{"id":18675,"date":"2020-02-17T14:55:01","date_gmt":"2020-02-17T19:55:01","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=18675"},"modified":"2020-02-28T15:39:36","modified_gmt":"2020-02-28T20:39:36","slug":"works-and-days-a-berlinale-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2020\/02\/works-and-days-a-berlinale-schedule\/","title":{"rendered":"Works and Days: A Berlinale Schedule"},"content":{"rendered":"

 
\nFebruary 20<\/span><\/strong>
\n9:30AM – Swimming Out Till the Sea Turns Blue<\/strong> (Jia Zhang-ke), CinemaxX 7
\n4:00PM\t– The Tango of the Widower and Its Distorting Mirror<\/strong> (Ra\u00fal Ruiz & Valeria Sarmiento), CinemaX 6
\n5:30PM\t– The Calming<\/strong> (Song Fang), CinemaX 6
\n <\/p>\n

February 21<\/span><\/strong>
\n11:30AM\t– Malmkrog<\/strong> (Cristi Puiu), CinemaX 7
\n3:00PM\t– Her Name Was Europa<\/strong> (Anja Dornieden & Juan David Gonz\u00e1lez Monroy), Kino Arsenal 1
\n               – preceded by Most of What Follows Is True<\/em> (Maged Nader)
\n6:00PM\t– The Viewing Booth<\/strong> (Ra’anan Alexandrowicz), CinemaX 6
\n8:00PM\t– Death of Nintendo<\/strong> (Raya Martin), Cubix 6
\n10:00PM\t– Maggie\u2019s Farm<\/strong> (James Benning), Kino Arsenal 1
\n <\/p>\n

February 22<\/span><\/strong>
\n10:00AM\t– Red Moon Tide<\/strong> (Lois Pati\u00f1o), Cubix 5
\n12:30PM\t– Los conductos<\/strong> (Camilo Restrepo), CinemaX 7
\n4:00PM\t– Uppercase Print<\/strong> (Radu Jude), CinemaX 6
\n7:00PM\t– La Boh\u00e8me<\/strong> (1926, King Vidor), Zeughauskino
\n10:00PM\t– The Salt of Tears<\/strong> (Philippe Garrel), Berlinale Palast<\/p>\n

 <\/p>\n

February 23<\/span><\/strong>
\n10:00AM\t– The Murder of Fred Hampton<\/strong> (1971, Howard Alk), Kino Arsenal 1
\n12:30PM\t– First Cow<\/strong> (Kelly Reichardt), Friedrichstadt-Palast
\n4:00PM\t– The Two Sights<\/strong> (Joshua Bonetta), CinemaX 6
\n7:00PM\t– Undine<\/strong> (Christian Petzold), Berlinale Palast
\n10:00AM\t– All the Dead Ones<\/strong> (Marco Dutra & Caetano Gotardo), Berlinale Palast
\n <\/p>\n

February 24<\/span><\/strong>
\n9:45AM \t– Eldridge Cleaver, Black Panther<\/strong> (1970, William Klein), Kino Arsenal 1
\n11:30AM – Zero<\/strong> (Kazuhiro Soda), Kino Arsenal 1
\n4:30PM\t– Berlinale Shorts I<\/strong>, CinemaxX 3
\n               – It Wasn’t the Right Mountain, Mohammad<\/em> (Mili Pecherer)
\n               – Playback<\/em> (Agustina Comedi)
\n               + 2008<\/em> (Blake Williams)
\n               – Foam<\/em> (Omar Elhamy)
\n10:00PM\t– Siberia<\/strong> (Abel Ferrara), Berlinale Palast
\n <\/p>\n

February 25<\/span><\/strong>
\n9:00AM\t– The Woman Who Ran<\/strong> (Hong Sang-soo), Berlinale Palast
\n12:30PM\t– Orphea<\/strong> (Alexander Kluge & Khavn), CinemaxX 7
\n3:00PM\t– Forum Expanded 9<\/strong>, Kino Arsenal 1
\n               – Recovery<\/em> (Kevin Jerome Everson)
\n               – Equinox<\/em> (Margaret Honda)
\n               – The Phantom Menace<\/em> (Graeme Arnfield)
\n5:00PM\t– Berlinale Shorts I: Q&A<\/strong>, Colosseum 1
\n8:45PM\t– Isabella<\/strong> (Mat\u00edas Pi\u00f1eiro), CinemaxX 5
\n <\/p>\n

February 26<\/span><\/strong>
\n11:00AM\t– The Last City<\/strong> (Heinz Emigholz), CinemaxX 3
\n2:30PM\t– Bloody Nose, Empty Pockets<\/strong> (Bill Ross IV & Turner Ross), Colosseum 1
\n9:30PM\t– Berlinale Shorts I: Q&A<\/strong>, Cubix 9
\n <\/p>\n

February 27<\/span><\/strong>
\n9:00AM\t– Days<\/strong> (Tsai Ming-liang), Berlinale Palast
\n12:00PM\t– The Wedding Night<\/strong> (1935, King Vidor), CinemaxX 8
\n1:30PM\t– Shorts Take Their Time: Berlinale Shorts I: Q&A<\/strong>, Zoo Palast 3
\n4:30PM\t– The Citadel<\/strong> (1938, King Vidor), CinemaxX 8
\n <\/p>\n

February 28<\/span><\/strong>
\n9:00AM\t– Irradiated<\/strong> (Rithy Panh), Berlinale Palast
\n4:00PM\t– Mare\u2019s Tail<\/strong> (1968, David Larcher), Kino Arsenal 1
\n7:30PM\t– Ruby Gentry<\/strong> (1952, King Vidor), CinemaxX 8
\n <\/p>\n

February 29<\/span><\/strong>
\n10:00AM\t– A l\u2019abordage<\/strong> (Guillaume Brac), Cubix 7
\n12:30PM\t– There Is No Evil<\/strong> (Mohammad Rasoulof), Friedrichstadt-Palast
\n7:00PM\t– Awards Ceremony<\/strong>, Berlinale Palast<\/p>\n","protected":false},"excerpt":{"rendered":"

  February 20 9:30AM – Swimming Out Till the Sea Turns Blue (Jia Zhang-ke), CinemaxX 7 4:00PM – The Tango of the Widower and Its Distorting Mirror (Ra\u00fal Ruiz & Valeria Sarmiento), CinemaX 6 5:30PM – The Calming (Song Fang), CinemaX 6   February 21 11:30AM – Malmkrog (Cristi Puiu), CinemaX 7 3:00PM – Her […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-18675","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/18675","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=18675"}],"version-history":[{"count":56,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/18675\/revisions"}],"predecessor-version":[{"id":18780,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/18675\/revisions\/18780"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=18675"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=18675"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=18675"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}