{"id":23513,"date":"2023-08-25T22:11:32","date_gmt":"2023-08-26T03:11:32","guid":{"rendered":"https:\/\/blakewilliams.net\/blog\/?p=23513"},"modified":"2023-10-25T22:55:12","modified_gmt":"2023-10-26T03:55:12","slug":"nyff-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2023\/08\/nyff-schedule\/","title":{"rendered":"Mercurial Currents: It’s my Black Canvas + NYFF + some NYC rep schedule"},"content":{"rendered":"

September 30<\/span><\/strong>
\n4:00pm – An Evening Song (for three voices)<\/strong> (Graham Swon), Cineteca Nacional de las Artes 5
\n <\/p>\n

October 1<\/span><\/strong>
\n8:00pm – Peter Kubelka Shorts Program<\/strong>, Cineteca 8
\n               + Antiphon<\/em> (2012) 35mm<\/strong><\/span>
\n               – Poetry and Truth<\/em> (2003) 35mm<\/strong><\/span>
\n               – Pause!<\/em> (1977) 16mm<\/strong><\/span>
\n               – Our Trip to Africa<\/em> (1966) 16mm<\/strong><\/span>
\n               + Arnulf Rainer<\/em> (1960) 35mm<\/strong><\/span>
\n               – Schwechater<\/em> (1958) 35mm<\/strong><\/span>
\n               – Adebar<\/em> (1957) 16mm<\/strong><\/span>
\n               – Mosaic in Confidence<\/em> (1955) 35mm<\/strong><\/span>
\n <\/p>\n

October 2<\/span><\/strong>
\n10:00am – Masterclass: Jodie Mack<\/strong>, Universidad de la Comunicaci\u00f3n
\n12:00pm – Panel: Auteur Production – From Collective Work to Personal Vision<\/strong>, Universidad de la Comunicaci\u00f3n
\n <\/p>\n

October 3<\/span><\/strong>
\n10:00am – Masterclass: Heinz Emigholz<\/strong>, Universidad de la Comunicaci\u00f3n
\n8:00pm – Diez A\u00f1os de LEC: Programa Filmico Experimental Argenmex<\/strong>, La cueva
\n               – Linterna internacional<\/em> [double projection] (2012, Magdalena Jitrik) 8mm<\/strong><\/span>
\n               – Metric Film<\/em> (2017, Federico Lanchares) 8mm<\/strong><\/span>
\n               – R\u00e9plica #1<\/em> (2019, Ariel Nah\u00f3n) 8mm<\/strong><\/span>
\n               – Michael Snow Back and Forth<\/em> (2017, Tom\u00e1s Rautenstrauch) 8mm<\/strong><\/span>
\n               – Xochipilli<\/em> (2018, Annalisa Quagliata) 16mm<\/strong><\/span>
\n               – Intemperie \/ Out in the open<\/em> (2014, Luj\u00e1n Montes) 8mm<\/strong><\/span>
\n               – Doscientas cuarenta y cinco luces de m\u00fasica<\/em> (2012, Sergio Subero) 8mm<\/strong><\/span>
\n               – Sobre Belgrado<\/em> (2011, Andr\u00e9s Denegri) 8mm<\/strong><\/span>
\n               – Retratos<\/em> [excerpt] (1974, Narcisa Hirsch) 16mm<\/strong><\/span>
\n               – Reflejo nocturno\u00a0I<\/em> (2019, Benjamin Ellenberger) 16mm<\/strong><\/span>
\n               – Reflejo nocturno IV<\/em> (2020, Benjamin Ellenberger) 16mm<\/strong><\/span>
\n 
\n 
\n 
\n…
\n 
\n 
\n 
\nOctober 6<\/span><\/strong>
\n7:30pm – Songs 24-29<\/strong> (Stan Brakhage), Anthology Film Archives 16mm<\/strong><\/span>
\n               – Song 24<\/em> (1968)
\n               – Song 25<\/em> (1968)
\n               – Song 26<\/em> (1968)
\n               – My Mtn. Song 27<\/em> (1968)
\n               – Song 27 (Part 2) Rivers<\/em> (1969)
\n               – Song 28<\/em> (1969)
\n               – Song 29<\/em> (1969)
\n <\/p>\n

October 7<\/span><\/strong>
\n12:00pm – Currents 2: Stranger Than Paradise<\/strong>, Francesca Beale Theater
\n               – Live From the Clouds<\/em> (Mackie Mallison)
\n               + Shrooms<\/em> (Jorge J\u00e1come)
\n               – The Far and Near<\/em> (Justin Jinsoo Kim)
\n               + Slow Shift<\/em> (Shambhavi Kaul)
\n               – The Moon Will Contain Us<\/em> (Kim Torres)
\n3:00pm – Currents 3: Inside Out<\/strong>, Francesca Beale Theater
\n               – Larry<\/em> (Takeshi Murata & Christopher Rutledge)
\n               – Bold Eagle<\/em> (Whammy Alcazaren)
\n               – LOOPHOLE<\/em> (Jordan Strafer)
\n               – False Wife<\/em> (Jamie Crewe)
\n               + Sundown<\/em> (Steve Reinke)
\n5:15pm + Last Things<\/strong> (Deborah Stratman, Francesca Beale Theater 35mm<\/strong><\/span>
\n               + preceded by Laberint Sequences<\/em> (Blake Williams) 3D<\/strong><\/span>
\n <\/p>\n

October 8<\/span><\/strong>
\n1:15pm + Laberint Sequences<\/em> (Blake Williams), Howard Gilman Theater 3D<\/strong><\/span>
\n               + screenings before Last Things<\/strong> (Deborah Stratman) 35mm<\/strong><\/span>
\n5:45pm – Janet Planet<\/strong> (Annie Baker), Alice Tully Hall
\n <\/p>\n

October 9<\/span><\/strong>
\n3:00pm – Currents 4: Close Encounters<\/strong>, Howard Gilman Theater
\n               – Intersection<\/em> (Richard Tuohy & Dianna Barrie) 16mm<\/strong><\/span>
\n               + Mast-Del<\/em> (Maryam Tafakory)
\n               – Disappearances<\/em> (James Edmonds)
\n               + If You Don\u2019t Watch the Way You Move<\/em> (Kevin Jerome Everson)
\n               – N\u2019Importe Quoi (for Brunhild)<\/em> (Luke Fowler) 16mm<\/strong><\/span>
\n               – Spark from a Falling Star<\/em> (Ross Meckfessel)
\n5:30pm – All Dirt Roads Taste of Salt<\/strong> (Raven Jackson), Alice Tully Hall
\n7:45pm – Currents 5: Site Specific<\/strong>, Howard Gilman Theater
\n               – Dildotectonica<\/em> (Tom\u00e1s Paula Marques)
\n               – and so it came about (A Tale of Consequential Dormancy)<\/em> (Charlotte Pryce)
\n               – Coral<\/em> (Sonia Oleniak)
\n               – Nocturne for a Forest<\/em> (Catarina Vasconcelos)
\n               – The Rays of a Storm<\/em> (Julio Hern\u00e1ndez Cord\u00f3n)
\n <\/p>\n

October 10<\/span><\/strong>
\n7:30pm – The Pittsburgh Trilogy<\/strong> (Stan Brakhage), Anthology Film Archives 16mm<\/strong><\/span>
\n               – Eyes<\/em> (1970)
\n               – Deus Ex<\/em> (1971)
\n               + The Act of Seeing with One’s Own Eyes<\/em> (1971)
\n <\/p>\n

October 11<\/span><\/strong>
\n8:45pm – Currents 6: Burden of Dreams<\/strong>, Howard Gilman Theater
\n               – Projekt<\/em> (Dane Komljen)
\n               – The Fist<\/em> (Ayo Akingbade)
\n               – Ungentle<\/em> (Huw Lemmey & Onyeka Igwe)<\/strike>
\n <\/p>\n

October 12<\/span><\/strong>
\n2:45pm – Poor Things<\/strong> (Yorgos Lanthimos), Walter Reade Theater
\n <\/p>\n","protected":false},"excerpt":{"rendered":"

September 30 4:00pm – An Evening Song (for three voices) (Graham Swon), Cineteca Nacional de las Artes 5   October 1 8:00pm – Peter Kubelka Shorts Program, Cineteca 8                + Antiphon (2012) 35mm                – Poetry and Truth (2003) 35mm     […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-23513","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/23513","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=23513"}],"version-history":[{"count":67,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/23513\/revisions"}],"predecessor-version":[{"id":23741,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/23513\/revisions\/23741"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=23513"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=23513"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=23513"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}