{"id":22528,"date":"2023-01-01T10:20:20","date_gmt":"2023-01-01T15:20:20","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=22528"},"modified":"2024-05-28T14:32:41","modified_gmt":"2024-05-28T19:32:41","slug":"top-10-of-2022","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2023\/01\/top-10-of-2022\/","title":{"rendered":"Top 10 of 2022"},"content":{"rendered":"

*Click on the ‘Lists & Logs’ tab to see lists from previous years.<\/strong><\/p>\n

This list will be updated each time I see a film from 2022 (world premiere\/imdb date) that is better than at least one of the films already on the list.<\/p>\n

    \n
  1. EO (Jerzy Skolimowski)<\/li>\n
  2. The Plains (David Easteal)<\/li>\n
  3. Showing Up (Kelly Reichardt)<\/li>\n
  4. Trenque Lauquen (Laura Citarella)<\/li>\n
  5. De Humani Corporis Fabrica (V\u00e9r\u00e9na Paravel & Lucien Castaing-Taylor)<\/li>\n
  6. Apollo 10\u00bd: A Space Age Childhood (Richard Linklater)<\/li>\n
  7. Coma (Bertrand Bonello)<\/li>\n
  8. We Had the Day Bonsoir (Narimane Mari)<\/li>\n
  9. The Natural History of Destruction (Sergei Loznitsa)<\/li>\n
  10. The Dream and the Radio (Renaud Despr\u00e9s-Larose & Ana Tapia Rousiouk)<\/li>\n<\/ol>\n

     <\/p>\n

    Polls Top 10<\/span><\/strong> (Eligible titles [will] appear here<\/a>.)<\/p>\n

      \n
    1. EO (2022, Jerzy Skolimowski)<\/li>\n
    2. The Tsugua Diaries (2021, Miguel Gomes & Maureen Fazendeiro)<\/li>\n
    3. Apollo 10\u00bd: A Space Age Childhood (2022, Richard Linklater)<\/li>\n
    4. Rock Bottom Riser (2021, Fern Silva)<\/li>\n
    5. The Last City (2020, Heinz Emigholz)<\/li>\n
    6. Mr. Bachmann and His Class (2021, Maria Speth)<\/li>\n
    7. The Novelist’s Film (2022, Hong Sang-soo)<\/li>\n
    8. Vortex (2021, Gaspar No\u00e9)<\/li>\n
    9. Saint Omer (2022, Alice Diop)<\/li>\n
    10. The Girl and the Spider (2021, Ramon Z\u00fcrcher)<\/li>\n<\/ol>\n

       <\/p>\n

      My Top 10 Discoveries During 2022<\/span><\/strong> (for first-time viewings of films made before 2010)<\/p>\n

        \n
      1. Hospital (1970, Frederick Wiseman)<\/li>\n
      2. Vengeance Is Mine (1984, Michael Roemer)<\/li>\n
      3. Femme Fatale (2002, Brian De Palma)<\/li>\n
      4. Blind (1987, Frederick Wiseman)<\/li>\n
      5. The French (1982, William Klein)<\/li>\n
      6. Man\u2019s Favorite Sport? (1964, Howard Hawks)<\/li>\n
      7. Forever a Woman (1955, Kinuyo Tanaka)<\/li>\n
      8. Tales from the Gimli Hospital Redux (1988, Guy Maddin)<\/li>\n
      9. Take Me Out to the Ball Game (1949, Busby Berkeley)<\/li>\n
      10. Soylent Green (1973, Richard Fleischer)<\/li>\n<\/ol>\n

         <\/p>\n

        Other 2022 films I\u2019ve seen<\/span><\/strong><\/p>\n

          \n
        • Queens of the Qing Dynasty (Ashley McKenzie) – 6.9<\/li>\n
        • Fairytale (Aleksandr Sokurov) – 6.9<\/li>\n
        • The Lives of Infamous Men (Gilles Deroo & Marianne Pistone) – 6.9<\/li>\n
        • The Novelist’s Film (Hong Sang-soo) \u2013 6.8<\/li>\n
        • Where (Tsai Ming-liang) \u2013 6.8<\/li>\n
        • Saint Omer (Alice Diop) \u2013 6.8<\/li>\n
        • Pacifiction (Albert Serra) \u2013 6.7<\/li>\n
        • The Wall of the Dead (Eug\u00e8ne Green) \u2013 6.7<\/li>\n
        • Afterwater (Dane Komljen) \u2013 6.7<\/li>\n
        • Rewind & Play (Alain Gomis) \u2013 6.7<\/li>\n
        • The Middle Ages (Alejo Moguillansky & Luciana Acu\u00f1a) \u2013 6.7<\/li>\n
        • Sparta (Ulrich Seidl) \u2013 6.6<\/li>\n
        • T\u00c1R (Todd Field) \u2013 6.6<\/li>\n
        • Dry Ground Burning (Adirley Queir\u00f3s & Joana Pimenta) \u2013 6.6<\/li>\n
        • The African Desperate (Martine Syms) \u2013 6.6<\/li>\n
        • Crimes of the Future (David Cronenberg) \u2013 6.5<\/li>\n
        • Safe Place (Juraj Leroti\u0107) \u2013 6.5<\/li>\n
        • The United States of America (James Benning) \u2013 6.5<\/li>\n
        • Met Mes (Sam de Jong) \u2013 6.5<\/li>\n
        • White Noise (Noah Baumbach) \u2013 6.4<\/li>\n
        • The Fabelmans (Steven Spielberg) \u2013 6.4<\/li>\n
        • About the Clouds (Mar\u00eda Aparicio) \u2013 6.4<\/li>\n
        • All the Beauty and the Bloodshed (Laura Poitras) \u2013 6.4<\/li>\n
        • That Kind of Summer (Denis C\u00f4t\u00e9) \u2013 6.4<\/li>\n
        • Tales of the Purple House (Abbas Fahdel) \u2013 6.4<\/li>\n
        • Negative Path (Alan Mart\u00edn Segal) \u2013 6.3<\/li>\n
        • Walk Up (Hong Sang-soo) \u2013 6.3<\/li>\n
        • Avatar: The Way of Water (James Cameron) \u2013 6.3<\/li>\n
        • The Civil Dead (Clay Tatum) \u2013 6.3<\/li>\n
        • Mother and Son (L\u00e9onor Serraille) \u2013 6.3<\/li>\n
        • One Fine Morning (Mia Hansen-L\u00f8ve) \u2013 6.2<\/li>\n
        • Blonde (Andrew Dominik) \u2013 6.2<\/li>\n
        • The Unstable Object II (Daniel Eisenberg) \u2013 6.2<\/li>\n
        • Dying in Ibiza: A Film in Three Summers (Matt\u00e9o Eustachon, L\u00e9o Couture, & Anton Balekdjian) \u2013 6.1<\/li>\n
        • Glass Onion (Rian Johnson) \u2013 6.1<\/li>\n
        • ALLENSWORTH (James Benning) \u2013 6.1<\/li>\n
        • Funny Pages (Owen Kline) \u2013 6.1<\/li>\n
        • I Didn’t See You There (Reid Davenport) \u2013 6.1<\/li>\n
        • Triangle of Sadness (Ruben \u00d6stlund) \u2013 6.1<\/li>\n
        • Return to Seoul (Davy Chou) \u2013 6.0<\/li>\n
        • Magdala (Damien Manivel) \u2013 6.0<\/li>\n
        • Tori and Lokita (Jean-Pierre & Luc Dardenne) \u2013 6.0<\/li>\n
        • Dos Estaciones (Juan Pablo Gonz\u00e1lez) \u2013 6.0<\/li>\n
        • Striking Land (Raul Domingues) \u2013 6.0<\/li>\n
        • Nobody’s Hero (Alain Guiraudie) \u2013 5.9<\/li>\n
        • Being in a Place (Luke Fowler) \u2013 5.9<\/li>\n
        • The Banshees of Inisherin (Martin McDonagh) \u2013 5.9<\/li>\n
        • Armageddon Time (James Gray) \u2013 5.9<\/li>\n
        • The Adventures of Gigi the Law (Alessandro Comodin) \u2013 5.9<\/li>\n
        • Christophe\u2026 Definitely (Dominique Gonzalez-Foerster & Ange Leccia) \u2013 5.9<\/li>\n
        • Kimi (Steven Soderbergh) \u2013 5.9<\/li>\n
        • Obscure night – Wild leaves (The burning ones, the obstinate) (Sylvain George) \u2013 5.8<\/li>\n
        • Brother and Sister (Arnaud Desplechin) \u2013 5.8<\/li>\n
        • A Little Love Package (Gast\u00f3n Solnicki) \u2013 5.7<\/li>\n
        • The Fire Within: Requiem for Katia and Maurice Krafft (Werner Herzog) \u2013 5.7<\/li>\n
        • Sharp Stick (Lena Dunham) \u2013 5.7<\/li>\n
        • Barail (Denis Cointe) \u2013 5.7<\/li>\n
        • R.M.N. (Cristian Mungiu) \u2013 5.7<\/li>\n
        • Where Is This Street? or With No Before or After (Jo\u00e3o Pedro Rodrigues & Jo\u00e3o Rui Guerra da Mata) \u2013 5.7<\/li>\n
        • See You Friday, Robinson (Mitra Farahani) \u2013 5.6<\/li>\n
        • Riceboy Sleeps (Anthony Shim) \u2013 5.6<\/li>\n
        • Scarlet (Pietro Marcello) \u2013 5.6<\/li>\n
        • Poitiers (J\u00e9r\u00f4me Reybaud) \u2013 5.6<\/li>\n
        • Horse Opera (Moyra Davey) \u2013 5.6<\/li>\n
        • Both Sides of the Blade (Claire Denis) \u2013 5.6<\/li>\n
        • Nope (Jordan Peele) \u2013 5.6<\/li>\n
        • There There (Andrew Bujalski) \u2013 5.6<\/li>\n
        • Answering the Sun (Rainer Kohlberger) \u2013 5.6<\/li>\n
        • Fourth of July (Louis C.K.) – 5.6<\/li>\n
        • Aftersun (Charlotte Wells) \u2013 5.5<\/li>\n
        • Footnote (Zhengfan Yang) \u2013 5.5<\/li>\n
        • Happer\u2019s Comet (Tyler Taormina) \u2013 5.5<\/li>\n
        • Unrest (Cyril Sch\u00e4ublin) \u2013 5.5<\/li>\n
        • How to Blow Up a Pipeline (Daniel Goldhaber) \u2013 5.5<\/li>\n
        • Camouflage (Jonathan Perel) \u2013 5.5<\/li>\n
        • Mutzenbacher (Ruth Beckermann) \u2013 5.5<\/li>\n
        • Riotsville, USA (Sierra Pettengill) \u2013 5.5<\/li>\n
        • Cha Cha Real Smooth (Cooper Raiff) \u2013 5.5<\/li>\n
        • The Eternal Daughter (Joanna Hogg) \u2013 5.5<\/li>\n
        • So Much Tenderness (Lina Rodriguez) \u2013 5.5<\/li>\n
        • A Very Long Gif (Eduardo Williams) \u2013 5.5<\/li>\n
        • The Passengers of the Night (Mikha\u00ebl Hers) \u2013 5.4<\/li>\n
        • Human Flowers of Flesh (Helena Wittmann) \u2013 5.4<\/li>\n
        • Enys Men (Mark Jenkin) \u2013 5.4<\/li>\n
        • Resurrection (Andrew Semans) \u2013 5.4<\/li>\n
        • Good Luck to You, Leo Grande (Sophie Hyde) \u2013 5.4<\/li>\n
        • Three Thousand Years of Longing (George Miller) \u2013 5.4<\/li>\n
        • The Kingdom: Exodus (Lars von Trier) \u2013 5.4<\/li>\n
        • Theater of Thought (Werner Herzog) \u2013 5.4<\/li>\n
        • A Flower in the Mouth (\u00c9ric Baudelaire) \u2013 5.3<\/li>\n
        • Jackass Forever (Jeff Tremaine) \u2013 5.3<\/li>\n
        • Top Gun: Maverick (Joseph Kosinski) – 5.3<\/li>\n
        • For 13 Days, I Believed Him (Kiyoshi Kurosawa) – 5.3<\/li>\n
        • Viking (St\u00e9phane Lafleur) \u2013 5.3<\/li>\n
        • It Is Night in America (Ana Vaz) \u2013 5.3<\/li>\n
        • Forever Young (Valeria Bruni Tedeschi) \u2013 5.3<\/li>\n
        • The Dam (Ali Cherri) \u2013 5.3<\/li>\n
        • Matter Out of Place (Nikolaus Geyrhalter) \u2013 5.3<\/li>\n
        • Pamfir (Dmytro Sukholytkyy-Sobchuk) \u2013 5.3<\/li>\n
        • Clorindo Testa (Mariano Llin\u00e1s) \u2013 5.2<\/li>\n
        • Godland (Hlynur P\u00e1lmason) \u2013 5.2<\/li>\n
        • Metronom (Alexandru Belc) \u2013 5.2<\/li>\n
        • Other People\u2019s Children (Rebecca Zlotowski) \u2013 5.2<\/li>\n
        • Emily the Criminal (John Patton Ford) \u2013 5.2<\/li>\n
        • This House (Miryam Charles) \u2013 5.2<\/li>\n
        • Darkness, Darkness, Burning Bright (Ga\u00eblle Rouard) \u2013 5.2<\/li>\n
        • Small, Slow but Steady (Sh\u00f4 Miyake) \u2013 5.2<\/li>\n
        • 2nd Chance (Ramin Bahrani) \u2013 5.2<\/li>\n
        • Sick of Myself (Kristoffer Borgli) \u2013 5.1<\/li>\n
        • A Couple (Frederick Wiseman) – 5.1<\/li>\n
        • Aftersun (Llu\u00eds Galter) \u2013 5.1<\/li>\n
        • Fall (Vadim Kostrov) \u2013 5.1<\/li>\n
        • Slaughterhouses of Modernity (Heinz Emigholz) \u2013 5.1<\/li>\n
        • Master Gardener (Paul Schrader) \u2013 5.1<\/li>\n
        • The Kegelstatt Trio (Rita Azevedo Gomes) \u2013 5.1<\/li>\n
        • Descendant (Margaret Brown) \u2013 5.1<\/li>\n
        • There Is a Stone (Tatsunari Ota) \u2013 5.1<\/li>\n
        • Self-Portrait (Jo\u00eble Walinga) \u2013 5.1<\/li>\n
        • Falcon Lake (Charlotte Le Bon) \u2013 5.1<\/li>\n
        • Navalny (Daniel Roher) \u2013 5.1<\/li>\n
        • Summering (James Ponsoldt) \u2013 5.1<\/li>\n
        • Rodeo (Lola Quivoron) \u2013 5.1<\/li>\n
        • Diary of a Fleeting Affair (Emmanuel Mouret) \u2013 5.0<\/li>\n
        • blood (Bradley Rust Gray) \u2013 5.0<\/li>\n
        • Geographies of Solitude (Jacqueline Mills) \u2013 5.0<\/li>\n
        • Corsage (Marie Kreutzer) \u2013 5.0<\/li>\n
        • Will-o\u2019-the-Wisp (Jo\u00e3o Pedro Rodrigues) \u2013 4.9<\/li>\n
        • The Eight Mountains (Charlotte Vandermeersch & Felix van Groeningen) \u2013 4.9<\/li>\n
        • Exterior Night (Marco Bellocchio) \u2013 4.9<\/li>\n
        • Deep Water (Adrian Lyne) \u2013 4.9<\/li>\n
        • No Bears (Jafar Panahi) \u2013 4.9<\/li>\n
        • Nomotopowell (Brent Chesanek) \u2013 4.9<\/li>\n
        • Way Out Ahead of Us (Rob Rice) \u2013 4.8<\/li>\n
        • Flux Gourmet (Peter Strickland) \u2013 4.8<\/li>\n
        • Barbarian (Zach Cregger) \u2013 4.8<\/li>\n
        • Call Jane (Phyllis Nagy) \u2013 4.8<\/li>\n
        • Decision to Leave (Park Chan-wook) \u2013 4.8<\/li>\n
        • REVOLUTION+1 (Masao Adachi)\u2013 4.8<\/li>\n
        • Fire of Love (Sara Dosa) \u2013 4.8<\/li>\n
        • The Water (Elena L\u00f3pez Riera) \u2013 4.8<\/li>\n
        • The Worst Ones (Romane Gueret & Lise Akoka) \u2013 4.8<\/li>\n
        • Women Talking (Sarah Polley) \u2013 4.8<\/li>\n
        • Brother in Every Inch (Alexander Zolotukhin) \u2013 4.7<\/li>\n
        • EAMI (Paz Encina) \u2013 4.7<\/li>\n
        • You Have to Come and See It (Jon\u00e1s Trueba) \u2013 4.7<\/li>\n
        • The Maiden (Graham Foy) \u2013 4.7<\/li>\n
        • Tcha\u00efkovsky\u2019s Wife (Kirill Serebrennikov) \u2013 4.7<\/li>\n
        • You Have to Come and See It (Jon\u00e1s Trueba) \u2013 4.7<\/li>\n
        • Don Juan (Serge Bozon) \u2013 4.6<\/li>\n
        • Life Lasts Two Days (Leonardo Mouramateus) \u2013 4.6<\/li>\n
        • Everything Everywhere All at Once (Daniel Kwan & Daniel Scheinert) \u2013 4.6<\/li>\n
        • The Child (Marguerite de Hillerin & F\u00e9lix Dutilloy-Li\u00e9geois) \u2013 4.6<\/li>\n
        • Mangosteen (Tulapop Saenjaroen) \u2013 4.6<\/li>\n
        • The Greatest Beer Run Ever (Peter Farrelly) \u2013 4.6<\/li>\n
        • Stars at Noon (Claire Denis) \u2013 4.5<\/li>\n
        • Joyland (Saim Sadiq) \u2013 4.5<\/li>\n
        • Alcarr\u00e0s (Carla Sim\u00f3n) \u2013 4.5<\/li>\n
        • Babylon (Damien Chazelle) \u2013 4.5<\/li>\n
        • Rimini (Ulrich Seidl) \u2013 4.4<\/li>\n
        • Bones and All (Luca Guadagnino) \u2013 4.4<\/li>\n
        • The Line (Ursula Meier) \u2013 4.4<\/li>\n
        • Stonewalling (Huang Ji & Otsuka Ryuji) \u2013 4.4<\/li>\n
        • Fragments of Paradise (KD Davison) \u2013 4.4<\/li>\n
        • Garden Sandbox (Yukinori Kurokawa) \u2013 4.4<\/li>\n
        • Nostalgia (Mario Martone) \u2013 4.4<\/li>\n
        • Robe of Gems (Natalia L\u00f3pez Gallardo) \u2013 4.3<\/li>\n
        • Valeria Is Getting Married (Michal Vinik) \u2013 4.3<\/li>\n
        • Final Cut (Michel Hazanavicius) \u2013 4.2<\/li>\n
        • The Inspection (Elegance Bratton) \u2013 4.2<\/li>\n
        • Quarries (Ellie Ga) \u2013 4.2<\/li>\n
        • La Jaur\u00eda (Andr\u00e9s Ram\u00edrez Pulido) \u2013 4.1<\/li>\n
        • Holy Spider (Ali Abbasi) \u2013 4.1<\/li>\n
        • Talk to Me (Danny & Michael Philippou) \u2013 4.0<\/li>\n
        • Boy from Heaven (Tarik Saleh) \u2013 4.0<\/li>\n
        • Jet Lag (Zheng Lu Xinyuan) \u2013 3.9<\/li>\n
        • Kick Me (Gary Huggins) \u2013 3.9<\/li>\n
        • Super Natural (Jorge J\u00e1come) \u2013 3.8<\/li>\n
        • Night Detour (Paul Chotel & Ariane Falardeau St-Amour) \u2013 3.8<\/li>\n
        • My Two Voices (Lina Rodriguez) \u2013 3.8<\/li>\n
        • Empire of Light (Sam Mendes) \u2013 3.7<\/li>\n
        • God\u2019s Creatures (Saela Davis & Anna Rose Holmer) \u2013 3.7<\/li>\n
        • The Veteran (Jer\u00f3nimo Rodr\u00edguez) \u2013 3.6<\/li>\n
        • The Five Devils (L\u00e9a Mysius) \u2013 3.6<\/li>\n
        • Broker (Hirokazu Kore-eda) \u2013 3.6<\/li>\n
        • Dal\u00edland (Mary Harron) \u2013 3.4<\/li>\n
        • Close (Lukas Dhont) \u2013 3.4<\/li>\n
        • Leila\u2019s Brothers (Saeed Roustaee) \u2013 3.3<\/li>\n
        • Can Someone Meet Me in Dark Alley? (Gaetano Liberti & Luciano P\u00e9rez Savoy) \u2013 3.3<\/li>\n
        • The Name of Things (Diego Escobar) \u2013 3.3<\/li>\n
        • The Survival of Kindness (Rolf de Heer) \u2013 3.2<\/li>\n
        • Three Tidy Tigers Tied a Tie Tighter (Gustavo Vinagre) \u2013 2.8<\/li>\n
        • The Whale (Darren Aronofsky) \u2013 2.2<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"

          *Click on the ‘Lists & Logs’ tab to see lists from previous years. This list will be updated each time I see a film from 2022 (world premiere\/imdb date) that is better than at least one of the films already on the list. EO (Jerzy Skolimowski) The Plains (David Easteal) Showing Up (Kelly Reichardt) Trenque […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-22528","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/22528","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=22528"}],"version-history":[{"count":26,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/22528\/revisions"}],"predecessor-version":[{"id":24390,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/22528\/revisions\/24390"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=22528"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=22528"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=22528"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}