{"id":22978,"date":"2023-04-11T13:06:20","date_gmt":"2023-04-11T18:06:20","guid":{"rendered":"https:\/\/blakewilliams.net\/blog\/?p=22978"},"modified":"2023-05-05T02:21:32","modified_gmt":"2023-05-05T07:21:32","slug":"the-places-the-cinema-the-world-its-a-jeonju-iff-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2023\/04\/the-places-the-cinema-the-world-its-a-jeonju-iff-schedule\/","title":{"rendered":"The Places, The Cinema, The World: It’s a Jeonju IFF schedule"},"content":{"rendered":"

April 28<\/span><\/strong>
\n1:00PM\t– Master Gardener<\/strong> (Paul Schrader), CGV Jeonjugosa 1
\n8:30PM\t– Expanded Cinema for Shorts 2: The Cinema<\/strong>, JEONJU Digital Independent Cinema
\n               – The Hidden Gesture. War and Melodrama in Hollywood\u2019s 30s and 40s<\/em> (Dana Najlis)
\n               + Maria Schneider, 1983<\/em> (Elisabeth Subrin)
\n               – Camera Test<\/em> (Siegfried A. Fruhauf)
\n               – Promise<\/em> (Claudio Caldini)
\n               – So Long Michael<\/em> (Elisabeth Perceval & Nicolas Klotz)
\n               – Staging Death<\/em> (Jan Soldat)
\n               – NE Corridor<\/em> (Joshua Gen Solondz)
\n               – This Is for Jonas Mekas<\/em> (Friedl vom Gr\u00f6ller) 16mm<\/span>
\n <\/p>\n

April 29<\/span><\/strong>
\n10:00AM\t+ Koyaanisqatsi<\/strong> (1982, Godfrey Reggio) 35mm<\/span>, JEONJU Digital Independent Cinema
\n               + preceded by The Garden of Earthly Delights<\/em> (1981, Stan Brakhage) 35mm<\/span>
\n4:30PM\t+ A Woman Escapes<\/strong> (Sofia Bohdanowicz, Burak \u00c7evik, & Blake Williams) 3D<\/span>, MEGABOX Jeonju Gaeksa 2
\n               + preceded by Laberint Sequences<\/em> (Blake Williams) 3D<\/span>
\n <\/p>\n

April 30<\/span><\/strong>
\n10:30AM\t– REVOLUTION+1<\/strong> (Masao Adachi), MEGABOX Jeonju Gaeksa 10
\n2:00PM\t– JEONJU Cinema Project Pitching Session<\/strong>, Jeonju Jungbu – Vision Center 2F
\n5:00PM\t– Expanded Cinema for Shorts 1: The Places<\/strong>, MEGABOX Jeonju Gaeksa 7
\n               – Bloom<\/em> (Helena Gir\u00f3n & Samuel M. Delgado)
\n               – Cave Painting<\/em> (Siegfried A. Fruhauf)
\n               + EVENTIDE<\/em> (Sharon Lockhart)<\/strike>
\n               + The Newest Olds<\/em> (Pablo Mazzolo)<\/strike>
\n <\/p>\n

May 1<\/span><\/strong>
\n11:00AM\t+ [Q&A] A Woman Escapes<\/strong> (Sofia Bohdanowicz, Burak \u00c7evik, & Blake Williams) 3D<\/span>, MEGABOX Jeonju Gaeksa 2
\n               + preceded by Laberint Sequences<\/em> (Blake Williams) 3D<\/span>
\n2:30PM\t– Diaries<\/strong> (1982, Ed Pincus), MEGABOX Jeonju Gaeksa 4
\n8:00PM\t– Expanded Cinema for Shorts 3: The World<\/strong>, MEGABOX Jeonju Gaeksa 7
\n               – After the Dust<\/em> (Colectivo Silencio)
\n               – Still Free<\/em> (Vadim Kostrov)
\n <\/p>\n

May 2<\/span><\/strong>
\n11:00AM\t– Clorindo Testa<\/strong> (Mariano Llin\u00e1s), MEGABOX Jeonju Gaeksa 2
\n2:00PM\t– Notes for a Film<\/strong> (Ignacio Ag\u00fcero), MEGABOX Jeonju Gaeksa 10<\/strike>
\n5:00PM\t– That Obscure Object of Desire<\/strong> (1977, Luis Bu\u00f1uel), CGV Jeonjugosa 8
\n <\/p>\n

May 3<\/span><\/strong>
\n10:30AM\t– The Quiet Migration<\/strong> (Malene Choi), MEGABOX Jeonju Gaeksa 10
\n5:30PM\t– Flowers of Mold<\/strong> (Shim Hye-jung), CGV Jeonjugosa 7<\/strike>
\n <\/p>\n

May 4<\/span><\/strong>
\n11:00AM\t– Obscure night – Wild leaves (The burning ones, the obstinate)<\/strong> (Sylvain George), MEGABOX Jeonju Gaeksa 2
\n5:00PM\t– Fragments of Paradise<\/strong> (KD Davison), CGV Jeonjugosa 5
\n <\/p>\n

May 5<\/span><\/strong>
\n2:00PM\t– Branded to Kill<\/strong> (1967, Seijun Suzuki), MEGABOX Jeonju Gaeksa 2
\n5:00PM\t– West Indies: The Fugitive Slaves of Liberty<\/strong> (1979, Med Hondo), CGV Jeonjugosa 2
\n8:00PM\t– Breath<\/strong> (J\u00e9ro Yun), CGV Jeonjugosa 3
\n <\/p>\n

May 6<\/span><\/strong>
\n11:00AM\t– There Is a Stone<\/strong> (Tatsunari Ota), CGV Jeonjugosa 2
\n1:00PM\t– Silent Witnesses<\/strong> (Luis Ospina & Jer\u00f3nimo Atehort\u00faa Arteaga), MEGABOX Jeonju Gaeksa 5
\n4:00PM\t– The Wall of the Dead<\/strong> (Eug\u00e8ne Green), MEGABOX Jeonju Gaeksa 5
\n               + preceded by The Potemkinists<\/em> (Radu Jude)
\n <\/p>\n","protected":false},"excerpt":{"rendered":"

April 28 1:00PM – Master Gardener (Paul Schrader), CGV Jeonjugosa 1 8:30PM – Expanded Cinema for Shorts 2: The Cinema, JEONJU Digital Independent Cinema                – The Hidden Gesture. War and Melodrama in Hollywood\u2019s 30s and 40s (Dana Najlis)                + Maria Schneider, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-22978","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/22978","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=22978"}],"version-history":[{"count":36,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/22978\/revisions"}],"predecessor-version":[{"id":23089,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/22978\/revisions\/23089"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=22978"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=22978"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=22978"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}