified_gmt":"2024-05-25T14:00:57","slug":"this-life-of-mine-its-a-cannes-2024-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2024\/05\/this-life-of-mine-its-a-cannes-2024-schedule\/","title":{"rendered":"This Life of Mine: It’s a Cannes 2024 schedule"},"content":{"rendered":"

May 14<\/span><\/strong>
\n5:30pm – An Unfinished Film<\/strong> (Lou Ye), Olympia 9
\n8:00pm – The Second Act<\/strong> (Quentin Dupieux), Bazin
\n <\/p>\n

May 15<\/span><\/strong>
\n8:45am – This Life of Mine<\/strong>\u00a0(Sophie Filli\u00e8res), Th\u00e9\u00e2tre Croisette
\n11:30am – On Becoming a Guinea Fowl<\/strong> (Rungano Nyoni), Olympia 5
\n2:00pm – It Doesn\u2019t Matter<\/strong>\u00a0(Josh Mond), Palais C
\n4:00pm – Wild Diamond<\/strong>\u00a0(Agathe Riedinger), Bazin
\n10:30pm – The Girl with the Needle<\/strong>\u00a0(Magnus von Horn), Debussy
\n <\/p>\n

May 16<\/span><\/strong>
\n8:30am – Furiosa: A Mad Max Saga<\/strong>\u00a0(George Miller), Lumi\u00e8re
\n12:00pm – Bird<\/strong>\u00a0(Andrea Arnold), Bazin
\n4:45pm – Megalopolis<\/strong>\u00a0(Francis Ford Coppola), Debussy
\n <\/p>\n

May 17<\/span><\/strong>
\n8:30am – Twilight of the Warriors: Walled In<\/strong>\u00a0(Soi Cheang), Bu\u00f1uel
\n12:30pm – Christmas Eve in Miller\u2019s Point<\/strong>\u00a0(Tyler Taormina), Th\u00e9\u00e2tre Croisette
\n4:45pm – Sc\u00e9narios<\/strong> (Jean-Luc Godard), Bu\u00f1uel
\n7:00pm – Kinds of Kindness<\/strong>\u00a0(Yorgos Lanthimos), Bazin
\n10:30pm – Oh, Canada<\/strong>\u00a0(Paul Schrader), Bazin
\n <\/p>\n

May 18<\/span><\/strong>
\n8:45am – Universal Language<\/strong>\u00a0(Matthew Rankin), Th\u00e9\u00e2tre Croisette
\n11:30am – Visiting Hours<\/strong>\u00a0(Patricia Mazuy), Th\u00e9\u00e2tre Croisette
\n2:30pm – Caught by the Tides<\/strong>\u00a0(Jia Zhang-ke), Bazin
\n4:45pm – Emilia P\u00e9rez<\/strong> (Jacques Audiard), Debussy
\n7:30pm – It\u2019s Not Me<\/strong>\u00a0(Leos Carax), Debussy
\n9:45pm – Rumours<\/strong>\u00a0(Guy Maddin, Evan Johnson, & Galen Johnson), Debussy
\n <\/p>\n

May 19<\/span><\/strong>
\n8:45am – Eephus<\/strong>\u00a0(Carson Lund), Th\u00e9\u00e2tre Croisette
\n11:15am – Three Kilometers to the End of the World<\/strong>\u00a0(Emanuel Parvu), Cineum Salle 3
\n1:30pm – The Damned<\/strong>\u00a0(Roberto Minervini), Cineum Salle 3
\n5:45pm – Black Dog<\/strong>\u00a0(Guan Hu), Bazin
\n9:30pm – The Substance<\/strong>\u00a0(Coralie Fargeat), Debussy
\n <\/p>\n

May 20<\/span><\/strong>
\n8:30am – Blue Sun Palace<\/strong>\u00a0(Constance Tsang), Miramar
\n2:00pm – So Long<\/strong>\u00a0(Guillaume Brac), Palais C
\n5:00pm – The Apprentice<\/strong>\u00a0(Ali Abbasi), Debussy
\n7:30pm – Misericordia<\/strong>\u00a0(Alain Guiraudie), Debussy
\n10:00pm – The Shrouds<\/strong>\u00a0(David Cronenberg), Debussy
\n <\/p>\n

May 21<\/span><\/strong>
\n11:45am – Eat the Night<\/strong>\u00a0(Caroline Poggi & Jonathan Vinel), Th\u00e9\u00e2tre Croisette
\n3:00pm – Anora<\/strong>\u00a0(Sean Baker), Lumi\u00e8re
\n5:30pm – Marcello Mio<\/strong>\u00a0(Christophe Honor\u00e9), Debussy
\n10:30pm – Parthenope<\/strong>\u00a0(Paolo Sorrentino), Debussy
\n <\/p>\n

May 22<\/span><\/strong>
\n11:30am – Gazer<\/strong>\u00a0(Ryan J. Sloan), Th\u00e9\u00e2tre Croisette
\n3:00pm – Grand Tour<\/strong>\u00a0(Miguel Gomes), Lumi\u00e8re
\n10:00pm – Motel Destino<\/strong>\u00a0(Karim A\u00efnouz), Debussy
\n <\/p>\n

May 23<\/span><\/strong>
\n9:00am – Flow<\/strong>\u00a0(Gints Zilbalodis), Debussy
\n1:30pm – Filmlovers!<\/strong>\u00a0(Arnaud Desplechin), Cineum Screen X
\n3:30pm – Viet and Nam<\/strong>\u00a0(Minh Qu\u00fd Tr\u01b0\u01a1ng), Cineum Screen X
\n <\/p>\n

May 24<\/span><\/strong>
\n9:00am – All We Imagine as Light<\/strong>\u00a0(Payal Kapadia), Varda
\n11:30am – Beating Hearts<\/strong>\u00a0(Gilles Lellouche), Varda
\n4:00pm – The Other Way Around<\/strong>\u00a0(Jon\u00e1s Trueba), Th\u00e9\u00e2tre Croisette
\n7:30pm – The Most Precious of Cargoes<\/strong>\u00a0(Michel Hazanavicius), Bazin
\n <\/p>\n

May 25<\/span><\/strong>
\n9:00am – The Seed of the Sacred Fig<\/strong>\u00a0(Mohammad Rasoulof), Cineum IMAX
\n <\/p>\n","protected":false},"excerpt":{"rendered":"

May 14 5:30pm – An Unfinished Film (Lou Ye), Olympia 9 8:00pm – The Second Act (Quentin Dupieux), Bazin   May 15 8:45am – This Life of Mine\u00a0(Sophie Filli\u00e8res), Th\u00e9\u00e2tre Croisette 11:30am – On Becoming a Guinea Fowl (Rungano Nyoni), Olympia 5 2:00pm – It Doesn\u2019t Matter\u00a0(Josh Mond), Palais C 4:00pm – Wild Diamond\u00a0(Agathe Riedinger), […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-24278","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/24278","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=24278"}],"version-history":[{"count":27,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/24278\/revisions"}],"predecessor-version":[{"id":24375,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/24278\/revisions\/24375"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=24278"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=24278"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=24278"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}