{"id":1975,"date":"2010-05-25T06:19:49","date_gmt":"2010-05-25T11:19:49","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=1975"},"modified":"2011-04-26T10:52:00","modified_gmt":"2011-04-26T15:52:00","slug":"cannes-hierarchy","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-hierarchy\/","title":{"rendered":"Cannes Hierarchy"},"content":{"rendered":"<p><span style=\"text-decoration: underline;\">Best<\/span><br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-7\/\">Certified Copy<\/a><\/strong> (Abbas Kiarostami)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-9\/\">Uncle Boonmee Who Can Recall His Past Lives<\/a><\/strong> (Apichatpong Weerasethakul)<\/p>\n<p><span style=\"text-decoration: underline;\">Standouts<\/span><br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-6\/\">Blue Valentine<\/a><\/strong> (Derek Cianfrance)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-1\/\">Tuesday, After Christmas<\/a><\/strong> (Radu Muntean)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-9\/\">Ha Ha Ha<\/a><\/strong> (Hong Sangsoo)<\/p>\n<p><span style=\"text-decoration: underline;\">Quite Good<\/span><br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-catch-up\/\">Le quattro volte<\/a><\/strong> (Michelangelo Frammartino)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-11\/\">My Joy<\/a><\/strong> (Sergei Loznitsa)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-1\/\">Benda Bilili!<\/strong><\/a> (Florent de la Tullaye &amp; Renaud Barret)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-6\/\">Young Girls in Black<\/a><\/strong> (Jean Paul Civeyrac)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-8\/\">Picco<\/a><\/strong> (Philip Koch)<\/p>\n<p><span style=\"text-decoration: underline;\">Good<\/span><br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-11\/\">Of Gods and Men<\/a><\/strong> (Xavier Beauvois)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-catch-up\/\">I Wish I Knew<\/a><\/strong> (Jia Zhang-ke)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-3\/\">The City Below<\/a><\/strong> (Christoph Hochh\u00e4usler)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-1\/\">The Strange Case of Angelica<a\/><\/strong> (Manoel de Oliveira)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-8\/\">Poetry<\/a><\/strong> (Lee Chang-dong)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-8\/\">The Joy<\/a><\/strong> (Felipe Bragan\u00e7a &amp; Marina Meliande)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-9\/\">Lily Sometimes<\/a><\/strong> (Fabienne Berthaud)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-11\/\">On Tour<\/a><\/strong> (Mathieu Amalric)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-6\/\">Two Gates of Sleep<\/a><\/strong> (Alistair Banks Griffin)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-9\/\">Rebecca H. (Return to the Dogs)<\/a><\/strong> (Lodge Kerrigan)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-5\/\">Carancho<\/a><\/strong> (Pablo Trapero)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-catch-up\/\">Adrienn P\u00e1l<\/a><\/strong> (\u00c1gnes Kocsis)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-2\/\">The Housemaid<\/a><\/strong> (Im Sangsoo)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-5\/\">The Wanderer<\/a><\/strong> (Avishai Sivan)<\/p>\n<p><span style=\"text-decoration: underline;\">More Interesting Than Watchable<\/span><br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-2\/\">Aurora<\/a><\/strong> (Cristi Puiu)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-5\/\">Film Socialisme<\/a><\/strong> (Jean-Luc Godard)<\/p>\n<p><span style=\"text-decoration: underline;\">Decent<\/span><br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-7\/\">Udaan<\/a><\/strong> (Vikramaditya Motwane)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-5\/\">A Screaming Man<\/a><\/strong> (Mahamat-Saleh Haroun)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-11\/\">The Princess of Montensier<\/a><\/strong> (Bertrand Tavernier)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-6\/\">The Lips<\/a><\/strong> (Ivan Fund &amp; Santiago Loza)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-catch-up\/\">R U There<\/a><\/strong> (David Verbeek)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-10\/\">Tender Son &#8211; The Frankenstein Project<\/a><\/strong> (Korn\u00e9l Mondrucz\u00f3)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-7\/\">All Good Children<\/a><\/strong> (Alicia Duffy)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-3\/\">Heartbeats<\/a><\/strong> (Xavier Dolan)<\/p>\n<p><span style=\"text-decoration: underline;\">Problems<\/span><br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-3\/\">Shit Year<\/a><\/strong> (Cam Archer)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-3\/\">We Are What We Are<\/a><\/strong> (Jorge Michel Grau)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-1\/\">Chongqing Blues<\/a><\/strong> (Xiaoshuai Wang)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-10\/\">Route Irish<\/a><\/strong> (Ken Loach)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-5\/\">Everything Will Be Fine<\/a><\/strong> (Christoffer Boe)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-7\/\">You All Are Captains<\/a><\/strong> (Oliver Laxe)<\/p>\n<p><span style=\"text-decoration: underline;\">Big Problems<\/span><br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-9\/\">The Tiger Factory<\/a><\/strong> (Ming Jin Woo)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-3\/\">The Light Thief<\/a><\/strong> (Aktan Arym Kubat)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-7\/\">October<\/a><\/strong> (Daniel &amp; Diego Vega)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-11\/\">The Tree<\/a><\/strong> (Julie Bertucelli)<\/p>\n<p><span style=\"text-decoration: underline;\">Bad<\/span><br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-2\/\">Little Baby Jesus of Flandr<\/a><\/strong> (Gust Van den Berghe)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-day-8\/\">Lights Out<\/a><\/strong> (Fabrice Gobert)<br \/>\n<strong><a href=\"http:\/\/blakewilliams.net\/blog\/2010\/05\/cannes-2010-catch-up\/\">The Silent House<\/a><\/strong> (Gustavo Hern\u00e1ndez)<br \/>\n<\/p>\n<div><\/div>\n<p><\/br><br \/>\n&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p><span style=\"text-decoration: underline;\">10 That I&#8217;m Most Interested in Re-Visiting<\/span><br \/>\n<strong>Uncle Boonmee Who Can Recall His Past Lives<\/strong> (Apichatpong Weerasethakul)<br \/>\n<strong>The Strange Case of Angelica<\/strong> (Manoel de Oliveira)<br \/>\n<strong>Film Socialisme<\/strong> (Jean-Luc Godard) &#8211; <em>with real English subtitles, please!<\/em><br \/>\n<strong>The City Below<\/strong> (Christoph Hochh\u00e4usler)<br \/>\n<strong>Aurora<\/strong> (Cristi Puiu)<br \/>\n<strong>Le quattro volte<\/strong> (Michelangelo Frammartino)<br \/>\n<strong>My Joy<\/strong> (Sergei Loznitsa)<br \/>\n<strong>Tuesday, After Christmas<\/strong> (Radu Muntean)<br \/>\n<strong>The Lips<\/strong> (Ivan Fund &amp; Santiago Loza)<br \/>\n<strong>Certified Copy<\/strong> (Abbas Kiarostami)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Best Certified Copy (Abbas Kiarostami) Uncle Boonmee Who Can Recall His Past Lives (Apichatpong Weerasethakul) Standouts Blue Valentine (Derek Cianfrance) Tuesday, After Christmas (Radu Muntean) Ha Ha Ha (Hong Sangsoo) Quite Good Le quattro volte (Michelangelo Frammartino) My Joy (Sergei Loznitsa) Benda Bilili! (Florent de la Tullaye &amp; Renaud Barret) Young Girls in Black (Jean [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1975","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/1975","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=1975"}],"version-history":[{"count":37,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/1975\/revisions"}],"predecessor-version":[{"id":3472,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/1975\/revisions\/3472"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=1975"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=1975"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=1975"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}