{"id":22682,"date":"2023-02-07T11:37:10","date_gmt":"2023-02-07T16:37:10","guid":{"rendered":"https:\/\/blakewilliams.net\/blog\/?p=22682"},"modified":"2023-02-27T13:47:26","modified_gmt":"2023-02-27T18:47:26","slug":"its-a-berlinale-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2023\/02\/its-a-berlinale-schedule\/","title":{"rendered":"Bad Living: It’s a Berlinale schedule"},"content":{"rendered":"

February 15<\/span><\/strong>
\n7:00PM\t– Woche der Kritik: Cinema of Care – Opening Conference<\/strong> (Elke Marh\u00f6fer, Julia Bee, Claire Denis, Marek Hovorka, Abby Sun, Devika Girish, & Isabell Lorey), Akademie der K\u00fcnste, Pariser Platz
\n <\/p>\n

February 16<\/span><\/strong>
\n11:00AM\t– Our Body<\/strong> (Claire Simon), Kino Arsenal 1 [Press]
\n3:15PM – Forum Expanded: An Atypical Orbit<\/strong>, Silent Green Kulturquartier
\n               – Dreams<\/em> (Tenzin Phuntsog)
\n               – Comrade leader, comrade leader, how nice to see you<\/em> (Walid Raad)
\n               – Father Mother<\/em> (Tenzin Phuntsog)
\n               – Achala<\/em> (Tenzin Phuntsog)
\n               – Dancing Boy<\/em> (Tenzin Phuntsog)
\n               – Summer Grass<\/em> (Tenzin Phuntsog)
\n               – A Very Long Gif<\/strong> (Eduardo Williams)
\n10:00PM\t– BlackBerry<\/strong> (Matt Johnson), CinemaxX 3 [Press]
\n <\/p>\n

February 17<\/span><\/strong>
\n9:00AM\t– The Survival of Kindness<\/strong> (Rolf de Heer), Berlinale Palast [Press]
\n1:00PM – Being in a Place – A Portrait of Margaret Tait<\/strong> (Luke Fowler), Kino Arsenal 1
\n2:45PM – Forum Expanded: An Atypical Orbit<\/strong>, Silent Green Kulturquartier
\n               – A Chair<\/em> (1970, Takahiko Iimura)
\n               – Blinking<\/em> (1970, Takahiko Iimura)
\n               – Self Identity #4: (I Am (Not) Takahiro Iimura, I Am (Not) Akiko Iimura)<\/em> [1978 version] (1972, Takahiko Iimura)
\n               – Time Tunnel<\/em> (1971, Takahiko Iimura)
\n4:15PM\t– White Plastic Sky<\/strong> (Tibor B\u00e1n\u00f3czki & Sarolta Szab\u00f3), Akademie der K\u00fcnste
\n8:00PM – Regardless of Us<\/strong> (Yoo Heong-jun), Kino Arsenal 1
\n <\/p>\n

February 18<\/span><\/strong>
\n8:45AM\t– The Shadowless Tower<\/strong> (Zhang Lu), Berlinale Palast [Press]
\n12:30PM\t– Manodrome<\/strong> (John Trengove), Berlinale Palast [Press]
\n3:30PM\t– Forum Expanded: Tartupaluk (Prototype)<\/strong> (Laakkuluk Williamson Bathory), Botschaft von Kanada – Marshall McLuhan Salon
\n4:00PM\t– Melting Ink<\/strong> (Dominik Graf), Hackesche H\u00f6fe Kino
\n10:00PM\t– The Echo<\/strong> (Tatiana Huezo), Cubix 5
\n <\/p>\n

February 19<\/span><\/strong>
\n10:00AM\t– The Beast in the Jungle<\/strong> (Patric Chiha), Cubix 7
\n3:00PM\t– Forms of Forgetting<\/strong> (Burak \u00c7evik), Cubix 1 [Press]
\n7:30PM\t– The Adults<\/strong> (Dustin Guy Defa), Zoo Palast 3,4,5
\n10:00PM\t– Orlando, My Political Biography <\/strong> (Paul B. Preciado), Cubix 5
\n <\/p>\n

February 20<\/span><\/strong>
\n10:00AM\t– Past Lives<\/strong> (Celine Song), Cubix 9
\n1:00PM – Here<\/strong> (Bas Devos), Cubix 7
\n4:00PM\t– Notes from Eremocene<\/strong> (Viera \u010c\u00e1kanyov\u00e1), Kino Arsenal 1
\n7:30PM\t– Order<\/strong> (1980, Sohrab Shahid Saless), Akademie der K\u00fcnste 16mm<\/span>
\n <\/p>\n

February 21<\/span><\/strong>
\n8:45AM – Music<\/strong> (Angela Schanelec), Berlinale Palast [Press]
\n1:00PM\t– Samsara<\/strong> (Lois Pati\u00f1o), Cubix 5
\n3:30PM – T\u00f3tem<\/strong> (Lila Avil\u00e9s), Zoo Palast 1
\n6:45PM\t– The Plough<\/strong> (Philippe Garrel), Berlinale Palast
\n10:30PM\t– Talk to Me<\/strong> (Danny & Michael Philippou), Kino International
\n <\/p>\n

February 22<\/span><\/strong>
\n9:00AM – Afire<\/strong> (Christian Petzold), Berlinale Palast
\n12:30PM\t– Disco Boy<\/strong> (Giacomo Abbruzzese), Zoo Palast 1
\n5:00PM\t– in water<\/strong> (Hong Sang-soo), Akademie der K\u00fcnste
\n8:00PM\t– Home Invasion<\/strong> (Graeme Arnfield), Kino Arsenal 1
\n <\/p>\n

February 23<\/span><\/strong>
\n10:30AM\t– About Thirty<\/strong> (Mart\u00edn Shanly), Zoo Palast 5
\n3:30PM\t– The Trial<\/strong> (Ulises de la Orden), Delphi Filmpalast
\n <\/p>\n

February 24<\/span><\/strong>
\n9:00AM\t– Till the End of the Night<\/strong> (Christoph Hochh\u00e4usler), Berlinale Palast
\n1:30PM\t– Living Bad<\/strong> (Jo\u00e3o Canijo), Zoo Palast 5
\n6:45PM\t– Bad Living<\/strong> (Jo\u00e3o Canijo), Verti Music Hall
\n <\/p>\n

February 25<\/span><\/strong>
\n11:00AM – Twilight<\/strong> (1990, Gy\u00f6rgy Feh\u00e9r), Cubix 3
\n2:00PM\t– ALLENSWORTH<\/strong> (James Benning), Werkstattkino@silent green<\/p>\n","protected":false},"excerpt":{"rendered":"

February 15 7:00PM – Woche der Kritik: Cinema of Care – Opening Conference (Elke Marh\u00f6fer, Julia Bee, Claire Denis, Marek Hovorka, Abby Sun, Devika Girish, & Isabell Lorey), Akademie der K\u00fcnste, Pariser Platz   February 16 11:00AM – Our Body (Claire Simon), Kino Arsenal 1 [Press] 3:15PM – Forum Expanded: An Atypical Orbit, Silent Green […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-22682","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/22682","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=22682"}],"version-history":[{"count":48,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/22682\/revisions"}],"predecessor-version":[{"id":22866,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/22682\/revisions\/22866"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=22682"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=22682"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=22682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}