{"id":18201,"date":"2019-08-20T10:00:12","date_gmt":"2019-08-20T15:00:12","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=18201"},"modified":"2019-09-16T12:08:09","modified_gmt":"2019-09-16T17:08:09","slug":"tiff19-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2019\/08\/tiff19-schedule\/","title":{"rendered":"(Reic)hardt-less, (Reic)hardt-less, Never never out of control: a TIFF19 Schedule"},"content":{"rendered":"<p><span style=\"color: #ff9900;\"><strong>\u24c5<\/strong><\/span> is for Public<br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 5<\/span><\/strong><br \/>\n9:00AM &#8211; <strong>A Girl Missing<\/strong> (Koji Fukada) <span style=\"color: #cccccc;\">\/ Scotiabank 14<\/span><br \/>\n11:45AM &#8211; <strong>Saturday Fiction<\/strong> (Lou Ye) <span style=\"color: #cccccc;\">\/ Scotiabank 13<\/span><br \/>\n3:00PM &#8211; <strong>The Truth<\/strong> (Hirokazu Kore-eda)&nbsp;<span style=\"color: #cccccc;\">\/ Scotiabank 1<\/span><br \/>\n5:00PM &#8211; <strong>Synonyms<\/strong> (Nadav Lapid)&nbsp;<span style=\"color: #cccccc;\">\/ Scotiabank 11<\/span><br \/>\n9:30PM &#8211; <strong>Those That, at a Distance, Resemble Another<\/strong> (Jessica Sarah Rinland) <span style=\"color: #cccccc;\">\/ Lightbox 4<\/span><br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; preceded by <em>Heavy Metal Detox<\/em> (Josef Dabernig)<br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 6<\/span><\/strong><br \/>\n9:30AM &#8211; <strong>Blood Quantum<\/strong> (Jeff Barnaby) <span style=\"color: #cccccc;\">\/ Lightbox 2<\/span><br \/>\n11:45AM &#8211; <strong>Proxima<\/strong> (Alice Winocour) <span style=\"color: #cccccc;\">\/ Scotiabank 1<\/span><br \/>\n4:45PM &#8211; <strong>Three Summers<\/strong> (Sandra Kogut) <span style=\"color: #cccccc;\">\/ Scotiabank 8<\/span><br \/>\n7:00PM &#8211; <strong>Wavelengths 1: WLS19<\/strong> <span style=\"color: #ff9900;\"><strong>\u24c5<\/strong><\/span> <span style=\"color: #cccccc;\">\/ Lightbox 3<\/span><br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>Austrian Pavillion<\/em> (Philipp Fleischmann)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <strong>SaF05<\/strong> (Charlotte Prodger)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>Slow Volumes<\/em> (Mike Gibisser)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>The Bite<\/em> (Pedro Neves Marques)<br \/>\n9:30PM &#8211; <strong>Vitalina Varela<\/strong> (Pedro Costa) <span style=\"color: #ff9900;\"><strong>\u24c5<\/strong><\/span> <span style=\"color: #cccccc;\">\/ Lightbox 3<\/span><br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 7<\/span><\/strong><br \/>\n9:15AM &#8211; <strong>Cunningham<\/strong> (Alla Kovgan) <span style=\"color: #cccccc;\">\/ Scotiabank 4<\/span><br \/>\n12:15PM &#8211; <strong>Wet Season<\/strong> (Anthony Chen) <span style=\"color: #cccccc;\">\/ Scotiabank 9<\/span><br \/>\n3:00PM &#8211; <strong>White Lie<\/strong> (Calvin Thomas &amp; Yonah Lewis) <span style=\"color: #ff9900;\"><strong>\u24c5<\/strong><\/span> <span style=\"color: #cccccc;\">\/ Lightbox 1<\/span><br \/>\n6:30PM &#8211; <strong>Wavelengths 2: Sun Rave<\/strong> <span style=\"color: #ff9900;\"><strong>\u24c5<\/strong><\/span> <span style=\"color: #cccccc;\">\/ Lightbox 3<\/span><br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>2008<\/em> (Blake Williams)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>Amusement Ride<\/em> (Tomonari Nishikawa)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>Black Sun<\/em> (Maureen Fazendeiro)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>A Topography of Memory<\/em> (Burak \u00c7evik)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>Sun Rave<\/em> (Roy Samaha)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>(tourism studies)<\/em> (Joshua Gen Solondz)<br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 8<\/span><\/strong><br \/>\n11:15AM &#8211; <strong>Martin Eden<\/strong> (Pietro Marcello) <span style=\"color: #cccccc;\">\/ Scotiabank 9<\/span><br \/>\n<strike>4:30PM &#8211; <strong>Letter to the Editor<\/strong> (Alan Berliner) <span style=\"color: #ff9900;\"><strong>\u24c5<\/strong><\/span> <span style=\"color: #cccccc;\">\/ Scotiabank 4<\/span><\/strike> W\/O<br \/>\n7:00PM &#8211; <strong>Seven Years in May<\/strong> (Affonso Uch\u00f4a) <span style=\"color: #cccccc;\">\/ Scotiabank 5<\/span><br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; followed by <strong>My Skin, Luminous<\/strong> (Gabino Rodr\u00edguez &amp; Nicolas Pereda)<br \/>\n9:30PM &#8211; <strong>Wavelengths 3: Look Around<\/strong> <span style=\"color: #ff9900;\"><strong>\u24c5<\/strong><\/span> <span style=\"color: #cccccc;\">\/ Lightbox 3<\/span><br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>2minutes40seconds<\/em> (1975, Han Ok-hee)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>Hrvoji, Look at You From the Tower<\/em> (Ryan Ferko)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>Circumplector<\/em> (Gast\u00f3n Solnicki)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>C\u00e9zanne<\/em> (Luke Fowler)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>Second Generation<\/em> (Miryam Charles)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>Transcript<\/em> (Erica Sheu)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>Who is Afraid of Ideology? Part 2<\/em> (Marwa Arsanios)<br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 9<\/span><\/strong><br \/>\n8:45AM &#8211; <strong>The Moneychanger<\/strong> (Federico Veiroj) <span style=\"color: #cccccc;\">\/ Scotiabank 7<\/span><br \/>\n11:30AM &#8211; <strong>Knives Out<\/strong> (Rian Johnson) <span style=\"color: #cccccc;\">\/ Scotiabank 1 + 3<\/span><br \/>\n3:15PM &#8211; <strong>Endless Night<\/strong> (Eloy Enciso) <span style=\"color: #ff9900;\"><strong>\u24c5<\/strong><\/span> <span style=\"color: #cccccc;\">\/ Jackman Hall<\/span><br \/>\n6:45PM &#8211; <strong>Wavelengths 4: Lives of Performers<\/strong> <span style=\"color: #ff9900;\"><strong>\u24c5<\/strong><\/span> <span style=\"color: #cccccc;\">\/ Lightbox 3<\/span><br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>Billy<\/em> (Zachary Epcar)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>Remembrance: A Portrait Study<\/em> (1967, Edward Owens)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>Vever (for Barbara)<\/em> (Deborah Stratman)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>Book of Hours<\/em> (Annie MacDonell)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>We Still Have to Close Our Eyes<\/em> (John Torres)<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#8211; <em>This Action Lies<\/em> (James N. Kienitz Wilkins)<br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 10<\/span><\/strong><br \/>\n9:15AM &#8211; <strong>Uncut Gems<\/strong> (Josh &amp; Benny Safdie) <span style=\"color: #cccccc;\">\/ Lightbox 1<\/span><br \/>\n12:15PM &#8211; <strong>The Laundromat<\/strong> (Stephen Soderbergh) <span style=\"color: #cccccc;\">\/ Lightbox 1<\/span><br \/>\n<strike>4:00PM &#8211; <strong>Sound of Metal<\/strong> (Darius Marder) <span style=\"color: #cccccc;\">\/ Scotiabank 12<\/span><\/strike> W\/O<br \/>\n6:00PM &#8211; <strong>Wasp Network<\/strong> (Olivia Assayas) <span style=\"color: #ff9900;\"><strong>\u24c5<\/strong><\/span> <span style=\"color: #cccccc;\">\/ Scotiabank 1<\/span><br \/>\n9:15PM &#8211; +<strong>Libert\u00e9<\/strong> (Albert Serra) <span style=\"color: #ff9900;\"><strong>\u24c5<\/strong><\/span> <span style=\"color: #cccccc;\">\/ Lightbox 4<\/span><br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 11<\/span><\/strong><br \/>\n9:00AM &#8211; <strong>Marriage Story<\/strong> (Noah Baumbach) <span style=\"color: #cccccc;\">\/ Lightbox 1<\/span><br \/>\n12:00PM &#8211; <strong>Ema<\/strong> (Pablo Larra\u00edn) <span style=\"color: #cccccc;\">\/ Scotiabank 4<\/span><br \/>\n2:45PM &#8211; <strong>To the Ends of the Earth<\/strong> (Kiyoshi Kurosawa) <span style=\"color: #ff9900;\"><strong>\u24c5<\/strong><\/span> <span style=\"color: #cccccc;\">\/ Lightbox 1<\/span><br \/>\n5:45PM &#8211; <strong>Atlantis<\/strong> (Valentyn Vasyanovych) <span style=\"color: #cccccc;\">\/ Scotiabank 7<\/span><br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 12<\/span><\/strong><br \/>\n10:00AM &#8211; <strong>About Endlessness<\/strong> (Roy Andersson) <span style=\"color: #cccccc;\">\/ Scotiabank 14<\/span><br \/>\n12:15PM &#8211; <strong>Collective<\/strong> (Alexander Nanau) <span style=\"color: #cccccc;\">\/ Scotiabank 10<\/span><br \/>\n8:15PM &#8211; <strong>The Cave<\/strong> (Feras Fayyad) <span style=\"color: #cccccc;\">\/ Scotiabank 7<\/span><br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 13<\/span><\/strong><br \/>\n3:30PM &#8211; +<strong>I Was at Home, But&#8230;<\/strong> (Angela Schanelec) <span style=\"color: #ff9900;\"><strong>\u24c5<\/strong><\/span> <span style=\"color: #cccccc;\">\/ Jackman Hall<\/span><br \/>\n6:15PM &#8211; <strong>Rocks<\/strong> (Sarah Gavron) <span style=\"color: #ff9900;\"><strong>\u24c5<\/strong><\/span> <span style=\"color: #cccccc;\">\/ Lightbox 1<\/span><br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 14<\/span><\/strong><br \/>\n9:15AM &#8211; <strong>Clemency<\/strong> (Chinonye Chukwu) <span style=\"color: #ff9900;\"><strong>\u24c5<\/strong><\/span> <span style=\"color: #cccccc;\">\/ Scotiabank 1<\/span><br \/>\n12:00PM &#8211; <strong>My Zoe<\/strong> (Julie Delpy) <span style=\"color: #ff9900;\"><strong>\u24c5<\/strong><\/span> <span style=\"color: #cccccc;\">\/ Lightbox 1<\/span><br \/>\n7:00PM &#8211; <strong>Anne at 13,000 Feet.<\/strong> (Kazik Radwanski) <span style=\"color: #ff9900;\"><strong>\u24c5<\/strong><\/span> <span style=\"color: #cccccc;\">\/ Lightbox 2<\/span><br \/>\n&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 15<\/span><\/strong><br \/>\n9:45AM &#8211; <strong>The Vast of Night<\/strong> (Andrew Patterson) <span style=\"color: #ff9900;\"><strong>\u24c5<\/strong><\/span> <span style=\"color: #cccccc;\">\/ Lightbox 3<\/span><br \/>\n12:45PM &#8211; <strong>Heimat is a Space in Time<\/strong> (Thomas Heise)&nbsp;<span style=\"color: #ff9900;\"><strong>\u24c5<\/strong><\/span> <span style=\"color: #cccccc;\">\/ Jackman Hall<\/span><br \/>\n5:30PM &#8211; <strong>State Funeral<\/strong> (Sergei Loznitsa) <span style=\"color: #ff9900;\"><strong>\u24c5<\/strong><\/span> <span style=\"color: #cccccc;\">\/ Jackman Hall<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Films I have already seen:<\/span><br \/>\n<strong>Atlantics<\/strong> (Mati Diop)<br \/>\n<strong>Bacurau<\/strong> (Kleber Mendon\u00e7a Filho &amp; Juliano Dornelles)<br \/>\n<strong>Beanpole<\/strong> (Kantemir Balagov)<br \/>\n<strong>The Climb<\/strong> (Michael Angelo Covino)<br \/>\n<strong>Deerskin<\/strong> (Quentin Dupieux)<br \/>\n<strong>Dogs Don\u2019t Wear Pants<\/strong> (Jukka-Pekka Valkeap\u00e4\u00e4)<br \/>\n<strong>Frankie<\/strong> (Ira Sachs)<br \/>\n<strong>Fire Will Come<\/strong> (Oliver Laxe)<br \/>\n<strong>First Love<\/strong> (Takashi Miike)<br \/>\n<strong>A Hidden Life<\/strong> (Terrence Malick)<br \/>\n<strong>I Was at Home, But\u2026<\/strong> (Angela Schanelec)<br \/>\n<strong>The Invisible Life of Eur\u00eddice Gusm\u00e3o<\/strong> (Karim A\u00efnouz)<br \/>\n<strong>It Must Be Heaven<\/strong> (Elia Suleiman)<br \/>\n<strong>Krabi, 2562<\/strong> (Ben Rivers &amp; Anocha Suwichakornpong)<br \/>\n<strong>Les Mis\u00e9rables<\/strong> (Ladj Ly)<br \/>\n<strong>Libert\u00e9<\/strong> (Albert Serra)<br \/>\n<strong>The Lighthouse<\/strong> (Robert Eggers)<br \/>\n<strong>143 Sahara Street<\/strong> (Hassen Ferhani)<br \/>\n<strong>Pain and Glory<\/strong> (Pedro Almod\u00f3var)<br \/>\n<strong>Parasite<\/strong> (Bong Joon-ho)<br \/>\n<strong>Portrait of a Lady on Fire<\/strong> (Celine Sciamma)<br \/>\n<strong>Sibyl<\/strong> (Justine Triet)<br \/>\n<strong>Sorry We Missed You<\/strong> (Ken Loach)<br \/>\n<strong>The Traitor<\/strong> (Marco Bellocchio)<br \/>\n<strong>The Twentieth Century<\/strong> (Matthew Rankin)<br \/>\n<strong>Un Film Dramatique<\/strong> (Eric Baudelaire)<br \/>\n<strong>The Whistlers<\/strong> (Corneliu Porumboiu)<br \/>\n<strong>Varda by Agn\u00e8s<\/strong> (Agn\u00e8s Varda)<br \/>\n<strong>A White, White Day<\/strong> (Hlynur P\u00e1lmason)<br \/>\n<strong>The Wild Goose Lake<\/strong> (Diao Yinan)<br \/>\n<strong>Zombi Child<\/strong> (Bertrand Bonello)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u24c5 is for Public &nbsp; September 5 9:00AM &#8211; A Girl Missing (Koji Fukada) \/ Scotiabank 14 11:45AM &#8211; Saturday Fiction (Lou Ye) \/ Scotiabank 13 3:00PM &#8211; The Truth (Hirokazu Kore-eda)&nbsp;\/ Scotiabank 1 5:00PM &#8211; Synonyms (Nadav Lapid)&nbsp;\/ Scotiabank 11 9:30PM &#8211; Those That, at a Distance, Resemble Another (Jessica Sarah Rinland) \/ Lightbox [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-18201","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/18201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=18201"}],"version-history":[{"count":80,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/18201\/revisions"}],"predecessor-version":[{"id":18383,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/18201\/revisions\/18383"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=18201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=18201"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=18201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}