{"id":21720,"date":"2022-05-12T17:42:53","date_gmt":"2022-05-12T22:42:53","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=21720"},"modified":"2022-06-19T11:40:28","modified_gmt":"2022-06-19T16:40:28","slug":"cannes-2022-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2022\/05\/cannes-2022-schedule\/","title":{"rendered":"Mediterranean Fever: It’s my Cannes 2022 schedule"},"content":{"rendered":"


\nMay 17<\/span><\/strong>
\n7:00pm – Final Cut<\/strong> (Michel Hazanavicius), Debussy
\n <\/p>\n

May 18<\/span><\/strong>
\n9:00am – Exterior Night<\/strong> (Marco Bellocchio), Debussy
\n3:30pm – Tcha\u00efkovsky\u2019s Wife<\/strong> (Kirill Serebrennikov), Lumi\u00e8re
\n7:00pm – Scarlet<\/strong> (Pietro Marcello), Th\u00e9\u00e2tre Croisette
\n10:30pm – The Eight Mountains<\/strong> (Charlotte Vandermeersch & Felix van Groeningen), Debussy
\n <\/p>\n

May 19<\/span><\/strong>
\n8:30am – God\u2019s Creatures<\/strong> (Saela Davis & Anna Rose Holmer), Th\u00e9\u00e2tre Croisette
\n11:00am – Rodeo<\/strong> (Lola Quivoron), Debussy
\n6:30pm – Armageddon Time<\/strong> (James Gray), Debussy
\n10:15pm – EO<\/strong> (Jerzy Skolimowski), Debussy
\n <\/p>\n

May 20<\/span><\/strong>
\n8:30am – One Fine Morning<\/strong> (Mia Hansen-L\u00f8ve), Th\u00e9\u00e2tre Croisette
\n11:00am – Corsage<\/strong> (Marie Kreutzer), Debussy
\n2:45pm – Enys Men<\/strong> (Mark Jenkin), Th\u00e9\u00e2tre Croisette
\n7:45pm – Son of Ramses<\/strong> (Cl\u00e9ment Cogitore), Miramar<\/strike> W\/O
\n10:15pm – Brother and Sister<\/strong> (Arnaud Desplechin), Debussy
\n <\/p>\n

May 21<\/span><\/strong>
\n9:00am – Three Thousand Years of Longing<\/strong> (George Miller), Varda
\n11:45am – Pamfir<\/strong> (Dmytro Sukholytkyy-Sobchuk), Th\u00e9\u00e2tre Croisette
\n4:30pm – Triangle of Sadness<\/strong> (Ruben \u00d6stlund), Debussy
\n7:30pm – Diary of a Fleeting Affair<\/strong> (Emmanuel Mouret), Debussy
\n10:00pm – R.M.N.<\/strong> (Cristian Mungiu), Debussy
\n <\/p>\n

May 22<\/span>
\n8:30am – Aftersun<\/strong> (Charlotte Wells), Miramar
\n2:15pm – Magdala<\/strong> (Damien Manivel), Palais C
\n4:45pm – Holy Spider<\/strong> (Ali Abbasi), Bazin
\n7:45pm – Don Juan<\/strong> (Serge Bozon), Debussy
\n10:15pm – Sick of Myself<\/strong> (Kristoffer Borgli), Debussy
\n <\/p>\n

May 23<\/span><\/strong>
\n8:30am – The Five Devils<\/strong> (L\u00e9a Mysius), Th\u00e9\u00e2tre Croisette
\n11:30am – De Humani Corporis Fabrica<\/strong> (V\u00e9r\u00e9na Paravel & Lucien Castaing-Taylor), Th\u00e9\u00e2tre Croisette
\n4:30pm – Decision to Leave<\/strong> (Park Chan-wook), Debussy
\n <\/p>\n

May 24<\/span><\/strong>
\n8:30am – Funny Pages<\/strong> (Owen Kline), Th\u00e9\u00e2tre Croisette
\n11:00am – The Natural History of Destruction<\/strong> (Sergei Loznitsa), Bu\u00f1uel
\n5:00pm – The Dam<\/strong> (Ali Cherri), Th\u00e9\u00e2tre Croisette
\n7:30pm – Crimes of the Future<\/strong> (David Cronenberg), Bazin
\n10:00pm – Will-o\u2019-the-Wisp<\/strong> (Jo\u00e3o Pedro Rodrigues), Th\u00e9\u00e2tre Croisette
\n <\/p>\n

May 25<\/span><\/strong>
\n8:30am – Metronom<\/strong> (Alexandru Belc), Debussy
\n12:00pm – Forever Young<\/strong> (Valeria Bruni Tedeschi), Cineum Aurore
\n3:45pm – Leila\u2019s Brothers<\/strong> (Saeed Roustaee), Bazin
\n7:30pm – Godland<\/strong> (Hlynur P\u00e1lmason), Bazin
\n10:30pm – Stars at Noon<\/strong> (Claire Denis), Debussy
\n <\/p>\n

May 26<\/span><\/strong>
\n8:30am – La Jaur\u00eda<\/strong> (Andr\u00e9s Ram\u00edrez Pulido), Miramar
\n3:15pm – Pacifiction<\/strong> (Albert Serra), Lumi\u00e8re
\n10:15pm – Close<\/strong> (Lukas Dhont), Debussy
\n <\/p>\n

May 27<\/span><\/strong>
\n8:30am – Broker<\/strong> (Hirokazu Kore-eda), Lumi\u00e8re
\n3:15pm – Showing Up<\/strong> (Kelly Reichardt), Lumi\u00e8re
\n5:30pm – Mother and Son<\/strong> (L\u00e9onor Serraille), Bazin
\n <\/p>\n

May 28<\/span><\/strong>
\n11:30am – Boy from Heaven<\/strong> (Tarik Saleh), Bazin
\n3:30pm – Tori and Lokita<\/strong> (Jean-Pierre & Luc Dardenne), Varda
\n5:15pm – Nostalgia<\/strong> (Mario Martone), Varda<\/p>\n","protected":false},"excerpt":{"rendered":"

May 17 7:00pm – Final Cut (Michel Hazanavicius), Debussy   May 18 9:00am – Exterior Night (Marco Bellocchio), Debussy 3:30pm – Tcha\u00efkovsky\u2019s Wife (Kirill Serebrennikov), Lumi\u00e8re 7:00pm – Scarlet (Pietro Marcello), Th\u00e9\u00e2tre Croisette 10:30pm – The Eight Mountains (Charlotte Vandermeersch & Felix van Groeningen), Debussy   May 19 8:30am – God\u2019s Creatures (Saela Davis & […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-21720","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/21720","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=21720"}],"version-history":[{"count":40,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/21720\/revisions"}],"predecessor-version":[{"id":21868,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/21720\/revisions\/21868"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=21720"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=21720"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=21720"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}