{"id":20844,"date":"2021-09-07T15:02:51","date_gmt":"2021-09-07T20:02:51","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=20844"},"modified":"2021-09-19T15:57:25","modified_gmt":"2021-09-19T20:57:25","slug":"tiff-2021-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2021\/09\/tiff-2021-schedule\/","title":{"rendered":"TIFF 2021 Schedule"},"content":{"rendered":"

\u24b9<\/strong><\/span> is for Digital
\n\u24be<\/strong><\/span> is for Industry [physical screening]
\n\u24c5<\/strong><\/span> is for Public [physical screening]
\n <\/p>\n

September 9<\/span><\/strong>
\n10:00AM – Vengeance is Mine, All Others Pay Cash<\/strong> (Edwin) \u24be<\/strong><\/span> \/ Scotiabank 3<\/span>
\n12:00PM – Dug Dug<\/strong> (Ritwik Pareek) \u24be<\/strong><\/span> \/ Scotiabank 12<\/span><\/strike> W\/O
\nAfternoon – As in Heaven<\/strong> (Tea Lindeburg) \u24b9<\/strong><\/span><\/strike> W\/O
\nNight – +Petite Maman<\/strong> (C\u00e9line Sciamma) \u24b9<\/strong><\/span>
\n <\/p>\n

September 10<\/span><\/strong>
\n11:00AM – The Power of the Dog<\/strong> (Jane Campion) \u24be<\/strong><\/span> \/ Lightbox 1<\/span>
\nAfternoon – Violet<\/strong> (Justine Bateman) \u24b9<\/strong><\/span><\/strike> W\/O
\n5:00PM – +Drive My Car<\/strong> (Ryusuke Hamaguchi) \u24c5<\/strong><\/span> \/ Scotiabank 1<\/span>
\n9:30PM – Last Night in Soho<\/strong> (Edgar Wright) \u24be<\/strong><\/span> \/ Lightbox 3<\/span>
\n <\/p>\n

September 11<\/span><\/strong>
\nMorning – Aloners<\/strong> (Hong Sung-eun) \u24b9<\/strong><\/span>
\n12:00PM – Dune<\/strong> (Denis Villeneuve) \u24be<\/strong><\/span> \/ Scotiabank 12<\/span>
\n3:30PM – Earwig<\/strong> (Lucile Had\u017eihalilovi\u0107) \u24be<\/strong><\/span> \/ Scotiabank 2<\/span>
\nEvening – +The Tsugua Diaries<\/strong> (Miguel Gomes & Maureen Fazendeiro) \u24b9<\/strong><\/span>
\nNight – Neptune Frost<\/strong> (Saul Williams & Anisia Uzeyman) \u24b9<\/strong><\/span>
\n <\/p>\n

September 12<\/span><\/strong>
\nMorning – DASHCAM<\/strong> (Kamila Andini) \u24b9<\/strong><\/span><\/strike> W\/O
\n2:00PM – A Night of Knowing Nothing<\/strong> (Payal Kapadia) \u24c5<\/strong><\/span> \/ Lightbox 3<\/span>
\nLate Afternoon – Inexorable<\/strong> (Fabrice du Welz) \u24b9<\/strong><\/span><\/strike> W\/O
\nNight – +Onoda<\/strong> (Arthur Harari) \u24b9<\/strong><\/span>
\n <\/p>\n

September 13<\/span><\/strong>
\n10:30AM – Benediction<\/strong> (Terence Davies) \u24be<\/strong><\/span> \/ Scotiabank 4<\/span>
\n4:00PM – +Memoria<\/strong> (Apichatpong Weerasethakul) \u24c5<\/strong><\/span> \/ Cinesphere<\/span>
\nNight – Sundown<\/strong> (Michel Franco) \u24b9<\/strong><\/span>
\n <\/p>\n

September 14<\/span><\/strong>
\nMorning – Unclenching the Fists<\/strong> (Kira Kovalenko) \u24b9<\/strong><\/span>
\nAfternoon – The Falls<\/strong> (Chung Mong-Hong) \u24b9<\/strong><\/span><\/strike> W\/O
\nEvening – Drunken Birds<\/strong> (Ivan Grbovic) \u24b9<\/strong><\/span>
\nNight – Yuni<\/strong> (Kamila Andini) \u24b9<\/strong><\/span><\/strike> W\/O
\n <\/p>\n

September 15<\/span><\/strong>
\n10:00AM – Spencer<\/strong> (Pablo Larra\u00edn) \u24be<\/strong><\/span> \/ Lightbox 3<\/span>
\nAfternoon – Out of Sync<\/strong> (Juanjo Gim\u00e9nez) \u24b9<\/strong><\/span><\/strike> W\/O
\nLate Afternoon – Zalava<\/strong> (Arsalan Amiri) \u24b9<\/strong><\/span><\/strike> W\/O
\n5PM – Terrorizers<\/strong> (Ho Wi Ding) \u24b9<\/strong><\/span><\/strike> W\/O
\n8:00PM – +France<\/strong> (Bruno Dumont) \u24c5<\/strong><\/span> \/ Lightbox 2<\/span>
\n <\/p>\n

September 16<\/span><\/strong>
\nMorning – the other tom.<\/strong> (Rodrigo Pl\u00e1 & Laura Santullo) \u24b9<\/strong><\/span><\/strike> W\/O
\nEarly Afternoon – The Good House<\/strong> (Maya Forbes & Wallace Wolodarsky) \u24b9<\/strong><\/span><\/strike> W\/O
\nAfternoon – Costa Brava, Lebanon<\/strong> (Mounia Akl) \u24b9<\/strong><\/span><\/strike> W\/O
\nLate Afternoon – Flee<\/strong> (Jonas Poher Rasmussen) \u24b9<\/strong><\/span>
\n8:00PM – +Titane<\/strong> (Julia Ducournau) \u24c5<\/strong><\/span> \/ Cinesphere<\/span>
\n <\/p>\n

September 17<\/span><\/strong>
\nAfternoon – After Blue (Paradis sale)<\/strong> (Bertrand Mandico) \u24b9<\/strong><\/span>
\nLate Afternoon – Saloum<\/strong> (Jean Luc Herbulot) \u24b9<\/strong><\/span><\/strike> W\/O
\n6:00PM – Wolf<\/strong> (Nathalie Biancheri) \u24c5<\/strong><\/span> \/ Princess of Wales Theatre<\/span><\/strike> W\/O
\n9:30PM – Mr. Kneff<\/strong> (Steven Soderbergh) \u24c5<\/strong><\/span> \/ Princess of Wales Theatre<\/span>
\n <\/p>\n

September 18<\/span><\/strong>
\nAfternoon – Silent Night<\/strong> (Camille Griffin) \u24b9<\/strong><\/span><\/strike> Not Available 🤷‍♂️
\nEvening – One Second<\/strong> (Zhang Yimou) \u24b9<\/strong><\/span><\/strike> Didn’t bother 🤷‍♂️
\n <\/p>\n

One Day Soon<\/span><\/strong>
\nNight – WL shorts: Present, Tense<\/strong> (various) \u24b9<\/strong><\/span>
\n               – Dear Chantal<\/em> (Nicol\u00e1s Pereda)
\n               – The Capacity for Adequate Anger<\/em> (Vika Kirchenbauer)
\n               – Inner Outer Space<\/em> (Laida Lertxundi)
\n               – “The red filter is withdrawn.”<\/em> (Minjung Kim)
\n               – Polycephaly in D<\/em> (Michael Robinson)
\n               + earthearthearth<\/em> (Da\u00efchi Sa\u00efto)
\n               + Train Again<\/em> (Peter Tscherkassky)<\/p>\n

 <\/p>\n

Films I have already seen and won’t be revisiting during TIFF:<\/span>
\nAhed\u2019s Knee<\/strong> (Nadav Lapid)
\nAli & Ava<\/strong> (Clio Barnard)
\nBergman Island<\/strong> (Mia Hansen-L\u00f8ve)
\nCompartment No. 6<\/strong> (Juho Kuosmanen)
\nFutura<\/strong> (Pietro Marcello, Francesco Munzi, & Alice Rohrwacher)
\nThe Girl and the Spider<\/strong> (Ramon & Silvan Z\u00fcrcher)
\nA Hero<\/strong> (Asghar Farhadi)
\nI\u2019m Your Man<\/strong> (Maria Schrader)
\n\u00centregalde<\/strong> (Radu Muntean)
\nLingui (The Sacred Bonds)<\/strong> (Mahamat-Saleh Haroun)
\nSte. Anne<\/strong> (Rhayne Vermette)
\nThe Story of My Wife<\/strong> (Ildik\u00f3 Enyedi)
\nThree Floors<\/strong> (Nanni Moretti)
\nThe Worst Person in the World<\/strong> (Joachim Trier)<\/p>\n","protected":false},"excerpt":{"rendered":"

\u24b9 is for Digital \u24be is for Industry [physical screening] \u24c5 is for Public [physical screening]   September 9 10:00AM – Vengeance is Mine, All Others Pay Cash (Edwin) \u24be \/ Scotiabank 3 12:00PM – Dug Dug (Ritwik Pareek) \u24be \/ Scotiabank 12 W\/O Afternoon – As in Heaven (Tea Lindeburg) \u24b9 W\/O Night – […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-20844","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/20844","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=20844"}],"version-history":[{"count":55,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/20844\/revisions"}],"predecessor-version":[{"id":21002,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/20844\/revisions\/21002"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=20844"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=20844"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=20844"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}