{"id":23457,"date":"2023-08-15T10:47:34","date_gmt":"2023-08-15T15:47:34","guid":{"rendered":"https:\/\/blakewilliams.net\/blog\/?p=23457"},"modified":"2023-11-26T22:55:29","modified_gmt":"2023-11-27T03:55:29","slug":"time-is-all-youve-got-its-my-tiff-2023-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2023\/08\/time-is-all-youve-got-its-my-tiff-2023-schedule\/","title":{"rendered":"Time Is All You’ve Got: It’s my TIFF 2023 schedule"},"content":{"rendered":"

\u24c5<\/strong><\/span> is for Public
\n <\/p>\n

September 7<\/span><\/strong>
\n9:00am – The Royal Hotel<\/strong> (Kitty Green), Lightbox 1
\n11:30am – Reptile<\/strong> (Grant Singer), Lightbox 3
\n4:30pm – The Beast<\/strong> (Bertrand Bonello), Scotiabank 12<\/strike> [Cancelled due to technical difficulties]
\n5:30pm + Laberint Sequences<\/em> (Blake Williams), Lightbox 3
\n6:15pm – Evil Does Not Exist<\/strong> (Ry\u00fbsuke Hamaguchi), Scotiabank 10
\n <\/p>\n

September 8<\/span><\/strong>
\n9:00am – The Boy and the Heron<\/strong> (Hayao Miyazaki), Scotiabank 1
\n12:45pm – Do Not Expect Too Much from the End of the World<\/strong> (Radu Jude), Scotiabank 9
\n4:00pm – Wavelengths 1: Quiet as It’s Kept<\/strong>, Lightbox 4 \u24c5<\/strong><\/span>
\n               – Standard Time<\/em> (1967, Michael Snow)
\n               – Bouquets 31-40<\/em> (Rose Lowder)
\n               – Shrooms<\/em> (Jorge J\u00e1come)
\n               – Film Sculpture (4)<\/em> (Philipp Fleischmann)
\n               – Film Sculpture (3)<\/em> (Philipp Fleischmann)
\n               – Mast-del<\/em> (Maryam Tafakory)
\n               – It follows It passes on<\/em> (Erica Sheu)
\n               – Film Sculpture (2)<\/em> (Philipp Fleischmann)
\n               – Film Sculpture (1)<\/em> (Philipp Fleischmann)
\n               – Quiet as It’s Kept<\/em> (Ja’Tovia Gary)
\n6:45pm + The Human Surge 3<\/strong> (Eduardo Williams), Lightbox 4 \u24c5<\/strong><\/span>
\n <\/p>\n

September 9<\/span><\/strong>
\n9:15am – American Fiction<\/strong> (Cord Jefferson), Scotiabank 13
\n1:00pm – Wavelengths 2: Sundown<\/strong>, Lightbox 4 \u24c5<\/strong><\/span>
\n               – NYC RGB<\/em> (Viktoria Schmid)
\n               – We Don’t Talk Like We Used To<\/em> (Joshua Gen Solondz)
\n               – Sundown<\/em> (Steve Reinke)
\n               – Slow Shift<\/em> (Shambhavi Kaul)
\n               – Let’s Talk<\/em> (Simon Liu)
\n               – Light, Noise, Smoke, and Light, Noise, Smoke<\/em> (Tomonari Nishikawa)
\n3:40pm – Arthur&Diana<\/strong> (Sara Summa), Scotiabank 5
\n6:20pm – Great Absence<\/strong> (Kei Chika-ura), Scotiabank 7<\/strike> W\/O
\n <\/p>\n

September 10<\/span><\/strong>
\n9:45am – Mambar Pierrette<\/strong> (Rosine Mbakam), Scotiabank 9
\n1:00pm – Memory<\/strong> (Michel Franco), Scotiabank 1
\n8:00pm – Wavelengths 3: Outlines – Akerman\/Costa\/Godard<\/strong>, Lightbox 4 \u24c5<\/strong><\/span>
\n               – Chantal Akerman: Her First Look Behind the Camera<\/em> (Chantal Akerman)
\n               + The Daughters of Fire<\/em> (Pedro Costa)
\n               + Trailer of the Film That Will Never Exist: Phony Wars<\/em> (Jean-Luc Godard)
\n <\/p>\n

September 11<\/span><\/strong>
\n9:40am – Nowhere Near<\/strong> (Miko Revereza), Scotiabank 7
\n11:45am – Seven Veils<\/strong> (Atom Egoyan), Scotiabank 3
\n3:15pm – Shadow of Fire<\/strong> (Shinya Tsukamoto), Scotiabank 13 \u24c5<\/strong><\/span>
\n5:30pm – He Thought He Died<\/strong> (Isiah Media), Lightbox 3 \u24c5<\/strong><\/span>
\n               + preceded by Laberint Sequences<\/em> (Blake Williams)
\n <\/p>\n

September 12<\/span><\/strong>
\n8:30am – Poolman<\/strong> (Chris Pine), Lightbox 3
\n11:50am – The Pigeon Tunnel<\/strong> (Errol Morris), Scotiabank 8
\n2:00pm – Hit Man<\/strong> (Richard Linklater), Royal Alexandra Theatre \u24c5<\/strong><\/span>
\n6:05pm – Menus-Plaisirs Les Troisgros<\/strong> (Frederick Wiseman), Scotiabank 8 \u24c5<\/strong><\/span>
\n <\/p>\n

September 13<\/span><\/strong>
\n8:55am – Dream Scenario<\/strong> (Kristoffer Borgli), Scotiabank 12
\n11:00am – The Beast<\/strong> (Bertrand Bonello), Lightbox 2 \u24c5<\/strong><\/span>
\n3:15pm – Aggro Dr1ft<\/strong> (Harmony Korine), Scotiabank 10 \u24c5<\/strong><\/span>
\n10:00pm – He Thought He Died<\/strong> (Isiah Media), Lightbox 4 \u24c5<\/strong><\/span>
\n               + preceded by Laberint Sequences<\/em> (Blake Williams)
\n <\/p>\n

September 14<\/span><\/strong>
\n8:45am – The Holdovers<\/strong> (Alexander Payne), Scotiabank 3
\n12:15pm – Sweet Dreams<\/strong> (Ena Sendijarevi\u0107), Scotiabank 10 \u24c5<\/strong><\/span>
\n3:15pm – The Settlers<\/strong> (Felipe G\u00e1lvez Haberle), Scotiabank 10 \u24c5<\/strong><\/span>
\n8:00pm – Mademoiselle Kenopsia<\/strong> (Denis C\u00f4t\u00e9), Scotiabank 12 \u24c5<\/strong><\/span>
\n <\/p>\n

September 15<\/span><\/strong>
\n12:30pm – Green Border<\/strong> (Agnieszka Holland), Scotiabank 4 \u24c5<\/strong><\/span>
\n3:05pm – Strange Way of Life<\/em> (Pedro Almod\u00f3var), Scotiabank 8
\n <\/p>\n

September 16<\/span><\/strong>
\n3:45pm + Close Your Eyes<\/strong> (V\u00edctor Erice), Scotiabank 9 \u24c5<\/strong><\/span>
\n <\/p>\n

September 17<\/span><\/strong>
\n5:30pm – His Three Daughters<\/strong> (Azazel Jacobs), Scotiabank 12 \u24c5<\/strong><\/span><\/p>\n

 <\/p>\n

Films I have already seen:<\/span>
\nAbout Dry Grasses<\/strong>\u00a0(Nuri Bilge Ceylan)
\nAnatomy of a Fall<\/strong>\u00a0(Justine Triet)
\nBanel & Adama<\/strong>\u00a0(Ramata-Toulaye Sy)
\nClose Your Eyes<\/strong> (Victor Erice)
\nThe Delinquents<\/strong>\u00a0(Rodrigo Moreno)
\nFallen Leaves<\/strong>\u00a0(Aki Kaurism\u00e4ki)
\nFarewell My Concubine<\/strong>\u00a0(1993, Chen Kaige)
\nThe Feeling That the Time for Doing Something Has Passed<\/strong>\u00a0(Joanna Arnow)
\nFour Daughters<\/strong>\u00a0(Kaouther Ben Hania)
\nHere<\/strong>\u00a0(Bas Devos)
\nThe Human Surge 3<\/strong> (Eduardo Williams)
\nInside the Yellow Cocoon Shell<\/strong> (Thien An Pham)
\nKidnapped<\/strong>\u00a0(Marco Bellocchio)
\nLa Chimera<\/strong>\u00a0(Alice Rohrwacher)
\nL’amour fou<\/strong>\u00a0(1969, Jacques Rivette)
\nLast Summer<\/strong>\u00a0(Catherine Breillat)
\nMonster<\/strong> (Hirokazu Kore-eda)
\nMusic<\/strong> (Angela Schanelec)
\nOrlando, My Political Biography<\/strong> (Paul B. Preciado)
\nPerfect Days<\/strong>\u00a0(Wim Wenders)
\nPictures of Ghosts<\/strong> (Kleber Mendon\u00e7a Filho)
\nRiddle of Fire<\/strong>\u00a0(Weston Razooli)
\nStop Making Sense<\/strong> (1984, Jonathan Demme)
\nTouki Bouki<\/strong>\u00a0(1973, Djibril Diop Mamb\u00e9ty)
\nXala<\/strong> (1975, Ousmane Semb\u00e8ne)
\nYouth (Spring)<\/strong> (Wang Bing)
\nThe Zone of Interest<\/strong>\u00a0(Jonathan Glazer)<\/p>\n","protected":false},"excerpt":{"rendered":"

\u24c5 is for Public   September 7 9:00am – The Royal Hotel (Kitty Green), Lightbox 1 11:30am – Reptile (Grant Singer), Lightbox 3 4:30pm – The Beast (Bertrand Bonello), Scotiabank 12 [Cancelled due to technical difficulties] 5:30pm + Laberint Sequences (Blake Williams), Lightbox 3 6:15pm – Evil Does Not Exist (Ry\u00fbsuke Hamaguchi), Scotiabank 10   […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-23457","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/23457","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=23457"}],"version-history":[{"count":57,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/23457\/revisions"}],"predecessor-version":[{"id":23925,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/23457\/revisions\/23925"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=23457"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=23457"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=23457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}