{"id":24043,"date":"2024-02-06T12:05:56","date_gmt":"2024-02-06T17:05:56","guid":{"rendered":"https:\/\/blakewilliams.net\/blog\/?p=24043"},"modified":"2024-02-24T14:35:14","modified_gmt":"2024-02-24T19:35:14","slug":"abiding-nowhere-its-a-berlinale-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2024\/02\/abiding-nowhere-its-a-berlinale-schedule\/","title":{"rendered":"Abiding Nowhere: It’s a Berlinale schedule"},"content":{"rendered":"

\u24c5<\/strong><\/span> is for Press
\n <\/p>\n

February 14<\/span><\/strong>
\n7:30PM\t– Small Things Like These<\/strong> (Tim Mielants), CinemaxX 1-4 \u24c5<\/strong><\/span>
\n <\/p>\n

February 15<\/span><\/strong>
\n9:00AM\t– The Adamant Girl<\/strong> (Vinothraj PS), Arsenal 1 \u24c5<\/strong><\/span>
\n2:00PM\t– All the Long Nights<\/strong> (Sh\u00f4 Miyake), Arsenal 1 \u24c5<\/strong><\/span>
\n7:00PM\t– Favoriten<\/strong> (Ruth Beckermann), CinemaxX 7 \u24c5<\/strong><\/span>
\n10:00PM\t– La Cocina<\/strong> (Alonso Ruizpalacios), CinemaxX 1-4 \u24c5<\/strong><\/span>
\n <\/p>\n

February 16<\/span><\/strong>
\n9:00AM\t– Sleep with Your Eyes Open<\/strong> (Nele Wohlatz), CinemaxX 7 \u24c5<\/strong><\/span>
\n11:45AM\t– A Different Man<\/strong> (Aaron Schimberg), Berlinale Palast \u24c5<\/strong><\/span>
\n4:30PM – The Fable<\/strong> (Raam Reddy), Akademie der K\u00fcnst
\n7:00PM – Forum Expanded Exhibition<\/strong>: On the Battlefield<\/em> (Little Egypt Collective, Theresa Delsoin, Lisa Marie Malloy, J.P. Sniadecki, & Ray Whitaker), silent green Kulturquartier
\n8:00PM\t– Nanacatepec<\/strong> (Elena Pardo & Azucena Losana), Cinema Betonhalle@Silent Green 16mm<\/span>
\n9:45PM\t– Suspended Time<\/strong> (Olivier Assayas), CinemaxX 1-4 \u24c5<\/strong>
\n <\/p>\n

February 17<\/span><\/strong>
\n9:30AM\t– A Family<\/strong> (Christine Angot), CinemaxX 7 \u24c5<\/strong><\/span>
\n12:00PM – Republic<\/strong> (Jin Jiang), Cinema Betonhalle@Silent Green
\n6:00PM – Who By Fire<\/strong> (Philippe Lesage), Cubix 8 \u24c5<\/strong><\/span>
\n9:45PM\t– The Empire<\/strong> (Bruno Dumont), CinemaxX 1-4 \u24c5<\/strong><\/span>
\n <\/p>\n

February 18<\/span><\/strong>
\n9:00AM\t– Dahomey<\/strong> (Mati Diop), Berlinale Palast \u24c5<\/strong><\/span>
\n1:00PM\t– Turn in the Wound<\/strong> (Abel Ferrara), Zoo Palast 2
\n4:30PM\t– The Periphery of the Base<\/strong> (Zhou Tao), Arsenal 1
\n7:00PM\t– “A Kind of Freedom,” CinemaxX 8 \u24c5<\/strong><\/span>
\n               – Chime<\/strong> (Kiyoshi Kurosawa)
\n               – August My Heaven<\/em> (Riho Kudo)
\n9:30PM\t– A Traveler’s Needs<\/strong> (Hong Sang-soo), CinemaxX 1-4 \u24c5<\/strong><\/span>
\n <\/p>\n

February 19<\/span><\/strong>
\n9:00AM\t– Architecton<\/strong> (Victor Kossakovsky), Berlinale Palast \u24c5<\/strong><\/span>
\n1:45PM\t– The Box Man<\/strong> (Gakuryu Ishii), Verti Music Hall
\n7:30PM\t– Pepe<\/strong> (Nelson Carlos De Los Santos Arias), CinemaxX 1-4 \u24c5<\/strong><\/span>
\n <\/p>\n

February 20<\/span><\/strong>
\n9:30AM\t– You Burn Me<\/strong> (Mat\u00edas Pi\u00f1eiro), CinemaxX 7 \u24c5<\/strong><\/span>
\n12:30PM – Matt and Mara<\/strong> (Kazik Radwanski), Akademie der K\u00fcnst
\n4:15PM – Ivo<\/strong> (Eva Trobisch), Akademie der K\u00fcnst
\n7:30PM – Time of Maturity<\/strong> (1976, Sohrab Shahid Saless), Akademie der K\u00fcnst
\n <\/p>\n

February 21<\/span><\/strong>
\n10:30AM\t– Abiding Nowhere<\/strong> (Tsai Ming-liang), Cubix 7-8
\n12:30PM\t– Cidade; Campo<\/strong> (Juliana Rojas), Colosseum 1
\n6:30PM\t– Between the Temples<\/strong> (Nathan Silver), Cubix 5
\n <\/p>\n

February 22<\/span><\/strong>
\n9:30AM – Black Tea<\/strong> (Abderrahmane Sissako), Verti Music Hall
\n12:30PM – Invisible Days, or the Legend of the White Crocodiles<\/strong> [English Version] (1991, Eva Hiller), Cubix 6
\n3:30PM – The Invisible Zoo<\/strong> (Romuald Karmakar), Cubix 7
\n <\/p>\n

February 23<\/span><\/strong>
\n10:30AM – Direct Action<\/strong> (Ben Russell & Guillaume Cailleau), Cubix 7
\n3:15PM – Shambhala<\/strong> (Min Bahadur Bham), Berlinale Palast
\n7:00PM – The Human Hibernation<\/strong> (Anna Cornudella), Cubix 7
\n <\/p>\n

February 24<\/span><\/strong>
\n10:00AM\t– barrunto<\/strong> (Emilia Beatriz), Arsenal 1<\/strike> W\/O
\n6:30PM\t– I Saw the TV Glow<\/strong> (Jane Schoenbrun), Cubix 9
\n9:30PM\t+ The Periphery of the Base<\/strong> (Zhou Tao), Arsenal 1<\/p>\n","protected":false},"excerpt":{"rendered":"

\u24c5 is for Press   February 14 7:30PM – Small Things Like These (Tim Mielants), CinemaxX 1-4 \u24c5   February 15 9:00AM – The Adamant Girl (Vinothraj PS), Arsenal 1 \u24c5 2:00PM – All the Long Nights (Sh\u00f4 Miyake), Arsenal 1 \u24c5 7:00PM – Favoriten (Ruth Beckermann), CinemaxX 7 \u24c5 10:00PM – La Cocina (Alonso […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-24043","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/24043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=24043"}],"version-history":[{"count":51,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/24043\/revisions"}],"predecessor-version":[{"id":24169,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/24043\/revisions\/24169"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=24043"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=24043"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=24043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}