{"id":20513,"date":"2021-07-02T17:39:56","date_gmt":"2021-07-02T22:39:56","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=20513"},"modified":"2021-07-17T16:58:42","modified_gmt":"2021-07-17T21:58:42","slug":"20513","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2021\/07\/20513\/","title":{"rendered":"Cannes 2021 schedule"},"content":{"rendered":"

 
\nPre-Cannes<\/span><\/strong>
\nLink – Playground<\/strong> (Laura Wandel)
\nLink – Returning to Reims [Fragments]<\/strong> (Jean-Gabriel P\u00e9riot)
\nLink – \u00centregalde<\/strong> (Radu Muntean)
\n 
\n <\/p>\n

July 6<\/span><\/strong>
\n4:30pm – Ghost Song<\/strong> (Nicolas Peduzzi), Palais G
\n7:25pm – Annette<\/strong> (Leos Carax), Debussy
\n <\/p>\n

July 7<\/span><\/strong>
\n8:30am – Between Two Worlds<\/strong> (Emmanuel Carr\u00e8re), Th\u00e9\u00e2tre Croisette
\n11:30am – Black Notebooks I & II<\/strong> (Shlomi Elkabetz), Soixanti\u00e8me
\n4:00pm – Ahed’s Knee<\/strong> (Nadav Lapid), Lumi\u00e8re
\n7:15pm – Onoda<\/strong> (Arthur Harari), Debussy
\n10:30pm – Jane by Charlotte<\/strong> (Charlotte Gainsbourg), Debussy
\n <\/p>\n

July 8<\/span><\/strong>
\n8:30am – The Souvenir Part II<\/strong> (Joanna Hogg), Th\u00e9\u00e2tre Croisette
\n11:00am – Great Freedom<\/strong> (Sebastian Meise), Debussy
\n2:00pm – Cow<\/strong> (Andrea Arnold), Debussy
\n7:15pm – After Yang<\/strong> (Kogonada), Debussy
\n10:00pm – The Worst Person in the World<\/strong> (Joachim Trier), Debussy
\n <\/p>\n

July 9<\/span><\/strong>
\n8:30am – Lingui, the Sacred Bonds<\/strong> (Mahamat-Saleh Haroun), Soixanti\u00e8me
\n11:00am – House Arrest<\/strong> (Alexey German Jr.), Debussy
\n5:00pm – Benedetta<\/strong> (Paul Verhoeven), Debussy
\n10:15pm – The Divide<\/strong> (Catherine Corsini), Debussy
\n <\/p>\n

July 10<\/span><\/strong>
\n8:30am – Hit the Road<\/strong> (Panah Panahi), Th\u00e9\u00e2tre Croisette
\n11:30am – The Tale of King Crab<\/strong> (Alessio Rigo de Righi & Matteo Zoppis), Th\u00e9\u00e2tre Croisette
\n3:30pm – Compartment No. 6<\/strong> (Juho Kuosmanen), Lumi\u00e8re
\n10:15pm – Flag Day<\/strong> (Sean Penn), Debussy
\n <\/p>\n

July 11<\/span>
\n8:30am – Ali & Ava<\/strong> (Clio Barnard), Th\u00e9\u00e2tre Croisette
\n11:00am – The Innocents<\/strong> (Eskil Vogt), Debussy
\n3:00pm – Drive My Car<\/strong> (Ry\u00fbsuke Hamaguchi), Lumi\u00e8re
\n8:00pm – Three Floors<\/strong> (Nanni Moretti), Bazin
\n10:15pm – Bergman Island<\/strong> (Mia Hansen-L\u00f8ve), Debussy
\n <\/p>\n

July 12<\/span><\/strong>
\n12:00pm – Futura<\/strong> (Pietro Marcello, Francesco Munzi, & Alice Rohrwacher), Th\u00e9\u00e2tre Croisette
\n4:30pm – Petrov’s Flu<\/strong> (Kirill Serebrennikov), Bazin
\n7:30pm – French Dispatch<\/strong> (Wes Anderson), Bazin
\n10:15pm – The Crusade<\/strong> (Louis Garrel), Debussy
\n <\/p>\n

July 13<\/span><\/strong>
\n8:30am – The Tsugua Diaries<\/strong> (Miguel Gomes & Maureen Fazendeiro), Th\u00e9\u00e2tre Croisette
\n11:00am – Lamb<\/strong> (Valdimar J\u00f3hannsson), Debussy
\n3:30pm – A Hero<\/strong> (Asghar Farhadi), Lumi\u00e8re
\n7:00pm – Deception<\/strong> (Arnaud Desplechin), Debussy
\n9:45pm – Titane<\/strong> (Julia Ducournau), Debussy
\n <\/p>\n

July 14<\/span><\/strong>
\n8:30am – Tralala<\/strong> (Arnaud & Jean-Marie Larrieu), Soixanti\u00e8me
\n11:30am – Quinzaine shorts 1<\/strong>, Arcades
\n               – Simone est partie<\/em> (Mathilde Chavanne)
\n               – Sycorax<\/em> (Lois Pati\u00f1o & Mat\u00edas Pi\u00f1eiro)
\n               – The Windshield Wiper<\/em> (Alberto Mielgo)
\n               – Train Again<\/em> (Peter Tscherkassky)
\n3:30pm – Red Rocket<\/strong> (Sean Baker), Lumi\u00e8re
\n7:30pm – The Story of My Wife<\/strong> (Ildiko Enyedi), Bazin
\n10:30pm – Paris 13th District<\/strong> (Jacques Audiard), Debussy
\n <\/p>\n

July 15<\/span><\/strong>
\n11:45am – Hold Me Tight<\/strong> (Matheiu Amalric), Soixanti\u00e8me
\n3:30pm – Memoria<\/strong> (Apichatpong Weerasethakul), Lumi\u00e8re
\n7:30pm – France<\/strong> (Bruno Dumont), Bazin
\n10:45pm – Casablanca Beats<\/strong> (Nabil Ayouch), Debussy
\n <\/p>\n

July 16<\/span><\/strong>
\n8:30am – Prayers for the Stolen<\/strong> (Tatiana Huezo), Debussy
\n1:30pm – In Front of Your Face<\/strong> (Hong Sang-soo), Bazin
\n4:15pm – Nitram<\/strong> (Justin Kurzel), Bazin
\n <\/p>\n

July 17<\/span><\/strong>
\n10:00am – Marx Can Wait<\/strong> (Marco Bellocchio), Cin\u00e9um Aurore
\n12:30pm – Vortex<\/strong> (Gaspar No\u00e9), Cin\u00e9um Aurore<\/p>\n","protected":false},"excerpt":{"rendered":"

  Pre-Cannes Link – Playground (Laura Wandel) Link – Returning to Reims [Fragments] (Jean-Gabriel P\u00e9riot) Link – \u00centregalde (Radu Muntean)     July 6 4:30pm – Ghost Song (Nicolas Peduzzi), Palais G 7:25pm – Annette (Leos Carax), Debussy   July 7 8:30am – Between Two Worlds (Emmanuel Carr\u00e8re), Th\u00e9\u00e2tre Croisette 11:30am – Black Notebooks I […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-20513","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/20513","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=20513"}],"version-history":[{"count":31,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/20513\/revisions"}],"predecessor-version":[{"id":20628,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/20513\/revisions\/20628"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=20513"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=20513"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=20513"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}