{"id":24004,"date":"2023-01-01T11:22:00","date_gmt":"2023-01-01T16:22:00","guid":{"rendered":"https:\/\/blakewilliams.net\/blog\/?p=24004"},"modified":"2024-01-01T11:23:00","modified_gmt":"2024-01-01T16:23:00","slug":"2023-film-log","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2023\/01\/2023-film-log\/","title":{"rendered":"2023 Film Log"},"content":{"rendered":"

Click for links to past logs.<\/span><\/a>
\n <\/p>\n

FYI:<\/span>
\n– 8mm<\/span>\/16mm<\/span>\/35mm<\/span>\/70mm<\/span> indicates that what I saw was a film print.
\n– DP<\/span> indicates that what I saw was a Digital Projection in a theatre.
\n– 3D<\/span> indicates that I saw a theatrical presentation and was encouraged to watch the picture while wearing some sort of special lens(es) (Polarized, Anaglyph, ChromaDepth, Pulfrich, Diffraction, et al). If I saw a film in 3D at home, the title of the film will be succeeded by “[3D]”.
\n– All others were from Blu-Rays, downloads, television, etc.
\n– A plus sign (+) at the beginning of a line indicates that I had seen this film before.
\n <\/p>\n

Furthermore:<\/span>
\n– I only assign numerical ratings to films that are at least 40 minutes long.
\n– “Inc.” in lieu of a rating indicates that I don’t think that this screening was an accurate enough presentation of the film for me to make a quality judgment, either because it was a work-in-progress cut, or there weren’t English subtitles for a foreign language film, or the projector broke\/sound cut out\/the print burned, or someone in the theatre distracted me with too much talking\/popcorn eating\/cellular telephone usage\/etc.
\n– I don’t log W\/Os.
\n– I do<\/em> log short films (\u2264 39min.), sans ratings, but only those viewed from a film print, or in an official theatrical context (i.e., where there is published documentation that the screening of this particular film took place), or in 3D (regardless of format, as long as glasses are involved), or if it’s a first-time viewing of a film that was selected to screen (virtually or otherwise) in a credible film festival or was made by a clearly reputable filmmaker (whose work, perhaps, has screened at a credible festival in the past. Or whatever, they’re legit just trust me). Why these conditions? My OCD makes it difficult to distinguish between short films, television commercials, Youtube videos, random viral TikToks, etc.; I don’t want to log everything<\/em>, and I don’t want to be arbitrarily discriminating what I log and what I don’t. This (admittedly still arbitrary) fix allows me to log only short films proper (whatever that means, etc.), which by the way will predominantly be avant-garde works. These films will appear below in italics<\/em>.<\/p>\n

 <\/p>\n

\"\"
\n <\/p>\n

And that translates to:<\/span><\/strong><\/p>\n

A+\t9.4 - 10.0\t[Top 10 of All Time contender]\nA\t8.6 - 9.3\t[Masterpiece]\nA-\t7.8 - 8.5\t[Pretty great; Near-masterpiece]\nB+\t7.0 - 7.7\t[Kinda great; Contender for Top 10 of its year]\nB\t6.2 - 6.9\t[Has a special something]\nB-\t5.4 - 6.1\t[Solid]\nC+\t4.6 - 5.3\t[Doesn't arouse any particularly strong emotions either way]\nC\t3.8 - 4.5\t[Useless; Mediocre; Significantly flawed]\nC-\t3.0 - 3.7\t[What a failure]\nD+\t2.2 - 2.9\t[What-a-failure with cheese]\nD\t1.4 - 2.1\t[Grating]\nD-\t0.6 - 1.3\t[Offensively horrific; Horrifically offensive]\nF\t0.0 - 0.5\t[Worst of All Time consideration]<\/pre>\n
 <\/p>\n
January<\/span><\/strong><\/p>\n
Worst Case Scenario<\/em> (2003, John Smith)<\/p>\n
Bones and All (2022, Luca Guadagnino) – 4.4<\/p>\n
The Demands of Ordinary Devotion<\/em> (2022, Eva Giolo)<\/p>\n
Lost Sound<\/em> (2001, John Smith & Graeme Miller)<\/p>\n
Slow Glass (1991, John Smith) – 6.9<\/p>\n
White Noise (2022, Noah Baumbach) – 6.4<\/p>\n
Snow in Venice<\/em> (1970, Don Owen)<\/p>\n
Barbarian (2022, Zach Cregger) – 4.8<\/p>\n
Darkness, Darkness, Burning Bright (2022, Ga\u00eblle Rouard) – 5.2<\/p>\n
Three Tidy Tigers Tied a Tie Tighter (2022, Gustavo Vinagre) – 2.8<\/p>\n
Twice<\/em> (2020, John Smith)<\/p>\n
Flag Mountain<\/em> (2010, John Smith)<\/p>\n
Wil-o-Wisp<\/em> (2018, Rachel Rose)<\/p>\n
Paradiso, XXXI, 108<\/em> (2022, Kamal Aljafari)<\/p>\n
+Invocation<\/em> (1982, Amy Halpern) 16mm<\/span><\/p>\n
Elixir<\/em> (2012, Amy Halpern) 16mm<\/span><\/p>\n
Falling Lessons (1992, Amy Halpern) 16mm<\/span> – 6.5<\/p>\n
The Fire Within: Requiem for Katia and Maurice Krafft (2022, Werner Herzog) – 5.7<\/p>\n
For 13 Days, I Believed Him (2022, Kiyoshi Kurosawa) – 5.3<\/p>\n
Astrakan (2022, David Depesseville) – 5.4<\/p>\n
Skinamarink (2022, Kyle Edward Ball) – 5.0<\/p>\n
Where Is This Street? or With No Before or After (2022, Jo\u00e3o Pedro Rodrigues & Jo\u00e3o Rui Guerra da Mata) – 5.7<\/p>\n
The Kingdom (1994, Lars von Trier) – 4.6<\/p>\n
Trenque Lauquen (2022, Laura Citarella) – 7.4<\/p>\n
Tales of the Purple House (2022, Abbas Fahdel) – 6.4<\/p>\n
3rd Degree<\/em> [Single Screen version] (1982, Paul Sharits)<\/p>\n
Gush (2023, Fox Maxy) – 5.9<\/p>\n
Last Things [Anaglyph 3D] (2023, Deborah Stratman) – 5.0<\/p>\n
A Common Sequence (2023, Mary Helena Clark & Mike Gibisser) – 5.8<\/p>\n
Self-Portrait (2022, Jo\u00eble Walinga) DP<\/span> – 5.1<\/p>\n
A Folded Ocean<\/em> (2023, Benjamin Brewer)<\/p>\n
Smoke Sauna Sisterhood (2023, Anna Hints) – 6.1<\/p>\n
The House Is Black<\/em> (1962, Forugh Farrokhzad)<\/p>\n
 <\/p>\n
February<\/span><\/strong><\/p>\n
About 12 (2014, Mart\u00edn Shanly) – 6.3<\/p>\n
Knock at the Cabin (2023, M. Night Shyamalan) DP<\/span> – 6.2<\/p>\n
+Slow Glass (1991, John Smith) – 7.7 [up from 6.9]<\/span><\/p>\n
Everything Everywhere All at Once (2022, Daniel Kwan & Daniel Scheinert) – 4.6<\/p>\n
The Kingdom II (1997, Lars von Trier) – 4.0<\/p>\n
All That Breathes (2022, Shaunak Sen) – 4.7<\/p>\n
+T\u00c1R (2022, Todd Field) – 6.6 [up from 4.9]<\/span><\/p>\n
The Kingdom: Exodus (2022, Lars von Trier) – 5.4<\/p>\n
Soils_Habit_Plants<\/em> (2017, Elke Marh\u00f6fer) Woche der Kritik<\/span>, DP<\/span><\/p>\n
Our Body (2023, Claire Simon) Berlinale<\/span>, DP<\/span> – 7.0<\/p>\n
Dreams<\/em> (2022, Tenzin Phuntsog) Berlinale<\/span>, DP<\/span><\/p>\n
Father Mother<\/em> (2022, Tenzin Phuntsog) Berlinale<\/span>, DP<\/span><\/p>\n
Comrade leader, comrade leader, how nice to see you<\/em> (2022, Walid Raad) Berlinale<\/span>, DP<\/span><\/p>\n
Achala<\/em> (2022, Tenzin Phuntsog) Berlinale<\/span>, DP<\/span><\/p>\n
Dancing Boy<\/em> (2022, Tenzin Phuntsog) Berlinale<\/span>, DP<\/span><\/p>\n
Summer Grass<\/em> (2022, Tenzin Phuntsog) Berlinale<\/span>, DP<\/span><\/p>\n
A Very Long Gif (2022, Eduardo Williams) Berlinale<\/span>, DP<\/span> – 5.5<\/p>\n
BlackBerry (2023, Matt Johnson) Berlinale<\/span>, DP<\/span> – 3.5<\/p>\n
The Survival of Kindness (2022, Rolf de Heer) Berlinale<\/span>, DP<\/span> – 3.2<\/p>\n
Being in a Place (2022, Luke Fowler) Berlinale<\/span>, DP<\/span> – 5.7<\/p>\n
A Chair<\/em> (1970, Takahiko Iimura)  Berlinale<\/span>, DP<\/span><\/p>\n
Blinking<\/em> (1970, Takahiko Iimura)  Berlinale<\/span>, DP<\/span><\/p>\n
Self Identity #4 (I Am (Not) Takahiko Iimura, I Am (Not) Akiko Iimura)<\/em> [1978 version] (1972, Takahiko Iimura)  Berlinale<\/span>, DP<\/span><\/p>\n
Time Tunnel<\/em> [32min. version] (1971, Takahiko Iimura)  Berlinale<\/span>, DP<\/span><\/p>\n
White Plastic Sky (2023, Tibor B\u00e1n\u00f3czki & Sarolta Szab\u00f3) Berlinale<\/span>, DP<\/span> – 5.2<\/p>\n
Regardless of Us (2023, Yoo Heong-jun) Berlinale<\/span>, DP<\/span> – 5.6<\/p>\n
The Shadowless Tower (2023, Zhang Lu) Berlinale<\/span>, DP<\/span> – 4.7<\/p>\n
Manodrome (2023, John Trengove) Berlinale<\/span>, DP<\/span> – 3.6<\/p>\n
Tartupaluk (Prototype)<\/em> (2023, Laakkuluk Williamson Bathory) Berlinale<\/span>, VR<\/span><\/p>\n
Melting Ink (2023, Dominik Graf) Woche der Kritik<\/span>, DP<\/span> – 5.0<\/p>\n
The Echo (2023, Tatiana Huezo) Berlinale<\/span>, DP<\/span> – 5.9<\/p>\n
The Beast in the Jungle (2023, Patric Chiha) Berlinale<\/span>, DP<\/span> – 3.5<\/p>\n
Forms of Forgetting (2023, Burak \u00c7evik) Berlinale<\/span>, DP<\/span><\/p>\n
The Adults (2023, Dustin Guy Defa) Berlinale<\/span>, DP<\/span> – 6.1<\/p>\n
Orlando, My Political Biography (2023, Paul B. Preciado) Berlinale<\/span>, DP<\/span> – 5.3<\/p>\n
Past Lives (2023, Celine Song) Berlinale<\/span>, DP<\/span> – 4.1<\/p>\n
Here (2023, Bas Devos) Berlinale<\/span>, DP<\/span> – 6.6<\/p>\n
Notes from Eremocene (2023, Viera \u010c\u00e1kanyov\u00e1) Berlinale<\/span>, DP<\/span> – 4.0<\/p>\n
Order (1980, Sohrab Shahid Saless) Berlinale<\/span>, 16mm<\/span> – 6.4<\/p>\n
Music (2023, Angela Schanelec) Berlinale<\/span>, DP<\/span> – 6.5<\/p>\n
Samsara (2023, Lois Pati\u00f1o) Berlinale<\/span>, DP<\/span> – 6.4<\/p>\n
T\u00f3tem (2023, Lila Avil\u00e9s) Berlinale<\/span>, DP<\/span> – 5.8<\/p>\n
The Plough (2023, Philippe Garrel) Berlinale<\/span>, DP<\/span> – 5.1<\/p>\n
Talk to Me (2022, Danny & Michael Philippou) Berlinale<\/span>, DP<\/span> – 4.0<\/p>\n
Afire (2023, Christian Petzold) Berlinale<\/span>, DP<\/span> – 4.9<\/p>\n
Disco Boy (2023, Giacomo Abbruzzese) Berlinale<\/span>, DP<\/span> – 4.0<\/p>\n
in water (2023, Hong Sang-soo) Berlinale<\/span>, DP<\/span> – 4.7<\/p>\n
Home Invasion (2023, Graeme Arnfield) Berlinale<\/span>, DP<\/span> – 4.3<\/p>\n
About Thirty (2023, Mart\u00edn Shanly) Berlinale<\/span>, DP<\/span> – 6.7<\/p>\n
The Trial (2023, Ulises de la Orden) Berlinale<\/span>, DP<\/span> – 5.5<\/p>\n
Till the End of the Night (2023, Christoph Hochh\u00e4usler) Berlinale<\/span>, DP<\/span> – 5.2<\/p>\n
Living Bad (2023, Jo\u00e3o Canijo) Berlinale<\/span>, DP<\/span> – 3.9<\/p>\n
Bad Living (2023, Jo\u00e3o Canijo) Berlinale<\/span>, DP<\/span> – 4.5<\/p>\n
Twilight (1990, Gy\u00f6rgy Feh\u00e9r) Berlinale<\/span>, DP<\/span> – 5.9<\/p>\n
ALLENSWORTH (2022, James Benning) Berlinale<\/span>, DP<\/span> – 6.1<\/p>\n
Kuzu (Junk)<\/em> (1962, Takahiko Iimura)<\/p>\n
Ai (Love)<\/em> (1962, Takahiko Iimura)<\/p>\n
On Eye Rape<\/em> (1962, Takahiko Iimura)<\/p>\n
Iro (Colors)<\/em> (1962, Takahiko Iimura)<\/p>\n
Dada \u201962<\/em> (1962, Takahiko Iimura)<\/p>\n
Onan<\/em> (1963, Takahiko Iimura)<\/p>\n
Anma (The Masseurs)<\/em> (1963, Takahiko Iimura)<\/p>\n
Inside & Outside<\/em> (1963, Takahiko Iimura)<\/p>\n
My Documentary<\/em> (1964, Takahiko Iimura)<\/p>\n
A Dance Party in the Kingdom of Lilliput<\/em> (1964, Takahiko Iimura)<\/p>\n
 <\/p>\n
March<\/span><\/strong><\/p>\n
+Funny Ha Ha (2002, Andrew Bujalski) DP<\/span> – 6.2 [same]<\/span><\/p>\n
+There There (2022, Andrew Bujalski) DP<\/span> – 5.6 [same]<\/span><\/p>\n
+Beeswax (2009, Andrew Bujalski) DP<\/span> – 6.2 [same]<\/span><\/p>\n
+Computer Chess (2013, Andrew Bujalski) DP<\/span> – 8.0 [up from 7.9]<\/span><\/p>\n
Square the Circle<\/em> (2023, Hanna Hovitie)<\/p>\n
Mangosteen (2022, Tulapop Saenjaroen) – 4.6<\/p>\n
The Sun<\/em> (1988, Pierre Cl\u00e9menti) DP<\/span><\/p>\n
New Old (1979, Pierre Cl\u00e9menti) DP<\/span> – 4.5<\/p>\n
Hotel Cartograph<\/em> [silent] (1982, Scott Stark)<\/p>\n
Aribada<\/em> (2022, Simon[e] Jaikiriuma Paetau & Natalia Escobar)<\/p>\n
12 Stabs at Blade Runner<\/em> [3D] (2014, Marc Downie & Paul Kaiser)<\/p>\n
+Let Your Light Shine<\/em> [Diffraction 3D] (2013, Jodie Mack)<\/p>\n
+not even nothing can be free of ghosts<\/em> [Diffraction 3D] (2016, Rainer Kohlberger)<\/p>\n
3\/78 (Objects and Transformations)<\/em> [Diffraction 3D] (1978, Larry Cuba)<\/p>\n
Two Space<\/em> [Diffraction 3D] (1979, Larry Cuba)<\/p>\n
+Free Radicals<\/em> [Diffraction 3D] (1958, Len Lye)<\/p>\n
+Particles in Space<\/em> [Diffraction 3D] (1980, Len Lye)<\/p>\n
Silence<\/em> [Diffraction 3D] (1968, Jules Engel)<\/p>\n
Study No. 6<\/em> [Diffraction 3D] (1930, Oskar Fischinger)<\/p>\n
Study No. 7<\/em> [Diffraction 3D] (1931, Oskar Fischinger)<\/p>\n
Detroit Transect: Spine [3D] (2014, Marc Downie & Paul Kaiser) – 5.5<\/p>\n
Detroit Transect: Glimpsing<\/em> [3D] (2014, Marc Downie & Paul Kaiser)<\/p>\n
Heaven<\/em> [3D] (2019, Marc Downie & Paul Kaiser)<\/p>\n
plant<\/em> [3D] (2012, Marc Downie & Paul Kaiser)<\/p>\n
Innermost<\/em> [3D] (2021, Marc Downie & Paul Kaiser)<\/p>\n
Camera, Monitor, Frame<\/em> (1976, Takahiko Iimura)<\/p>\n
Observer\/Observed<\/em> (1975, Takahiko Iimura)<\/p>\n
Observer\/Observed\/Observer<\/em> (1976, Takahiko Iimura)<\/p>\n
+plant<\/em> [3D] (2012, Marc Downie & Paul Kaiser)<\/p>\n
+All Sides of the Road<\/em> [3D] (2012, Marc Downie & Paul Kaiser)<\/p>\n
+Innermost<\/em> [3D] (2021, Marc Downie & Paul Kaiser)<\/p>\n
Spin<\/em> (2001, Hannes Sch\u00fcpbach)<\/p>\n
Ofrenda<\/em> (1978, Claudio Caldini)<\/p>\n
Cathedral<\/em> (1971, Ronald Chase)<\/p>\n
Tollhaus<\/em> (1979, Bastian Clev\u00e9)<\/p>\n
A Moment in Love<\/em> (1956, Shirley Clarke)<\/p>\n
V.W. Vitesse Women<\/em> (1974, Claudine Eizykman)<\/p>\n
From the Ladies<\/em> (1977, Holly Fisher)<\/p>\n
Sodom<\/em> (1989, Luther Price)<\/p>\n
Safe Place (2022, Juraj Leroti\u0107) – 6.5<\/p>\n
Grandeur Nature<\/em> (2023, Arnaud Dezoteux)<\/p>\n
The Film You Are About to See<\/em> (2023, Maxime Martinot)<\/p>\n
Saintonge Roundabout<\/em> (2023, Quentin Papapietro)<\/p>\n
If You Don\u2019t Watch the Way You Move<\/em> (2023, Kevin Jerome Everson)<\/p>\n
Souvenir d\u2019Ath\u00e8nes<\/em> (2023, Jean-Claude Rousseau) Cin\u00e9ma du R\u00e9el<\/span>, DP<\/span><\/p>\n
+EVENTIDE<\/em> (2022, Sharon Lockhart) Cin\u00e9ma du R\u00e9el<\/span>, DP<\/span><\/p>\n
+Laberint Sequences<\/em> [Anaglyph] (2023, Blake Williams) Cin\u00e9ma du R\u00e9el<\/span>, 3D<\/span><\/p>\n
Infinite Distances<\/em> (2022, Pablo Alvarez Mesa)<\/p>\n
The Fuckee\u2019s Hymn (2023, Travis Wilkerson) Cin\u00e9ma du R\u00e9el<\/span>, DP<\/span> – 3.7<\/p>\n
El Chinero, a Phantom Hill<\/em> (2023, Bani Khoshnoudi) Cin\u00e9ma du R\u00e9el<\/span>, DP<\/span><\/p>\n
Extended Presences<\/em> (2023, Margaux Dauby) Cin\u00e9ma du R\u00e9el<\/span>, DP<\/span><\/p>\n
The Secret Garden<\/em> (2023, Nour Ouayda) Cin\u00e9ma du R\u00e9el<\/span>, DP<\/span><\/p>\n
+Being in a Place (2022, Luke Fowler) Cin\u00e9ma du R\u00e9el<\/span>, DP<\/span> – 5.9 [up from 5.7]<\/span><\/p>\n
Lunch Break (2008, Sharon Lockhart) Cin\u00e9ma du R\u00e9el<\/span>, DP<\/span> – 5.6<\/p>\n
En rach\u00e2chant<\/em> [No English subtitles] (1982, Dani\u00e8le Huillet & Jean-Marie Straub) Cin\u00e9ma du R\u00e9el<\/span>, DP<\/span><\/p>\n
Routine Pleasures (1986, Jean-Pierre Gorin) Cin\u00e9ma du R\u00e9el<\/span>, DP<\/span> – 4.9<\/p>\n
+Souvenir d\u2019Ath\u00e8nes<\/em> (2023, Jean-Claude Rousseau) Cin\u00e9ma du R\u00e9el<\/span>, DP<\/span><\/p>\n
+EVENTIDE<\/em> (2022, Sharon Lockhart) Cin\u00e9ma du R\u00e9el<\/span>, DP<\/span><\/p>\n
+Laberint Sequences<\/em> [Anaglyph] (2023, Blake Williams) Cin\u00e9ma du R\u00e9el<\/span>, 3D<\/span><\/p>\n
 <\/p>\n
April<\/span><\/strong><\/p>\n
Emily the Criminal (2022, John Patton Ford) – 5.2<\/p>\n
+Mulholland Dr. (2001, David Lynch) – 8.9 [same]<\/span><\/p>\n
+INLAND EMPIRE (2006, David Lynch) – 10.0 [up from 9.8]<\/span><\/p>\n
+Showing Up (2022, Kelly Reichardt) DP<\/span> – 7.5 [same]<\/span><\/p>\n
Every Thing Will Be Fine [3D] (2015, Wim Wenders) – 2.5<\/p>\n
Anaxia<\/em> (2018, Weston Razooli)<\/p>\n
Beau Is Afraid (2023, Ari Aster) DP<\/span> – 5.7<\/p>\n
Adoption (1975, M\u00e1rta M\u00e9sz\u00e1ros) DP<\/span> – 5.0<\/p>\n
Our Ark<\/em> (2021, Deniz Tortum & Kathryn Hamilton)<\/p>\n
Pilgrims (2021, Laurynas Barei\u0161a) – 4.6<\/p>\n
Petite Solange (2021, Axelle Ropert) – 5.6<\/p>\n
Master Gardener (2022, Paul Schrader) Jeonju<\/span>, DP<\/span> – 5.1<\/p>\n
The Hidden Gesture. War and Melodrama in Hollywood\u2019s 30s and 40s<\/em> (2023, Dana Najlis) Jeonju<\/span>, DP<\/span><\/p>\n
+Maria Schneider, 1983<\/em> (2022, Elisabeth Subrin) Jeonju<\/span>, DP<\/span><\/p>\n
Camera Test<\/em> (2022, Siegfried A. Fruhauf) Jeonju<\/span>, DP<\/span><\/p>\n
Promise<\/em> (2022, Claudio Caldini) Jeonju<\/span>, DP<\/span><\/p>\n
So Long Michael<\/em> (2021, Elisabeth Perceval & Nicolas Klotz) Jeonju<\/span>, DP<\/span><\/p>\n
Staging Death<\/em> (2022, Jan Soldat) Jeonju<\/span>, DP<\/span><\/p>\n
NE Corridor<\/em> (2022, Joshua Gen Solondz) Jeonju<\/span>, DP<\/span><\/p>\n
This Is for Jonas Mekas<\/em> (2023, Friedl vom Gr\u00f6ller) Jeonju<\/span>, 16mm<\/span><\/p>\n
+The Garden of Earthly Delights<\/em> (1981, Stan Brakhage) Jeonju<\/span>, 35mm<\/span><\/p>\n
+Koyaanisqatsi (1982, Godfrey Reggio) Jeonju<\/span>, 35mm<\/span> – 7.0 [same]<\/span><\/p>\n
+Laberint Sequences<\/em> (2023, Blake Williams) Jeonju<\/span>, 3D<\/span><\/p>\n
+A Woman Escapes (2022, Sofia Bohdanowicz, Burak \u00c7evik, & Blake Williams) Jeonju<\/span>, 3D<\/span> – H.i [same]<\/span><\/p>\n
REVOLUTION+1 (2022, Masao Adachi) Jeonju<\/span>, DP<\/span> – 4.8<\/p>\n
Bloom<\/em> (2023, Helena Gir\u00f3n & Samuel M. Delgado) Jeonju<\/span>, DP<\/span><\/p>\n
Cave Painting<\/em> (2023, Siegfried A. Fruhauf) Jeonju<\/span>, DP<\/span><\/p>\n
 <\/p>\n
May<\/span><\/strong><\/p>\n
Diaries (1971-1976) (1982, Ed Pincus) Jeonju<\/span>, DP<\/span> – 6.3<\/p>\n
Still Free<\/em> (2023, Vadim Kostrov) Jeonju<\/span>, DP<\/span><\/p>\n
After the Dust<\/em> (2022, Colectivo Silencio) Jeonju<\/span>, DP<\/span><\/p>\n
Clorindo Testa (2022, Mariano Llin\u00e1s) Jeonju<\/span>, DP<\/span> – 5.2<\/p>\n
That Obscure Object of Desire (1977, Luis Bu\u00f1uel) Jeonju<\/span>, DP<\/span> – 5.6<\/p>\n
The Quiet Migration (2023, Malene Choi) Jeonju<\/span>, DP<\/span> – 4.5<\/p>\n
Obscure night – Wild leaves (The burning ones, the obstinate) (2022, Sylvain George) Jeonju<\/span>, DP<\/span> – 5.8<\/p>\n
Fragments of Paradise (2022, KD Davison) Jeonju<\/span>, DP<\/span> – 4.4<\/p>\n
Branded to Kill (1967, Seijun Suzuki) Jeonju<\/span>, DP<\/span> – 6.0<\/p>\n
West Indies: The Fugitive Slaves of Liberty (1979, Med Hondo) Jeonju<\/span>, DP<\/span> – 4.9<\/p>\n
Breath (2023, J\u00e9ro Yun) Jeonju<\/span>, DP<\/span> – 4.8<\/p>\n
There Is a Stone (2022, Tatsunari Ota) Jeonju<\/span>, DP<\/span> – 5.1<\/p>\n
Silent Witnesses (2023, Luis Ospina & Jer\u00f3nimo Atehort\u00faa Arteaga) Jeonju<\/span>, DP<\/span> – 5.6<\/p>\n
+The Potemkinists<\/em> (2022, Radu Jude) Jeonju<\/span>, DP<\/span><\/p>\n
The Wall of the Dead (2022, Eug\u00e8ne Green) Jeonju<\/span>, DP<\/span> – 6.7<\/p>\n
Flesh of Morning<\/em> (1986, Stan Brakhage) 16mm<\/span><\/p>\n
Hurry! Hurry!<\/em> (1957, Marie Menken) 16mm<\/span><\/p>\n
Cosmic Ray<\/em> (1962, Bruce Conner) DP<\/span><\/p>\n
+Ai (Love)<\/em> (1962, Takahiko Iimura) 16mm<\/span><\/p>\n
Body Double (1984, Brian De Palma) 35mm<\/span> – 5.9<\/p>\n
Of Special Merit<\/em> (1968, Hellmuth Costard) DP<\/span><\/p>\n
Orange<\/em> (1969, Karen Johnson) 16mm<\/span><\/p>\n
Onanism<\/em> (1969, Nalini Malani) DP<\/span><\/p>\n
Dance<\/em> (1969, Georg Brintrup) DP<\/span><\/p>\n
I Change I Am the Same<\/em> (1969, Alice Anne Parker & Shelby Kennedy) DP<\/span><\/p>\n
Birds<\/em> (1968, Frans Zwartjes) DP<\/span><\/p>\n
Oblivion<\/em> (1969, Tom Chomont) 16mm<\/span><\/p>\n
Face<\/em> (1969, Takahiko Iimura) 16mm<\/span><\/p>\n
Dafnis y Cloe<\/em> (1969, Antoni Padr\u00f3s) DP<\/span><\/p>\n
Kubi (2023, Takeshi Kitano) Cannes<\/span>, DP<\/span> – 4.9<\/p>\n
L’Amour fou (1969, Jacques Rivette) Cannes<\/span>, DP<\/span> – 7.3<\/p>\n
Jeanne du Barry (2023, Ma\u00efwenn) Cannes<\/span>, DP<\/span> – 4.3<\/p>\n
Occupied City (2023, Steve McQueen) Cannes<\/span>, DP<\/span> – 6.1<\/p>\n
Anselm (2023, Wim Wenders) Cannes<\/span>, 3D<\/span> – 6.7<\/p>\n
Monster (2023, Hirokazu Kore-eda) Cannes<\/span>, DP<\/span> – 4.4<\/p>\n
Homecoming (2023, Catherine Corsini) Cannes<\/span>, DP<\/span> – 5.0<\/p>\n
Deserts (2023, Faouzi Bensa\u00efdi) Cannes<\/span>, DP<\/span> – 4.3<\/p>\n
The Sweet East (2023, Sean Price Williams) Cannes<\/span>, DP<\/span> – 6.5<\/p>\n
A Prince (2023, Pierre Creton) Cannes<\/span>, DP<\/span> – 7.0<\/p>\n
Lost in the Night (2023, Amat Escalante) Cannes<\/span>, DP<\/span> – 4.8<\/p>\n
Black Flies (2023, Jean-St\u00e9phane Sauvaire) Cannes<\/span>, DP<\/span> – 3.2<\/p>\n
Youth (Spring) (2023, Wang Bing) Cannes<\/span>, DP<\/span> – 5.9<\/p>\n
The Zone of Interest (2023, Jonathan Glazer) Cannes<\/span>, DP<\/span> – 5.7<\/p>\n
Eureka (2023, Lisandro Alonso) Cannes<\/span>, DP<\/span> – 6.0<\/p>\n
About Dry Grasses (2023, Nuri Bilge Ceylan) Cannes<\/span>, DP<\/span> – 5.6<\/p>\n
Four Daughters (2023, Kaouther Ben Hania) Cannes<\/span>, DP<\/span> – 4.9<\/p>\n
Killers of the Flower Moon (2023, Martin Scorsese) Cannes<\/span>, DP<\/span> – 5.9<\/p>\n
May December (2023, Todd Haynes) Cannes<\/span>, DP<\/span> – 6.9<\/p>\n
Banel & Adama (2023, Ramata-Toulaye Sy) Cannes<\/span>, DP<\/span> – 5.3<\/p>\n
Riddle of Fire (2023, Weston Razooli) Cannes<\/span>, DP<\/span> – 6.4<\/p>\n
Godard by Godard (2023, Florence Platarets) Cannes<\/span>, DP<\/span> – 5.0<\/p>\n
Trailer for Phony Wars (take one)<\/em> (2023, Jean-Luc Godard) Cannes<\/span>, DP<\/span><\/p>\n
Anatomy of a Fall (2023, Justine Triet) Cannes<\/span>, DP<\/span> – 5.5<\/p>\n
The Book of Solutions (2023, Michel Gondry) Cannes<\/span>, DP<\/span> – 3.6<\/p>\n
Club Zero (2023, Jessica Hausner) Cannes<\/span>, DP<\/span> – 6.5<\/p>\n
Close Your Eyes (2023, V\u00edctor Erice) Cannes<\/span>, DP<\/span> – 5.8<\/p>\n
Grace (2023, Ilya Povolotsky) Cannes<\/span>, DP<\/span> – 5.5<\/p>\n
The Daughters of Fire<\/em> (2023, Pedro Costa) Cannes<\/span>, DP<\/span><\/p>\n
Man in Black (2023, Wang Bing) Cannes<\/span>, DP<\/span> – 5.7<\/p>\n
Fallen Leaves (2023, Aki Kaurism\u00e4ki) Cannes<\/span>, DP<\/span> – 5.1<\/p>\n
Asteroid City (2023, Wes Anderson) Cannes<\/span>, DP<\/span> – 5.4<\/p>\n
The Feeling That the Time for Doing Something Has Passed (2023, Joanna Arnow) Cannes<\/span>, DP<\/span> – 6.7<\/p>\n
Kidnapped (2023, Marco Bellocchio) Cannes<\/span>, DP<\/span> – 4.7<\/p>\n
Inside the Yellow Cocoon Shell (2023, Thien An Pham) Cannes<\/span>, DP<\/span> – 6.1<\/p>\n
A Brighter Tomorrow (2023, Nanni Moretti) Cannes<\/span>, DP<\/span> – 2.4<\/p>\n
The Pot-au-Feu (2023, Tr\u1ea7n Anh H\u00f9ng) Cannes<\/span>, DP<\/span> – 5.8<\/p>\n
The Delinquents (2023, Rodrigo Moreno) Cannes<\/span>, DP<\/span> – 6.3<\/p>\n
In Our Day (2023, Hong Sang-soo) Cannes<\/span>, DP<\/span> – 6.0<\/p>\n
Last Summer\u2026 (2023, Catherine Breillat) Cannes<\/span>, DP<\/span> – 6.8<\/p>\n
Perfect Days (2023, Wim Wenders) Cannes<\/span>, DP<\/span> – 5.1<\/p>\n
The Chimera (2023, Alice Rohrwacher) Cannes<\/span>, DP<\/span> – 6.4<\/p>\n
The Old Oak (2023, Ken Loach) Cannes<\/span>, DP<\/span> – 4.6<\/p>\n
Firebrand (2023, Karim A\u00efnouz) Cannes<\/span>, DP<\/span> – 3.7<\/p>\n
 <\/p>\n
June<\/span><\/strong><\/p>\n
+No Signal<\/em> (2009, Blake Williams) DP<\/span><\/p>\n
+A Cold Compress<\/em> (2010, Blake Williams) DP<\/span><\/p>\n
+Coorow-Latham Road<\/em> (2011, Blake Williams) DP<\/span><\/p>\n
+Many a Swan<\/em> (2012, Blake Williams) 3D<\/span><\/p>\n
+Red Capriccio<\/em> (2014, Blake Williams) 3D<\/span><\/p>\n
+Something Horizontal<\/em> (2015, Blake Williams) 3D<\/span><\/p>\n
+2008<\/em> (2019, Blake Williams) 3D<\/span><\/p>\n
+PROTOTYPE (2017, Blake Williams) 3D<\/span> – H.i [same]<\/span><\/p>\n
I, the Jury [3D] (1953, Harry Essex) – 3.9<\/p>\n
The Diamond [3D] [aka The Diamond Wizard] (1954, Dennis O’Keefe & Montgomery Tully) – 4.6<\/p>\n
Sea of Glass<\/em> (2023, Francisco Rojas)<\/p>\n
Wings of the Hawk [3D] (1953, Budd Boetticher) – 4.9<\/p>\n
Hypnotic Hick<\/em> [3D] (1953, Don Patterson)<\/p>\n
Pictures of Ghosts (2023, Kleber Mendon\u00e7a Filho) – 5.2<\/p>\n
The Mask [3D] (1961, Julian Roffman) – 4.7<\/p>\n
Mass of Images<\/em> (1978, Ulysses Jenkins)<\/p>\n
 <\/p>\n
July<\/span><\/strong><\/p>\n
+Last Year at Marienbad (1961, Alain Resnais) – 7.1 [~same]<\/span><\/p>\n
An Introduction to Feedback<\/em> (1960, Charles & Ray Eames)<\/p>\n
Vasulka Video: Steina<\/em> (1978, Steina & Woody Vasulka)<\/p>\n
Violin Power<\/em> (1978, Steina Vasulka)<\/p>\n
Vasulka Video: Objects<\/em> (1978, Steina & Woody Vasulka)<\/p>\n
Vasulka Video: Digital Images<\/em> (1978, Steina & Woody Vasulka)<\/p>\n
Vasulka Video: Transformations<\/em> (1978, Steina & Woody Vasulka)<\/p>\n
Vocabulary<\/em> (1973, Woody Vasulka)<\/p>\n
Distant Activities<\/em> (1972, Steina & Woody Vasulka)<\/p>\n
City of Pirates (1983, Ra\u00fal Ruiz) DP<\/span> – 5.5<\/p>\n
Summer Salt (Somersault)<\/em> (1982, Steina Vasulka)<\/p>\n
Noisefields<\/em> (1974, Steina & Woody Vasulka)<\/p>\n
Homemade TV: The Electronic Image<\/em> (1974, Steina & Woody Vasulka, & Charles Heuer)<\/p>\n
Homemade TV: Vasulkas II<\/em> (1975, Steina & Woody Vasulka, & Chuck McConnell)<\/p>\n
The Matter<\/em> (1974, Woody Vasulka)<\/p>\n
Soundgated Images<\/em> (1974, Steina & Woody Vasulka)<\/p>\n
C-Trend<\/em> (1974, Steina & Woody Vasulka)<\/p>\n
Interface<\/em> (1970, Steina & Woody Vasulka)<\/p>\n
Tissues<\/em> (1970, Steina & Woody Vasulka)<\/p>\n
Thierry<\/em> (1970, Steina & Woody Vasulka)<\/p>\n
Discs<\/em> (1970, Steina & Woody Vasulka)<\/p>\n
Mission: Impossible\u2014Dead Reckoning Part One (2023, Christopher McQuarrie) DP<\/span> – 5.4<\/p>\n
Switch! Monitor! Drift!<\/em> (1976, Steina Vasulka)<\/p>\n
Orbital Obsessions<\/em> (1977, Steina & Woody Vasulka)<\/p>\n
Run<\/em> (2022, Alex Prager)<\/p>\n
Soft Touch<\/em> (2023, Paige Mazurek)<\/p>\n
My Little Loves (1974, Jean Eustache) DP<\/span> – 6.7<\/p>\n
Oppenheimer [The IMAX Experience\u00ae] (2023, Christopher Nolan) 70mm<\/span> – 5.1<\/p>\n
That I\u2019m Falling?<\/em> (2013, Eduardo Williams)<\/p>\n
Parsi<\/em> (2019, Eduardo Williams & Mariano Blatt)<\/p>\n
The Sound of the Stars Dazes Me<\/em> (2012, Teddy [Eduardo] Williams)<\/p>\n
I Forgot!<\/em> (2014, Eduardo Williams)<\/p>\n
\u200b\u200bDimensional Excursions<\/em> [3D] (2018, Peter Rose)<\/p>\n
\u200b\u200bFoit Yet Cleem Triavith<\/em> [3D] (2019, Peter Rose)<\/p>\n
\u200bA Sign of the Times<\/em> [3D] (2019, Peter Rose)<\/p>\n
\u200b\u200bThe Oculus Opens<\/em> [3D] (2020, Peter Rose)<\/p>\n
\u200b\u200b\u200bMemories of Shared Air<\/em> [3D] (2021, Peter Rose)<\/p>\n
\u200b\u200b\u200b\u200bIndigenous Display<\/em> [3D] (2022, Peter Rose)<\/p>\n
\u200b\u200b\u200b\u200b\u200b\u200b\u200b\u200b\u200bThe man who could not see far enough<\/em> (1981, Peter Rose)<\/p>\n
 <\/p>\n
August<\/span><\/strong><\/p>\n
It was a lover and his lass<\/em> (2020, Stephen Sutcliffe)<\/p>\n
Squeezing Sorrow from an Ashtray<\/em> (1997, Steve Reinke)<\/p>\n
Transitional Objects<\/em> (1999, Jennifer Montgomery)<\/p>\n
Miss Jesus Fries on Grill<\/em> (1973, Dorothy Wiley)<\/p>\n
+The Human Surge (2016, Eduardo Williams) – 6.5 [down from 6.9]<\/span><\/p>\n
The Human Surge 3 (2023, Eduardo Williams) – 4.8<\/p>\n
 <\/p>\n
September<\/span><\/strong><\/p>\n
The Royal Hotel\u00a0(2023, Kitty Green) TIFF<\/span>, DP<\/span> – 3.3<\/p>\n
Reptile\u00a0(2023, Grant Singer) TIFF<\/span>, DP<\/span> – 5.7<\/p>\n
+Laberint Sequences<\/em>\u00a0(2023, Blake Williams) TIFF<\/span>, 3D<\/span><\/p>\n
Evil Does Not Exist\u00a0(2023, Ry\u00fbsuke Hamaguchi) TIFF<\/span>, DP<\/span> – \u20285.9<\/p>\n
The Boy and the Heron\u00a0(2023, Hayao Miyazaki) TIFF<\/span>, DP<\/span> – 5.2<\/p>\n
Do Not Expect Too Much from the End of the World\u00a0(2023, Radu Jude) TIFF<\/span>, DP<\/span> – 6.0<\/p>\n
Standard Time<\/em> (1967, Michael Snow) TIFF<\/span>, 16mm<\/span><\/p>\n
Bouquets 31-40<\/em>\u00a0(2022, Rose Lowder) TIFF<\/span>, 16mm<\/span><\/p>\n
Shrooms<\/em>\u00a0(2023, Jorge J\u00e1come) TIFF<\/span>, DP<\/span><\/p>\n
Film Sculpture (4)<\/em>\u00a0(2023, Philipp Fleischmann) TIFF<\/span>, 16mm<\/span><\/p>\n
Film Sculpture (3)<\/em>\u00a0(2023, Philipp Fleischmann) TIFF<\/span>, 16mm<\/span><\/p>\n
Mast-del<\/em>\u00a0(2023, Maryam Tafakory) TIFF<\/span>, DP<\/span><\/p>\n
It follows It passes on<\/em>\u00a0(2023, Erica Sheu) TIFF<\/span>, DP<\/span><\/p>\n
Film Sculpture (2)<\/em>\u00a0(2023, Philipp Fleischmann) TIFF<\/span>, 16mm<\/span><\/p>\n
Film Sculpture (1)<\/em>\u00a0(2023, Philipp Fleischmann) TIFF<\/span>, 16mm<\/span><\/p>\n
Quiet as It\u2019s Kept<\/em> (2023, Ja\u2019Tovia Gary) TIFF<\/span>, DP<\/span><\/p>\n
+The Human Surge 3\u00a0(2023, Eduardo Williams) TIFF<\/span>, DP<\/span> – 4.8 [same]<\/span><\/p>\n
American Fiction\u00a0(2023, Cord Jefferson) TIFF<\/span>, DP<\/span> – 3.9<\/p>\n
NYC RGB<\/em>\u00a0(2023, Viktoria Schmid) TIFF<\/span>, 16mm<\/span><\/p>\n
We Don\u2019t Talk Like We Used To<\/em>\u00a0(2023, Joshua Gen Solondz) TIFF<\/span>, DP<\/span><\/p>\n
Sundown<\/em>\u00a0(2023, Steve Reinke) TIFF<\/span>, DP<\/span><\/p>\n
Slow Shift<\/em>\u00a0(2023, Shambhavi Kaul) TIFF<\/span>, DP<\/span><\/p>\n
Let\u2019s Talk<\/em>\u00a0(2023, Simon Liu) TIFF<\/span>, DP<\/span><\/p>\n
Light, Noise, Smoke, and Light, Noise, Smoke<\/em>\u00a0(2023, Tomonari Nishikawa) TIFF<\/span>, 16mm<\/span><\/p>\n
Arthur&Diana (2023, Sara Summa) TIFF<\/span>, DP<\/span> – 5.0<\/p>\n
Mambar Pierrette\u00a0(2023, Rosine Mbakam) TIFF<\/span>, DP<\/span> – 4.5<\/p>\n
Memory\u00a0(2023, Michel Franco) TIFF<\/span>, DP<\/span> – 5.1<\/p>\n
Chantal Akerman: Her First Look Behind the Camera<\/em> (2022, Chantal Akerman) TIFF<\/span>, DP<\/span><\/p>\n
+The Daughters of Fire<\/em>\u00a0(2023, Pedro Costa) TIFF<\/span>, DP<\/span><\/p>\n
+Trailer for Phony Wars (take one)<\/em>\u00a0(2023, Jean-Luc Godard) TIFF<\/span>, DP<\/span><\/p>\n
Nowhere Near\u00a0(2023, Miko Revereza) TIFF<\/span>, DP<\/span> – 4.2<\/p>\n
Seven Veils\u00a0(2023, Atom Egoyan) TIFF<\/span>, DP<\/span> – 5.5<\/p>\n
Shadow of Fire\u00a0(2023, Shinya Tsukamoto) TIFF<\/span>, DP<\/span> – 4.6<\/p>\n
+Laberint Sequences<\/em>\u00a0(2023, Blake Williams) TIFF<\/span>, 3D<\/span><\/p>\n
He Thought He Died\u00a0(2023, Isiah Medina) TIFF<\/span>, DP<\/span> – 6.2<\/p>\n
Poolman\u00a0(2023, Chris Pine) TIFF<\/span>, 35mm<\/span> – 3.4<\/p>\n
The Pigeon Tunnel\u00a0(2023, Errol Morris) TIFF<\/span>, DP<\/span> – 2.8<\/p>\n
Hit Man\u00a0(2023, Richard Linklater) TIFF<\/span>, DP<\/span> – 5.6<\/p>\n
Menus-Plaisirs Les Troisgros\u00a0(2023, Frederick Wiseman) TIFF<\/span>, DP<\/span> – 5.7<\/p>\n
Dream Scenario\u00a0(2023, Kristoffer Borgli) TIFF<\/span>, DP<\/span> – 5.6<\/p>\n
The Beast\u00a0(2023, Bertrand Bonello) TIFF<\/span>, DP<\/span> – 5.9<\/p>\n
AGGRO DR1FT\u00a0(2023, Harmony Korine) TIFF<\/span>, DP<\/span> – 8.3<\/p>\n
+Laberint Sequences<\/em>\u00a0(2023, Blake Williams) TIFF<\/span>, 3D<\/span><\/p>\n
+He Thought He Died\u00a0(2023, Isiah Medina) TIFF<\/span>, DP<\/span> – 6.2 [~same]<\/span><\/p>\n
The Holdovers\u00a0(2023, Alexander Payne) TIFF<\/span>, DP<\/span> – 5.0<\/p>\n
Sweet Dreams\u00a0(2023, Ena Sendijarevi\u0107) TIFF<\/span>, DP<\/span> – 4.1<\/p>\n
The Settlers\u00a0(2023, Felipe G\u00e1lvez Haberle) TIFF<\/span>, DP<\/span> – 4.8<\/p>\n
Mademoiselle Kenopsia\u00a0(2023, Denis C\u00f4t\u00e9) TIFF<\/span>, DP<\/span> – 5.7<\/p>\n
Green Border\u00a0(2023, Agnieszka Holland) TIFF<\/span>, DP<\/span> – 3.5<\/p>\n
Strange Way of Life<\/em> (2023, Pedro Almod\u00f3var) TIFF<\/span>, DP<\/span><\/p>\n
+Close Your Eyes\u00a0(2023, V\u00edctor Erice) TIFF<\/span>, DP<\/span> – 6.9 [up from 5.8]<\/span><\/p>\n
His Three Daughters\u00a0(2023, Azazel Jacobs) TIFF<\/span>, DP<\/span> – 4.7<\/p>\n
Happy Doom<\/em> (2023, Billy Roisz)<\/p>\n
Next time I’ll join you<\/em> (2023, Camila Dron)<\/p>\n
The Wonderful Story of Henry Sugar<\/em> (2023, Wes Anderson)<\/p>\n
The Swan<\/em> (2023, Wes Anderson)<\/p>\n
The Rat Catcher<\/em> (2023, Wes Anderson)<\/p>\n
Poison<\/em> (2023, Wes Anderson)<\/p>\n
An Evening Song (for three voices) (2023, Graham Swon) Black Canvas<\/strong>, DP<\/strong><\/span> – 5.3<\/p>\n
 <\/p>\n
October<\/span><\/strong><\/p>\n
+Antiphon<\/em> (2012, Peter Kubelka) Black Canvas<\/strong>, 35mm<\/strong><\/span><\/p>\n
Poetry and Truth<\/em> (2003, Peter Kubelka) Black Canvas<\/strong>, 35mm<\/strong><\/span><\/p>\n
Pause!<\/em> (1977, Peter Kubelka) Black Canvas<\/strong>, 16mm<\/strong><\/span><\/p>\n
Our Trip to Africa<\/em> (1966, Peter Kubelka) Black Canvas<\/strong>, 16mm<\/strong><\/span><\/p>\n
+Arnulf Rainer<\/em> (1960, Peter Kubelka) Black Canvas<\/strong>, 35mm<\/strong><\/span><\/p>\n
Schwechater<\/em> (1958, Peter Kubelka) Black Canvas<\/strong>, 35mm<\/strong><\/span><\/p>\n
Adebar<\/em> (1957, Peter Kubelka) Black Canvas<\/strong>, 16mm<\/strong><\/span><\/p>\n
Mosaic in Confidence<\/em> (1955, Peter Kubelka) Black Canvas<\/strong>, 35mm<\/strong><\/span><\/p>\n
Post-Haste Perennial Pattern<\/em> (2010, Jodie Mack) Black Canvas<\/strong>, DP<\/strong><\/span><\/p>\n
+Wasteland No. 1: Ardent, Verdant<\/em> (2017, Jodie Mack) Black Canvas<\/strong>, DP<\/strong><\/span><\/p>\n
Wasteland No. 2: Hardy, Hearty<\/em> (2019, Jodie Mack) Black Canvas<\/strong>, DP<\/strong><\/span><\/p>\n
+Wasteland No. 3: Moons, Sons<\/em> (2021, Jodie Mack) Black Canvas<\/strong>, DP<\/strong><\/span><\/p>\n
+Hoarders Without Boarders 1.0<\/em> (2018, Jodie Mack) Black Canvas<\/strong>, DP<\/strong><\/span><\/p>\n
Lover, Lovers, Loving, Love<\/em> [excerpt \/ rough cut] (2024, Jodie Mack) Black Canvas<\/strong>, DP<\/strong><\/span><\/p>\n
White\u00b2<\/em> (2021, Heinz Emigholz) Black Canvas<\/strong>, DP<\/strong><\/span><\/p>\n
Winter<\/em> (2013, Heinz Emigholz & Kreidler) Black Canvas<\/strong>, DP<\/strong><\/span><\/p>\n
Linterna internacional<\/em> [double projection] (2012, Magdalena Jitrik) 8mm<\/strong><\/span><\/p>\n
Metric Film<\/em> (2017, Federico Lanchares) 8mm<\/strong><\/span><\/p>\n
R\u00e9plica #1<\/em> (2019, Ariel Nah\u00f3n) 8mm<\/strong><\/span><\/p>\n
Michael Snow Back and Forth<\/em> (2017, Tom\u00e1s Rautenstrauch) 8mm<\/strong><\/span><\/p>\n
Xochipilli<\/em> (2018, Annalisa Quagliata) 16mm<\/strong><\/span><\/p>\n
Intemperie \/ Out in the open<\/em> (2014, Luj\u00e1n Montes) 8mm<\/strong><\/span><\/p>\n
Doscientas cuarenta y cinco luces de m\u00fasica<\/em> (2012, Sergio Subero) 8mm<\/strong><\/span><\/p>\n
Sobre Belgrado<\/em> (2011, Andr\u00e9s Denegri) 8mm<\/strong><\/span><\/p>\n
Retratos<\/em> [excerpt] (1974, Narcisa Hirsch) 16mm<\/strong><\/span><\/p>\n
Reflejo nocturno\u00a0I<\/em> (2019, Benjamin Ellenberger) 16mm<\/strong><\/span><\/p>\n
Reflejo nocturno IV<\/em> (2020, Benjamin Ellenberger) 16mm<\/strong><\/span><\/p>\n
Seeing the Scintillation of Sirius Through a Defocused Telescope<\/em> (2023, Wolfgang Tillmans) DP<\/strong><\/span><\/p>\n
Song 24<\/em> (1968, Stan Brakhage) 16mm<\/strong><\/span><\/p>\n
Song 25<\/em> (1968, Stan Brakhage) 16mm<\/strong><\/span><\/p>\n
Song 26<\/em> (1968, Stan Brakhage) 16mm<\/strong><\/span><\/p>\n
My Mtn. Song 27<\/em> (1968, Stan Brakhage) 16mm<\/strong><\/span><\/p>\n
Song 27 (Part 2) Rivers<\/em> (1969, Stan Brakhage) 16mm<\/strong><\/span><\/p>\n
Song 28<\/em> (1969, Stan Brakhage) 16mm<\/strong><\/span><\/p>\n
Song 29<\/em> (1969, Stan Brakhage) 16mm<\/strong><\/span><\/p>\n
Live From the Clouds<\/em> (2023, Mackie Mallison) NYFF<\/span><\/strong>, DP<\/strong><\/span><\/p>\n
+Shrooms <\/em>(2023, Jorge J\u00e1come) NYFF<\/span><\/strong>, DP<\/strong><\/span><\/p>\n
The Far and Near <\/em>(2023, Justin Jinsoo Kim) NYFF<\/span><\/strong>, DP<\/strong><\/span><\/p>\n
+Slow Shift <\/em>(2023, Shambhavi Kaul) NYFF<\/span><\/strong>, DP<\/strong><\/span><\/p>\n
The Moon Will Contain Us <\/em>(2023, Kim Torres) NYFF<\/span><\/strong>, DP<\/strong><\/span><\/p>\n
Larry <\/em>(2023, Murata & Christopher Rutledge) NYFF<\/span><\/strong>, DP<\/strong><\/span><\/p>\n
Bold Eagle <\/em>(2022, Whammy Alcazaren) NYFF<\/span><\/strong>, DP<\/strong><\/span><\/p>\n
LOOPHOLE <\/em>(2023, Jordan Strafer) NYFF<\/span><\/strong>, DP<\/strong><\/span><\/p>\n
False Wife <\/em>(2022, Jamie Crewe) NYFF<\/span><\/strong>, DP<\/strong><\/span><\/p>\n
+Sundown <\/em>(2023, Steve Reinke) NYFF<\/span><\/strong>, DP<\/strong><\/span><\/p>\n
+Laberint Sequences <\/em>(2023, Blake Williams) NYFF<\/span><\/strong>, 3D<\/strong><\/span><\/p>\n
+Last Things (Deborah Stratman) NYFF<\/span><\/strong>, 35mm<\/strong><\/span> – 5.4 [up from 5.0]<\/span><\/p>\n
+Laberint Sequences <\/em>(2023, Blake Williams) NYFF<\/span><\/strong>, 3D<\/strong><\/span><\/p>\n
Janet Planet (2023, Annie Baker) NYFF<\/span><\/strong>, DP<\/strong><\/span> – 5.8<\/p>\n
Intersection<\/em> (2023, Richard Tuohy & Dianna Barrie) NYFF<\/span><\/strong>, 16mm<\/strong><\/span><\/p>\n
+Mast-Del<\/em> (2023, Maryam Tafakory) NYFF<\/span><\/strong>, DP<\/strong><\/span><\/p>\n
Disappearances<\/em> (2023, James Edmonds) NYFF<\/span><\/strong>, DP<\/strong><\/span><\/p>\n
+If You Don\u2019t Watch the Way You Move<\/em> (2023, Kevin Jerome Everson) NYFF<\/span><\/strong>, DP<\/strong><\/span><\/p>\n
N\u2019Importe Quoi (for Brunhild)<\/em> (2023, Luke Fowler) NYFF<\/span><\/strong>, 16mm<\/strong><\/span><\/p>\n
Spark from a Falling Star<\/em> (2023, Ross Meckfessel) NYFF<\/span><\/strong>, DP<\/strong><\/span><\/p>\n
All Dirt Roads Taste of Salt (2023, Raven Jackson) NYFF<\/span><\/strong>, DP<\/strong><\/span> – 4.6<\/p>\n
Dildotectonica<\/em> (2023, Tom\u00e1s Paula Marques) NYFF<\/span><\/strong>, DP<\/strong><\/span><\/p>\n
and so it came about (A Tale of Consequential Dormancy)<\/em> (2023, Charlotte Pryce) NYFF<\/span><\/strong>, DP<\/strong><\/span><\/p>\n
Coral<\/em> (2023, Sonia Oleniak) NYFF<\/span><\/strong>, DP<\/strong><\/span><\/p>\n
Nocturne for a Forest<\/em> (2023, Catarina Vasconcelos) NYFF<\/span><\/strong>, DP<\/strong><\/span><\/p>\n
The Rays of a Storm<\/em> (2023, Julio Hern\u00e1ndez Cord\u00f3n) NYFF<\/span><\/strong>, DP<\/strong><\/span><\/p>\n
Eyes<\/em> (1970, Stan Brakhage) 16mm<\/strong><\/span><\/p>\n
Deus Ex<\/em> (1971, Stan Brakhage) 16mm<\/strong><\/span><\/p>\n
+The Act of Seeing with One\u2019s Own Eyes<\/em> (1971, Stan Brakhage) 16mm<\/strong><\/span><\/p>\n
Lateral<\/em> (2024, Charlie Shackleton) 3D<\/strong><\/span><\/p>\n
Screen Test: Harry Smith<\/em> (1964, Andy Warhol) DP<\/strong><\/span><\/p>\n
Film No. 15 (Untitled Animation of Seminole Patchwork Film)<\/em>  (1965, Harry Smith) DP<\/strong><\/span><\/p>\n
Film No. 18: Mahagonny<\/em> [Excerpts] (1980, Harry Smith) DP<\/strong><\/span><\/p>\n
Film No. 9<\/em>  (1954, Harry Smith) DP<\/strong><\/span><\/p>\n
Film No. 1: A Strange Dream<\/em>  (1939, Harry Smith) DP<\/strong><\/span><\/p>\n
Film No. 11: Mirror Animations<\/em>  (1956, Harry Smith) DP<\/strong><\/span><\/p>\n
Film No. 14: Late Superimpositions<\/em>  (1965, Harry Smith) DP<\/strong><\/span><\/p>\n
Film No. 16: Oz: The Tin Woodman\u2019s Dream<\/em>  (1967, Harry Smith) DP<\/strong><\/span><\/p>\n
Projekt<\/em> (2023, Dane Komljen) NYFF<\/span><\/strong>, DP<\/strong><\/span><\/p>\n
The Fist<\/em> (2022, Ayo Akingbade) NYFF<\/span><\/strong>, DP<\/strong><\/span><\/p>\n
Poor Things (2023, Yorgos Lanthimos) NYFF<\/span><\/strong>, DP<\/strong><\/span> – 4.5<\/p>\n
Air Force 2<\/em> (2023, Kevin Jerome Everson)<\/p>\n
Boyd v. Denton<\/em> (2023, Kevin Jerome Everson)<\/p>\n
Ungentle<\/em> (2022, Huw Lemmey & Onyeka Igwe)<\/p>\n
When We Encounter the World<\/em> (2023, Leonardo Pirondi & Zazie Ray-Trapido)<\/p>\n
+Song to Song (2017, Terrence Malick) – 4.7 [same]<\/span><\/p>\n
Unhappy Hour<\/em> (2023, Ted Fendt)<\/p>\n
The Practice (2023, Mart\u00edn Rejtman) – 6.3<\/p>\n
The Killer (2023, David Fincher) DP<\/strong><\/span> – 6.4<\/p>\n
Voice Windows<\/em> (1986, Steina & Woody Vasulka, & Joan La Barbara)<\/p>\n
 <\/p>\n
November<\/span><\/strong><\/p>\n
+Flesh for Frankenstein [3D] (1973, Paul Morrissey) \u2013 7.3 [same]<\/span><\/p>\n
Time of the Heathen (1961, Peter Kaas) Film Fest Knox<\/span>, DP<\/strong><\/span> – 5.7<\/p>\n
Kick Me (2022, Gary Huggins) Film Fest Knox<\/span>, DP<\/strong><\/span> – 3.9<\/p>\n
+An Evening Song (for three voices) (2023, Graham Swon) Film Fest Knox<\/span>, DP<\/strong><\/span> – 6.5 [up from 5.3]<\/span><\/p>\n
Mountains (2023, Monica Sorelle) Film Fest Knox<\/span>, DP<\/strong><\/span> – 4.9<\/p>\n
+Laberint Sequences<\/em> (2023, Blake Williams) Film Fest Knox<\/span>, 3D<\/strong><\/span><\/p>\n
+Anselm (2023, Wim Wenders) Film Fest Knox<\/span>, 3D<\/strong><\/span> – 6.3 [down from 6.7]<\/span><\/p>\n
Canal Cinema<\/em> (1983, Jim Jennings) Film Fest Knox<\/span>, DP<\/strong><\/span><\/p>\n
Close Quarters<\/em> (2005, Jim Jennings) Film Fest Knox<\/span>, DP<\/strong><\/span><\/p>\n
Clothesline<\/em> (1977, Jim Jennings) Film Fest Knox<\/span>, DP<\/strong><\/span> <\/p>\n
Painting the Town<\/em> (1998, Jim Jennings) Film Fest Knox<\/span>, DP<\/strong><\/span> <\/p>\n
Refraction<\/em> (1972, Jim Jennings) Film Fest Knox<\/span>, DP<\/strong><\/span><\/p>\n
Shades<\/em> (1985, Jim Jennings) Film Fest Knox<\/span>, DP<\/strong><\/span> <\/p>\n
Silk Ties<\/em> (2006, Jim Jennings) Film Fest Knox<\/span>, DP<\/strong><\/span><\/p>\n
Wall Street<\/em> (1980, Jim Jennings) Film Fest Knox<\/span>, DP<\/strong><\/span> <\/p>\n
Lousy Carter (2023, Bob Byington) Film Fest Knox<\/span>, DP<\/strong><\/span> – 5.4<\/p>\n
Priscilla (2023, Sofia Coppola) DP<\/strong><\/span> – 4.7<\/p>\n
Peak Season (2023, Henry Loevner & Steven Kanter) – 4.7<\/p>\n
Thanatopsis<\/em> (1962, Ed Emshwiller)<\/p>\n
Eclipse<\/em> (1979, Ed Emshwiller)<\/p>\n
Carol<\/em> (1970, Ed Emshwiller)<\/p>\n
+May December (2023, Todd Haynes) 35mm<\/strong><\/span> – 6.9 [same]<\/span><\/p>\n
On the Adamant (2023, Nicolas Philibert) – 4.5<\/p>\n
Passages (2023, Ira Sachs) – 4.6<\/p>\n
Act da Fool<\/em> (2010, Harmony Korine)<\/p>\n
Curb Dance<\/em> (2011, Harmony Korine)<\/p>\n
Snowballs<\/em> (2011, Harmony Korine)<\/p>\n
Umshini Wam: Bring Me My Machine Gun<\/em> (2011, Harmony Korine)<\/p>\n
Duck Duck<\/em> (2019, Harmony Korine)<\/p>\n
 <\/p>\n
December<\/span><\/strong><\/p>\n
Family Portrait (2023, Lucy Kerr) – 5.1<\/p>\n
To Be or Not to Be (1942, Ernst Lubitsch) DP<\/strong><\/span> – 6.6<\/p>\n
La petite fille et son chat<\/em> (1899, Louis Lumi\u00e8re)<\/p>\n
Rotting in the Sun (2023, Sebasti\u00e1n Silva) – 6.4<\/p>\n
Mouth to Mouth<\/em> (1975, Theresa Hak Kyung Cha)<\/p>\n
Vid\u00e9o\u00e8me<\/em> (1976, Theresa Hak Kyung Cha)<\/p>\n
Stardust in Your Eyes<\/em> [3D] (1953, Phil Tucker)<\/p>\n
Robot Monster [3D] (1953, Phil Tucker) – 5.6<\/p>\n
Baby Anger<\/em> (2020, Caroline Poggi & Jonathan Vinel)<\/p>\n
All of Us Strangers (2023, Andrew Haigh) DP<\/strong><\/span> – 4.6<\/p>\n
Monelle<\/em> (2017, Diego Marcon) DP<\/strong><\/span><\/p>\n
+A Minute Ago<\/em> (2014, Rachel Rose) DP<\/strong><\/span><\/p>\n
Abattoir, U.S.A.!<\/em> (2023, Aria Dean) DP<\/strong><\/span><\/p>\n
Serious Games 2<\/em> (2010, Harun Farocki) DP<\/strong><\/span><\/p>\n
Mono Lake<\/em> (1968, Nancy Holt & Robert Smithson) DP<\/strong><\/span><\/p>\n
Barbie (2023, Greta Gerwig) – 5.0<\/p>\n
By This River<\/em> (2018, Phil Solomon)<\/p>\n
Incantations<\/em> (1972, Peter Rose)<\/p>\n
Study in Diachronic Motion<\/em> (1975, Peter Rose)<\/p>\n
The Man Who Couldn’t Miss Screenings<\/em> (2023, Damon Packard)<\/p>\n
SpiritMatters<\/em> (1984, Peter Rose)<\/p>\n
Giallo-Mania<\/em> (2023, Damon Packard)<\/p>\n
AMC Theaters – 1200 AD<\/em> (2023, Damon Packard)<\/p>\n
Outdoor Skating Rinks Today..<\/em> (2023, Damon Packard)<\/p>\n
The Sleeping Audience<\/em> (2023, Damon Packard)<\/p>\n
The Last Screening<\/em> (2023, Damon Packard)<\/p>\n
Sometimes Entangled in Your Own Dreams<\/em> (2023, Damon Packard)<\/p>\n
+The Incredible Shrinking Man (1957, Jack Arnold) – 7.3 [up from 6.8]<\/span><\/p>\n
+The Fly (1958, Kurt Neumann) – 6.1 [same]<\/span><\/p>\n
A Clockwork Stanley<\/em> (2023, Damon Packard)<\/p>\n
Still Film (2023, James N. Kienitz Wilkins) DP<\/strong><\/span> – 4.9<\/p>\n
Cloudbusting re-imagined<\/em> (2023, Damon Packard)<\/p>\n
La Notte (1961, Michelangelo Antonioni) – 6.3<\/p>\n","protected":false},"excerpt":{"rendered":"
Click for links to past logs.   FYI: – 8mm\/16mm\/35mm\/70mm indicates that what I saw was a film print. – DP indicates that what I saw was a Digital Projection in a theatre. – 3D indicates that I saw a theatrical presentation and was encouraged to watch the picture while wearing some sort of special […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-24004","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/24004","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=24004"}],"version-history":[{"count":1,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/24004\/revisions"}],"predecessor-version":[{"id":24005,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/24004\/revisions\/24005"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=24004"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=24004"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=24004"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}